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Anime

Holy Macaroni: Crunchyroll and FUNimation join forces


CrunchyFUNi-boiled Xtreme!
Sep 08
// Salvador G Rodiles
Remember that time when Crunchyroll revealed that they were entering the home release market? Well, it turns out that this was one of their plans with their new relationship with FUNimation to bring more anime to the masses. ...

First Impressions: Thunderbolt Fantasy

Aug 18 // Salvador G Rodiles
If there’s one thing that hinted towards a big change in the story, it’s that the Main Character Shang Bu Huan was placed in an unfortunate situation that made him a part of the group that plans to stop the evil sword collector known as Mie Tian Hai from awakening the Tian Xing Jian, a powerful sacred sword, from its seal. The unfortunate thing about this was that Huan was just a swordsman who just wanted to wander, but he was placed in an unfortunate circumstance where he ended up becoming an enemy of Hai’s evil group, the Xuan Gui Zong. Since Urobuchi loves to make his characters suffer, the idea of the hero having to give up on his routine to fulfill a specific task works well in this favor. Hell, this format tends to lead to some interesting development with the main characters than one where the lead wants to do something good from the get-go, as it shows that an unexpected journey could help someone grow. In Thunderbolt Fantasy’s case, Huan's growth will likely be related to how he handles the ordeals when the group is close to Hai's castle. Even though the majority of the show’s story focused on the main cast formulating their party to stop Hai, the mysterious character known as Gui Niao holds the title of being the possible catalyst in changing the way how people view Pili and Urobuchi’s action-packed puppet show. He was the main reason why Huang is part of the campaign to fight the Xuan Gui Zon, and there are a few characters who have problems with the guy. Depending on how the story goes, I wouldn’t be surprised if he takes the spot as the show’s final villain. That, or we might have different factions and Niao will lead one of them. For now, his connection to the story is a factor that could elevate the series to a higher level and the suspicious vibe that he gives off contributes to the program’s entertaining aspects— especially with his persistent tendency to make sure that he has the prerequisites to overcome the trials that lead to Hai’s lair. While we’re on the topic of characters that could change groups at any time, the addition of a demon and a man who calls himself the Screaming Phoenix Killer contributes to the show’s idea of a group that’s united by a common motive. The idea that the party has their own toxic environment to deal with makes one wonder how things will change when the first major arc comes to a close. These aspects continue to push the audience towards being suspicious of Gui Niao; thus leaving people with the joy of trying to figure out where the story could go. For a team that could turn on each other, their teamwork somehow works out well, as a few of the show’s characters can give it their all when another comrade instigates them into doing something dangerously. Overall, this concept is what makes Thunderbolt Fantasy’s cast great since they’re all in it for a specific motive. Depending on how the direction the story will go later, I’m hoping that this aspect continues to be a recurring element since the team made these segments fun to listen to. Speaking of worthwhile things, the puppetry in Thunderbolt Fantasy gives off a breathtaking feeling. The actions scenes feel like an over-the-top Hong Kong film and the special effects (such as the magical flying weapons and powerful shockwaves) make every action scene a marvelous spectacle that never disappoints its audience. Perhaps the most impressive thing about this is that the show’s puppeteers are doing these segments in real time; thus resulting in a puppet show with one hell of a performance. Aside from the puppet’s impressive movements, the cast’s designs feature some highly detailed clothes and weapons. The craftsmanship in each puppet makes each of them look like a wonderful work of art. Not only that, the fact that the show’s staff uses weather and environmental damage is a solid feat, as the shots and lighting bring life to Thunderbolt Fantasy’s man-made sets. All in all, the team’s combined hard work with the puppetry, special effects and environments work hand-in-hand in creating a stage that grabs the audience's attention. Also, the idea that a majority of the show’s characters are left handed is a nice treat for lefties everywhere. As a person who never got to witness that many action puppet shows (such as The Thunderbirds) before, Thunderbolt Fantasy’s story and action left me blown away with the effort that went into the sets and action scenes. The violent puppets segments and Urobuchi’s writing serve as the true strings that’ll expose the nature of this series, which has started to unravel with Screaming Phoenix Killer’s actions and motives. With Hai entering the battlefield, it’ll be neat to see how everyone bypasses this trial. From the looks of it, this might be the opportunity that’ll allow for Huan to prove to everyone that he isn’t lying about his backstory. No matter what direction the series will take, Thunderbolt Fantasy will remain as a title that I never imagined as a medium that I needed in my life. [Get blown away by Thunderbolt Fantasy’s puppet action on Crunchyroll.]
Thunderbolt Fantasy photo
Lefties rule!
Ever since Urobuchi was involved with Kamen Rider Gaim, my desire to see him tackle other types of mediums outside of his usual things went up since it would be great to see how his writing style would cut up those stories. S...

