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anime

Japanator's Summer 2016 Anime Preview Guide!

Jul 04 // Josh Tolentino
[embed]35116:5717:0[/embed] Berserk Studio: Gemba, Millepensee (Teekyuu, Wake Up, Girls!) Broadcast Date:  July 1, 2016 (Streaming via Crunchyroll) An easy candidate for the most effin' metal anime of all time, Berserk has been adapted quite often. The new twist for this latest, TV series-sized attempt is that this will be the first time an animated adaptation has gone beyond the "Golden Age" arc. In all honesty, I couldn't tell you what all that actually means, as I've never seen or read Berserk. Does admitting that mean I have to hand in my otaku membership card? That dude sure does have a big sword, though. The series is airing now, and...well, there'll be more to say about it in our impressions.   [embed]35116:5718:0[/embed] Mob Psycho 100 Studio: BONES (My Hero Academia, Bungo Stray Dogs) Broadcast Date: July 12, 2016 (Streaming via Crunchyroll) "From the guy that writes One Punch Man" is probably one of the more effective marketing lines you could ask for these days, but in truth, Mob Psycho 100 seems to be a rather different beast than the saga of Saitama. Shigeo Kageyama (nicknamed "Mob" after the Japanese term for movie extras) is a completely unremarkable high school student, bar the fact that he's got prodigious psychic superpowers. Having superpowers can be a real hassle, though, so he keeps his emotions suppressed to force them into check.  Unfortunately, life usually happens in opposition to well-meaning plans, and things quickly threaten to produce emotional reaction in Mob, leading to the "100" in the title. For when his pent-up feelings reach the breaking point, bad stuff's going to happen. Between the sound of things and the deliberately laid-back aesthetic, Mob Psycho 100 seems to be aiming more a more psychological take on superpowers and action show tropes rather than the "sardonic-but-badass" angle One Punch Man typically explores. I'll be giving Mob Psycho 100 a look once it airs.   [embed]35116:5719:0[/embed] Danganronpa 3: The End of Hope's Peak Academy (Side: Future and Side: Despair) Studio: Lerche (School Live!, Monster Musume) Broadcast Date: July 11, 2016 (Future) and July 14, 2016 (Despair) Rejoice, players of Danganronpa, your questions will be answered! Danganronpa 3 arrives not in the form of a game (though an actual new Danganronpa title is in development), but as two simultaneously-broadcast anime series. The first, Side: Future, effectively acts as coda of sorts for Danganronpa: Trigger Happy Havoc, recounting the adventures of star Makoto Naegi and his fellow Hope's Peak survivors as they form the Future Foundation, and framed as a trial for Makoto himself in the wake of the events of Danganronpa 2: Goodbye Despair.  Side: Despair, on the other hand, promises the secret history of the cast members of Danganronpa 2, and what happened to them before they were thrown into the game. The reason this matters functions as a major spoiler, and both shows seem to presume a familiarity with the games. Both I and fellow Japanator editor Salvador G-Rodiles are big fans of the games. I'll be checking out Future once it hits, and Sal will look at Despair. If you want to catch up, both games are available on PS Vita and on Steam.   [embed]35116:5721:0[/embed] Orange Studio: Telecom Animation Film (Moyashimon, Phantasy Star Online 2) Broadcast Date: July 4, 2016 (Streaming via Crunchyroll) Time loop anime seem to be the new "superpowered highschoolers" anime in terms of trendiness right now, and Orange is exactly one of those. Like the leads of Steins;Gate, Re:Zero, and Erased, Naho Takamiya is given the chance to change her future, thanks to a letter written by herself, ten years from now, and sent to herself in the present. And it seems like many of future-Naho's regrets are tied to transfer student and love interest Kakeru Naruse. It's cool to see the sci-fi twists usually used on mystery and suspense fantasies applied to the more romantic stylings of shojou manga, and Orange seems to have a strong reputation in that crowd. I'm hoping to see a bit more of the show's high-concept sci-fi twist manifest itself among the feels and personal relationships. [embed]35116:5723:0[/embed] 91 Days Studio: Shuka (Durarara!! x2) Broadcast Date: July 9, 2016 (Streaming via Crunchyroll) Who would've thought that a studio whose staffers helped make shows like Durarara!! and Baccano! would go on to make a new show about the weird underground in a bustling, thriving city? I'm being facetious, but there's definitely merit in sticking with what you know. Following the latest seasons of Durarara!! x2, Shuka take on a setting that's new...-ish: Prohibition-era America. In the fictional city of Lorel, a young orphan named Avilo joins up with the local mafia outfit. The twist is that Avilo lost his family years prior in an attack by the same crime ring, so the newly made man is in it for revenge.  With the screenwriter of Joker Game, last season's bit of period fiction, and plenty of experience making multifaceted plots and juggling an ensemble cast, 91 Days looks like it might be a gritty winner.   [embed]35116:5724:0[/embed] ReLife Studio: TMS Entertainment (Actually, I Am..., Zetman) Broadcast Date: July 1, 2016 (Streaming via Crunchyroll) Ever wish you could go back in time and get a redo for your childhood mistakes? Perhaps relive your high school life knowing what you know now as a weathered adult? Lots of anime shows sure seem to think that's what we're after, but not all are as bald-faced about it as ReLife, where Arata Kaizaki, a beaten-down twenty-something stuck in a career and lifestyle rut gets the opportunity to take a magic pill that ages him down to a fresh-faced seventeen-year-old, to repeat a year of high school and refresh his life. It's a tempting premise mainly for the fact that Arata seems like a relatable sort of lead (at least in the mind of this beaten-down thirty-something), and some of the other twists appear to plant the seed for drama to come. I'm just hoping they don't mine the slightly creepy "adult man hanging out with underage kids" angle too hard.   [embed]35116:5727:0[/embed] Taboo Tattoo Studio: J.C. Staff (Selector Infected Wixoss, Flying Witch) Broadcast Date: July 5, 2016 (Streaming via Crunchyroll) Stop me if you've heard this one before, but Taboo Tattoo is about Japanese high school students who have special powers and a penchant for getting into fights with each other.  I am, of course, being hideously reductive, but suffice it to say that it's definitely one of those types of shows (the tattoo motif is particularly reminiscent of last season's Big Order), and while it seems unlikely to change peoples' minds, judgment will have to wait until we see more of it in action. For what it's worth, I'm digging the seeming emphasis on martial arts as opposed to "my power is a gnarly weapon". This might make for some cool action sequences.  There's also the backdrop, which casts the Tattoo powers themselves as developments in an ongoing arms race between America and the fictional nation of Selinistan. This might make for a good world-building opportunity to background the rest of the action, so there's hope for this one, at least.   [embed]35116:5729:0[/embed] Alderamin On The Sky  Studio: Madhouse (One Punch Man, My Love STORY!!) Broadcast Date: July 9, 2016 (Streaming via Crunchyroll) "Alderamin" sounds like the name of a sleeping pill, which makes sense, because the premise sounds like it could be something of a snoozer. Two nations, Katjvarna and Kioka, whose names sound like the noises you make when you're on Alderamin, are at war, and Ikuta, a lackadaisical and passive young recruit who joined the army with no interest in becoming an officer, has become Katjvarna's greatest military commander after a mere few years. The show purports to tell the story of how he got there. That sounds like it could be interesting, and given Madhouse's pedigree, there may be some potential in the visuals and war setting, but otherwise it sounds less like a historical chronicle than another hagiography in the manner of Mahouka. At the very least, I'm hoping this turns out less like that and more like Lord Marksman and Vanadis, a show that was at least enjoyable for its cast, if not for its tedious core principles.    [embed]35116:5730:0[/embed] Qualidea Code Studio: A-1 Pictures (Brotherhood: Final Fantasy XV, Asterisk War) Broadcast Date: July 9, 2016 (Streaming via Crunchyroll) What happens when you lock the authors of light novel sensations Henneko, Date A Live, and My Teen RomCom SNAFU to hash out a multimedia anime project? This thing, apparently, which frankly reads like it could've come from any single one of them. Get this: High-school age kids have superpowers and are now using them to defend the Earth from an unknown threat. Actually, the threat is aliens, which are literally called "UNKNOWN".  Great.    [embed]35116:5728:0[/embed] Sweetness and Lightning Studio: TMS Entertainment (Yowapeda, Bakuon!!) Broadcast Date: July 4, 2016 (Streaming via Crunchyroll) If you've been jonesing for another does of anime parenting to gush over, this season's successor to the likes of Bunny Drop, Barakamon, and the Yotsuba&! anime you'll never ever get looks to be Sweetness and Lightning.  That said, the show does seem to distinguish itself in that the father-daughter relationship here is a literal father-daughter one. No weird non-blood connections to pander to incest fetishists with (Lookin' at you, ending of Bunny Drop!).  It even starts off on a tearjerker, with the father, Kouhei, being recently widowed and struggling to raise his adorable kid Tsumugi without any domestic skills. Enter one of his students, Kotori, who's from a broken home and is looking for companionship, to teach her teacher in the art of domesticity. Sounds heartwarming enough to me, though given the dynamics at work there's some risk of Sweetness and Lightning dodging the incest trap and instead falling into the pothole of winter-spring romance.    [embed]35116:5731:0[/embed] Rewrite Studio: 8bit (The Fruit of Grisaia, Infinite Stratos) Broadcast Date: July 2, 2016 (Streaming via Crunchyroll) If you had the power to "rewrite" yourself, i.e. change your own story to suit your needs or whims (think "Editing your character sheet in D&D to give yourself all the best stats"), what would you do? The answer, if Rewrite has its way, is "have adventures and romance with saucer-eyed waifs and amnesiacs".  Indeed, 8bit and the team behind The Fruit of Grisaia are tackling the biggest Key visual novel adaptation since Little Busters!. I've never been a big fan of Key or Jun Maeda, but Rewrite sounds like it might be a different sort of beast, seeing as it was written not by Maeda but by Romeo Tanaka, writer of the superb Humanity Has Declined. I'm not sure if that will be enough to hook me into watching it, but it should be a bit different from the usual Key fodder.   [embed]35116:5732:0[/embed] The Morose Mononokean Studio: Pierrot (Naruto, Level E) Broadcast Date: July 3, 2016 (Streaming via Crunchyroll) You know what's big in Japan right now? Yokai. The diverse creatures of Japanese folklore have gone mainstream with the likes of Yo-kai Watch and other vehicles, and it's well deserved. I'm of the opinion that having culturally rooted monsters makes for more interesting design and interpretation that trying to come up with new designs from scratch (see how weird Pokemon have been looking lately). But this isn't a Yo-kai Watch preview though, it's one for The Morose Mononokean, which aims to take a daily-life angle on the godly and supernatural shenanigans covered by the likes of Hozuki no Reitetsu and Noragami. The titular Mononokean is a tea room that serves as the headquarters for an exorcist and the high schooler he takes under his wing. As it's based on a webcomic, I doubt we're looking at the next Monthly Girls' Nozaki-kun or something similarly good, but it'll have done its job if it manages to entertain and educate about Japan's supernatural bestiary.   [embed]35116:5733:0[/embed] Amanchu! Studio: J.C. Staff (Shana, A Certain Magical Index) Broadcast Date: July 8, 2016 (Streaming via Crunchyroll) Few anime are better known for being utterly chill than Aria. Set in space-Venice, the show followed the peaceful, if uneventful lives of a troupe of cute girl gondoliers. Now the same team and author are bringing things a little closer to home, by setting Amanchu! in the Tokyo of the present day, as a bunch of cute schoolgirls get really into diving underwater. It's basically ABZU, but with more cute girls and anime.   [embed]35116:5734:0[/embed] NEW GAME! Studio: Doga Kobo  (Plastic Memories, Himouto! Umaru-chan!) Broadcast Date: July 4, 2016 As someone who occasionally writes for Destructoid, I generally know more about game development than I do about anime production. Sadly, I can't say that the previews for NEW GAME! which sounds on paper like Shirobako-but-for-video-games seem all that accurate. But there's still hope, as Shirobako was far cuter and more positive than real-life anime production. Then again, NEW GAME! is aggressive about being cute in a way that I worry might undermine its potential to "tell it like it is". After all, Shirobako was cute and positive, but it also hinged on the kinds of personal relationships and procedural detail that made it so fascinating to watch. Is the crew that gave us Plastic Memories up to that? If they are, we could be sitting on this year's anime of the year. If not...well, it might at least be cute. Sequels, Shorts, and Other Notable Releases: My unfair bias against sports anime and male idol shows continues as I entirely forgot shows like B-Project and Tsukiuta exist. DAYS promises to bring an exotic sport called "Football" to the anime stage, while Battery debuts a sport that must surely be some fictional thing: Baseball. Cheer Danshi! follows around a group of male cheerleaders, which might be unusual had my own high school and university not had their own all-male cheer squads (Blue Eagles the king!). Also, Ouendan exists, so I'm good on that front. On the sequel front, the hilarious but ignored Cute High Earth Defense Club LOVE! gets a sequel, and signifies it by calling the second season Cute High Earth Defense Club LOVE LOVE!. The Seven Deadly Sins is also getting a new season, but may end up ignored if the streaming services lock it down until it's done like last time. After disappointing countless fans looking for the latest from the Code Geass guy, Active Raid shambles into a second offering of frustrating bureaucracy and nonsensical characterization. Barakamon, one of the more adult shows of its season, turns the clock back with a prequel, called Handa-kun. I honestly don't see the point of it, since the whole appeal of Barakamon was in its adult focus, but hey, it's anime after 2008, so high school must somehow be involved, or something. Either that or a raging war between two fictional countries and/or alien invaders. Food Wars, the one Shonen Jump titan you just can't dodge these days, is getting a sequel, and Nick Valdez will be leading the coverage of that. Love Live! hits the reboot button by introducing a gaggle of samefaced girls for Love Live! Sunshine!. Show By Rock! continues in its mission of making catgirls the default for idolatry. Regalia: The Three Sacred Stars is this season's original mecha production, and the fact that I'm giving it the afterthought space speaks to how aggressively generic it is. After duds like Argevollen and others, I'm wondering just what it would take to make non-franchise mecha shows as compelling as they used to be. At least Macross Delta is still running, which would give me the chance to write it up for once. While shows like Taboo Tattoo and Qualidea Code seem constructed to marvel at about how awesome things would be if we had superpowers, Saiki Kusuo no Psi-Nan puts it down for the "mo' powers, mo' problems". Philosophy. The titular character's prodigious abilities are making his daily life miserable, and the director of Cromartie High School is on hand to show everyone just how miserable things can get. I'm definitely down for that. Interestingly, only one overt "boobs anime" made the cut this summer: Masou Gakuen HxH, which doesn't beat around the bush. Its hero literally powers up the fighting girls by getting in close with their chesticles. I imagine a few Hunter x Hunter fans are feeling a bit insulted that this puerile hilarity has taken their beloved acronym while their joy goes on hiatus again. The one sequel I'm angling to watch this season, though, is The Heroic Legend of Arslan: Duststorm Dance. After finally catching up with the show, I already regret not having seen it from the beginning. The animation may have been blah and the quality uneven, but it's as worthy a successor to Legend of the Galactic Heroes as I've found in the last few years. And now this part of the show promises to go to some places of actual consequence. That should do it for our Summer preview. What are you angling to see this season?
Summer 2016 Anime Preview photo
Some like it hot
A happy Monday to you, and a happy July 4th to all our American readers! What better way is there to celebrate American independence than by staying home and watching a buttload of Japanese cartoons? Welcome to Japanator's Su...

