Jan 10 //
Oreshura [DVD]Studio: A-1 PicturesLicensed by: Aniplex of AmericaRelease Date: December 17, 2013MSRP: $74.98 ($59.98)
To me, the million-dollar question is "how do we make the harem concept interesting in 2014?" Oreshura gives it a good try. As with all things harem, one's mileage will vary, but Oreshura builds its house on sold ground, starting with a pleasant visual style and sense of atmosphere; this is a thoroughly modern and spiffy-looking show. As far as a romantic comedies go, Oreshura is definitely on the refined side, one of it's strongest distinguishing characteristics.
When we think of refinement in the harem comedy genre, it might remind you of the traditional gender roles, or in this case, girly girls. Oreshura doesn't quite have what you'll find in older shows like Ai Yori Aoshi or even Ah! My Goddess, but in both the art direction characterization, the show focuses on the graceful school of refined, pastel-colored maidens. This may seem contrary to the title about someone who argues a lot, but that's part of the one of the show's main themes; the constant source of tension between the traditional and modern views of femininity.
Oreshura begins as the distant-but-beautiful Masuzu transfers into protagonist-teen Eita's high school class, mid-year. Eita's childhood friend Chiwa, who we later learn is suffering from a disabling sports injury that ended her path as a competitive kendo practitioner, learns one day that Masuzu and Eita are going out. However, all is not quite as it seems; neither Eita or Masuzu are interested in romance, and Masuzu is basically blackmailing Eita into doing her bidding in the guise of dating. The charade lasts throughout the entire series, but that isn't important; what does become important is how Eita and Chiwa both mature through Masuzu's intervention.
Chiwa and Eita were very close friends even before Chiwa's injury, and closer still now that Chiwa relies on Eita daily to cook for her, rather than relying on her busy parents. Their relationship takes a step further as we learn early in Oreshura that Eita's parents are separated, each deserting the other for new lovers, ultimately abandoning Eita to the care of his aunt. Eita is old enough to live by himself (with Chiwa's family next door), which is good, because his aunt doesn't quite show up until towards the end of the series. Given all of this, Eita takes up the mantle of the responsible adult in his household, and studies hard to the exclusion of almost everything else.
Masuzu also has major issues with her parents. At the start of the story, she runs away from her rich family in Europe to join her estranged biological mother in Japan, facilitating her transfer to Eita's schol. It's this opportunity that allows Masuzu the freedom to goof around with Eita, and later on with the other girls in Masuzu's "Self-recreation" club for young maidens. In the club, Masuzu basically has a lot of fun at Chiwa and Eita's expense by putting them up for all kinds of weird scenarios that lampoon popular anime and manga archetypes.
The second half of the series follows a similar, openly passive-aggressive pattern as new girls Himeka and Ai join Masuzu's club, expanding the harem. Himeka, who has one of the most creative character origins in recent memory, is Eita's lover from their past lives-- or so she thinks (it's complicated.) Fan-favorite Ai-chan, on the other hand, is just a very well-acted tsundere character (voiced by Ai Kayano); her hardcore "dere" routines borderline full-on comedic. Much of the humor in Oreshura comes from characters one-upping each other during arguments. It's the way they make these statements that takes on an edge of absurdity, and it's usually funny in that tongue-in-cheek way.
Aniplex of America's Oreshura DVD release is competent, simple and to the point. A clear case serves three sub-only discs with clean opening and ending credits, web preview clips (basically longer preview segments), with a reversible cover, inside a slipcase. The only major thing to note (and perhaps separating it from the garden variety anime on DVD) is the liner booklet titled Pachi Lemon which comes with the usual illustrations and show notes describing the premise and the characters. Pachi Lemon also happens to be the fashion rag that Chiwa reads on occasion, and it's great to see that kind of detail reproduced in the physical release. The video and audio come across clearly and cleanly, albeit nothing fancy is going on. While I would have liked a Blu-ray option, Oreshura is not a show that will dazzle you through special effects or powerful animation, despite being stylish from head to toe.
The opening animation is something special, making it very clear that this show is about the concept of a girlish lover. And this what-you-see-is-what-you-get quality is consistent throughout the show: It's up front about all its pretenses and clichés, but does mix them with a few interesting things. It's about very girly girls being somewhat passive-aggressive about what they want, and about those somewhat-pure, idealized maiden-y confessions. It's also about the kind of fanservice that appeals more emotionally than fleshly.
On the whole, Oreshura is a difficult piece to embrace, outside of those moments that will elicit a good laugh. It's definitely a touch cerebral compared to your average harem show, which may be a turn-off for some fans, but refreshing for others. There are a lot of interesting narrative components and plot comes at a nice clip, but the big picture is not available for the viewers until they're done with the series. (For the record, I've watched it twice now.) Each of the girls gets her day in the sun in the end, so don't expect a very conclusive ending either--although, arguably, Eita does pick somebody. It's a story for people who demand more sophistication in their narratives, but purely as character motifs that come out in word plays, not so much in assumption-shattering twists and deconstructive reversals.
I should be fair; the fact that Oreshura touches on the theme of youthful beauty being skin-deep is pretty rare in late-night anime. For those who like subtle character interplay with a good sense of humor (doubly so if you enjoy Jojo's Bizarre Adventure), Oreshura is something worth looking into. I don't know why, but my favorite Oreshura joke has to be when Chiwa, Ai and Masuzu were calling each other by their translated names--Thousand Japan, Love Cloth, and Summer River (Natsukawa). It's the little things that get you laughing when the rest of the show is off doing it's whole harem thing.
Thinking back, I probably had more fun dissecting the show now than going through the process of watching it. It's why one might as well go for a run outside instead.
6.0 – Okay. 6’s are flawed, but still enjoyable. Oreshura attempted to do something interesting but failed to improve on the major problems most people have with titles like these. It'll probably make great rental fodder or bargain grab.