Final Impressions: Space Patrol Luluco

Jul 14 // Salvador G Rodiles
Perhaps the thing that made the show’s seasonal format work was Luluco’s development as a person who’s in love for the first time, as it remained a recurring thing in each episode. Hell, the payoff from this lead to a ridiculously satisfying final battle that’s on par with Imaishi’s other works, such as Gurren Lagann and KILL la KILL. Honestly, it’s impressive that the team were able to capture this sort of magic in a seven-minute episode. As random and unexpected as Luluco was, the whole thing gave off a feeling that its format was intentional from the very beginning. If there was one thing that would lead to this show being similar to FLCL, it’s that both shows found a way to link these elements together; thus creating a glorious build up when the viewers reach the end of the tunnel. Considering that love can cause many people to feel strange early on, the high-octane moments were likely used to convey the unpredictable nature of the obstacles that can obstruct the feeling of romance. Aside from the show being a ridiculous love story hiding under a whacky space police show, Luluco’s other strengths was in how the main character’s heart flourished throughout the series. Luluco’s brief moments with Nova represented the nourishing phase of her romance and the show’s final seasons showed us her resolve to stick with her true feelings— even if it would drive her to tears. Considering that the program accomplished a ton of things during its short timeframe, it’s impressive that the TRIGGER veterans were able to throw the audience into an emotional state towards the end. While Luluco was placed in an unfortunate scenario against the Blackholian’s leader, her will to face her last opponent on while dealing with her inevitable loss made way for a great moment that gave off a feeling that was similar Simon’s resolve in Gurren Lagann’s final battle. This showed that Imaishi is capable of working well with a series that's made up of shorts, which makes me hope that he can take advantage of this format in any future TRIGGER projects where he wants to go all out. Compare to most of the previous TRIGGER shorts, it was a nice treat to see that the show features the most animation out their previous smaller titles. Other than the crazy perspectives and angles featured in the show’s actions scenes, the idea of having Luluco crossover with the other original TRIGGER projects was an idea that complemented the series’ overall style since it allowed for the gang to attempt to throw our main heroine off her game, such as the priceless scene when Sucy thought that her poison mushrooms would end Luluco's life. One great payoff from this direction was how the show ended up making way for the origin story of the company’s mascot; thus making Luluco the series that links all of the studio’s works together. Going back to TRIGGER’s gutsy move of ending the show during the beginning of its fifth season, the wonderful thing about this action is that they gave us a bit of hope to go off of towards the end. Not only do we get a moment that’s likely a reference to the Super Sentai franchise’s Red Ranger hand-off scenes, we’re given a beacon of hope that might lead to Luluco earning her true happy ending. It’s the combination of these two feelings that leave us really satisfied with the way how Space Patrol Luluco turned out. Of course, the idea of seeing the supporting cast doing better showed that their decision to support Luluco rewarded everyone nicely. I may have been a bit concerned about the length of Luluco’s episodes in the beginning, but Imaishi and the gang showed me their true colors of justice, as they used their short timeframe to give us one hell of a love story that was filled with tons of unexpected moments. Each scene made showed that the team was having a blast as they likely threw logic out of the window while they placed their heart and soul into the piece. If TRIGGER’s veterans continue to maintain this amazing routine like they did with Luluco, then there’s a chance that the Little Witch Academia TV series will end up making Trigger-chan proud. [Give Space Patrol Luluco a big high five at Crunchyroll]
Space Patrol Luluco photo
Love is Justice!
Not many shows have the guts to end during the beginning of a new season. One possible reason is that it would confuse the masses if the title were to end after making a comeback. Despite this move being very risky, this is w...

Crunchyroll photo
Crunchyroll

Aw, snap: Crunchyroll enters the dub and home release field


How will this affect the anime market?
Jul 03
// Salvador G Rodiles
If there's one unexpected piece of news to come out of Anime Expo '16, it's that Crunchyroll revealed that they're planning to release anime on Blu-ray and DVD with English dubs. The interesting thing about this announcement ...

