Anime

First Impressions: Food Wars! Shokugeki no Soma

May 18 // Nick Valdez
Food Wars! Shokugeki no Soma is a simple premise heightened by its presentation (like how Duck a l'Orange sounds better than it actually is thanks to its name). Yukihira Souma runs a diner with his father, and his dream is to one day surpass his father’s cooking prowess. When his father takes a job in America and closes the diner, Souma is shipped to Totsuki Culinary Academy, an elite cooking school where only 10% of students who enroll graduate. But those who do graduate become top figures in the cooking world. There he comes across a bevy of characters like the “God Tongue” Erina, the “Meat Master” Ikumi, and the oh so cute Tadaroko. There’s quite a bit of hefty production thrown behind what’s essentially a cooking show. I don’t really know what to think of it. At times it feels satirical since the fan service is so explicitly comedic (but ultimately superfluous), and a lot of the animation budget goes into making the cooking scenes flow with more vigor (thus resembling Shonen Jump’s more “action” filled anime), but it's meant to be taken at face value. The presentation almost hampers the subject material. It’s like the anime isn’t taking itself seriously. And while that does make for a good watch week to week, it’s hard to discern whether or not the studio is a good chef when they keep adding differing flavors each time. For example, a lot of the background music doesn't fit. When Souma cooks for Erina to get into Totsuki in the second episode, the music seems to be pushing the action faster than it actually is. Then you have moments of denouement after the action as the recipes are explained that are ruined by that music as well. It’s a weird quirk that I hope gets fixed in the episodes to come. But everything else is great! Character designs flow well, the fan service is just too ridiculous to be off putting (though you'll want to turn your volume down when girls eat and that gets super annoying), and there's a decent of amount of humor that lands. When Food Wars! isn't going for a cheap gag, it's spot on. At the very least, there are a number of actual cooking tips. Some of the recipes featured on the show are quite attainable and are developed enough to recreate. That's a nice touch since this definitely could've been a food anime that didn't care whether or not it served up actual food.  For as much there is to like about Food Wars, there are as many compelling reasons to avoid it. It’s a show that deals in extremes, and the constant overreaching will most likely hurt it in the long run. It’s possible that I gel with the cheesy premise now, but, as with any overly comedic show, the premise will tire out if it’s at a constant state of heightened reality. It’s one of those “style over substance” things. It’s like sitting in an all-you-can-eat buffet and being sickened by the taste of food after a few hours. Regardless of how much you think you can handle, you bust when you’re overfed. If Food Wars constantly keeps up this stylized world rather than have confidence that its show could exist without all the hubbub going on the background, it won’t keep my attention for long. But I’ve been hooked for time being. When it hits, it hits hard. And of course, Tadaroko is the best. 
Food Wars Impressions photo
Marry me, Tadaroko
I’ve had a lot of trouble catching on to anime over the years, but every so often there’s a show that sounds so incredibly insane that I can’t help but watch it. That’s how I got reeled into a shows li...

Bakuman photo
Bakuman

Live action screens from Bakuman movie


Manga on the big screen
May 18
// Anthony Redgrave
Movies based off anime/manga have faired much better than their geeky partner video games. The Death Note movie may have faltered a little due to the massive change in story but all the characters looked great and i...

Annotated Anime: Unlimited Blade Works episode 19

May 17 // Josh Tolentino
But let's not blow things out of proportion: Six good episodes outweighs a seventh less-good one, but it's hard to imagine that anyone but a Type-MOON fan with an *ahem* an especially hard lore-boner would get maximum enjoyment out of this week's installment. Given the need for Ufotable to fill some time I honestly hadn't expected the show to move straight ahead to Shirou's showdown with Archer. In a way it hasn't, since the episode saves the actual fight for next time, but I had assumed from the epilogue of episode 18 that episode 19 would be shifting focus to some sideline event while the Rin Rescue Rangers™ made their way to Einzbern castle. This was not the case. Instead, we skip straight to the main event, or rather the opening to it, as the squad arrives to confront Archer, though the primary confrontation that occurs here is of the conversational variety. If Rin's dream-time monologue gave viewers an insight into Archer's state of mind, this installment's lectures get deeper into the facts of Archer's past - and by extension, Shirou's (possible) future. At this point it's been long enough since I first played Fate/stay night to know how much of what's revealed here is new or expanded information, but they certainly get into much more detail than the Unlimited Blade Works movie ever managed to, exploring the circumstances of Rin's summoning Archer, his nature as a "Guardian" (an unusual type of Heroic Spirit), and to hearing the motivations for trying to murder his past self straight from the horse's mouth. The results, while intriguing for the dedicated fan, delve perhaps a little too deep into the weird rules of Fate creator Kinoko Nasu's "Nasu-verse" than is productive, especially not for the more casual, Fate/Zero-originated audience Unlimited Blade Works seemed designed to cater to. It doesn't help that what's actually said doesn't really make it clear just what Archer is, either. I'll take a stab at it, though. At some point in his future (detailed in the cold open), Shirou made a deal of some kind wth a big ol' CG effect, agreeing to become a Guardian in exchange for the power he thought he needed to fulfill his ideal of saving people. Except that as a Guardian, Shirou (now Archer) was more akin to a force of nature, an agent of balance. And forces of nature are rarely known for their compassion and life-preserving qualities. The tension between the merciless mandate of Guardianship and the broken little boy that just doesn't want anyone to cry took its toll, leading to the Archer of the present, now possessed of the belief that things would be better had he never existed, or at least never stuck to his heroic ambitions. But of course, Shirou won't ever give up on his ideals. It's who he is, for better and worse, and Archer knows it. Hence, the goal of murdering his past self. Honestly, it's a powerful conceit, and gets straight at the heart of Fate/stay night's three scenarios and their exploration of one's relationships to one's ideals and dreams. Unfortunately, it's all too caught up in Nasu's love of esoterica and oddball fantasy rules, and the strong core message gets drowned out the way Ufotable's digital effects can sometimes drown out the nice 2D linework (I'm looking at you, guy who adds too much damn smoke to all the fight scenes!) We also catch up with Rin, who suffers quite roundly. First there's sexual harassment from Shinji, who's even more of a dipshit here than he was in any previous take on Fate, then the reveal that Kirei was not only alive, but also murdered her dad back in Fate/Zero. And she's tied to a chair, and her Servant turned out to be a real tool. Being Rin is suffering. If there's anyone who comes out ahead here, it's Lancer and his fanbase. Ufotable's been especially kind to the Hound of Culann, giving him no shortage of badass moments in recent episodes, and even laying the groundwork for a fun little Rin x Lancer ship. If you've ever wondered why Fate/Extra's version of Rin showed up to the Grail War with Lancer in tow rather than Archer, their interactions from the last few episodes should make that particular story angle a no-brainer. But, as many fun little asides there are in this installment, it's hard to avoid the impression that Unlimited Blade Works is trying to run out the clock a little. There's more elegant ways to go about conveying this information, but unfortunately, the show's scheduled for several more episodes. [Watch Unlimited Blade Works on Crunchyroll!]
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Where You See Yourself In 10 Years
Ufotable's take on Unlimited Blade Works may be in many ways the Fate/stay night adaptation fans always wanted, but it's not without its sticking points. Besides the usual caveats that can be attached to a prop...