Light novel maidens do verbal battle Oreshura, or Ore no Kanojo to Osananajimi ga Shuraba Sugiru, is an elaborate reimagining of a simple idea. Short for "My girlfriend and my childhood friend argue a lot," the shortened name makes marketing and looking up the s...
Jan 04 //
Vividred Operation DVD Complete SetStudio: A-1 PicturesLicensed by: Aniplex of AmericaRelease Date: December 17, 2013MSRP: $74.98
First, the good, and there is a fair amount of it. This is a pretty great-looking show, with fluid animation and some fun design work. I found the characters themselves to be pretty generic-looking, but the crisp artwork and vibrant color palette is consistently appealing. The scenes of the girls using their super-powered Palette Suits to fly over the ocean, both in combat and out, are filled with a sense of genuine exuberance that few anime are able to capture; at times, you almost feel like you're flying yourself.
The show has more than cosmetic appeal too, since it has an intriguing setting. Instead of the typical current-day-Japan, our gals live in a near-future where all of the world's energy problems have been solved by a brilliant invention called the Manifestation Engine. Due to the abundance of clean energy, the people of Vividred are basically living in a utopia, and they know it. Of course, when the mysterious bio-machines only known as the Alone start to attack the Manifestation Engine, the utopian setting makes the sudden violence all the more striking. How ironic if, after humans had finally found the means to stop fighting among themselves over resources, the very machine that enabled true world peace led to destruction from without?
All of that rather interesting stuff is secondary to what Vividred Operation is really about though, which is admiring middle-school girls from behind as closely and as often as possible:
Think I'm exaggerating here? I took both these screenshots during the first minute of the show. The first MINUTE.
I feel kind of like I'm beating a dead horse here just by mentioning the sexualization of young girls, since most fans know by now that shows featuring girls this age tend to feature fanservice to appeal to male otaku ("Constant butt shots? It must be Tuesday!") However, if I let it go unremarked, I feel like I'm just accepting it as the status quo, and I don't think that's right either. In the case of Vividred, the constant closeups of gleaming butts-- because yes, they gleam-- render the show inappropriate for younger viewers, whom the show is actually better suited for thematically than an adult audience.
See, if the only problem with this show was the amount of fanservice, that would create an interesting little ethical dilemma for me over whether or not I could recommend it, but that's not the case. Vividred Operation has a lot of problems aside from the butts. All the interesting sci-fi stuff about the Manifestation Engine never really goes anywhere, the show doesn't really capitalize on its setting, the action is mostly predictable, and characters tend toward the bland and underdeveloped. I found the first few episodes downright tedious to watch due to their predictability, and while the show admittedly gets better as it goes along, it still never deals with any theme more complex than "The power of friendship can save the world!"
Furthermore, the extent to which the show copies from other popular properties is striking. Like Magical Girl Lyrical Nanoha, it's a sci-fi magical girl show-- meaning, the girls' transformations are powered by tech rather than magic. There's nothing wrong with being inspired by Nanoha, however, the mascot character in Vividred ends up being a talking ferret- just like Nanoha. Rei Kuroki, the token "Dark magical girl" has a lot in common with Madoka's Homura Akemi; in fact, the whole show often feels like a kind of poor-man's Madoka. Add in the fact the Alone often seem like very literal copies of the Angels from Neon Genesis Evangelion, and Vividred rapidly starts to feel like a scrapbook, cataloging items from better shows.
Go ahead, shoot that arrow Homura Rei!
All this, I could probably forgive if the magical/tech fights were interesting, but they generally aren't. The girls immediately know how to use their new powers upon getting their Palette Suits, so there's no fun to be had by watching them learn the ropes. In every fight, the girls transform, and sometimes merge together to form a more powerful magical girl using a system called "Docking," which naturally involves getting into their panties and kissing each other. Every attack is called out with a name like "Naked Blade!" or "Naked Collider!" just in case the sexual overtones of all of this were somehow too subtle for us. I do think the advanced forms the girls attain by Docking, like Vivid Blue and Vivid Green, look pretty neat, but you can always just buy the inevitable figure and skip the anime.
I really don't know who to recommend this show to; as I alluded above, the simplistic nature of the action and the plot lends itself to a younger audience, but a younger audience probably shouldn't be seeing the constant parade of butt and crotch shots. On the plus side, the show does have a proper ending instead of one of those "Keep your wallet ready for the sequel" deals, so if you're one of the few people this show legitimately appeals to, at least you won't be left hanging.
You know, wanting to look at shapely butts doesn't make you a bad person; we all have our weaknesses. I mean, if they released an OVA that was just Shizuo from Durarara!! doing push-ups, I would totally watch that. But what's a shame about Vividred Operation is that it clearly had the potential to be more.
5.0 – Average. This one’s just “okay”. It has many flaws, and just couldn’t follow through on its intentions or had ones that were simply too narrow to warrant consideration. Some will still enjoy it, but should temper their expectations, or perhaps just opt to pass. Watch more trailers and read more reviews before you decide.
It sure is vivid I knew basically nothing going into Vividred Operation. I wasn't watching much anime during the Winter 2013 season anyway, and Vividred kind of got blurred together with all those other shows in that broad category of "cute g...
It was a sure thing that after Namco Bandai's PSP release, Sword Art Online: Infinity Moment, sold over a few hundred copies, they were gonna get another game out ASAP.
Sword Art Online: Hollow Fragment for the Vita looks to ...
Nov 27 //
Sword Art Online BD Box Set I-IV [BD]
Studio: A-1 PicturesLicensed by Aniplex USARelease Date: Vol. I 08/13/13, Vol. II 9/17/13, Vol. III 10/15/13, Vol. IV 11/19/13MSRP: $112.98 [Rightstuf Vol. I, Vol. II, Vol. III, Vol. IV]
I wrote many words about Sword Art Online last year when it was still airing on Japanese TV. Truth be told, I came into it with high expectations and a whole lot of hype. I had always been a fan of .hack, and the prospect of something similar but with a bigger budget had me itching to catch every new episode. Somewhere along the way though, things changed. When the first half of Sword Art Online, the Aincrad Arc (episodes 1-14), came to a wrap, I was pretty much done with the series. It needs to be said that despite my issues with them, I still found the first 14 episodes to be an entertaining experience. Almost a year later, that opinion remains largely unchanged.