Annotated Anime: Space Patrol Luluco episode 12

Jun 24 // Salvador G Rodiles
It’s thanks to this format that Luluco has been a huge roll for a good while. While this episode wasn’t the one where the gang confronted the Blackholian’s leader, the whole thing played off nicely with the concept of how one values their feelings for their first crush. Since M.A.O.’s performance hit the right notes in delivering a powerful yet cute moment during Luluco’s big scene, it shows how everything was pieced together just for this big event. Hell, the team’s idea to give the whole thing a final battle treatment while our heroine sticks to her resolve gave it a dynamic that’s on the same level as the penultimate confrontation in most of Gainax and TRIGGER’s titles. Honestly, the big thing that made this whole thing magical was how everyone decided to set aside their differences to make sure that Luluco wins Nova over, as the whole thing breaks out into an all-out battle against the Blackholians. This whole build-up worked well in conveying the idea of someone who has the support of their close ones while they build up their confidence to confess to the person that they love. Considering that Luluco’s goal was powerful enough to get her parents to help her out, TRIGGER was able to bring us a neat take on the saying “Love conquers all!” Even when Imaishi and the TRIGGER veterans were putting Luluco and the gang through random situations each season, the one thing that always remained consistent was the heroine’s feelings for Nova. To an extent, this tone probably represents the obstacles that one has to deal with, as the insane situations could be a representation of the factors that attempt to ruin one's focus on their main goal. For a show that was presented as a short that was filled with many off-the-wall segments, Space Patrol Luluco managed to present its audience with a memorable love story of the season. This was thanks to TRIGGER’s subtle moments between Luluco and Nova, which served as a great pay off for people when it reached its climax. At the same time, their use of timing and anticipation in these scenes allowed for them to capture the hearts of people during these brief segments. In the end, it’s amazing to see that the show will end on us with a season that’s only one episode. Then again, TRIGGER might pull a fast one with this last segment, so it’ll be interesting to see how the chapter’s title will come into play. One thing for sure, this anime might take the prize as the best five-season series of the year. [Confess to Space Patrol Luluco at Crunchyroll]
Space Patrol Luluco photo
Double Love Xtreme!
For a second, I thought that Luluco’s fourth season was going to be the end the series. Not that I’m against there being a new season, as there are still many things that the show has yet to resolved. If anything,...

Annotated Anime: Space Patrol Luluco episodes 5-11

Jun 12 // Salvador G Rodiles
I don’t think the word "fun" is enough to describe the time that Imaishi and his crew are having with Luluco lately. From episode 5 and beyond, the team has been launching the series into greater heights than many folks have imagined. With her mother Lalaco showing great promise, she served as that piece to takes things up on a notch. In other words, the TRIGGER veterans must be having the time of their lives with this project. This might just be a speculation of mine, but I had a feeling that Lalaco being a space pirate was likely connected to one of Mao Ichimichi/M.A.O.’s previous roles. The reason behind this link was that she played as Luka Millfy/Gokai Yellow in the pirate-themed Super Sentai series known as Kaizoku Sentai Gokaiger, which featured a flying red pirate ship. When you look at Lalaco’s ship, the color scheme almost resembles the Gokai Galleon from the series. For now, this scenario might just be a coincidence; however, I still found this random observation to be something that helped make this arc more entertaining than it was. Most importantly, the big thing was how the series brought back elements from KILL la KILL, as Lalaco’s pirate outfit seemed like it was made from Life Fibers. Whether it is or not, the beauty about it was how it made way for the show’s TRIGGERverse season where Luluco and the group had to reclaim their home that was stolen by Lalaco. While we got to go back to KILL la KILL and Little Witch Academia during this arc, the highlight was the return of Imaishi’s Japan Animator Expo short, “Sex & Violence with Machspeed,” making a comeback. All in all, the clash between our heroine’s full-color palette with the world’s usage of black, yellow and white gave it a distinct style. The cool part was that it retained the Panty & Stocking-like humor that the original short had while maintaining the spirit of Luluco's randomness. Even though the series gave off a feeling that TRIGGER’s goal was just to have a blast and push things to overdrive, you have to hand it to them for inserting the pieces for the show’s climatic arc. From the “Alpha” and “Omega” terms in Nova’s name to Midori’s Black Hole App, the team harnessed these things that many people likely thought were just random and brought us a segment that took us back to the Anti-Spiral from Gurren Lagann— except that the show’s villain's scheme is all about stealing things. The thing that sealed it for me was the ongoing arc about Luluco’s love for Nova as tragedy befell the show’s main heroine. Perhaps the neat part about this scenario was how TRIGGER foreshadowed an element from it during the show’s ending sequence. It’s these little aspects that amplify the major parts of episode 10’s big scene— especially Lalaco’s reaction to the whole thing. Combined with a lecture by a certain iconic TRIGGER character in the episode after it and we have ourselves a wonderful moment that makes us want to root for the anime’s main heroine. When I first started watching Luluco, I wasn’t sure how to react to the show’s short length; however as I kept keeping up with each episode, I started to slowly see the vision that TRIGGER was going for as they threw a ton of unexpected challenges to force Luluco to aim high in her mission to save her father and her hometown, along with nabbing the guy of her dreams. From the looks of it, the show might be shooting for a theme about how one should just take a risk and plunge into whatever obstacle that you’re tackling for the first time, along with holding on to the things you value the most. Whether the team intended for Luluco to be the series that connects every original TRIGGER anime to create a TRIGGER-verse or not will continue to be a thing that’s up to the viewer’s interpretation of the anime; however, it might just be an idea they wanted to mess with for this title as it left us with some priceless scenes, such as the group defeating the Life Fibers with a simple solution. With Space Patrol Luluco Season 2 and 3 being a huge improvement over the first, it looks like the series finale will leave us surprised as something unexpected comes our way. Based on TRIGGER’s work so far, they’ll get to accomplish more things than a majority of anime titles that run for four seasons. Of course, the best part is that they’ll do it with lots of love and “Justice!”
Space Patrol Luluco photo
Is this the birth of the TRIGGER-verse?
You got to hand it to shows that outdo themselves to the point where they can convert any doubtful viewer into a fan. In this case, my concern for Luluco’s episode length was wiped out of my system as Imaishi and t...