Ibuseki Yoruni photo
Ibuseki Yoruni

Political struggles dominate Animator Expo's 22nd short


Age gates are now a thing
May 17
// Salvador GRodiles
It's hard to believe that Animator Expo's latest short (NSFW), "Ibuseki Yoruni," decided to implement an age gate, since their previous titles like "ME!ME!ME!" didn't have this feature. My guess is that it might be connected ...
Your Lie in April photo
Your Lie in April

Feel emotions again with Your Lie in April OVA


Get Rekt, Emotions. AGAIN
May 15
// Red Veron
I know many of you are still trying to get over the ending Your Lie in April and the wound still fresh in your hearts, why don't take a look at a more simpler time? News of a 23rd anime episode just hit and instead of an epil...

OP Up! Cry Edition

May 13 // Red Veron
[embed]33834:4734:0[/embed]"Aoi Shiori"Anime: AnoHanaOh boy, a show that I watched in a weird time of my life where I was not the happiest and this one really got to me that I haven't gotten around to seeing the movie version. The opening song gives already takes you down on a feels trip and preps you that this show is not going to happy-happy. Wait for this weekend's Week Ender where I have this show's ending song which is takes you on a more intense feels trip.[embed]33834:4735:0[/embed]"My Soul, Your Beats!"Anime: Angel Beats!An original anime project that ended earlier than it should, Angel Beats! still makes me cry (inside) every time I hear the surprisingly great music that it has for a show about a weird school and angels. I found this anime years later on a streaming service while trying to get over something and this one really got to me. Even if sad stuff isn't your thing, the great soundtrack may win you over.[embed]33834:4736:0[/embed]"Ebullient Future"Anime: Ef ~ A Tale of MelodiesA lot you probably haven't seen this one. Ef is a great collaboration between the anime studio SHAFT (Madoka Magica, Bakemonogatari) and one man feels train conductor/anime director Makoto Shinkai (Voices of a Distant Star, The Place Promised in Our Early Days) with Shinkai's amazing music wizard Tenmon.This one started out as a visual novel (yes, that's why it's sad) but got an adaptation for an anime and still packs the emotional punch with that great team behind it. Beautiful and emotionally evoking shots with breathtaking music make this one a must-see for those who want something sad yet beautiful.[embed]33834:4737:0[/embed]"Hikaru Nara"Anime: Your Lie in AprilTOO SOON. TOO SOON. I CAN'T TALK ABOUT THIS ONE YET. THE PAIN IS STILL TOO REAL. NOPE.Did I not put your favorite sad anime opening up here? THEN SHARE IT IN THE COMMENTS BELOW!!! I WANT TO SEE IT AND CRY WITH YOU, BABY!!!
OP Up! photo
Liek Evrytiem
Anime is a powerful medium that uses visuals and sounds that can evoke many feelings and some of those feelings can get you a little choked up. Whether it be the music or the characters in an anime, we associate many feelings...