Attack on Titan photo
Attack on Titan

Protect the walls: Attack on Titan Season 2 launches next Spring


It's time to grab our 3D maneuver gear
Jul 03
// Salvador GRodiles
If you've been waiting patiently for the next season of Attack on Titan, then you'll be glad to hear that the show's team has confirmed that its sequel will premiere in Spring 2017. The anime's staff made this announcement at...
Crunchyroll photo
Crunchyroll

Aw, snap: Crunchyroll enters the dub and home release field


How will this affect the anime market?
Jul 03
// Salvador GRodiles
If there's one unexpected piece of news to come out of Anime Expo '16, it's that Crunchyroll revealed that they're planning to release anime on Blu-ray and DVD with English dubs. The interesting thing about this announcement ...

Annotated Anime: Space Patrol Luluco episode 12

Jun 24 // Salvador GRodiles
It’s thanks to this format that Luluco has been a huge roll for a good while. While this episode wasn’t the one where the gang confronted the Blackholian’s leader, the whole thing played off nicely with the concept of how one values their feelings for their first crush. Since M.A.O.’s performance hit the right notes in delivering a powerful yet cute moment during Luluco’s big scene, it shows how everything was pieced together just for this big event. Hell, the team’s idea to give the whole thing a final battle treatment while our heroine sticks to her resolve gave it a dynamic that’s on the same level as the penultimate confrontation in most of Gainax and TRIGGER’s titles. Honestly, the big thing that made this whole thing magical was how everyone decided to set aside their differences to make sure that Luluco wins Nova over, as the whole thing breaks out into an all-out battle against the Blackholians. This whole build-up worked well in conveying the idea of someone who has the support of their close ones while they build up their confidence to confess to the person that they love. Considering that Luluco’s goal was powerful enough to get her parents to help her out, TRIGGER was able to bring us a neat take on the saying “Love conquers all!” Even when Imaishi and the TRIGGER veterans were putting Luluco and the gang through random situations each season, the one thing that always remained consistent was the heroine’s feelings for Nova. To an extent, this tone probably represents the obstacles that one has to deal with, as the insane situations could be a representation of the factors that attempt to ruin one's focus on their main goal. For a show that was presented as a short that was filled with many off-the-wall segments, Space Patrol Luluco managed to present its audience with a memorable love story of the season. This was thanks to TRIGGER’s subtle moments between Luluco and Nova, which served as a great pay off for people when it reached its climax. At the same time, their use of timing and anticipation in these scenes allowed for them to capture the hearts of people during these brief segments. In the end, it’s amazing to see that the show will end on us with a season that’s only one episode. Then again, TRIGGER might pull a fast one with this last segment, so it’ll be interesting to see how the chapter’s title will come into play. One thing for sure, this anime might take the prize as the best five-season series of the year. [Confess to Space Patrol Luluco at Crunchyroll]
Space Patrol Luluco photo
Double Love Xtreme!
For a second, I thought that Luluco’s fourth season was going to be the end the series. Not that I’m against there being a new season, as there are still many things that the show has yet to resolved. If anything,...