First Impressions: Space Patrol Luluco

Apr 29 // Salvador G Rodiles
With a limited timeframe of five to six minutes (not counting the show's opening and ending), each episode of Luluco seems to end right when the segment is about to reach its peak. One moment, our Main Heroine Luluco joins the space patrol to raise money to free her dad from a frozen state, which eventually led to her busting her first criminal. Then things end before we reach that huge bang that gives the segment a proper closure or cliffhanger ending— other than Luluco pointing out that the segment is over. Even though there’s nothing wrong with the show’s premise, every other episode lacked the sparks that piece everything together. In most cases, the audience barely has enough time to take things in. Perhaps the issue with Luluco is that Imaishi’s direction with the show doesn’t work for a five to six-minute format since TRIGGER’s previous shorts felt more complete, such as Inferno Cop. Then again, Imaishi’s direction with the 14th Japan Animator Expo short, “SEX and VIOLENCE with MACHSPEED,” showed us that he could handle a short so it might be that Imaishi and Akira Amemiya don't make a great combo— especially when you compare their collaboration to Imaishi and Kazuki Nakashima working on a project together, such as KILL la KILL. Despite the pacing issues with Luluco’s running time, the folks at TRIGGER delivered nicely in the animation and art department. A good chunk of the show’s sequences show off some ridiculous levels of perspective to each character that moves on screen. Then again, this style is a thing that Imaishi and most of the veterans who came from Gainax apply to their animations so it’s something that we can expect from their major projects. To an extent, it reaches a similar level of randomness present in Gainax’s titles like FLCL. Combined with the simplistic array of colors spread across the cast's designs, Luluco’s presentation is one of the best things that the show has to offer. The title’s Panty & Stocking-like look matches the silly tone that the series is going for. I mean, we have alien Street Sharks-like characters and Over Justice, a guy who’s basically Inferno Cop with Kamina’s shades! The show's presentation has a ton of personality and it looks like TRIGGER just wants to use them to mess around while they have fun with their project. If there's another thing that Luluco has going for, it's the relationship between Luluco, Nova and Midori. The idea of pairing up a guy who wants to shoot everything in sight and a girl who was in charge of a criminal organization with a girl who only wants to save her dad worked nicely on TRIGGER’s side, as their interaction made way for some great jokes, such as storyboard joke during the fourth episode's launching sequence and the build-up to Luluco's reaction to the mission. While Luluco’s short length holds the series back a bit, the animation and cast still manage to hold the show together. With the way how the series is going, it might be a show that’s better to watch in one sitting than one that should be seen weekly. However, the next episode might be the one that’ll cause the anime to reach a new level since the newest character has a major connection to Luluco. After all, we just started season two so we can expect TRIGGER to hit us with a huge surprise. [You can Gun Morphing with Space Patrol Luluco at Crunchyroll.]
Space Patrol Luluco photo
There's not enough time for justice
Whenever a show presents itself as a short, it’s important for the staff to establish a beginning, middle and end in the piece. If it’s a comedy, then the jokes have to be properly established so that the viewers ...