Impressions: Yamada-Kun and the Seven Witches

May 13 // Red Veron
Yamada-kun and the Seven Witches starts off with Ryu Yamada, a high school delinquent type of guy who’s bad at school and gets a lot of heat from the teachers for it. After a scolding from a teacher, he runs into Urara Shiraishi at the stairs, a diligent female honor student who always seems to have her head buried in a book. Yamada tries to take a bit of his frustration on her by cutting her off while going up the stairs but trips and falls onto her. Yamada awakens later to find out that he’s switched bodies with Shiraishi. Later on, Yamada and Shiraishi learn more about this body swapping and find out that Yamada has the ability to switch bodies with anyone he kisses on the lips. Yamada and Shiraishi are then roped into reviving the Supernatural Studies club by Student Council Vice President Toranosuke Miyamura and are joined by supernatural phenomenon fan Ito Miyabi.In the club, the members learn more about Yamada's ability and each other through the body swapping hijinks by using it in many ways, by using it to their advantage in different situations (mostly for their gain). They also start to uncover what really is going on with Yamada's 'ability' and those who may know and posses other abilities as well. The supernatural bent of the show is implied by the title but don’t let that deter if you want a comedy set in a school with a story. Yamada-kun and the Seven Witches has no supernatural creatures, superpowers, flashy or fancy visuals in it. The show maintains a grounded feeling having the supernatural powers be subtle whenever it is used by the characters. It makes the show feel more like a comedy than one about supernatural abilities.The voice acting is my absolute favorite part of the Yamada-kun and the Seven Witches anime. The body-swapping aspect lends well into showcasing the great talent and vast vocal range of the voice actors. For example, Yamada being in Shiraishi's body has Shiraishi's voice actress doing her most loud tomboyish voice, which is vastly different from her portrayal of Shiraishi's calm and cool demeanor. All the actors do a great job and you can easily tell the difference in the characters while not in their original bodies. The great acting further enhances the comedic situations that arise in the different body-swapping scenarios. As you would expect from a show that has some cross-gender body swapping via smooching, there is fanservice in this show. At the most, it's characters in underwear, keeping it tasteful. Plenty of kissing to go around which includes guy-on-guy lip locking for those of you who like that thing (for those who don't like that, don't worry as it's played off as comedy too).I enjoyed the Yamada-kun and the Seven Witches manga and I was impressed by this anime adaptation, it looks really good and the voice acting is great. I love the opening and ending sequences; the opening has a simple storybook-inspired look and gives you a nice glimpse at the many characters in the show. I also love that opening song, "くちづけDiamond" (Diamond Kiss) by WEAVER, which is a sentimental love song about a kiss and a promise that has a pop-y ballad feel. Not the typical kind of song you'd have opening a show about supernatural body swapping high school students. The first few episodes don’t really get into the ‘witches’ part of the story, but more on introducing the primary characters with some of the secondary characters. I’ve read the manga and wonder how far they’ll get into the story, since they are moving at a slow pace. I worry that we won’t get to see all of the seven witches or have enough time to show them off properly.I like how they handled this adaptation and I’ll be definitely follow it and it has been a while since I read the manga. I would definitely recommend this one for those looking for a school comedy with a bit of a different twist.
Yamada x Seven Witches photo
Freaky Witchy Friday
Yamada-kun and the Seven Witches is the latest work from manga author Miki Yoshikawa, whose previous popular work was Yankee-kun and Megane-chan (Known in some territories as Punk Flunk Rumble), a comedy about a delinquent g...

Events photo
Events

Huzzah: Anime at the Alamo: San Antonio and Texas Toku Taisen are holding a contest


Free goods for two lucky winners
May 12
// Salvador GRodiles
Now this is what I call good news! It turns out that Mecha Gorilla, the masterminds behind Anime at the Alamo: San Antonio and the Texas Toku Taisen, got a sponsorship by IELLO Games. In commemoration to this event, the group...

Annotated Anime: Unlimited Blade Works episodes 16-18

May 11 // Josh Tolentino
The pain train's next destination, of course, is the newlywed's paradise of Kuzuki and Caster. The most successful pair of Grail War participants this time around finally meets their end, but not before some of the best action of the season so far, as Shirou and Rin take the fight to their foes, with some unexpected help from Lancer. In fact, Lancer practically steals the show, his gruff Irish charm causing Shirou to get all possessive of his new girlfriend. After seeing both DEEN and even the game continually give Lancer the shaft in terms of characterization (there's a reason his Carnival Phantasm incarnation can't stop dying), having Lanceer  Everyone gets a chance to show off (though Kuzuki shows off by practically feeding Shirou his own ass), but the marquee attraction is the big ol' fight between Lancer and Archer, and it's a doozy. Once again Ufotable does Lancer some small justice by emphasizing just how good a fighter the guy in blue tights really is, and how powerful his Noble Phantasm, Gae Bolg, can be. Indirectly, this also makes the fact that Archer had planned out the whole engagement even more impactful, as to hold back when the other guy is playing for keeps isn't usually a survivable strategy. Rin's fight with Caster is also a treat, if only to see Rin get right up in Caster's face, right as the witch was monologuing, and punch the piss out of the mature lady. The show may have worked hard to make Caster a more sympathetic antagonist, but damn, it does feel good to see her get knocked on her ass. Atsuko Tanaka, Caster's voice actress, has turned gloating into an art form, and seeing that act taken down a peg is immensely gratifying. But, as is written, the final blow goes to Archer, who had been planning to ambush Kuzuki and Caster from the start. His latest betrayal of people who trust him is given more weight here, as well, as in the Unlimited Blade Works movie it was shown as a storm of swords flying out of nowhere. Here, even Kuzuki gets a final, ineffectual blow in, as if to twist the knife into the sides of Caster's fanbase.  Following that up is the big reveal: Archer is Shirou from the future. But, of course, every Fate fan already knew that part, and Ufotable all but spells it out through flashbacks, lengthy character analyses delivered by Rin's dream sequences, and Saber saying, out loud, that Archer is Shirou's "...". If it wasn't clear before, it sure as hell is, now.  We also get the much-anticipated use of Unlimited Blade Works itself. Archer's wasteland of an inner world is full of copied weapons, and since Shirou is Archer, it's the place where takes the first step on the road to becoming the person he will be. This is where Ufotable cheated a bit, by opting not to animate that bit where Shirou deflects a rain of swords through the power of discovering his abilities, but then again, the time it actually was animated didn't turn out quite so well: [embed]33802:4730:0[/embed] I'm willing to let it pass, on that. Besides, there's some good payoff right after, in the form of a deeper conversation between Rin and Archer. Whereas in even the game the bond between Rin, Archer, and Shirou seemed somewhat taken for granted (a bad situation considering that Rin isn't the obvious love interest out of Fate/stay night's shipping selection), here it gets shape and texture. Like seeing Archer "sell out" his old Master, as if to punish her for having the temerity to read him like a book. Even Gil could tell, and when he takes notice, you know you're probably not in the best position. Next week...I actually don't know. We've a few episodes left before Unlimited Blade Works has to wrap up, so only time can tell just how Ufotable have managed to fill in those gaps.
Unlimited Blade Works photo
They've Got The Touch
The last time we checked in with Unlimited Blade Works, we'd seen the lengths Ufotable was willing to go to give the passing of Ilya and Berserker the gravitas that moment deserves. It worked, for the most part, though t...