Would a Sailor Moon prequel work?

Jun 23 // Soul Tsukino
To answer that question, we should take a look at the series itself. Sailor Moon is a series about a teenage girl named Usagi (also known as Bunny or Serena depending on the source), who, along with her friends, turn out to be reincarnations of royalty that once ruled over the planets and the Solar System in a kingdom that was headquartered on the Moon. This Kingdom, known alternatively as The Moon Kingdom or the Silver Millennium, looked after all the planets with their own guardians under the eye of Queen Serenity. Unfortunately, the Silver Millennium came to an end thanks to a dark evil army of brainwashed or misguided Earthlings and a dark power known as the Dar Kingdom or the Negaverse as it was also known as.  Queen Serenity watches as her daughter, the prince from Earth, and the guardians are all killed during a horrific battle. Serenity uses all her power to send everyone to Earth to be reincarnated in the future and dies alone in the rubble of her own kingdom. In modern times, the Queen's daughter is reborn into a whiny but loving crybaby and her friends are the guardians for the past. Their powers all awaken to fight the evil kingdom that has also come around once again. They not only discover who they are now with super powers but also discover who they were long ago. As you may guess, there is a whole lot of back-story, no matter which version of the story you enjoy. A Moon Kingdom-based Sailor Moon series would open up a new and completely different story. Although only really referenced in passing or in flashbacks, the personalities of the main characters wouldn't be quite the same as they were in their modern forms. In the live action show, Pretty Guardian Sailor Moon, Usagi's Princess form was actually really scary and dark, even trying to destroy the world. I'm not sure I'd go that far, but there would be some differences to the bumbling crybaby that Usagi is known for. The big challenge would be the story itself. What would a bunch of teenage princesses actually do?  Sailor Moon, as great as it is, was a slave to the "monster of the day" formula that it inherited from the sentai shows that inspired it. The first few episodes introduced characters, then each episode afterward had the big villain have someone send out a monster to collect something (energy, pure dreams, so forth), the scouts would defeat them, wash rinse repeat. This wasn't an issue with the manga's story, but for television is was the routine. A Moon Kingdom centered story wouldn't really work with that formula. The story established by the previous media had the conflict largely be between distrustful human and those who lived in the Moon Kingdom. Not really a "monster of the week" kind of show. At least on its surface. So what would the story be then?  I think a cue from the manga would work. In the manga, the Princess Serenity was seen as a flighty princess who would sneak out of the kingdom and go to Earth to visit the prince that she loved, much to the other guardians' frustrations.  She would skip out on her studies and would shirk off responsibility.  Sounds like an interesting character for a slice of life show to me. Maybe not quite as light as say, Azumanga Daioh. A little drama about the worsening condition of the Earth and Moon relations would be a good backdrop. Just enough to keep a good overall story going. The big problem? The ending. Yeah, wholesale slaughter of all your characters is kind of a bummer.  Even if you were to string the ending to the rebirth part, it would really be a dark ending to what could be a really upbeat show. Sailor Moon has never been about that, and this show shouldn't either. The best option I see is to not take the story to that part. End the series before the story reached the point of all out warfare and show the better days of the Silver Millennium. Make the conflict something else, something lighter, something that can have a better resolution than a massacre. So would a prequel to one of the most well-known anime series work? Yeah, I think the concept has some legs to it. Would it be the same series we have been used to for the last 25 years? Probably not. But that doesn't mean it can't be a good show of its own. And that is ultimately what anime could use right now. What do you think? Let me know in the comments.
Sailor Moon photo
Would you watch it?
Sailor Moon is one of those shows that just about every anime fan has heard of. Even if you've never seen it, you've heard about it from someone you know. Hell, it was the series that really got me into anime when it was bein...

FFXV: Kingsglaive photo
FFXV: Kingsglaive

Here's your new look at the Kingsglaive: Final Fantasy XV CG movie


Advent...bodyguards?
Jun 17
// Josh Tolentino
Call me negative, but this hype campaign for Final Fantasy XV feels like it's getting a bit out of hand. I mean, look, the game is out in late September, and I'm sure it'll be fine but now we've got a new CG movie set to...
Gandalf x Fate/stay night photo
Gandalf x Fate/stay night

Here, let Gandalf lend some class to Unlimited Blade Works


I don't even care why
Jun 16
// Josh Tolentino
There are no words for this, besides "HOLY SHIT SIR IAN MCKELLEN JUST READ THE UNLIMITED BLADE WORKS INCANTATION". It's even funnier when you see the 77-year-old, award-winning British actor pause ever so slightly when he en...
Overwatch photo
Overwatch

Go full weeaboo with Overwatch's anime intros


Go further down this rabbit hole
Jun 13
// Josh Tolentino
Overwatch. It's all anyone can seem to talk about when it comes to hot new games, and with good reason: Blizzard's team shooter is kind of rad, and appeals to a lot of folks. Part of the reason for that is its deep bench...

Annotated Anime: Space Patrol Luluco episodes 5-11

Jun 12 // Salvador GRodiles
I don’t think the word "fun" is enough to describe the time that Imaishi and his crew are having with Luluco lately. From episode 5 and beyond, the team has been launching the series into greater heights than many folks have imagined. With her mother Lalaco showing great promise, she served as that piece to takes things up on a notch. In other words, the TRIGGER veterans must be having the time of their lives with this project. This might just be a speculation of mine, but I had a feeling that Lalaco being a space pirate was likely connected to one of Mao Ichimichi/M.A.O.’s previous roles. The reason behind this link was that she played as Luka Millfy/Gokai Yellow in the pirate-themed Super Sentai series known as Kaizoku Sentai Gokaiger, which featured a flying red pirate ship. When you look at Lalaco’s ship, the color scheme almost resembles the Gokai Galleon from the series. For now, this scenario might just be a coincidence; however, I still found this random observation to be something that helped make this arc more entertaining than it was. Most importantly, the big thing was how the series brought back elements from KILL la KILL, as Lalaco’s pirate outfit seemed like it was made from Life Fibers. Whether it is or not, the beauty about it was how it made way for the show’s TRIGGERverse season where Luluco and the group had to reclaim their home that was stolen by Lalaco. While we got to go back to KILL la KILL and Little Witch Academia during this arc, the highlight was the return of Imaishi’s Japan Animator Expo short, “Sex & Violence with Machspeed,” making a comeback. All in all, the clash between our heroine’s full-color palette with the world’s usage of black, yellow and white gave it a distinct style. The cool part was that it retained the Panty & Stocking-like humor that the original short had while maintaining the spirit of Luluco's randomness. Even though the series gave off a feeling that TRIGGER’s goal was just to have a blast and push things to overdrive, you have to hand it to them for inserting the pieces for the show’s climatic arc. From the “Alpha” and “Omega” terms in Nova’s name to Midori’s Black Hole App, the team harnessed these things that many people likely thought were just random and brought us a segment that took us back to the Anti-Spiral from Gurren Lagann— except that the show’s villain's scheme is all about stealing things. The thing that sealed it for me was the ongoing arc about Luluco’s love for Nova as tragedy befell the show’s main heroine. Perhaps the neat part about this scenario was how TRIGGER foreshadowed an element from it during the show’s ending sequence. It’s these little aspects that amplify the major parts of episode 10’s big scene— especially Lalaco’s reaction to the whole thing. Combined with a lecture by a certain iconic TRIGGER character in the episode after it and we have ourselves a wonderful moment that makes us want to root for the anime’s main heroine. When I first started watching Luluco, I wasn’t sure how to react to the show’s short length; however as I kept keeping up with each episode, I started to slowly see the vision that TRIGGER was going for as they threw a ton of unexpected challenges to force Luluco to aim high in her mission to save her father and her hometown, along with nabbing the guy of her dreams. From the looks of it, the show might be shooting for a theme about how one should just take a risk and plunge into whatever obstacle that you’re tackling for the first time, along with holding on to the things you value the most. Whether the team intended for Luluco to be the series that connects every original TRIGGER anime to create a TRIGGER-verse or not will continue to be a thing that’s up to the viewer’s interpretation of the anime; however, it might just be an idea they wanted to mess with for this title as it left us with some priceless scenes, such as the group defeating the Life Fibers with a simple solution. With Space Patrol Luluco Season 2 and 3 being a huge improvement over the first, it looks like the series finale will leave us surprised as something unexpected comes our way. Based on TRIGGER’s work so far, they’ll get to accomplish more things than a majority of anime titles that run for four seasons. Of course, the best part is that they’ll do it with lots of love and “Justice!”
Space Patrol Luluco photo
Is this the birth of the TRIGGER-verse?
You got to hand it to shows that outdo themselves to the point where they can convert any doubtful viewer into a fan. In this case, my concern for Luluco’s episode length was wiped out of my system as Imaishi and t...