The Fairy Dance Arc (episodes 15-25) is still an irredeemable mess.
For those of you who want a more in-depth write up of my feelings toward Sword Art Online as a whole, I suggest you check out my Final Impressions piece from early this year. The short of it is that I don't think Sword Art Online is a good series. I think it's a poor one riddled with large problems across the board. I firmly believe it squanders a cool concept and wastes any momentum it might have had coming out of the Aincrad Arc. That being said, if you're looking to drop cash on the Limited Edition BD box sets, chances are better than not that you already love the show, otherwise you'd be better served just sticking to the legal streams.
With that out of the way, let's get down to business. Are these pricey BD sets worth the price Aniplex is asking for them?
I'm a huge proponent of quality packaging when it comes to anime. In this new landscape of free and paid streaming options, publishers need to give consumers a reason to put down their money to own anime. While digital bonus features are certainly a chunk of that, I believe that attractive packaging is just as important if not more. To that end, Aniplex USA's Sword Art Online BD boxes are a success. The boxes feature exclusive art by light novel artist abec, and when you put each one together, they form one large illustration. The backs of the boxs also have neat little engravings of the swords used in the series. These might seem like minor touches, but when you're paying a premium for it, this kind of stuff counts. As somebody who often purchases nice collector's sets, Aniplex's SAO BDs fit right in on the shelf.
Each box contains two disc cases, though only one of them holds the actual episodes. The other case is reserved for the bonus disc content. Volume 1 contains the first OST (33 tracks) for the series, volume 2 has a DVD featuring staff interviews, volume 3 has the second half of the OST (27 tracks), and volume 4 contains interviews with the English speaking staff. While I had my issues with Yuki Kajiura's work on Sword Art Online, the full soundtrack is still a great addition to the package, especially for fans of the show.
As far as I'm concerned however, the real stars of this box set are the audio commentaries included for certain select episodes. The participating members on each commentary typically change a bit each time, but the general set up consists of a handful of voice actors and the staff. There's something fascinating about hearing a group of people chat about the episode/series itself as it rolls along in the background. I've always loved audio commentaries and felt it was a shame that seemingly so few anime series seem to get them, so the inclusion here is a real plus. The voice actors exude about as much charm as one would expect, making them fun to listen to even as somebody who didn't enjoy the show that much. I imagine for some folks it might be a bit hard distinguishing who's saying what while reading the subtitles, but there are a lot of great stories to be heard if you're into the actors.
The rest of the bonus content comes in the form of physical trinkets. Each box includes a set of illustration cards featuring the various characters (mostly female) in alluring poses. There's also a total of four 16-page booklets primarily made up of exclusive anime images. I was somewhat disappointed to find that the booklets are rather small, especially compared to the ones in Aniplex's Fate/Zero sets, but nonetheless it's a nice inclusion. For those of you who play the card game Weiss Schwarz, each BD box has a limited edition SAO card. Due to my incredibly limited knowledge of the game, I can't really speak to whether they're any good.
Sword Art Online is presented in 16:9 widescreen format in 1080p and was quite the looker on my entertainment setup. If there's one thing A-1 did exceptionally well in many of SAO's episodes, it's the background illustrations. The colors pop, and the richly detailed (as well as the not so richly detailed) areas hold up remarkably well on a big HD screen. Sadly, this doesn't work out so well when SAO falls back on large, poorly animated CG beasts. The Skull Reaper in particular looks just as bad as it did when the series was airing on TV, and no BD transfer can fix that.
It's not a secret that I don't like Sword Art Online. The show is plagued with issues that ultimately drag it down to the point of no return. It's a show that is full of missed opportunities, much of which rests with the original source material.
These BD box sets are not for me.
No, these BD boxes are very much so designed for the hardcore fans of Sword Art Online. To that end, the question then becomes "are they worth the high asking price, especially when there are four of them?" I don't think the answer is as simple as a yes or a no, but I do think that there is a lot here for fans to enjoy. If you found yourself excitedly watching Sword Art Online every week and felt sad when it finished, these BD boxes will be right up your alley. Everyone else? Stick to the cheaper (albeit less extravagant) DVD sets.
This one is for the fans.
Liz is still the best character though.
6.0 -- (The anime itself is subpar, however the quality of this release is fantastic and elevates the package.)
Diving back into Aincrad one last time Not even original light novel scribe Reki Kawahara could have predicted how big his Sword Art Online franchise would eventually become. Since the first novel was published in April of 2009, Kawahara's creation has seen 12 seq...
You probably thought I'd never write about the anime adaptation of Sword Art Online ever again.
You were wrong.
The time and date have been revealed for the upcoming Sword Art Online: Extra Edition TV special. It'll be airing...
It should come as no surprise that Namco Bandai is eager to produce a follow up to its PSP Sword Art Online game. The release sold exceptionally well on a platform that is essentially dead, and it makes sense that they would...
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Only one player will come out alive. *ding, ding, ding*
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In a move that's sure to surprise pretty much every single [email protected] fan ever, Namco Bandai has released all three The [email protected] Shiny Festa games on iOS platforms. Each game has been renamed, with Honey Sound becoming...
Apr 09 //
In this past week's final episode of Magi, Alibaba has fallen into Al Thamen's trap, causing him to transform into a Dark Djinn. Incapable of breaking free from his fall into depravity, Alibaba attacks his friends, despite Aladdin's best attempts at bringing the young king back to his senses. Hakuryuu, feeling hopeless but holding on to his desire to help his new friends, is chosen by the real Zagan, who creates a new arm for the Kou Empire prince. With Mor having rejoined the battle, our heroes manage to turn the tide, creating an opening for Aladdin to dive into Alibaba's heart using the Wisdom of Solomon.