Annotated Anime: Plastic Memories episodes 4-6

May 10 // Josh Tolentino
But first, the egg's on my face. Last time I wrote about the Plastic Memories, I had declared it largely uninterested in exploring its more science-fictional aspects, more specifically the "big questions" raised by its premise of Giftias as android companions. I was wrong. Well, sort of. The last three episodes don't quite explore the concept per se as instead reveal more of the world around the characters of the SAI Terminal Service. Given that this is a work of fiction rather than, say, a documentary, that's how you start grappling with questions of any kind. And it works! Sort of. It works because we're finally shown more of the show's darker side. This is where I was most wrong. I predicted that we wouldn't be seeing much in the way of the good old "androids gone berserk" trope at work in Plastic Memories. After all, if SAI was confident enough to sell Giftias as surrogate children, parents, and lovers, surely the androids were safe enough not to go nuts and kill all humans.  But...nope! Isla and Tsukasa's toughest case yet - retrieving Marcia, a Giftia's that's been little sister to an orphaned little boy - doesn't just pull at the heartstrings, but reveals much more immediate consequences to not retrieving a terminal Giftia in time. Overdue Giftias don't just lose their memories and personalities, but also risk becoming "Wanderers", androids that walk around with their physical limiters off, prone to harming themselves and others in a fit of robo-mental-breakdown.  Honestly, if there's one aspect to this that doesn't quite jive, it's that people would wait so long to retrieve a terminal Giftia. If Wanderers posed such a threat - and they do, judging by the way a Wanderer was responsible for most of Michiru's backstory as well as ending Kazuki and Isla's partnership - then the retrieval deadlines for a Giftia would be much farther from their actual expiry date. You know how milk or food will usually be just fine to eat for a couple of days even after their listed "best by" date? Imagine that, but farther ahead for Giftias. Furthermore, retrieval should be a much more compulsive action. In fact, given the damage just one Wanderer can do, it's likely a cop or government agent would be the one to retrieve your Giftia, not a couple of teens with smiles on their faces. That aside, it's an interesting angle, especially considering that up to now no one's ever questioned the inherent goodness of being with a Giftia. I suppose that questioning the central premise of the show would be a bit too meta and potentially self-destructive for Plastic Memories to risk exploring. Can't blame 'em. But ultimately, Plastic Memories feels more like a show about mortality and confronting loss than a show about androids and their place in society. The central metaphor certainly supports that reading better than any more traditionally sci-fi approach. That metaphor: Retrieval as the impact of terminal sickness or death, gets underlined in episode 6, as Tsukasa finally gets the big news: Isla will be gone in just over a month. This being a love story, of course, brings us at last to the foregone conclusion of the show: Tsukasa wants to be with Isla. No tiny amount of time, or effort on her part to stay a distant machine, is enough to break that kind of fairytale relationship. Now, it'll be up to the pair to see how she reacts to the news.  [Watch Plastic Memories on Crunchyroll!]      
Plastic Memories photo
Let's Go A-Wanderin'
A month and change. That's actually a very short time, when you think about it. For example. I haven't written a recap of Plastic Memories in almost three weeks. That's about half the time Isla's got left on her android clock, and with the latest three episodes, we're just about ready to start plumbing the show's potential depths.

Annotated Anime: MY Love STORY!! episode 5

May 10 // Nicole Helmeid
He hands him off to Sunakawa who once again gets the praise for Takeo's actions. Takeo borrows Suna's comically-small gym clothes and the three eat cake in the park. Takeo thinks to himself how pure Yamato is- nothing like his former-wrestler mother which is a hilarious and perfect family background for his character. Later the couple takes a stroll to see the stars and when Yamato mentions how secluded they are in the park- seemingly hinting at the romantic situation. He interprets it as fear of being alone together and declares he won't lay a hand on her until she is "all grown up." Suddenly, a love rival appears?!   In an unexpected turn, Sunakawa's beautiful older sister Ai comes home for a visit and is distraught upon learning Takeo has gotten a girlfriend. Hey- it wouldn't be shoujo if there wasn't a love rival! Her brother had no idea she had feelings for Takeo and she proceeds to throw a tantrum. She demands to meet the new girlfriend to judge her character. Sunakawa and Takeo head to the park to meet Yamato while Ai secretly follows them. Ai senses something is bothering Yamato, who has mixed up sugar with salt in her latest batch of cookies and seems to be a bit on edge. Ai declares to her brother that Yamato is hiding a secret from Takeo and wonders whether she is cheating on him. Takeo finally notices something is up when Yamato tries to tell him something on their walk home but instead just says goodnight. In an attempt to understand her, Takeo turns to teen girl magazines at the convenience store. Ai comes across this scene, as passersbys take photos of an oblivious Takeo, and offers to help talk to Yamato for him. We'll have to see if she uses this as a chance to drive a wedge between the couple. [You can watch MY love STORY!! on Crunchyroll with new episodes every Wednesday.]
My Love STORY!! photo
A Rival Appears
After last week's explosive episode in which our seemingly super-human protagonist saved two of Yamato's friends from a burning building, we are back with Episode 5. With the title "I'm Dense" this episode deals with Takeo m...