Weekend Japanatainment - Asian Kung Fu Generation

Jun 05 // Red Veron
[embed]35073:5676:0[/embed] Song: "Rewrite" Album: Sol-fa (2004) Here is the song that put them on the map. This song was one of the later openings to the wildly popular Fullmetal Alchemist and this is one pretty good song to have in your opening. Fast and loud that is just good to get you ready for the more intense parts of the show.   [embed]35073:5677:0[/embed] Song: "Loop & Loop" Album: Sol-fa (2004) Here is a song that shows off their more chill side. Slower than other Ajikan songs that are more apt for anime openings, this is just one of their songs that is good for winding down but still retaining their great melody and other good stuff I cannot articulate since I do not know much about music terminology.   [embed]35073:5679:0[/embed] Song: "After Dark" Album: World World World (2008) A pretty good song that became an opening to the anime Bleach. The Bleach anime already has a lot really good opening visuals but I think this song just made that opening so much better.   [embed]35073:5674:0[/embed] Song: "Easter" Album: Wonder Future (2015) Here is something form their latest album and I've only listened to very little of it but I do like what I've heard so far. I am gonna listen to more on my upcoming trip and I plan to savor every second of it.   [embed]35073:5675:0[/embed] Song: "Re Re" Album: Sol-fa (2004) Anime: ERASED - A town without me When I sat down to watch the first episode of the ERASED anime, I was greeted by this song that sounded really familiar and suited the opening really well. Then I looked it up and realized that it was from one of Ajikan's early albums and that I had already listened to it for dozens of times in the past. I thought it was perfect in choice due to its quality and how it relates to the show's setting.   Is there an Ajikan song that you love? SHARE IN THE COMMENTS BELOW! I wanna know! Just paste the URL address in the comments to add the video link if you wanna share the video! Here is a link to some of their full music videos online for y'all to check out since YouTube doesn't them all: [HERE]
Weekend Japanatainment photo
Rockin' Since 1996
If you have been watching any popular anime from the last 15 years, you probably have heard of a song or two from the Japanese rock band Asian Kung-Fu Generation. Known to fans as "Ajikan" for short, Asian Kung Fu Generation ...

Annotated Anime: Haifuri episode 7

Jun 05 // Jeff Chuang
A hallmark of late-night otaku fare, self-awareness in anime is a well-respected and at times powerful tool. Just as much, it can be a barrier for shows to overdo its self-awareness, wringing the story dry of any compelling qualities besides never-ending stream of references. I think Haifuri strikes a natural balance where the ludicrousness of its premise set the anchor to as how much of that fourth wall it chooses to lean on. In other words, the show knows what you're thinking, and does enough to assure you that it also knows, with tongue fully planted into cheek. That said, I nearly lost it when the electronic bidet extended into its full swing, give or take a few seconds for my brain to register what was happening. After all it's not every day you get to see one of these in action, even if you live in Japan. And I mean, is this the kind of toilet humor we want--a young lady unintentionally spraying seawater up her nether region? I think so--it's the most improbable of its kind, and creative to boot, executed tastefully. If there's any fault, it's just the bizarreness of this hypothetical is already one step too far from normal to begin with, now we're one robotic water-sprayer away further from what is sensible. It totally distracted me from perhaps another relapsing episode of the "beach" as the girls are still on a boat. Swimsuits are always game. And this time it's because there's no water?In some ways Haifuri even took that up a notch with Scuba wet suits even, as later on some members of the class went to search for missing passengers inside a sinking ship. In expected Haifuri style, the second half of the episode recovers from your weekly half-dose of a sailor's life and dive into some character development. Here is the other noteworthy tongue-in-cheek highlight: when our vice captain finally addresses her complain about the captain running headfirst into trouble, and heads her first away team. It is in these awkward repetitions where a sensible theme emerges about taking responsibility as captain and as someone who is the most important also have to do the most hands-on, or tries. It is a very positive leadership message in my opinon and they were able to convey it successfully, if a bit clumsy. There's a sense of poetry too, when we discover the lost being was a cat and not a child. In a series where the characters inherit household pet-cat names and cats inherit names of past admirals, I guess it makes sense--it makes Haifuri sense, which is probably a degree apart of the more common variety. In any event, Haifuri was able to keep its serious moments rooted in tension. In her moments of desperation, Shiro-chan felt like a converted woman, at least. It is in these moments where Mike-chan grows somewhat as a believable character and less an average spatz-head protagonist, as we assume the level-headed Shiro's point of view. And yes, even at this point, Haifuri is still dropping hints about more development, although we are taking a breather across the board. As Haifuri's mission changes from a survival-renegade mode into search-and-rescue maybe we'll get back into the fray of naval battles. [Watch Haifuri ion Crunchyroll, Daisuki and Funimation!]
Haifuri photo
No water on a boat
As Harekaze's expedition drags on in the search of her missing fleet, the crew runs low on water. It is then we get these hijinks about what saltwater can do for you, or not. The story carries on despite these distractions as this week, High School Fleet performs a search and rescue of a civilian cruiser.