Review: Fafner: Exodus

Apr 21 // Salvador G Rodiles
Fafner: ExodusStudio: XEBEC Zwei Viewed On: CrunchyrollPremiere Date: January 8, 2015 When people say that patience is a virtue, they are not kidding. From day one, Fafner Exodus moving forward, as Kazuki and the gang has adjusted to their lives after Soushi’s return during the end of Fafner: Heaven and Earth. Even though the new series takes place two and a half years after the movie, the show does its best to get its audience reacquainted with the main cast again. Unfortunately, the drawback is that the newer pilots from Fafner: Heaven and Earth gave off the least amount of impact, as their presence wasn’t as big as Kazuki and his friends. Luckily, this isn’t too much of an issue when most of the new gang was placed on the team that was meant to help a section of the Earth Forces who were interested in coexisting with the Festum. Thanks to this angle, the show’s first half mostly focused on the movie group who remained on the island to help the newer pilots and the folks who left to help the military group with their mission to communicate with a new Mir that was heading to Earth. All in all, this direction worked well in distributing the cast so that people could get acquainted with new characters. After all, this element is important since the show’s death scenes have to hit the viewers hard. Of course, none of the veteran characters were safe from this aspect, which conveys the risks that the gang has to go through to achieve their goal. While it took a while for the series to pick up, the payoff worked well since the show dealt with the idea of sacrificing one’s humanity for the greater good. Whether it was the Fafner upgrades that change the pilot's bodies or the inner conflict between the Earth military, Exodus place the main cast in more intense scenario than the previous shows. Hell, there were the losses turned the tides on some of the major events in the series. Through this format, the series dealt with the team facing off against other humans, which was a great change of events from the previous installments, as it placed everyone in a big corner. Due to the situation, it made the veteran characters and the new pilots question their own actions while they tried to find their own resolve in the big conflict at hand. Compare to the original Fafner series, Exodus’ animation quality has improved from its predecessor. While it wasn’t on the same level as Fafner: Heaven and Earth, the fights between the Festum and the Fafner units left us with some dynamic air fights, along with a few moments where a character’s finishing move felt fulfilling to watch. Since there were a few machines that fought similar to the ones of the deceased characters from the first title, it worked as a way to appease to those who’re interested in seeing how they would fight with Xebec’s current skills. While Hisashi Hirai’s style suffers from a case of his characters from different shows looking similar, the guy’s art has improved a bit— in comparison to his art in Gundam SEED and Linebarrel of Iron.  His designs may not be the best out there, but they work with what Fafner: Exodus has to offer. If anything, it showcases his improved skills from the Majestic Prince anime. Just like the previous Fafner installments, Angela returns to sing the show’s opening. As always, she manages to hit the high notes well in both “Exist” and “Dead or Alive,” with the latter featuring some aspects that likely paid homage to “Shangri-La,” the first series’ theme song. Hell, the same can be said about the ending themes since it complements the previous tunes when the show’s credits drop in. It may have taken a while for Fafner to get a new series, but the show’s resolution to the war between the humans and the Festum made it worth the wait for anyone who wished to see the story progress further. While the program brought us a conclusion to Kazuki and Soushi’s story, there’s still a chance that a new installment could happen one day. Despite Exodus’ first half trying to get us more acquainted with the new cast and the movie’s characters while they cram a bunch of important things into the story, the payoff turned out well when the series set the pieces for the ultimate showdown between the title’s factions. Most importantly, its ending was a great of example of how patience can reward those who’re willing to wait— even if most of the new cast’s development was a bit rushed in the beginning. [This review was based on a streamed version of the series viewed by the reviewer at personal expense.]  When people say that patience is a virtue, they are not kidding. From day one, Fafner Exodus moving forward, as Kazuki and the gang has adjusted to their lives after Soushi’s return during the end of Fafner: Heaven and Earth. Even though the new series takes place two and a half years after the movie, the show does its best to get its audience reacquainted with the main cast again. Unfortunately, the drawback is that the newer pilots from Fafner: Heaven and Earth gave off the least amount of impact, as their presence wasn’t as big as Kazuki and his friends. Luckily, this isn’t too much of an issue when most of the new gang was placed on the team that was meant to help a section of the Earth Forces who were interested in coexisting with the Festum. Thanks to this angle, the show’s first half mostly focused on the movie group who remained on the island to help the newer pilots and the folks who left to help the military group with their mission to communicate with a new Mir that was heading to Earth. All in all, this direction worked well in distributing the cast so that people could get acquainted with new characters. After all, this element is important since the show’s death scenes have to hit the viewers hard. Of course, none of the veteran characters were safe from this aspect, which conveys the risks that the gang has to go through. 
Fafner: Exodus photo
Patience is a virtue
There’s something wonderful about seeing an older title receive a sequel after a very long time. It shows that the team was pushing hard to continue the story they set in place, and it lets the viewers see the program e...

Ultraman photo
Ultraman

Streaming GET: Ultraman Ginga and Ginga S head to Crunchyroll


Tsuburaya keeps on giving
Mar 02
// Salvador G Rodiles
With Crunchyroll achieving its new form as the go-to place to watch the Ultra series, the group has united with two more titles in the franchise. This time around, Ultraman Ginga and Ginga S are now on Crunchyroll; howev...