Back in Sindria, the generals pull together and begin their counter attack against Al Thamen, eradicating the enemy before they can do any significant damage to the city. Ithnan attempts to flee, satisfied with dropping Alibaba into depravity, only to be confronted by Sinbad in full Djinn Equip atmor. Despite the curse of the Black Rukh consuming his body, the king proceeds to display full control of both colors of rukh, annihilating Ithnan with his full powers. Al Thamen retreats, and Sindria is saved.
Meanwhile, deep in Alibaba's heart, Aladdin discovers that Cassim's magoi still dwells within his old friend. Together, the two manage to erase the darkness in Alibaba, eliminating the black rukh curse that had consumed him. With Ithnan's body having been destroyed by Sinbad, all that remains of him is the magoi in Alibaba's body. He tries to pressure the young king into slaying him, but to no avail. Alibaba steps back, allowing Aladdin to send the Al Thamen figurehead back to the guidance of rukh, peacefully. With their time in Zagan's dungeon having come to an end, the four warriors depart for Sindria, new adventures looming on the horizon.
Taking a good long look back at the entirety of Magi: The Labyrinth of Magic, I find myself questioning the logic behind some of the cuts to the source material. A-1 scrapped the first chunk of chapters of the manga to make way for a cluttered, poorly paced first episode designed to introduce all three major players at once. They then proceeded to rush through the first dungeon arc, cutting out significant bits of action, character interactions, and world lore in favor of rushing to the Balbadd arc.
Ironically, the Balbadd arc, despite maintaining much of what made it great in the source material, was the victim of a low budget. Save for some flashes of high quality animation (mostly featuring Mor), major battle sequences ended up getting the shaft. I was stunned to find that the action scenes featuring the heroes fighting Dark Djinn Cassim were some of the weakest of the arc.
The final arc, while the most consistent in terms of overall animation and art quality, sadly fell apart in its second half. With the series coming to an end, A-1 opted for an original ending; Alibaba's transformation into a Dark Djinn. A complete back-step in terms of the character's development, this plot twist exists purely to give the last episode a final boss battle of sorts. In a twisted bit of irony, Alibaba barely gets to do anything before Aladdin dives into his heart, rendering the change a moot point. Furthermore, Zagan stepping in to partner with Hakuryuu feels rushed, lacking any real build up. The announcement of a second season makes a lot of these odd choices all the more disappointing; these changes could have been entirely avoided.
In the end though, my biggest issue with Magi: The Labyrinth of Magic was the abysmal direction. Action scenes suffered from uninspired shot choices that poorly framed character movement. Even when a shot was entirely composed of still characters speaking to one another, the 'camera' would be positioned in a way that would make the art and animation shortcuts even more obvious. Every time I think back to the floating bodies of episode 18, I can't help but sigh to myself. Shiro Sagisu's soundtrack was solid, but I was left scratching my head over some of the odd music selections made for certain scenes.
Yet despite my harsh criticisms of this adaptation, I still enjoyed my time with Magi. A great deal of this is due to the characters. The large cast of likable heroes and their interactions with one another made it easy to want to follow them to the end. I have a lot of issues with Alibaba's anime characterization, but I still enjoyed the role he had to play in the Balbadd arc. I wish Mor had been given more time in the first dungeon arc to establish her background, but even with those minimal details, she's a great character. I'm a big fan of Aladdin in recent chapters of the manga, but unfortunately he doesn't really get the chance to do much here beyond act as a mysterious, seemingly all-knowing figure.
If nothing else, I hope fans of the this anime adaptation are inspired to seek out the source material. Shinobu Ohtaka's manga is an epic, sprawling adventure with a huge cast of interesting characters and a whole lot of heart. I may have a lot of problems with the Magi, but at the end of the day it's still a fairly solid little action series that has garnered quite the following.
I just hope A-1 sticks to the source material next time.
Magi's first season ends with a promise of more to come. The first season of the Magi: The Labyrinth of Magic anime has come and gone, and I'm left wondering what exactly happened. My experience with the series came after reading a substantial portion of the original manga in prepa...
It's almost tragic how this Magi business turned out.
To prepare for my coverage of the show in Annotated Anime, I decided to read the original Magi manga first. I ended up purchasing the whole series, and enjoyed the read so...
We're only a couple weeks away from the premiere of the second season of everyone's favorite sis-con romp, Oreimo. There's a new commercial on the airwaves in Japan, and I have to say the animation and artwork are ...
Dec 14 //
AnoHana: The Flower We Saw That DayProduction Company: A-1 PicturesLicensor: NIS AmericaMSRP: $51.99
We begin this series with the lonely high school dropout Jinta, who is in the unfortunate position of being haunted by his dead friend, Menma. She died when they were children, but this ghostly version of his friend has grown up with him in the physical sense -- emotionally, she's just as optimistic and kindhearted as when she was alive. It must be great to have your friend back, but at what cost to your sanity? This is Jinta's problem. He can't just chat up a ghost that incessantly follows him and expect people to not think he's crazy.
Thus, Jinta has only one thing he can do: Figure out what unresolved issue is keeping Menma stuck on Earth, and solve it. This is the central plot that drives AnoHana, making the show as much of a mystery title as it is a romance and a human drama one.
Jinta was not always a NEET. Back in the times before Menma's death, he was the charismatic leader of his group of friends, affectionately titled "Super Peace Busters." That group of friends splintered in the wake of Menma's death, with each person reacting in their own way to the death itself and the events that happened that day. In order to send Menma to heaven, Jinta needs to enter the larger world and find out what Menma's wish was. That means interacting with all those former Peace Busters that he's long-since avoided.
Asking "what went wrong" with a friendship is never an easy thing, especially when everyone somehow feels responsible for the death of a friend. The show takes a long, hard look at everyone's relationships -- the romances, the jealousies -- and lays them all on the table. Some scenes in AnoHana can be gut-wrenching. Everyone put a dam on their emotions, but with Jinta poking around about the past, the memories quickly break the floodgates and threaten to drown the characters.