Storming the Sunshine State: A look at MegaCon 2016

Jun 04 // Salvador GRodiles
Even though MegaCon’s big anime related events were mostly related to FUNimation’s voice actors, each panel had its hosts express their points in a way that brought inspiration and joy to the audience. Since the convention’s main content seems to focus on mainstream stuff, this choice benefited the con’s themes nicely. One new thing that the convention did this year was that they got Ryo Horikawa (Dragon Ball Z’s Vegeta, Samurai Sentai Shinkenger’s Akumaro) to attend the con. During the first Horikawa panel, I got to ask him about his challenges that he faces in voice acting and acting, along with the differences between voice acting in anime, voice acting in tokusatsu, and acting in live-action shows. “Acting and voice acting require the same type of motivation,” said Horikawa. “Having the same level of expectation for myself is the challenge I face in voice acting and acting.” One of the most entertaining things about the panel was when he said Vegeta’s line from Dragon Ball Z: Battle of the Gods when Beerus slaps Bulma as a request to one of his fans. Overall, it was priceless to hear him shout “What the fuck are you doing to my Bulma” in his Vegeta voice in English. Unfortunately, the folks at MegaCon couldn’t afford to have Horikawa do a concert at the event; however, they’re hoping to make that happen if they get him to come back. Either way, it was nice to sit through his panel while he answered his fan’s questions, along with talking about some of his future plans. Among these plans is his goal to open branches of his voice acting school in America and other parts of the world. He also promoted the third season of the Rainy Cocoa anime, which they’re hoping to release this fall. To top it off, Horikawa talked about a Rainy Cocoa café that’ll open in Hawaii, and some of the title’s voice actors will appear at the place when it opens. I may’ve not watched Rainy Cocoa or read the digital manga, but it was neat to see the folks behind the series doing their best to do neat things with the brand for folks overseas. Aside from Horikawa’s panel, there was a Dragon Ball Z Mega Panel and a segment called “Viva Vegeta.” The DBZ segment had Horikawa alongside Sean Schemmel (Dragon Ball Z’s Goku and King Kai), Eric Vale (Dragon Ball Z’s Trunks) and Monica Rial (Dragon Ball Z’s Bulma) of FUNimation, which mostly focused on them answering a couple fan questions. A neat part of this panel was hearing Schemmel talk about his transition from Americanizing anime to creating a localization that does justice to the show’s original Japanese track. “American kids don’t get anime— I don’t believe in that,” said Schemmel. Another neat moment from the panel included everyone admitting that Goku is a terrible father, with the best parent award going to Piccolo and Vegeta. Then the Viva Vegeta segment had Horikawa hosting a segment with Chris Sabat (Dragon Ball Z’s Vegeta, YuYu Hakusho’s Kuwabara), which resulted in such neat exchanges, such as Horikawa being impressed at Sabat for voicing four or more characters since Ryo mentioned that he could barely do two roles at once in one title. The other interesting part was when Horikawa talked about how it takes four hours to record a 30-minute anime, which lead to Sabat telling the audience that in the U.S. the recording time is 25 hours. This part gave the audience an idea on some of the differences between the Japanese and English voice acting process in anime. Just like the previous panels, it was interesting to hear about the various stories and experience that the voice actors went through in life. As a person who finds these kinds of things interesting, I ended up having a blast with the con’s segments with Horikawa and FUNi’s folks. While MegaCon ’16 didn’t that many performance-themed events like Metrocon, I was able to see a show that was done by Noise Complaint, a tap dancing group that does performances themed around anime and video games while cosplaying the characters that correspond with the motif. Instead of dancing to the entire soundtrack from the medium their show is based on, they actually take the time to find well-known songs that’ll match the topic’s theme. For example, their Sailor Moon-themed show featured tunes that went well with the concept of girl power. Overall, the group did a great job with matching their footsteps to each song that was playing during the show. The most impressive part about Noise Complaint's performance was when the group's Lead Dancer Jenne was changing her dancing stances while maintaining the rhythm that the rest of the performers were holding. Even though I didn’t get to explore a lot of the dealer’s room at the con, the three places I got to check out resulted in some great times. One of my encounters was when I came across a booth for Ranger Stop, a Power Rangers-themed convention that’s usually held in the fall in Orlando, Fla. The person who was at the booth happens to be Jon, who’s also part of the group Toy Bounty Hunters, which had a segment about Marvel’s connection to the Super Sentai franchise. As a person who kept up with his videos, it was amazing to get to talk to him about tokusatsu and the con, such as the benefits of MegaCon's growth on the sellers. I also got to meet Careless of the Video Game Music Group Careless Juja and former member of the Video Game Music Band Random Encounter. He talked about Liberty Deception, an indie comic book that takes place in a colony that was the result of a terraforming project gone wrong, along with how he got to go to Europe with the Video Games Live group, a video game music-themed concert that occurs in various parts of the world. Since I got to see Careless perform at Video Games Live, in Miami with Random Encounters, it was a joyous moment seeing the guy in person. The last place I got to drop by was Illustrator Travis Earls’ booth. While he wasn’t at his booth, I got to see his manager known as Donut talk about the guy’s latest comic book, Power. Based on what he told me about its first issue, Earls’ book is a horror take on the elements found in the Power Rangers and Super Sentai franchise. Seeing that Earls is one of Ranger Stop’s featured artists, his armored suit designs for his heroes work well with the dark tone of his story. In terms of the cosplays encountered throughout the con, it was neat to see a few folks who went as characters from the Danganronpa series. Among these cosplayers was a group that went as Yashuhiro, Nagito, Chiaki and Ibuki. On top of that, I came across a person that was wearing a Monokuma suit. Let’s just say that we made a deal to bring everyone on Japanator into a state of despair. Surprisingly, I found some people who wore the Rathalos and Zinogre armors from the Monster Hunter series, along with a cosplayer who went as Haseo from the .hack//G.U. trilogy. Hell, I was even able to find someone going as Kamen Rider Stronger and Power Pool, a fusion between Deadpool and the Green Ranger; thus fulfilling my usual convention-related goal to find folks who’re cosplaying characters from tokusatsu titles. Last but not least, I found a group that went as Captain Gundam and Shute from SD Gundam Force. This lead to me obtaining a meal called Captain Punch, which is the process of pouring Hawaiian Punch into a bowl of Captain Crunch. Overall, the combination gives the cereal a sweet fruity flavor that puts Crunch Berry to shame. Of course, it packed quite a punch. As fun as my fourth MegaCon trip was, the event was far from perfect. Just like Former Japanator Editor in Chief Tim Sheehy’s experience with Sakura-Con ’14, the convention’s format hindered the folks of the press. Since the staff didn’t let the folks with the Press Passes enter the events before everyone else, this made it difficult for me to properly cover MegaCon ’16’s offering since I had to head to the panels before the lines got too big. While the badge did allow me to sit in the areas where folks with VIP tickets could sit, this only worked for me in one panel, as the con’s staff didn’t grant me this privilege in the other events. Another problem was that there were panels that were happening at MegaCon that weren’t even listed on the schedule pamphlet that attendees pick up at the door. Sure, their time and locations were listed in the con’s Website, but it’s still inconvenient that these things aren’t listed in the event’s program book. For example, there was a panel about the growth of Florida’s anime community that was happening on Thursday; however, I couldn’t find it in the booklet for the con. Seeing that this is the first time that MegaCon was a four-day event, I’m going to guess that this likely one of the sources of the convention's problems. That, and Fan Expo HQ, the current owners of MegaCon, were still trying to get used to the Orange County Conventions layout. While it’s understandable that most events could face some issues when the management changes, it’s unfortunate when they hinder the folks with press passes who’re trying to cover the event as much as they can, so they can provide coverage to their readers who couldn’t go to it. Despite MegaCon ’16’s problems with how they managed the Press Pass holders’ privileges, I still had a blast with the convention’s panels and offerings. With Fan Expo HQ having a few conventions under their belt, they were able to bring in some solid guests (such as Ryo Horikawa, Stan Lee, Joe Madureira and David Hayter). To an extent, these segments warranted the $90 to $100 price tag for the events tickets— as long as you’re going for the full con experience. Also, it was neat to see Cosplayer PikaBelleChu's Pikachu Bug at the convention. Even though my time with the con’s anime panels was mostly with the FUNimation ones, there is also a good chunk of events that covered other topics, such as the panel about How Watching Anime Might Lead To Better Grades and one that introduces folks to healing anime titles. Due to MegaCon’s large size, I wasn’t able to catch the other panels that focused on different aspects of the anime community. However, judging from their synopsis, they all seemed fun and intriguing. At the end of the day, my fourth time with MegaCon ended up being better than I expected. While the con didn’t have that many performance-related events like Metrocon, the panels made up for it. Since the anime stuff was mostly catered to the mainstream audience and folks looking to expand their horizon what titles to check out, MegaCon’s anime offerings might not appeal to people who’re very familiar with the medium— unless if they’re a fan of FUNi’s voice actors and are interested in the anime panels that feature analysis on certain things. However, the convention’s large focus on Western films, TV shows and comic books might act as an extra layer to improve the experience.
MegaCon '16 photo
Fourth time is definitely a charm
Before I started my journey to this year's MegaCon, my previous visits to the event in Orlando, Florida. were alright. However, this was due to my friends and me spending most of our time inside of the event's dealer’s ...

Weekend Japanatainment - Opening Parody Edition

May 29 // Red Veron
[embed]35054:5657:0[/embed] Anime: SLAM DUNK There are many attempts at parodies of this anime's opening and some may wonder why many choose this show. This show happens to be one of most popular anime and manga in Japan and also a favorite in many countries around the world. There was another older parody video of this anime but I cannot find it and it happens to be one of the earliest ones around the internet. Just settle for this newer one.   [embed]35054:5658:0[/embed] Anime: Sailor Moon This is a great example of good editing and costume design as well as adding in comedic elements such as having a person dress up as a character while bearing no resemblance to the character while still in a accurate costume.    [embed]35054:5659:0[/embed] TV Show: Kamen Rider Black (Original Above, Parody Below) This is a great opening sung by the actor who plays the eponymous Kamen Rider Black, and the opening is 99% motorcycle riding. The parody below is pretty spot on with the riding the bike.   [embed]35054:5660:0[/embed] TV Show Parody: Kamen Rider Black Literally shot in someone's neighborhood with cobbled together cosplay. I love it.   [embed]35054:5661:0[/embed] Anime: Neon Genesis Evangelion Another nicely made opening parody with good costumes with possibly just one person dressing up as most of the characters. There may be more actors but the quick snappy editing matches the original so well that it's hard to tell.   [embed]35054:5662:0[/embed] Anime: Lucky Star (Full Parody Below for your viewing pleasure) Oh God, why.   [embed]35054:5663:0[/embed] Anime Parody Video: Lucky Star WHY GOD?! WHYYYYYYYYYYYYYYYYY?   [embed]35054:5664:0[/embed] Anime Parody: Nichijou This is an odd one since this is not from fans but from a real company that makes video of a mature nature for people over the age of 18. This is very much a shot for shot remake of the original opening and is very well done. They spent a lot of real money on the production and I am very much impressed. Also, there is like one male actor in this opening who plays all the male roles in the opening.   Are there any opening or ending parodies that you love? SHARE IN THE COMMENTS BELOW! I wanna know!  Just paste the URL of the Youtube video into the comment!
Weekend Japanatainment photo
IRL Anime Homemade Openings
The word 'Parody" is defined as "an imitation of the style of a particular writer, artist, or genre with deliberate exaggeration for comic effect" and this week's Japanatainment is all about parodies of openings from anime an...

Week Ender - Super Sentai Edition

May 28 // Red Veron
[embed]35052:5653:0[/embed] Kaizoku Sentai Gokaiger (2011) This is the 35th anniversary entry in the long-running Super Sentai series, with the rangers having the special ability of transforming into past rangers and using the past rangers' special abilities in fighting evil. This season was also used to celebrate the 20th anniversary of Power Rangers.   [embed]35052:5654:0[/embed] Samurai Sentai Shinkenger (2009) I loved this season since it was more serious and not as goofy as the other seasons. The theme was all about Samurai, the sword wielding loyal warrior servants from olden Japan, and the samurai in the show portrayed with reverence.   [embed]35052:5655:0[/embed] Hikari Sentai Maskman (1987) Sorry, I couldn't find the original Japanese version which have disappeared since the last time I checked. This ending is the version I grew up watching in the Philippines every Sunday afternoon and I always enjoyed the ending since it was still action packed like the opening.   [embed]35052:5656:0[/embed] Kyōryū Sentai Zyuranger (1992) This is the strangest and most fun ending here from the show that was the basis for Mighty Morphin' Power Rangers. Enjoy the song.   Is there a Super Sentai show that you love? SHARE IN THE COMMENTS BELOW! I wanna know!
Week Ender photo
Fighting Evil Beasts in the East
There is nothing more 70's than Super Sentai and to this day, it still feels like a product of its time. You still have brightly colored heroes performing acrobatics and a lot theatrics fighting rubber suit monsters but ...

Ghost in the Shell photo
Ghost in the Shell

Ghost in the Shell live-action gets Rila Fukushima


But who will she be?
May 27
// Josh Tolentino
The seemingly unending saga of Hollywood's adaptation of Ghost in Shell continues, as hubbub about the long-in-making film has morphed from justified concerns over the quality of the adaptation (which haven't gone away, ...