Annotated Anime: Shouwa Genroku Rakugo Shinjuu episodes 4-6

Feb 17 // Josh Tolentino
In case you've forgotten, episode three ended on what seemed to be a dramatic cliffhanger, with the Yakumo the 7th's mistress Miyokichi showing up, seeking the master. In a different story, she'd be like a live grenade tossed into the cast, exploding the old, comfortable dynamic and setting the plot in writhing motion. Except she's absent for most of the fourth episode, which devotes its eye solely to the relationship between Kikuhiko and Sukeroku (née Bon and Shin), living together in an apartment following their promotion to futatsume. It's at this time that some of the subtle subtexts lurking in Shouwa Rakugo bubble up to the fore, clear to see even for folks who aren't into close reading or other film studies piddle-paddling.  It's hard not to see Kikuhiko's longing for his best friend, even as he only slowly comes to realize it himself over the course of the next few installments. But for us viewers, it's plainly evident in the married-couple banter the pair exchange, Kikuhiko's apparent indifference to the opposite sex (including a bond with Miyokichi that seems more maternal than romantic), and even the way the camera and framing of the scenes treat Sukeroku. Of course, this cat isn't out of the bag (or closet) just yet. The show's historical context virtually ensures that Kikuhiko's path of self-discovery would be an ambivalent one. Hell, we already know what he's like in the future, and "out and proud" isn't one of those things. At this point, we're on the hook to find out just how he, Sukeroku, and Miyokichi are involved in leading to the present state of Yakumo Yurakutei the 8th.  If nothing else, the journey to finding out remains riveting as ever. Ably voiced by Megumi "Rei" Hayashibara, Miyokichi is less a plot grenade than a fire pot of character work, playing a grounded, perceptive, utterly attractive woman for whom a term like "temptress" feels both accurate and unforgivably reductive. Her role in catalyzing the events that lead to Kikuhiko discovering his own style of Rakugo also can't be overstated.  It's not all happy, though. As good as one feels for the characters and their journey so far, the shinjuu in the title still looms. In fact, Kikuhiko discovering how to make his mark on Rakugo brings him one step closer to the sly, sinister, troubled old man we met in the first episode, and to whatever tragedies made him that way. [Watch more of Shouwa Genroku Rakugo Shinjuu on Crunchyroll!] née
Shouwa Rakugo photo
The plot thickens
The last time we checked in on Shouwa Rakugo, it was shaping up to be one of the best (or at least, most grown-up) anime series to air in years. Anime fans looking for more mature, grounded plotting and complex character work...

Ultraman Gaia photo
Ultraman Gaia

Rejoice: Ultraman Gaia unites with Crunchyroll


Tsuburaya is on an amazing roll
Feb 12
// Salvador G Rodiles
Man. I need to cross my fingers more often now. Why's that? It turns out that Crunchyroll has added Ultraman Gaia to its streaming library. In other words, the Website is now becoming the perfect go-to place to watc...
Ultraman Nexus photo
Ultraman Nexus

Over Ray Storm: Ultraman Nexus finally lands on Crunchyroll


The Space Monsters are doomed
Feb 11
// Salvador G Rodiles
Ever since Tsuburaya temporarily added Ultraman Nexus' first four episodes on YouTube, it felt that the show's debut on Crunchyroll was going to happen within that timeframe. While this never occurred, the series has finally ...
Ultraman Nexus photo
Ultraman Nexus

Ultraman Nexus gets an official YouTube stream before it hits Crunchyroll


Space Monsters beware
Dec 05
// Salvador G Rodiles
Once again, it's a great time to be a fan of tokusatsu, as Tsuburaya uploaded four episodes of Ultraman Nexus, one of the first Ultra TV shows that's targeted towards an older audience to prepare for its upcoming debut on Cru...