Iconic Field photo
Iconic Field

Aw, Snap: Iconic Field shows off Eva Mecha Designer's cool artwork


Sounds like a good time
May 08
// Salvador GRodiles
Talk about an amazing turnaround, people. After the Japan Animator Expo project hit us with a remix and a making-of video, their 21st piece, "Iconic Field," graces our eyes with Ikuto Yamashita's (the Evangelion ser...
Digimon photo
Digimon

Digimon Adventure tri.'s latest trailer will please your nostalgic heart


The Crest of Hope shines strong
May 07
// Salvador GRodiles
This might sound strange, but I have yet to watch Digimon Adventure in its original language. Nonetheless, the series is still one of those titles that I still adore to this day. Anyway, Toei's uploaded a new trail...

OP Up! Sports Edition

May 07 // Red Veron
[embed]33808:4714:0[/embed]"Imagination" by SPYAIRAnime: Haikyuu!! (2014)A great first opening to a show about volleyball. I know, volleyball isn't considered to be what guys usually play but this show captures the dynamic action found in volleyball and the usual sports drama people love and expect out of this kind of show.[embed]33808:4715:0[/embed]"Kimi ga Suki da to Sakebitai" by ZYYGAnime: SLAM DUNK (1993)Possibly one of the most loved (if not the most) anime and manga out there last time I checked, and with all the remakes and reboots these days, SLAM DUNK deserves one and needs one badly. A personal favorite of mine and one that I watched with my teammates when I was in High School varsity basketball right before a game.Fluid animation with an inspiring song that can pump you up as if you were an athlete right before a big game. A favorite of mine.[embed]33808:4716:0[/embed]"Under Star" by Shocking LemonAnime: Hajime no Ippo (2000)A really good opening for an anime from 2000 that still holds up. This one got a recent anime sequel series for a manga that's been running since 1989. The recent boxing match this past weekend is what inspired me and this series is the first show that came to mind.[embed]33808:4717:0[/embed]"Tada Hitori" by Bakudan JohnnyAnime: Ping Pong The Animation (2015)Part of my backlog that I need to get around to watching, Ping Pong's opening is rather unique and intriguing. It has that charcoal drawing look with a style that reminds me of a 90's music video, which isn't surprising since that fun song it has completes the entire thing.[embed]33808:4718:0[/embed]"Zettai ni dare mo" by ZYYGAnime: SLAM DUNK (1993)The second opening to the anime SLAM DUNK and this anime's openings are well done for their time. This one continues the momentum that the first one built up and shows off the main character Sakuragi getting his act together in the opening.I love the feel of the early morning run captured by this opening and you see how much Sakuragi is working hard to be a stronger and better athlete.BONUS: One of the many Fanmade Live Action Remake of the SLAM DUNK opening[embed]33808:4719:0[/embed]Which one is your favorite sports anime and opening? SHARE IN THE COMMENTS BELOW!
OP Up! photo
SPORTSBALLS
So there was a big boxing event last weekend and people are upset because a Filipino congressman lost at boxing. This made me think of sports anime and how I haven't made an OP Up! about sports anime yet.So this week's late e...

Himouto-Umaru-chan photo
Himouto-Umaru-chan

Himouto! Umaru-chan Anime Details Revealed


Coming July 2015
May 07
// Nicole Helmeid
Gag manga Himouto! Umaru-chan is receiving an anime adaptation set to air during the Summer 2015 season.  The series, produced by by Sankaku Head centers around a high school girl named Umaru and her older brot...
God Eater photo
God Eater

Your first look at Ufotable's God Eater anime


Chow Down
May 06
// Josh Tolentino
I've mentioned this before, but of the many games that tried to steal Monster Hunter's fire, I liked God Eater the most. While mechanically it was often just "diet" Monster Hunter, its approach to storytelling and anime...
Animator Expo photo
Animator Expo

It's time for an extra helping of ME!ME!ME! and Another Impact


Remixes and Making-of Videos for everyone!
May 02
// Salvador GRodiles
Right as we begin the month of May, Animator Expo's 20th short arrives in two parts. Unlike the project's previous helpings, we're thrown back into "ME!ME!ME!" (NSFW) and "Evangelion: Another Impact's" setting; however, ...

First Impressions: MY Love STORY!!

Apr 30 // Nicole Helmeid
Makoto Sunakawa looks like the stereotypical shoujo protagonist, but is actually Gouda's best friend since childhood. Quiet, seemingly cold, and good-looking, he receives many confessions from girls but turns them all down. One day they are riding the train when Sunakawa spots a girl getting groped by a strange man.  Gouda steps in and saves the girl, named Rinko Yamato, who falls in love with Gouda at first sight.  She begins baking sweets for Gouda regularly to thank him.  Gouda has a crush on Yamato but since he is used to girls not liking him, he believes Yamato is in love with Sunakawa.  He vows to help them become a couple while being oblivious to Yamato’s advances. The anime is currently on episode 4, and it has proven it can skewer the stereotypes of the genre while still being funny and romantic.  One of the aspects of shoujo that drives me crazy is a character’s inability to realize their romantic interest likes them back.  The annoying “will they or won’t they” then drags on for the whole series. Thankfully My Love STORY!! doesn’t fall into this trap, even though Gouda is thickheaded enough for it to be a believable plot point.  Thanks to a trick pulled off by Sunakawa,  Yamato and Gouda confess to each other and are surrounded by sparkly shoujo bubble bliss.  Madhouse’s animation is another great characteristic of this series, and you will especially appreciate it if you are an avid manga reader.   Sunakawa’s written thoughts and the aforementioned shoujo backgrounds always give me a laugh.  Since this is still a shoujo series I’m excited to see what drama is in-store for this atypical couple.   [You can watch MY Love STORY!! at Crunchyroll with new episodes every Wednesday.]
MY Love STORY!! photo
Nice guys finish first
 MY Love Story!! (or Ore Monogatari!!) is an unconventional shoujo manga that’s received an anime adaptation this season.  The story follows unlikely protagonist Takeo Gouda, an extremely tall and strong high ...