Annotated Anime: Haifuri episode 6

May 26 // Jeff Chuang
While the Harekaze is not losing any steam, we're at the point of the show where there isn't a whole lot to say. The mystery of the disappearing and mutinous ships continues to push the plot forward and keep up the tension, but we now have the alien rodents squarely in the view. The rest of us just have to cope with the bizarre mix-and-match of cute girls doing cute things and a very diverse and expert set of skills that somehow got assigned onboard the bottom-barrel school-boat. This week's Haifuri builds on last week's with more big-picture setup while the crew deal with more mundane things, from cooking German foods to make Mina more at home, to setting up mine sweeping to clear out the stray mines that Harekaze found themselves in. The naughty threat on the high seas turned out to be genetically modified mice who can interfere with electronics and make people go crazy once the virus carried by the rodents infect their victims. Naturally, this leads to a lot of other questions, and those questions will have to be the new fuel in the boiling furnace of the collective curiosity of Haifuri's viewers. The show takes a few moments to also build up a few intercharacter narrative strands. These big words don't really fit what has happened, but Kuro-chan, the disgruntled engineer and fan of Shiro-chan, tries to dig into the all-too-nice Mike-chan. It's not quite the cat fight Haifuri needed, but it certainly drops some interesting new threads to the oddly upbeat voyage where the girls are always in a pinch. The transitional episode, however, doesn't leave much to say besides all the building up High School Fleet is doing. I think the whole complaint-about-Mike-chan-running-off bit is going to come around pretty soon. At least now I have some time to learn more of their names. [High School Fleet is streaming on FUNimation, Daisuki and Crunchyroll]
Haifuri photo
Virus on a boat
Believe it or not, in 6 episodes a lot has happened in High School Fleet. Our high school frosh class of seafarers swept mines, dodged torpedos, avoided cannon fire, foiled mind-control mice, and developed a vaccine for the possible viral condition that these strange rodents carry. It's surprisingly more like Star Trek than ever.

MegaCon '16 photo
MegaCon '16

Japanator is going to MegaCon '16


Fourth time's a charm
May 25
// Salvador GRodiles
As a quick heads-up, Japanator is heading to MegaCon 2016, which is located in Orlando, Fla. One thing that makes the event special is that it's one of Florida's largest conventions. Even though MegaCon is mostly themed ...

OP Up! - Super Sentai Edition

May 25 // Red Veron
[embed]35043:5647:0[/embed] Kyōryū Sentai Zyuranger (1992) This is the season that became the basis for Mighty Morphin' Power Rangers and started the series. The adaptation only took footage from the source and not much in the premise of the original.   [embed]35043:5648:0[/embed] Hikari Sentai Maskman (1987) This is the show that I grew up watching every Sunday evening in the Philippines, and I have a very soft spot for this show.   [embed]35043:5649:0[/embed] Unofficial Sentai Akibaranger (2012) This is a parody of Super Sentai and a comedy that celebrates the superhero franchise as well as poking fun at it at times.   [embed]35043:5650:0[/embed] Toei's Spider-Man (1978) Why is this one here? This show happens to be the reason we have the iconic giant piloted mecha in the Super Sentai. The show is written more like a Japanese tokusatsu show than the comic books they were based on though US comics at the time were just as ridiculous with the plot lines but more grounded. This Spider-Man also shows up in the Spider-Verse event last year along with his giant robot.   [embed]35043:5651:0[/embed] Battle Fever J (1979) This show was considered to be the first Super Sentai show until 1995 when the two shows that came before it were considered to be part of the Super Sentai. This show is also a Marvel co-production and is considered to be part of the Marvel Multiverse.   Is there a Super Sentai or Power Rangers opening that you love? SHARE IN THE COMMENTS BELOW! I wanna know!
OP Up! photo
Japanese Superheroes
This week is a special edition of OP Up! and Week Ender, where I am featuring openings and endings from the long running live action super hero series for kids from Japan called "Super Sentai". This franchise belongs in the "...

Weekend Japanatainment - Japanator Youtube

May 22 // Red Veron
[embed]35029:5640:0[/embed] Let's watch the former Japanator writer Dale North make some katsudon! More details here.   [embed]35029:5641:0[/embed] Here is a video about a Japanese capsule hotel by former Japanator writer Kristina Pino.   [embed]35029:5642:0[/embed] Look forward to many of our Let's Plays live every weekend on our Twitch channel and our past videos savedon our Youtube page! Here is the first part of Japanator writer Sal's playthrough of DanganRonpa.   [embed]35029:5643:0[/embed] Here is a video of mine from Anime Matsuri 2009 where I got the super talented dancing sensation Strong Machine to autograph the "Desutoid" helmet, the cosplay version of the Destructoid mascot. Destructoid is the video game sister site of Japanator and is a big deal in the video game press scene.   [embed]35029:5644:0[/embed] This is a history of Japan, think. I dunno what is this even.   Don't forget to check out more at our official and main Japanator YouTube page here.
Weekend Japanatainment photo
We have a Youtube Page
Hey readers! I thought it would be the perfect time to tell you all about our Japanator YouTube page where we have some nice video content and will have some more Japan-centric video entertainment in the future. We're plannin...

R-Type photo
R-Type

Feast your eyes (but not your ears) on this awesome R-Type tribute


No one dies on the first boss
May 22
// Josh Tolentino
Animation savant Paul "Otaking" Johnson has struck again, following up his great, '90's-style anime tribute to TIE Fighter with a similar tribute to the classic shooter game R-Type. Once again, Johnson's mastery of the ...

Week Ender - JC Staff Edition

May 21 // Red Veron
[embed]35028:5630:0[/embed] "Let me be with you" Anime: Ikkitousen For  a show about busty beauties beating each other up while ripping each other's clothes off in the process, this ending happens to be more serene and gentle while tugging on some emotional heartstrings using a song that you wouldn't expect in such a show.   [embed]35028:5631:0[/embed] "Nippon Egao Hyakkei" Anime: Joshiraku This is a show that is super dense with Japanese culture references old and new that it makes it very unlikely to ever be localized in the West. Props to the person who did the fansub, you the real MVP. This is an enjoyable show even if you don't get the references and rife with visual gags. Much more comedy than "cute girls doing cute things", this is a show that more people should see and enjoy, the setting gives it a different flavor than most shows.   [embed]35028:5632:0[/embed] "Dear Brave" Anime: Heavy Object I've heard great things about this show but haven't been able to check it out. I do love the song in this ending with the sweet vocals provide a nice accompaniment to the visuals of the heroine, showing off her gentle feminine side more in a show about war.   [embed]35028:5633:0[/embed] "Nichijou no Mahou" Anime: Flying Witch This ending provides a good way to end each episode of a such laid back show. This show is a pure joy to watch and has that cute calmness to it.   Is there an anime/opening/ending from JC Staff you enjoyed? SHARE IN THE COMMENTS BELOW! I wanna know!
Week Ender photo
Since 1986
JC Staff is a studio that's been around since 1986 and has worked on at least 300 shows, with such a large body of work they might have made something you probably love or enjoyed in the last three decades. So I've chosen a v...

Yuko Mizutani photo
Yuko Mizutani

Veteran voice actress Yuko Mizutani passes away


Gone too soon
May 20
// Josh Tolentino
Deaths may be a fact of life, but it's always sad when someone is taken too soon. That's the case for Japanese voice actress Yuko Mizutani, a veteran of Japan's voice acting scene who was best known for playing Sakiko Sakura,...
Idolmaster/Civil War photo
Idolmaster/Civil War

Get Lady for idol-on-idol violence in this Marvel-Idolmaster mashup


Pick a side, Producers!
May 20
// Josh Tolentino
Putting anime in my superhero comics? It's old hat. But putting The [email protected] in my blockbuster Hollywood hero brawls? Now that's something I can get behind! From the galactic heroes at Bin1 Pro...

OP Up! - JC Staff Edition

May 19 // Red Veron
[embed]35026:5621:0[/embed] "Hey World" Anime: Is It Wrong to Try to Pick Up Girls in a Dungeon? Here is a show with both a ridiculous title and has ruined google search results for certain Greek gods for a while. This is the show that popularized the "boob string" thing that has been pretty much forgotten along with the show.   [embed]35026:5622:0[/embed] "Light my fire" Anime: Shakugan no Shana III Here is a rockin' opening for popular Shana series. It's got an otherworldly supernatural magic mixed with a modern day urban setting with a short and petite swordwielding girl with red hair. It has everything I want but I still haven't gotten that far in the first season of this show. Definitely in my Top 20 list of shows I need to to watching.   [embed]35026:5623:0[/embed] "Kawaru Mirai (カワルミライ)" Anime: Heaven's Memo Pad Here is a detective show with a cute NEET (which stands for No Employment, Education, Training) detective handling crimes and murders in Tokyo. It's a mix of mystery and light action in an urban setting, which I highly recommend.   [embed]35026:5624:0[/embed] "Silky Heart" Anime: Toradora A popular show about love story featuring a short petite tsundere and a secretly nice mean looking guy. This opening has a really catchy song and is very nicely made to suit the beats of the song.   [embed]35026:5626:0[/embed] "Kibou no Uta" Anime: Food Wars: Shokugeki no Souma It's that show that has very nicely drawn food as well as some fanservice (for those who like men and women) for a great feast for the eyes. Shounen cooking shows aren't rare but we haven't gotten a new one lately and we've been due for one in a long time.   Is there an anime and/or opening from JC Staff that you love? SHARE IN THE COMMENTS BELOW! I wanna know!
OP Up! photo
Three Decades
JC Staff is a studio that has been around since 1986 and has made a lot of shows and probably some of your favorites as well. Most of their shows are very beautifully made and they've made a few of my favorite shows, which I'...