AnoHana grants each character enough screen time to delve into their issues in a complete manner. At 11 episodes in length, AnoHana manages to balance the in-depth nature of character development with the over-arching plot. At times, the show does slow down and focuses on certain characters for too long -- Yukiatsu's obsession with Menma, for example -- but it is not a major detriment. There are other items I would have preferred to developed more, such as Jinta and Anaru's relationship, but leave that one to the fan fiction and doujin community.
Coming from A-1 Pictures, the people who brought us Kannagi, Big Windup!, and Space Brothers, it's hard to complain about the show's visual prowess. Extremely competent animation guides us through the majority of the show, and a handful of key moments take the leap into something spectacular. I wish for more moments like that -- and it was certainly doable, considering the show dealt with the extraordinary, but that isn't the forte of director Tatsuyuki Nagai. He focuses on character drama, pulling from his experience directing Toradora! and Idolmaster: Xenoglossia. Once again, he does a masterful job with AnoHana. There are still several scenes that stick in my mind, weeks after watching the series. That's a testament to a great show.
There is very little to detract from AnoHana. Upon watching the first episode, I was worried the show would be nothing short of depressing, leaving me an emotional wreck for the entire time I watched the show. Some moments brought me down, but it was one sequence in an up-and-down wave of feelings that moved me throughout the series. AnoHana is not a show that will necessarily make a lot of money and be labeled a "commercial success." The show is a flag in the ground for artistic and worthwhile anime. In time, AnoHana will be considered one of the hallmarks of a series with great merit to it, and standard viewing for anyone wishing to discuss shows for something more than their big explosions or busty females.
9.0 – Exceptional. One of the best things its genre has ever produced. Its example will be copied or taken into account by almost anything that follows it.
I largely passed up on watching new anime in 2011, spending most of my time watching older series and Western television. One show that I was continually bugged about was AnoHana: The Flower We Saw That Day. It was a big...
As a huge fan of the Magi manga, I can't even begin to describe how relieved I am that the anime adaptation has finally begun to get things right. The series is just good fun with a genuinely likable core cast, which makes i...
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We've already posted some teaser info and such for the upcoming Blue Exorcist movie, and it looks like there has been another update to their official website with a buttload of new design, work-in-progress, storyboard, and c...
Oct 14 //
Alibaba is a young cart driver trying to make a living in the city. His dream is to one day conquer a dungeon; giant maze-like structures that suddenly appeared around the world a decade or so ago. It is said that he who reaches the end of a dungeon will be met with great riches of gold and magical items, allowing them to lead a carefree life. While preparing for a transportation job, Alibaba discovers a young boy named Aladdin, eating away at his boss' precious cargo. Now shouldering the responsibility of paying back his boss for the eaten goods, Alibaba is forced to speed up his plans to conquer a dungeon.
Little Aladdin follows Alibaba home and reveals himself to be strangely clueless about the world. The next day, the odd duo bump into a pretty young slave girl who tries her best to cover up her embarrassing chains. Using his flute, Aladdin summons a terrifyingly massive set of arms and frees her. Freeing slaves is against the law and punishable by death, and Alibaba finds himself in a mess of trouble. Together with his small companion, they flee the scene. It turns out that Aladdin is in possession of a djinn named Ugo. On a quest to find other djinn, the young boy agrees to lend his help to our hero to conquer the dungeon in town.
Caught between a rock and a hard place, Alibaba is forced to suck up to his boss to avoid prosecution after trying to free the slave girl, agreeing to transport wine and some slaves to the next town over. Enroute, a giant plant monster is drawn in by the smell of the wine and attacks the carts. With his cargo in danger, the fat boss-man forgoes saving a small child and the slave girl from earlier in lieu of his precious wine. Alibaba finally snaps and leaps into the monster, temporarily stunning it and saving the slave and the child. Unfortunately, the beast soon recovers and starts to digest our hero. Enter Aladdin. The mysterious young boy whips out a magical flying carpet and with the help of Ugo, saves Alibaba. The two fly away, vowing to conquer the dungeon in town as a pair.
Let's start with the good first, shall we? Magi's first episode is quite the looker, with the strong Arabian Nights aesthetic shining through via the high quality animation. The character designs from the manga were distinctive enough as it was, but they look fantastic in motion. The production team did a great job adapting the huge array of exaggerated expressions that the manga is known for. Additionally, the soundtrack, from what I've heard thus far is suitably epic.
The biggest problem with this first episode of Magi rests within the decision to cut several chapters of content out of this adaptation. In the source material, the first few chapters are focused entirely on Aladdin and getting to know him. When he does eventually meet Alibaba, it's in the back of a cart that's being transported to the next town over before it's attacked by a giant monster. Only after that event does Alibaba decide to use Aladdin to conquer the dungeon. Mor is also not present during the monster attack, as they meet her after the fact. By shuffling around these events, their partnership not only feels rushed but just a little bit artificial. I still think it works, but there's no doubt that the manga's timeline is much more effective.
I'm hoping that these changes were made to speed up getting everybody together, because the next arc is fantastic and it'd be a shame to see it butchered in the name of fitting two cours. I still have high hopes for this series and while I think the first episode stumbled due to its pacing, on the whole it was a solid opener. I wouldn't be surprised if some of you thought I was crazy for my criticisms; if you haven't read the manga you might not have the same concerns I have.
Either way, I'm riding this train to the last stop, come high or hell water, and I recommend that you join me in an open seat somewhere.
Magi's bound to be a grand ole' time.
In which a child fondles a pair of man-boobs Love them or hate them, A-1 Pictures has been tearing it up in the anime world. They have numerous successes under their belt and their most recent project, Magi, is looking to keep up that track record.
A few weeks ago, I st...
How amazing is this? Space Bros, the anime that follows Nanba Mutta in his quest to become an astronaut like his brother, has received a little more help from NASA and JAXA than we first thought. It seems that Akihiko Hoshide...
Everyone's favourite closet otaku little sister will be returning for a second season of Ore no Imouto ga Konnani Kawaii Wake ga Nai, not that she's happy about that or anything. The announcement comes from the Dengeki Bunko ...