OP Up! Bleach Edition

Apr 29 // Red Veron
[embed]33787:4698:0[/embed]"Asterisk"The original opening that started it all. I remember going in blind with Bleach and was just wowed with how fun the opening got with the characters having fun. I didn't expect the show to end up being some sort of endless battle anime and just yearned for the shorter adventures they had with monster-of-the-week type of enemies. [embed]33787:4699:0[/embed]"Ranbu no Melody"A really impressive and stylish opening for Bleach. You can really see the great potential of the people who made this opening. You can see the clever shortcuts that they made that afforded them the really cool looking stuff in there. After rewatching this one, this may have become one of my favorites.[embed]33787:4701:0[/embed]"Tonight, Tonight, Tonight"One thing I really liked about Bleach is seeing the characters in fashionable street clothes and this opening has that. Tite Kubo, the author, often has art of the characters depicted as such and you can totally feel that he wants to put them in a more "normal" setting. This opening has the usual cool Bleach OP elements: stylish, exciting, creative, and with simple but efficient parts. [embed]33787:4700:0[/embed]"Velonica"This is another great example of how great the Bleach openings are with the visuals. This one combines static character portraits complimented by dynamic animation that follows. I love the use of color in the background and the Bleach logo with the characters in their cool poses, usually shounen anime will just use boring standard backgrounds.Which one is your favorite Bleach opening? SHARE IN THE COMMENTS BELOW!!!
OP Up! photo
The Death and The Strawberry
Bleach has always been one those anime that had really great opening and ending sequences with great music with visuals that amaze when it gets creative. I was always impressed by the openings and often looked forward to the ...

Golden Week Sale! photo
Golden Week Sale!

Celebrate Golden Week with great discounts on PSN!


Japanese Games and Movies on sale!
Apr 29
// Red Veron
It's Golden Week once again and the Playstation Network is here again with some discounts on Japan-inspired games and movies! I've been waiting for these games for a few of these games to go on sale since I love Japanese game...
Dragon Ball photo
Dragon Ball

Praise Shenron! Dragon Ball returns to TV in the Summer


Is this a good thing?
Apr 28
// Hiroko Yamamura
I should have seen it coming. After the huge success of the last two Dragon Ball Z films, and the waves of merchandise that was tied in, I guess the thought of a new Dragon Ball TV series shouldn't come as a surprise. The Aki...
I can Friday by day! photo
I can Friday by day!

Sushio's glorious animation skills invade Animator Expo's 19th short


Fridays have gotten even better
Apr 26
// Salvador GRodiles
I love it when a show's premise exceeds one's expectation, since the surprise could improve the medium's quality. Speaking of which, Animator Expo's most recent short, "I can Friday by day!," deceives us into thinking that it...
Love Live! photo
Love Live!

Love Live Movie goes international in new trailer


From the East coast to every coast!
Apr 24
// Red Veron
We finally get a new trailer for the upcoming Love Live! School Idol MOVIE, which is a feature length film featuring the next (and final) adventure of the franchise's lead idol group, μ's. Love Live! is this crazy multimedia franchise that has garnered quite a following around the world with the music, anime, merchandise, and that really fun music rhythm game on mobile devices.

Annotated Anime: Plastic Memories episode 3

Apr 23 // Josh Tolentino
In fact, the episode is full of classic romance cliches from the out. Tsukasa is asked to live in Isla's apartment due to company policy, and after finding that Isla spends all her time ignoring him, asks his co-workers for advice on connecting with her. The results are many awkward moments and absolutely priceless reaction faces from Michiru. Honestly, I haven't seen this many good reaction faces since The Devil is a Part-Timer!. And naturally, as the trope goes, Tsukasa only really manages to connect with Isla - who seems to be actively avoiding close contact with others in an attempt to "be a machine" - after he just acts like himself. It's a classic resolution to a classic rom-com dilemma, and it's executed here adeptly. Naturally, Isla's stoniness is absolutely related to the fact that she's got three months before retirement herself, which leads one to ask if it's right that no one's told Tsukasa. I mean, it's absolutely her business not to tell if she doesn't want to, but they work together and her decline is relevant to their job performance, not to mention Tsukasa's feelings. And it's not as if others couldn't do it either: Kazuki nearly spilled the beans in episode 2, but didn't. It just seems cruel to leave Tsukasa in the lurch like that. Beyond that, more interesting questions arise when you wonder just who would buy an android that you'd have to provide living space for. And if Giftias really are so close to humans that most people don't see a difference, then many more problems would come out of the fact that they're being sold as commercial products. Last I checked, trafficking in people was a crime, after all. Weird stuff to consider. [Catch Plastic Memories on Crunchyroll!]
Plastic Memories photo
Her Face When
If you were looking for more intriguing world-building or sci-fi details to chew on in this installment of Plastic Memories, you may be disappointed. On the other hand, if you came for tender and chuckle-worthy romantic hijin...