Review: Gatchaman Crowds Insight

Nov 12 // Salvador G Rodiles
Gatchaman Crowds Insight Studio: Tatsunoko Release Date: July 4, 2015 Format: Streamed via Crunchyroll Taking place right after Gatchaman Crowds, Insight pits Hajime and the other Gatchaman against a group called VAPE, who want to rid the world of the CROWDs. During all of this commotion, the team ended up getting a new team member in the form of Tsubasa, along with having to watch over an alien visitor go goes by the name of Gel Sadra, who happens to share the same name with Leader-X’s top subordinate from Gatchaman II. While the show’s story sounds very simple, things start to take a different turn as political themes begin to take the helm. From day one, the main thing that sets this season from its predecessor is how it takes the pieces that were set into place earlier, and uses them to build a new foundation. At first, it seemed that the story was going to focus on Tsubasa becoming a better hero to overcome VAPE, but the staff did a good job in squeezing in the political themes, as Gel runs for office. While the first series had more of a subtle feeling with hints of Berg Katze plotting something huge, Insight convinces its viewers that things are suspicious from the get-go. This is shown through Gel’s speeches, which invoke the stereotype that many politicians use to present themselves as the person who relates with the middle-class citizens. Honestly, what made the guy’s actions great was that we were made to question whether the alien had ulterior motives or not. Going by the rule of things that are too good to be true, Gel came off as this super kind person who could bring everyone together. Just like the many things that fall into this category, a lot of people were drawn to his personality. Perhaps one of the greatest aspects of this story was the dynamics between Hajime and Tsubasa. Despite Hajime’s role as the girl’s mentor, Insight turned Tsubasa into the person who wishes to stand by Gel’s ideals no matter what; thus conflicting with Hajime’s super enthusiastic free spirit. On one side, you have the person who wishes for people to think on their own, and on the other, you have those who believe that true peace can occur if everyone goes with the flow. This also represents two of the various ways on how people create an atmosphere in their setting. Because of the way how society reacted to this event, this made Insight a personal story that many folks could relate to since it uses the social networking themes that it predecessor established to expand on the environment created by the political aspects. It also helps that the show’s superhero elements continue to sit in the back corner until they’re called for. Sure, there isn’t a consistent group that sends a bunch of bad guys against Hajime and her crew, but the idea that they still interact with other folks is surprisingly more entertaining. Seeing the first series focuses on the team’s rise to fame, another joyous thing about the show was seeing their efforts pay off. Whether it was O.D. showing off his fabulous personality on a live talk show or witnessing Rui using his Gatchaman powers, Insight leaves it viewers with a great sensation for investing their time with its predecessor. On top of that, once Gel’s presence becomes more prominent in the story, we start to see them change gears as they adjust to the changes in society. Thanks to the staff's great work with this story, the way how the heroes resolved the whole situation ended up being a powerful scene. Since the team was still fun to follow, this turned Insight’s closing segments into a very emotional ride. Let’s just say that it involves tears. If there’s one thing that we can always expect from Crowds, it’s the show’s stylish look. Just like the previous installment, Kinako’s stylish character designs continue to grace the screen. For the most part, the colorful looks continue to be a thing in Insight. Hell, Gel’s ability to turn people’s thoughts into speech bubbles was a nice aesthetic that improved the program’s great arsenal of abstract colorful designs. On top of that, Rui and Tsubasa’s Gatchaman suits are a nice addition to the crew’s set of armored heroes. I mean, it’s hard to go wrong with a fighter who can transport people to different locations and one who can fight with fireworks. Even though some of the show’s music is recycled from the previous series, the tracks still manage to go well with Insight’s scenes. Whether it’s the catchy electro song that repeats the phrase ‘Gatchaman’ or the subtle ambient track used in the peaceful segments, Taku Iwasaki’s (JoJo 2012 and Gurren Lagann’s Music) stuff continues to push the story in a positive manner again. Just like the rest of the show, it feels like we’re hanging out with the same person who made us smile before. I guess this would count as an amazing encore. As for the new characters, Kana Hanazawa (Durarara!!'s Anri, the Monogatari series' Nadeko) did a fantastic job in making Gel's child form sound playful and innocent, and Tomokazu Sugita (Kamen Rider Gaim's Demushu, Gintama's Gintoki) helped give the alien's adult form a convincing voice as a politician. That, and it was great to see him use a gentle voice throughout the series. In regards to Tsubasa, Kaori Ishihara (Magi's Aladdin, A Lull in the Sea's Sayu) brought out her ambitious personality nicely. She may not be on the same level as Maaya Uchida's (Hikonin Sentai Akibaranger's Hakase, Outbreak Company's Minori) Hajime voice, but she hit the right notes in making her character an overly determined person. Combined with the original cast, the voice actors were able to put on quite a good show.  While a sequel to Gatchaman Crowds could’ve gone either way, the show’s crew stuck to their guns and used them to shoot out greater bullets. The title’s political elements and expansion on its social life aspects gave it another nice zest that sets it apart from many superhero shows. Whether there’s gonna be a third installment or not, Kenji Nakamura (tsuritama and Mononoke's Director) has shown us that his take on Tatsunoko’s classic property is still capable of playing the game. [This review is based on a streamed version of the series viewed by the reviewer at personal expense.]
Gatchaman Crowds Insight photo
Gerururururu!
Whenever an old property gets reinvented, many folks tend to be concerned over the changes that the title goes through. In some cases, it can be a bad thing; however, a new take on a classic could act as a great way to a...

Gundam photo
Gundam

Simulcast GET: Gundam Iron-Blooded Orphans heads to Daisuki.net and Hulu


New Gundam series for everyone!
Sep 30
// Salvador G Rodiles
It looks like there's another good reason to be a Gundam fan this year, since the upcoming series, Mobile Suit Gundam Iron-Blooded Orphans, hits Daisuki.net and Hulu on Oct. 4 at 7:30 p.m. Japan Standard Time/3:30 a.m. Pacifi...
Ultraman X photo
Ultraman X

Simulcast GET: Crunchyroll nabs Ultraman X


In which toku fans are given more hope
Jul 14
// Salvador G Rodiles
Well, folks; I think it's safe to say that 2015 is a great year to be a tokusatsu fan. Last week, Shout! Factory announced Dairanger's North American DVD release, and Crunchyroll has now revealed that they're simulcasting Ult...
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Yu-Gi-Oh!

SDCC '15: Yu-Gi-Oh! Duel Monsters' uncut episodes are now on Crunchyroll


Believe in the heart of the cards
Jul 12
// Salvador G Rodiles
Good news, everyone; the folks at 4K Media Inc., the company that handles the Yu-Gi-Oh! franchise's license and marketing, have announced at Comic Con that Yu-Gi-Oh! Duel Monsters is now on Crunchyroll in its uncut glory. As ...