Tales Worth Telling: On Manga, Anime, and how they changed Japanese storytelling

May 16 // Yussif Osman
Japan has a long and vibrant tradition of storytelling. Of course, there is the current massive industries of anime, manga, light novels and video games, but long before television and anime there was kamishibai, a practice where a street performer would narrate a tale whilst flipping through illustrations on a mobile stage; or rakugo, where the comic or storyteller would perform multiple characters in dialogue with one another with nothing but a fan with which to gesture, meaning characters had to be well developed and distinct. And then there is kodan, the heroic tale and predecessor to modern Shounen series. Stories told in these ways, for the Japanese people became news and sensation, novel and theatre for people of all classes. A culture so drenched in the art of storytelling has a great deal to teach the world about how to build worlds, create characters and set plots in motion. In contrast to much of Western media, the bestbetter anime and manga do not patronize the viewer or reader. One Piece for example, is not about what someone thinks people want to see, it is about the story the author and artists want to tell. Hayao Miyazaki was once asked about the creative process for a creator in Japan, in contrast to a creator in the West. In the West, films are often made by committee. I am not saying there is anything wrong with writers' rooms, on the contrary, collaboration can be a wonderful thing, the problems arise when a studio, which has ultimate creative control over a property, makes assumptions about what people want to see. A number of films come to mind, Fox's interference on Josh Trank's Fantastic Four or the X-men movie universe as a whole, where executives felt the need to simplify characters for an audience who just 'won't get'. I also think of the 4Kids dub of One Piece, where it was assumed that orchestrated music would not appeal to young viewers and certain themes would be inaccessible. I'm not saying that this never happens in Japan, in fact it's probably happening now more than before, but for the most part, Japan with its massive storytelling industry has put emphasis on the importance of story and not just delivery. This is evident in a passion for characters in and of themselves and in a will to drive story and touch readers and viewers, to say something true about the human condition, more than just attempting to entertain. This is storytelling for storytelling's own sake. When composing each new story, Hayao Miyazaki was concerned with just that, the story, something he has said himself. Japanese animation has confronted the world with rich and deep stories with both real and bizarre characters that speak about what's real in us, in the human condition. One Piece, which is the manga and anime I will use as my primary case study comes to mind here. Overwhelming enemies who engage in fantastic and brutal battles with the rubbery Luffy says a lot about life and the need to overcome moments of adversity by literally bouncing-back and meeting life head on, thus the head-strong, if not simple character of many Shounen heroes. Even these stories, in all their whimsical adventure, do more than just entertain, they resonate, like I've said before in my article on Digimon, high stakes make for high hopes and therein I believe lies the appeal of epics like Attack on Titan and why it became so popular. And outside the Shounen genre and the work of Hayao Miyazaki we have a plethora of incredibly moving stories, from Makoto Shinkai's 5cm per Second to works such as The Girl Who Leapt Through Time and The Boy And The Beast, you have a compelling and grounded premises with fantastical characters and circumstances which only enrich and make more vivid the narrative as the characters themselves remain very human, full of awkward subtleties and quirks which make it possible to empathise with them. At this point, I would like to bring up the tradition of drawing on manga to create anime. There are huge benefits to doing this, not simply because you can simply copy a story on to the screen because it often doesn't work that way, often anime take a concept and re-interpret or build upon an idea, but the benefit of manga is the vast worlds that the characters have emerged from and that has been built around them. Something I find that Japanese media has done very well, whether that's anime, manga or video games, is build tremendous and beautiful worlds and I don't just mean that on an aesthetic level, I refer to histories and politics, nations and ideologies all built from scratch from which incredible stories can spiral. More developed worlds, mean longer runs for readers and viewers to become invested, people grow-up with the characters and see them through their journeys and become committed to the worlds they live in. Worlds you can invest in are richer, richer worlds help make more interesting characters with more interesting histories and good characters with a great world to interact in, makes for a great plot. These three components: world, character and plot when executed well, I believe are responsible for producing a great story. Recently in Western media, this has also been evidenced with the Marvel Cinematic Universe. But I will illustrate this now with an anime/ manga which I believe does this best in One Piece. In One Piece, we're faced with the setting of a number of oceans and seas in their own hierarchy of fury and adversity, inhabited by a complex hierarchy of pirates and forces, such as the Marines and the Seven Warlords of the Sea, the revelation of each one being something we always look forward to. Hierarchies and structures within which characters explore their given world, create a framework in which viewers and readers can actually look forward to things, to more of the Wizard Saints in Fairy Tail or more Dragon Slayers. Then there is the notion that the most expansive sea in the series, the New World is largely unexplored and home to range of bizarre islands, from lightning countries to flaming tundras. But perhaps the most thrilling part of reading or viewing a great world is discovering it from scratch as characters do and One Piece, like many anime and manga does this artfully, leaving us thirsting for more. One could also turn to the slow revelation of the plethora of villages in Naruto or the wider cosmos in the Dragonball series'. And of course one of the most compelling parts of One Piece, is the world's history itself, the missing century and lost civilization which left behind ponelyphs describing its history, secrets that revolutionaries and pirates are trying to unearth and the World Government is trying to keep hidden. I hope what I've illustrated here is a network of circumstances and characters which interact in complex and far-reaching ways to create what is a compelling plot. Whether they were exploring a new country, liberating one or unearthing new secrets, the Straw Hat Pirates have never bored me and when it has been less thrilling, it is only because of the drastic scale that the series can often rise to. And even away from the high-stakes of One Piece story arcs, the characters and the themes they represent are warm and intimate, such as friendship and how it should be cherished, Usopp's wish to be brave or Robin's wish to live. I'm not saying great things don't come out of the West, when it comes to animation, I would in particular like to highlight such work as the Batman and X-men animated series' or Transformers which were all incredible, but I'm not trying to make a point about Western media, I'm trying to make a point about anime and manga.  But while we're on the topic of Western media, this is a good opportunity to bring up a handful of ground-breaking series' which have been heavily influenced by anime and manga and in doing so, illustrate how the world's love of Japanese media has created a demand for better storytelling. An obvious series that comes to mind is the Avatar animated saga and its sequel the Legend of Korra. In the tradition of long-running manga, Avatar brought us a vast world to explore and high-stakes politics to understand alongside enchanting and compelling characters heavily influenced by Eastern culture and civilization. Less obvious is Steven Universe, which I have said in a past article, is heavily influenced by such anime as Revolutionary Girl Utena in its style and themes of fluid sexuality and gender roles. There are many others, such as the French conceived Sav! The World Productions and their creation the award-winning Oban Star Racers, or the more recent Miraculous Ladybug. I go as far to make the case that the popularity of anime and manga in the West, made it more acceptable to tell more serious stories for younger audiences and so helped to mainstream the now massive comic book phenomenon. Like you, I love the Japanese format of storytelling, the amazing characters and stories it produces set across interesting and diverse worlds. So I took it upon myself to try it, to take inspiration drawn from anime and manga to produce stories in the same vain. Hei Stories, a youtube channel which uses audio and illustrations in the kamishibai style is a platform for original stories in the fantasy genre which aim to stretch the imagination and compel listeners to invest in complex characters. The first story that is being uploaded is Seeking Scarlet At The End of The World, which takes influence from Middle-Eastern and Asian culture to tell the story of a young woman with phenomenal abilities set in a world under siege. As the Raindance movement is hijacked by the Great Secret Keeper, his acolyte, Iconoclast, assaults Polis Earth, with the Orion Alliance long gone, not even the mythical Guardian seems anywhere in sight to stop her. Despite the crisis, the displaced people of the Deepa Wali culture celebrate life into the night and continue to pray. In a universe where material beings are not the only life forms and where the cosmos is ruled by an Eclipse King, I wanted to create a story of hope and cover contemporary political and social issues we're currently faced with such as the refugee crisis. I hope you will enjoy it and join the conversation here and on youtube about storytelling and what kinds of stories engage, inspire you and humanize other human beings, whether they are in your city or across oceans. So what does make a good story? Sincere, warm characters full of agency in a developed world, from Shakespeare's turbulent Scotland to Tolstoy's revolutionary Russia, a good world and characters people can be passionate about go a long way in creating a story that can resonates with readers. With Japanese media so aware of this, I look forward to every season, knowing it is bound to bring something entertaining, inspiring and compelling and above all, shedding light on the human condition and the world we live in.  
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Stay A While, and Listen
I won't hazard a guess as to how many of you have read my previous articles, but something that may have come across is the emphasis I place on the importance of good storytelling. Whether it was Digimon or GAT...