OP Up! Super Hero Edition

Apr 22 // Red Veron
[embed]33771:4678:0[/embed]"Ai Ai Ai ni Utarete Bye Bye Bye"Anime: Samurai FlamencoA show that starts out as a Kick-Ass knockoff that quickly evolves into all kinds of insanity.[embed]33771:4679:0[/embed]"Synchrogazer"Anime: Senki Zesshou SymphogearAn opening to an over-the-top superhero show where the heroines have to sing to activate their powers to fight some funny looking murderous monsters from another dimension. Dumb action show with some very light yuri stuff, this one is super fun.[embed]33771:4680:0[/embed]"Orion o Nazoru"Anime: Tiger & BunnyAn action show in a world where superheroes have corporate sponsorship. We need more of those.[embed]33771:4681:0[/embed]"CROWDS"Anime: Gatchaman CROWDSA modern take on what heroes can be in our modern world dominated by social media, this pretty cool opening has some great style with a cool song.BONUS:Japanese Spiderman[embed]33771:4682:0[/embed]Yeah, yeah, yeah, WOW.Got any favorite super hero anime and super hero anime openings? SHARE IN THE COMMENTS BELOW!
OP Up! photo
Saving the world in style
Superhero movie season is upon us now and everybody's getting excited to see people in colorful costumes doing cool action moves. So it should perfect for me to give y'all a nice selection of openings from anime that feature superheroes.Got any favorite super hero anime and super hero anime openings? SHARE IN THE COMMENTS BELOW!  

Annotated Anime: Unlimited Blade Works episode 15

Apr 21 // Josh Tolentino
The fight alone between Gilgamesh, in all his cruel glory, and Berserker, in all his savage might, is an able representation of how far we've come since Studio Deen's adaptation of the arc back in 2010. I've said it before, but their animation on this broadcast TV series regularly puts that feature film to shame. Of course, I can't blame them too much, either. Circumstances were different, then, and if nothing else, Deen's take condenses out the Fate franchise's propensity for tedium. Then again, quite a few of the fans appreciate that "tedium" as important world and character-building, so maybe it isn't so bad (it isn't).  That aside, the fight is interspersed with looks back at Illya's own past, exploring just what happened to her in the wake of Fate/Zero. In many ways, Illya was an more important - and explicit - link back to Fate/Zero than even Saber, Kirei, and Gilgamesh were, despite the three all being involved in Fate/Zero's plot to a much greater degree. That's because Illya represents the ultimate result of Fate/Zero's dense tangle of plots: A little girl who lost her parents, fated to suffer some ominous doom in her future. This wasn't nearly as clear back in the original game, naturally - Fate/Zero was nothing more than a twinkle in Urobuchi's eye at the time - but during this run, Illya's own actions and motivations have been thoroughly shaped by Kiritsugu's choices. Revenge on Kiritsugu through Shirou, curiosity about her new "stepbrother", and as of this week, the machinations of Grail-kun, have all built her into walking proof of this show's status as the current, definitive representation of Fate/stay night at large. Yeah, I said it! It's also a testament to Ufotable's own graphic sensibilities. The violence on display, particularly in the flashback where Illya's chased by wolves, or when Gilgamesh finally ends it all (with Rin having to manhandle Shirou to keep him from interfering and getting everyone killed) is unsettling, to say the least. It's far from "gore porn", though, and if anything it underscores how cruel he can be. At the same time, though, it's almost possible to sympathize with this devil of a man. He's cruel, ruthless, and his sadistic streak does his reputation no favors, but he's kingly in his villainy, in the way philosophers have always claimed that rulers are held to a different moral standard. It's weird that as a viewer, I can say that Gil is awful, but at the same time think that Shinji doesn't deserve to have him as a Servant. That's what good characterization is, and I'm of the opinion that it couldn't have happened for Gilgamesh without all the additional context that Fate/Zero and now this show have provided. And that's what's happening for Illya and Berserker here. Despite barely being present in Zero, and missing for much of this show, the extra breathing room and Ufotable's apparent carte blanche with regards to new plot development have given her a depth that was far harder to discern  in the source material. That makes it all the more sad that she's dead now, doesn't it?  Rest in peace, kiddo. 
Unlimited Blade Works photo
No Brakes On The Berser-Car
And so ends one of the sadder stories (and backstories) in Fate/stay night's large (some might say overly large) collection of sad backstories. Of course, having a sad backstory is par for the course in a Type-MOON-based fiction, so that's not remarkable in and of itself, but Ufotable's presentation of such in their take on Unlimited Blade Works is certainly worthy of note.

Coluboccoro photo
Coluboccoro

Huzzah: Kenji Itoso's Coluboccoro anime gets funded


Santa Company's creator is on a roll
Apr 21
// Salvador GRodiles
Well, folks; it looks like we're in for another anime by Kenji Itoso, the great mastermind behind Santa Company. Now that his second Kickstarter has reached $38,576, we can look forward to an English release of their Colubocc...