With Magi's premiere date edging closer and closer, we finally get our first real look at the voice acting in the series now that the cast has been revealed. The new CM uploaded to the Official Site is purely Aladdin and Alib...
Just a week ago, we got a premier date for the upcoming winter movie for Blue Exorcist. Last night, we were alerted by Crunchyroll that the official BlueEx page has been updated with a brand new teaser. You don't get to see m...
For those of you who might be in Japan around/after Christmas time, you can catch the premier of the upcoming Blue Exorcist movie on December 28. I briefly mentioned the film in my review of the BlueEx DVD release, so I'm gla...
Jul 21 //
Kristina Pino Blue Exorcist (4 DVDs)Studio: A-1Licensed by AniplexRelease Date: Last disc: June 19, 2012MSRP: US$37.48 [BUY: VOL.1 | VOL.2 | VOL.3 | VOL.4]
Volume 3 of the DVD release, which showed episodes 14 through 19, were mostly fluffy and frustrating. Problems kept arising seemingly to no end, and by the time we got to episodes 18 and 19 it looked like a bunch of resolutions were just quickly written in to focus more on the actual story for the last part. I'm glad it worked out that way, since I was more interested in getting back to the serious stuff. Thankfully, the last bit delivered.
Disc 4 begins with the issue of our rogue instructor and we are introduced with a spider-like demon that attacks by encasing bodies in its webbing. Eventually, we learn that the demon is in possession of the instructor's dead wife, and it is carrying out vengeance against Satan by killing anyone that defends his spawn. That would be, of course, Rin.
This issue was efficiently wrapped up in just two episodes. Rin finds the demon and his empathy drives him to defy the Vatican from delivering swift judgement on her. What I liked most about these bits though, were having a look at Shiemi's garden and all of the familiars which have come to her aide.
Shiemi (not pictured above) has been my favorite character in the series from the beginning; mostly because I tend to like side characters more than the principle badass, and also because I knew she'd secretly be one of the strongest, most useful people around despite her initial weakness and lack of self confidence. She holds her own, even against Satan later on (to a point). I also like that she wasn't used as a cheap romantic write-in, though a couple of times it did look like they were going that route.
Once that one issue is resolved by episode 21, the rest is entirely dedicated to Rin and Yukio, their relationship, their past, and what their future might be. Yukio is duped into believing that his grandfather would be able to save both Rin and himself if they purge all demons from their world. The tragedy of it all is echoed by Mephisto himself: Rin has no idea that all of this is happening, and it's all because Yukio loves him that much. There was some good drama in there.
Eventually, and predictably, the tables turn when it falls on Rin to pull Yukio out of the abyss that was being possessed by Satan himself. Their bond increases a hundred-fold on account of Yukio's weakness and recent awakening as a demon, and Rin finally learning how to be in control of his blue flames. Working together, and with the help of the other exorcists, they sever the gate connecting the demon world and their own.
The highlights of this last stretch are basically every moment that have to do with Rin and Yukio's relationship. I feel that Blue Exorcist as a whole should have focused much more time on this instead of creating more chaos or introducing more characters that didn't move the story anywhere. For example, a couple minutes of precious screen time were wasted during the big showdown between the brothers and Satan when we are forced to watch the sword smith banging away at some weapon that didn't leave her forge and listening to reports on the radio. She was relevant when she fixed Rin's sword, and it was nice to bring her back for a quick scene as she flips through her iPad to explain the blood weapons to the home team, but that is all.
Other characters were introduced that I wish we'd known a little more about, such as Angel the Paladin. He's only given a small amount of background at the very end, only a little bit of validation/redemption for his actions, and then he teams up with Shura, Rin and Yukio to tag team on the demon gate. His attacks were so cool! Why didn't we see more of it before? I had no particular reason to believe he was a Paladin, the strongest exorcist alive, up until that moment.
Finally, there's Mephisto. I absolutely love his character, though I never did understand what his stake in all of this was. It was never clear to me why he never swayed one way or another, at least not too far as to be directly involved, in this struggle between demons and humans. He left the demon world and enjoys being with the humans, and he even trains them to fight demons; yet, he facilitated the entire over-arching problem this show had - just because he was curious? Bored? I guess? If this is the case, I'm alright with it, but only because of the flash backs and extra information that was given to us at the end.
I think the biggest problem Blue Exorcist had, and I am echoing Hiroko's thoughts here, is a huge chunk of fluff in the middle didn't need to be there. It needed just a little more focus to be perfect. As it is now, Blue Exorcist is fun and definitely worth watching. It isn't going down the annals of history as one of the best anime ever created, though.
As the other DVDs, the fourth volume comes with the sleeve and reversible slip cover, a double-sided poster and the disc itself is loaded with the same extras: clean OP and ED, extended credits, trailers and a series of shorts called UraEx.
What I love about this DVD release is we aren't being chimped out on with a 3-4 episode per disc shelf hog. Each disc is packed with information and we even get some extras (a more attractive cover for display and not four but really, eight posters) to sweeten the deal. It's a release that shows us someone cared enough to make it good. The only real thing I can think of that'd be disappointing to some is that BlueEx isn't dubbed.
If you're into shonen and have some curiosity for occult, a little bit of a taste for school drama/hijinks and are looking for something to watch, I can suggest you give Blue Exorcist a try! It has its flaws for sure, but it's overall fun and Aniplex has thankfully made the DVD release a good one that is worth your dough. For more information and individual episode synopses, check out the official BlueEx page. I have also learned that this winter will see a BlueEx film release. There isn't much more information than that for now, though.
[7.5 – Good, but not great. BlueEx could have been destined for greatness, but was held back by its flaws. While some may not enjoy it, fans of the genre will probably love this.]
It seems like only yesterday (actually, it was like nine months ago) that Blue Exorcist aired in Japan and Hiroko published this article with her full thoughts on the show. Now, its license has been realized in a full DVD rel...