Weekend Japanatainment - Rebirth Edition

May 15 // Red Veron
[embed]35016:5612:0[/embed] Here is a video with dogs and a meme. There are some shibas in there and Japanese writing. Just watch and enjoy the dancing doggies.   [embed]35016:5613:0[/embed] This is a commercial for paid antivirus in Japan. Very Japanese as well as cute and weird.   [embed]35016:5614:0[/embed] One of my favorite Japan-based Youtuber duos, Simon and Martina, who now live in Japan recently went to a conveyor sushi restaurant where eating five plates gets you a chance to get a free capsule toy.   [embed]35016:5615:0[/embed] Here's a video from the old Weekend Japanatainment feature, this one is from 2007 and very weird. It's the ending song from The Melancholy of Haruhi Suzumiya with some odd mashups. Just watch.   GOT ANY SUGGESTIONS FOR WEEKEND JAPANATAINMENT? SEND IT TO US OVER AT: Send us an Email at: [email protected] Also reach out to us on our Twitter and Facebook!
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BACK AGAIN YO
So the last time I did this feature was when I took over almost 7 years ago, but I stopped because life got in the way. But now, it's back again bishies! Back to give you lovely readers some Japanese-related entertainment to ...

Week Ender - 10 YEARS AGO EDITION

May 13 // Red Veron
[embed]35015:5603:0[/embed] "Umi no Opal" Anime: Soukou no Strain Here's another show on my list that I need to watch, it involves space wars with giant robots and time dilation with faster than light travel. The ending is pretty calming with that sweet sounding song.   [embed]35015:5604:0[/embed] "Rock The LM.C" Anime: Red Garden Here's another show from a decade ago that I never got around to see. It involves four girls at a private school in New York city. Mysteries and murders happen that adds to the intrigue, I would tell you more but I don't want to spoil it for myself. This ending is a bit minimal with a concert going on with some shots of the cast.   [embed]35015:5605:0[/embed] "Yuukyou Seishunka" Anime: Code Geass Oh look a song by Ali Project, you know it's them just by their style. I like this ending with the stills featuring the characters in situations not seen in the show.   [embed]35015:5606:0[/embed] "Alumina" Anime: Death Note A very stylish opening that still holds up to now, especially the use of the color red. I love the way the ending communicates the sinister character of Light.   Is there an ending/opening/anime that you loved from 10 years ago? SHARE IN THE COMMENTS BELOW! I wanna know!
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Back in the year 2006...
I'm gonna take you all for a nostalgia trip (or a history trip, you young whippersnappers--- GET OFF MY LAWN!). 2006 was a great year for anime with shows that are still enjoyed today. Someone on my twitter feed reminded me t...

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Anime Industry :(

Want to make anime in Japan? Don't expect to get rich doing it


Not unless you're a celebrity, at least
May 12
// Josh Tolentino
One of the more common pieces of fan mail we get comes in the form of inquiries from fans looking to break into anime creation. It's not an uncommon impulse, to want to try your hand at making what you love to watch, but impu...

OP Up! - 10 YEARS AGO EDITION

May 11 // Red Veron
[embed]35012:5598:0[/embed] "Red Fraction" Anime: Black Lagoon I have only seen a little bit of this show and I promise I will watch more. This is a show that still holds up and is one that is still recommended by many. There isn't much going in this opening, but this is a good example of "less is more" where the opening creates intrigue and gives you that feeling that this isn't like those other anime that you watch all the time.   [embed]35012:5599:0[/embed] "COLORS" Anime: Code Geass: Lelouch of the Rebellion Oh hey, it's that show that spawned those memes such as "I shall pleasure myself with this fish" or "notto this shit again". Yeah, this show is still quite popular and is still enjoyable with all the twists and turns inside. It's got drama, action, giant robots, and some enjoyable politics too.   [embed]35012:5600:0[/embed] "INNOCENT SORROW" Anime: D.Gray-Man A show based on a manga that just kinda went silent. I loved this show and even did my first cosplay based on one of the characters. I heard that the author still makes a chapter every now and then but it is a shame since the universe it created was an interesting one, mixing eastern and western influences in a early 1900s setting.   [embed]35012:5601:0[/embed] "PUZZLE" Anime: Welcome to the NHK! I haven't seen this show in ages and I believe it would be hard for me to say much about this show not because of the amount of time since I have seen but it would be because of the themes it tackled. There is some stuff in this show that I would have a different opinion on because I am older now and would probably relate to the many things that this show discussed. Oh this show is about a adult shut in who gradually comes out of his shell because of a neighbor and a cute girl. Just look it up, it's worth a watch anyways. Also read the manga, since there are things omitted for TV broadcast rules and such.   [embed]35012:5597:0[/embed] "Bouken Desho Desho?" Anime: The Melancholy of Haruhi Suzumiya It's that show about that girl who does stuff and still cosplayed by people since it is easy since the uniforms are hella cheap now. This is one show I really recommend, it's a good comedy with some mystery and stuff that hits you out of nowhere when you watch it in the broadcast order. Watch it on the broadcast order, you will enjoy it much more. I would tell you more but this isn't just one of those "cute girl does cute things" kinda shows, it has some of that but it has a overarching story that brings everything together.  Is there an anime from 2006 that you love? SHARE IN THE COMMENTS BELOW! I wanna know!
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Great Anime from 2006
The year 2006 was a great one for anime and a lot of the anime that premiered in that year are considered to be the best and are still enjoyed by anime fans to this day. I looked at the list of the anime that came in that yea...

First Impressions: Haven't You Heard? I'm Sakamoto

May 10 // Nick Valdez
In Haven't You Heard? I'm Sakamoto, the entire school is enamored with the super attractive, super athletic, super smart, and most importantly, super cool Sakamoto. All the girls have crushes on him, all the guys want to be his best friend, and all he wants to do is tend to himself. Naturally his aloof attitude causes dissent among some other students who make it their mission to take them down a peg. But since Sakamoto is a super cool genius extrodinaire, he always manages to best them without trying and somehow become cooler each time. And that's it. That's the premise of the entire series. You enjoyment going forward entirely depends on whether or not you find this single joke amusing.  For those that stick around, each episode is broken up into two 12-13 minute segments. These segments usually cover a chapter or two of content, and all hinge on a single joke. Regardless of the set up, the punchline is always the same. And that's definitely going to devalue the series moving forward. For the first six stories, Sakamoto essentially "teaches" a character how to live their life properly (how to stand up to bullies, how not to bully, etc) by doing nothing to help them. The gag is that Sakamoto is so magnetic, that even the most mundane of skills are read as "super skills" and although he's basically doing nothing it seems like the greatest thing in the world. It's all about how each of Sakamoto's fellow students reacts to Sakamoto's magnetism, and in the first episode their reactions are taken to the extreme.  But can focusing on nothing but the ancillary characters make for a good series? I'm not so sure yet. See, the gag worked for the first episode as we're still getting used to Sakamoto's exaggerated and cartoonish characterization (and has made for plenty of good memes online) but it definitely wears thin as the accompanying plots of the follow up episodes follow the same formula. It's visually interesting as Sakamoto's exaggerated motions make for captivating scenes, but there's not a lot of meat on the bones. That's going to be the ultimate struggle of the show moving forward as the show has a main character they can't really develop. Since the gag is his disconnection from reality, it's going to have to rely on these ancillary characters and plots to succeed.  And it seems like Sakamoto is trying its best to do this. As the episodes roll on, the stories are getting odder. As Sakamoto himself is distancing further from reality, it's like he's becoming less human. Rather than the aloof cool guy showing off in the first episode, he's instead a cold and uncaring individual who only does things to satiate his curiosity. He literally looks through people, refers to them as "humanity" (thus confirming his holier than thou personality), and he refers to one character's as an acne face. When he helps Kubota, most likely a recurring character to bounce Sakamoto off of, get a job at McDoodle's Sakamoto is incredibly wrong about this situation. Kubota's being bullied so he needs money, but Sakamoto assumes he just needs money in general. It's a hilarious miscommunication, but Sakamoto is really only doing what he wants and eventually helps Kubota in a roundabout way. If the show can continue to magnify the less "cool,cooler and coolest" aspects of Sakamoto's personality, they just may develop him in the roundabout way he's so fond of.  The unfortunate thing with gag manga and anime is that what you see is almost always what you get. Generally all humor is subjective and surface level, so if you're looking for a show to stay invested in, chances are this isn't it. But in the same breath, Haven't You Heard? I'm Sakamoto is made with the humor in mind. You're supposed to watch it in passing here or there every few weeks. Taking in a new fifteen minute segment every now and again. It's basically like an afternoon cartoon serving as a palette cleanser for the heavier properties you've seen.  I won't be following this show moving forward, but I'll definitely watch it in a few weeks once it's got a few more episodes under its belt. 
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Haven't you heard? It's alright, I guess
I fell really hard into the manga scene about 10-12 years ago. I pretty much checked manga scan sites everyday. They're not so cool now that I can afford to buy whatever volume of manga I want (and, you know, it's still theft...


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