Impressions: Knights of Sidonia: Battle for Planet Nine

Apr 19 // Josh Tolentino
I'll get back to that "era" thing I mentioned in a bit. But first, a bit of background. I didn't "drop" the site recaps of Sidonia halfway through out of dislike. On the contrary, by my reckoning, it's easily one of the best science fiction anime in years, though to be fair, that's not saying much considering the state of anime these days. Still, the point is Knights of Sidonia's good, and the best thing about it is that it's one of the few shows that really builds a sense of place into the setting. In a medium not especially well-known for subtlety, the show is a comparative master class in giving the viewer a sense of the kind of home the Sidonia is without resorting to lectures or explicit narration. Sci-fi and fantasy settings, due to being different from the world we know, are especially prone to falling into that expository pit. Despite my love for them, series like Log Horizon, Fate/stay night, and even Legend of the Galactic Heroes should serve as cautionary tales against that tendency. Knights of Sidonia has its own moments of "lore-dumping", but manages to cut down on that need by using things like environmental cues to communicate the state of the world and other key world-building tasks. I suppose we shouldn't be too surprised, though. Sidonia is, after all, is based on the work of Tsutomu Nihei, who created an entire sci-fi setting in Blame! and its related manga, and communicated that world through many, many, painfully detailed environmental frames, often without dialog or even activity.  What's interesting here is how Polygon Pictures has approached world-building in this adaptation, partly due to the differences between Nihei's hand-drawn artwork and their use of CGI. In the manga, Sidonia is portrayed as a very "lived-in" space, having been home to what might be the last of humankind for hundreds of generations. In the manga panels and the commercial-break eyecatches on the show, it almost looks as if the climbing, wall-mounted living spaces onboard the Sidonia (Side note: The "vertical" orientation even serves as a clue related to how the ship is laid out!) were carved straight from the concrete/asteroid hull, like the humans of the far future lived in a spaceborne rendition of Meteora.  By comparison (and particularly in the less graphically-impressive first season), the CGI version of the Sidonia looks cleaner and more sterile. Lines are straighter, corners sharper, and curves less curvy. Part of that was due to the CGI models being unable to fully represent the "grit" of the worn-down, lived-in nature of life onboard Sidonia. Polygon Pictures seemed to know that, but rather than settle for what would ultimately be an "inferior" representation of the manga's world, they leveraged Nihei's vision of Sidonia life into a visual style that was almost aggressively monochrome. Look at all that black, white and gray, broken up only by the occasional dusty red or green. The lack of color in the show's aesthetic recast Sidonia as less a rock-hewn community and more like something closer to a sterile, but decaying hospital or public building. You've probably been in one yourself. You know the look: Crumbly concrete, grit that's been cleaned off but leaving stains. The result is a setting that looked akin to an urban spelunking course than a vision of the future. Ultimately, both the manga and anime arrived at the same basic portrayal: That of Sidonia society being one of precarious, decayed beauty, in two different ways. Add to that the show's masterful audioscape - Sidonia is the anime that made me care about sound effects in anime, like Battlefield is the videogame that made me care about sound effects in games - and its interesting use of HUD graphics, and the first season was an aesthetic achievement rarely equaled, even by traditional 2D rivals. Sadly, Knights of Sidonia's narrative doesn't carry as much weight as its aesthetic. Between this, Blame! and the rest, Nihei's forte seems to be more in places than people. The theme of desperation and humanity on the brink still goes strong (in that way Sidonia differentiates itself from its rival Attack on Titan, thanks to their seemingly opposed moods), but the actual goings-on revealed a somewhat generic hero's story. Nagate Tanikaze, after intriguing viewers by being the last "normal" human among a population of kids that can photosynthesize, sort of dropped the underdog act midway through the first season. In some ways it couldn't really be helped. His circumstances and skills as the ace pilot of the Tsugumori mecha made him a natural hero. And yet having all the girls (including the third-gender Izana) fall for him in one way or the other felt...off, considering the way Sidonia normally comported itself. In short, we don't need these harem hijinks! And this is coming from Japanator's resident harem apologist.   Thankfully, the future seems to be brighter for the second season. Despite somewhat stiff character animation, the mecha scenes in the first two episodes of Battle for Planet Nine are smoother than ever. The plot seems to be picking up as well, with Kunato, the asshole squad leader that framed Nagate and got Hoshijiro killed, now under the control of the arch-villain, Ochiai. Ochiai's work on hybridizing Gauna and human apparently caused such a disaster that the Sidonia's population was reduced to less than 500 survivors. Considering modern studies suggesting that an ideal space-colony breeding population would need to be Original Macross-sized or better, one can only imagine the chaos that ensued in that man's wake. And now he's back, and turned the Hoshijiro-shaped Gauna placenta into...a teenage-girl-shaped bio-mecha, "Shiraui Tsumugi". One with a crush on Nagate. It's like a rom-com show set in the Macross universe where one of the girlfriend characters is a full-size Zentradi. Except Tsumugi also interacts with the human-sized world via an adorable tentacle, too, so all those bases are covered. Thankfully aside from these unfortunate (though hilarious) character dynamics, the moves being made in the shadows serve to deepen Sidonia's story. For one, Captain Kobayashi's made her move, and pulled a coup to take over from the creepy tank-people who served as the Sidonia's elder leadership caste. It's high time that the show's did more to portray the captain as a more ambiguous figure with regards to her intentions. She's one of the few people Nagate obeys without question, so seeing his naive ideals conflict with her ruthless pragmatism should make for interesting viewing as things develop further. Now, what's all this about "Planet Nine"?
Knights of Sidonia photo
The Knights Who Say 'Eeeh!'
And...we're back! Yes, it's been quite a while since the last time Japanator went in-depth with Knights of Sidonia. In fact, we're verging on a full year since the last recap. That's partly my fault. You could say I mimicked ...

Boruto The Movie photo
Boruto The Movie

It's your kids, Naruto! Something's gotta be done about your kids!


What the 7th Hokage had wrought
Apr 18
// Josh Tolentino
I'll be honest, I've always wanted to say that in relation to, something, so I may as well say it now that the new teaser for Boruto -Naruto the Movie- is out. But it's not just Marty Naruto's kid that's the problem: Sa...






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