Apr 14 //
I've got nothing but positive things to say about Tsuritama, but that doesn't excuse how plain it really is. The art is fantastic, the characters are diverse and funny enough to carry the story along, and the setting really makes me wish I lived in a tropical area during this dreary Spring. But it all comes together into a rather average package... one that I feel that I've seen more times than I care to remember. I'm sure over time, I can excuse the "new transfer student meets an odd person who claims to be an alien" plot in this show, but then I'd also have to forget the "odd alien moves in with our main character" side-story, as well as the "mysterious classmate who is cold to the main character and befriends him over time" and the "attractive female classmate who falls for our protagonists' weird perks" storylines as well.
I hate to sound like I'm just nit-picking and looking for things to be wrong with the story in Tsuritama; I'm more exasterbated with it than foaming angry, and what comes from it ends up being a rather enjoyable 24 minutes worth of entertainment, not to mention a beautiful one at that. I am a bit underwhelmed, though, that such familiar tropes had to be used in order to get me partially excited for next week. And every individual thing that this first episode does, like I said, is pretty cool and technically sound, but the overall package is nothing more than an alright first episode that does little to psych me up... something that is very unlike Nakamura's style.
Of course, one of the things that Tsuritama does extremely well, as you could tell, is its animation and art. A-1 Pictures did a great job with its mix of fluid, exaggerated movements and detailed scenery, and the visual cues used to describe what our characters are feeling really do help in portraying the fear and danger they have. Yuki is a very nervous person, one who can't easily make friends or talk in front of a crowd, despite going to so many different schools. Whether it's because he is indeed extremely nervous, or for some unknown, not-yet-discovered reason, whenever he's dealing with a particularly messy situation, the feeling of embarrassment and the pressure of being looked at causes him to feel like he's surrounded by water, accompanied by the visual of Yuki struggling to breathe. Immediately, the viewer understands what Yuki must feel like, relating to the feeling of being underwater is something that anyone that was in his position to recognize instantly... all the while still dealing with the aquatic-theme of Tsuritama's setting.
As much as I'm trying to point out how average it is, I still really enjoyed the relaxing tone of this show, but at the same time, it's also the same relaxing tone that I could have gotten from watching Umi Monogatari or Arakawa Under the Bridge or any other show that places an emphasis on a beautiful setting and a rather reserved plot. I guess my point is that, while it's not offering anything new, Tsuritama still has this feeling of being really chill and good-looking... and even though as a whole it's nothing mind-blowing, it's still something you would never feel guilty for watching each week. In fact, the appropriate way to look at it is that the series, from a rather modest first impression, has no where to go but up! I can easily say that I can't wait to look forward to more episodes, but it's only on the promise of everything becoming more exciting and, well... just plain better. If the series is stubborn enough to continue sticking with the same tropes it's using now, then it honestly won't hold up very long in this over-saturated season of better anime.
noitaminA is one of my favorite blocks, so when I had the chance to jump on one of their shows in arguably the best anime season in recent years, I pounced for Kenji Nakamura's Tsuritama. Of course, even though Watanabe's Kid...
August 18 marks the opening day for upcoming Fairy Tail film titled Hōō no Miko (translates to Maiden of the Phoenix). It's got a completely fresh plot and introduces a character called Eclair, who has an important ...
Mar 09 //
Kristina Pino Fairy Tail Blu-ray + DVD Combo Packs vol. 3 [BUY] and 4 [BUY]Studio A-1 / KodanshaLicensed by FUNimationRelease Dates: January, 2012 (vol. 3) March 20, 2012 (vol. 4)MSRP: US$54.98 each
The story picks up in volume three (starts with episode 25) well into the Phantom Arc. There are a lot of highlights to look forward to, such as seeing one character Elfman achieve a full body takeover without going crazy (image above), meeting two new adversaries who eventually become allies, seeing the guild master Makarov perform one of the three blessed magics of the guild in order to protect everyone, called Fairy Law, and more.
Lucy was pretty much a big deal in this entire chunk. One of the initial causes for conflict was that she's being hunted down by a dark guild, who attacked Fairy Tail guild at the beck of her father. It makes sense to dig down into her history early on considering she's the first character that brings us into the story, and usually bridges the gap between all the things we're learning about the world they inhabit and what we're supposed to take from it. It also emphasizes the principle that members of the Fairy Tail guild follow, and that is to protect their own. It says a lot about them to fight so hard to keep her safe from harm, even though she's just a newbie recruit at the time.
Later on, the attention shifts to Loke, a guild member who keeps to himself and is known as a lady-killer. He avoids Lucy like the plague, and there's a mini arc here where the audience finally finds out why, and we see that Lucy is more of a force to be reckoned with than most give her credit for. Where most Celestial Wizards we meet throughout the series tend to have two zodiac spirits under their command, Lucy started the show with three and quickly gains the ability to summon more than one at a time, which is more than could be said for her predecessor.
After the Phantom Arc is over and Fairy Tail members find themselves rebuilding their guild hall after it's been wrecked, a new plot rolls swiftly in: Erza's old, betrayed friends come back for her. Begin Tower of Heaven Arc, during which Erza, one of the guild's strongest members, a lady in shining armor, is forced to confront her past.
She is reunited with old friends with whom she'd been enslaved at the same tower years ago, and were now under the manipulated control of Jellal, who plots to revive an evil god that will grant him passage to heaven. A handful of Fairy Tail members, namely the two main boys, Natsu and Gray, Lucy, new ally Juvia and Natsu's companion Happy (a cat) go after her and beat the odds. Volume three closes with a nasty cliffhanger: Jellal looses a trio of assassins, called Trinity Raven, to wipe out our heroes.
From here out, things get even more exciting. Difficult fights follow, along with death and the usual dosage of self-discovery (such as Natsu tapping into his dragon slayer powers). The plot thickens when it is revealed that this Jellal had split his body in two like Voldemort and was not only running the Tower of Heaven out in the sea, but had infiltrated the magic council and tore it down, though that part isn't resolved until later in the series. For now, our heroes survive the situation and bring (almost) everyone back, safe and sound.
We only get a brief interlude in welcoming Juvia and another previous adversary, Gajeel (who was responsible for breaking down their guild hall to begin with), into Fairy Tail as allies. Fairy Tail doesn't really have a lot of filler in between arcs, so it got right to the point: Laxus, the grandson of guild master Makarov and renowned jerk challenges the guild, takes hostages and forces them into all-out battle as his way of trying to take over and become their new leader.
Of course, that doesn't sit too well with our heroes, and lots of battles and tears later, and even more wicked conspiracies, things are again resolved. That is, just that one problem is resolved, and Laxus is expelled from the guild. From that point, everyone takes a breather to celebrate their harvest festival while more danger looms on the horizon.
While episode 48 was a perfect place to close the series (for now), it isn't a definitive ending in the least. There are several plots in motion, several characters that have mysteriously made their way in via some side conversations, quick glances, whatever, that are part of a much bigger deal than we've experienced so far. For one thing, we see the dragon that Natsu is looking for. We also see that Gajeel hasn't just joined the guild, but has been a double agent. Makarov needs to retire and is trying to decide on a successor, and it obviously won't be Laxus. Finally, Ultear, a character who Jellal thought he was manipulating was actually, well, manipulating him, and serving a different master, Hades, who won't rear his ugly mug for a while yet.
Now, I promised myself I'd just skim these DVDs since I'd already watched it all, especially since I'm not that big a fan of dubs, but my silly self ended up re-watching the entire thing anyway. The folks who worked on the writing and dubbing really did a fantastic job in making it work, and I actually have no complaints there.
If you want to learn more about the process as well, in the extras you'll find a different commentary on each disc. Disc five (Vol. 3's first disc) is all about audio and the dubbing process, disc six has a commentary with the voice actors for Lucy and Loke where they get into the process, their characters and the back stories, disc seven has a similar commentary with the voice actor for Jellal/Siegrain/Mystogan, and disc eight has a commentary with the voice actors for Mirajane and Freed, who had an intense battle in episode 45. Another highlight of this collection is seeing Mirajane do a soul takeover and become, basically, a devil.
The extras also include clean OPs and EDs that you see throughout these two arcs. Fairy Tail has been pretty good about changing up the themes for each arc, and the music is great, so enjoy!
I suppose what's left to talk about is the picture quality, eh? Fairy Tail is already high quality before it's pressed into discs, so there aren't any issues to worry about there. The Blu-ray has some noticeable differences which would be appreciated by those of you who are resolution junkies, but suffice it to say that nothing was dumbed down for the DVD editions. It's all untouched, unedited, uncut footage as I learned by listening to a bit of that first commentary: all they did to it was dub.
It only gets better from here. Fairy Tail is at a great spot now, but I can only hope that the series continues to get licensing. It comes in some nifty packaging to boot! Everything is stuffed into a regular-sized DVD case (that's the only drawback, really, it should be a Blu-ray case!) and you get a slip cover and reversible DVD case cover for it. You don't have to worry about it taking up so much dang room, and combo packs are awesome. Each box gets you, what, almost six hours of entertainment? Not too shabby.
If you're still a little iffy on whether you should make the investment, you also still have the option of watching Fairy Tail streaming on Crunchyroll, Hulu, even FUNimation (and they have streaming dubs). You could also keep up with what's going on (or see the backlog) by reading our Fighting Friday (now Shonen Showdown!) column, where I regularly contribute recaps for the weekly Fairy Tail anime and manga.
When FUNimation announced they took up the license for Fairy Tail, I was ecstatic. I wasn't sure if everyone else would be though, especially considering that said license is limited to just the first 48 episodes. While I'll ...
I may have a terrible opening headline joke, but this is a typical entry into the "weird news" department. Wagnaria!! (also known as Working!!) was recently announced to become adapted for the stage. You know, with actors and...
AdamTheChespin Hello japanator!Katie White I love vampire knight... it makes me sad like really sad... and I only know one person that actually likes vampire knight... I need more friends to talk to about it... T-T Katie White I love anime !!!!!! <3
skywolf fairytail is epicAnthony Redgrave I'm very interested going forward reading the Vertical Bakemonogatari light novels having seen the anime first i.e. the reverse of what I did with Kizumonogatari. Would I think the novels are too bland without the superb animation/ direction of the anime?Anthony Redgrave Kizumonogatari films 1+2 are technically marvellous and brilliant adaptation of the highlights from the source material. Despite the Monogatari origins it is not beginner friendly. A lot of Monogatari staples are omitted/muted and has more horror elementsGarage Hero Garage Hero is an independent movie group based in Tokyo, Japan that specializes in (but not limited to) the Tokusatsu genre of Japanese Cinema. Follow us on Twitter (@garagepro7) and Facebook!albas It seems like Qpost isn't as well integrated as it is in dtoid. Shame this place isn't more active but I still love all of you. DeScruff Sypran Hello I guess I'm new. I came in because of the Va-11 Hall-A stream last night.
When I get back home I'll explore this site a bit!animenekogirl Hi I'm new and well I love anime...kevinperdue Sometimes it just hard waiting for the pre-order. You know? But then there is other anime :).Red Veron Hey, readers! I love you<3Rin Haruka Oh my gosh i just finished clannad after story for the second time and i need at least 5 more tissue boxes sniff sniff Hiroko Yamamura hikevinperdue Yeah! I ordered three things all at different times and they all came in at the same time. Thanks name withheld ordering company!Salvador G Rodiles Since my condition hasn't improved that much from yesterday, my Jtor Live segment won't be happening tonight. If anything, it should be back this Saturday.Salvador G Rodiles Since I'm feeling under the weather right now (curse you, spring season), this week's Jtor Live shall be pushed to Sunday.Anthony Redgrave Hearts over Hanekawa! <3Salvador G Rodiles As a heads-up, this week's Jtor Live is being pushed back to Sunday. Anthony Redgrave Someone's got a new desktop background :D