Annotated Anime: MY Love STORY!! Episodes 6-7

May 27 // Nicole Helmeid
When Ai and her brother confront Yamato about her secret, Yamato launches into a list of Takeo’s physical traits that get her heart racing. I was dying of laughter as her and Ai agreed on all of his good points while Makoto shrinks into the background. Yamato’s big problem was that she wanted to move forward on the physical side of her and Takeo’s relationship, but fears it would crush his “pure” vision of her. Ai is a little shocked but gives her the confidence to tell Takeo exactly what she wants. Ai is still struggling with her love for Takeo, I think she knows he is the happiest he has ever been. She is full of regret for not telling him how she felt sooner and is still incredibly jealous of Yamato. Yamato and Takeo finally clear up the misunderstanding and Yamato also confesses she lied about how she found his place in the beginning and also left her cell phone behind on purpose. I find it really cute that her big lies and “impure” thoughts are still so sweet and innocent. It’s really refreshing that a show of this typically-drama-filled genre can be so lighthearted. Takeo feels the pressure to be a good man for Yamato and is embarrassed to have messed up something as simple as hand-holding. He comes to Suna with a request- teach him how to kiss. Suna obviously refuses but Takeo cannot be stopped.  He traps Suna and puts saran wrap over his face because that makes it "OK" in Takeo's eyes. The episode cuts away and ends right as the kiss is happening, to the dismay of any fujoshi watching this series (myself included.)   In episode 7, Takeo is recruited by the Judo club to help with a tough match. He agrees without realizing it would cut-down on his time seeing Yamato. But in her usual sweet manner, she cheers him on and meets him after practice to deliver rice balls. There was a bit of filler in this episode with a training montage- but with the great animation, the overlay of text messages between Takeo and Yamato, and a few gags thrown in (like his mother using him as an ironing board) it was still very entertaining. Takeo told Yamato not to meet him after practice anymore since the area had warning signs for gropers. But since he isn’t the most eloquent man, he simply tells her not to come rather than explaining why. This worries Yamato so she goes to visit Sunakawa. Suna is now a master of interpreting Takeo and Yamato, so he calms her down and she realizes it must have been a misunderstanding. The day of the judo match arrives and Takeo’s opponent (who looks like a character out of Cromartie High School) declares Takeo has already lost since he has a girlfriend. Someone sounds jealous! When it is Takeo's turn to fight, the two school’s teams are tied. His opponent is pretty evenly matched and there are a few moments where Takeo falters. Usually Takeo has ridiculous superhuman strength so I’m glad he was paired up with a character that could produce an exciting match. Takeo eventually wins with a toss, to the amazement of everyone in the crowd. Even the stoic Suna is impressed.  The next episode is Titled "My Friend" so I'm hoping something good happens to Suna in return for his loyalty and devotion to Takeo.   
MY Love STORY!! Ep 6-7 photo
Communication is key
Yamato is still in turmoil over a secret she can’t tell. 

Annotated Anime: Stardust Crusaders episodes 38-44

May 25 // Josh Tolentino
Indeed, the last six weeks of Stardust Crusaders have been all about "carrying on". Carrying on into the scary house where your mortal enemy resides. Carrying on past your enemy's toughest minions, no matter their tricks and powers. And sadly, carrying on even when you've lost friends. Indeed, after a pitched battle between Iggy, who takes a hit and learns the meaning of getting even in his fight against Dio's evil, Stand-using pet bird, the team finally enters the lair of the beast, only for Joseph, JoJo, and the newly returned Kakyoin to be separated into a confrontation with D'Arby the Younger, kid brother to the gambler from before.  Like his brother, D'Arby the Younger gambles for souls, but doesn't need to cheat nearly as directly, thanks to his Stand's power to predict the actions of his opponents by reading their souls. The contest, this time, is one that's near and dear to my heart: Video games! Playing knock-offs of F-Zero and RBI Baseball, Kakyoin unfortunately botches his return by getting his soul taken...again, leaving JoJo to once again leverage his unflappable nature to pull off another epic bluff. If this sounds familiar to you, it should, as practically beat-for-beat the encounter unfolds in a similar way to the Elder D'Arby's fight, all the way down to the D'Arby being driven nearly nuts by JoJo's win. Worse still, David Productions missed a golden opportunity to add some their own flair to this otherwise true-to-source adaptation: They could've used sweet retro graphics to show off the games, instead of falling back on boring-ol' regular CGI. Remember, Stardust Crusaders takes place in 1989, just as awesome pixel art was saturating the game market.  Sadly, those are minor quibbles compared to the underwhelming nature of the fight itself. The original D'Arby confrontation played out in a cool way, but the plot need not ahve been reused so quickly. Then again, had I known of the tragedies about to follow, maybe I'd have stayed in that status quo for longer. I blame Vanilla Ice. Vanilla Ice is Dio's last Stand-using minion, and thanks to his black hole of a Stand, inflicts the greatest casualties the team has suffered yet.  Avdol, sadly, dies a sudden, unexpected, and violent death, eaten from toes to elbows by Vanilla's Stand, nothing but a pair of hands left. And as if to rub insult to injury, Vanilla even beats poor Iggy to death. The kicker here, is seeing them both depart the coil in some kind of spirit form. I don't think they're coming back, and I already miss 'em. Rest in peace, Avdol and Iggy!  
Stardust Crusaders photo
All Ye Who Enter Here
Well, it's been weeks since we last checked in with the Stardust Crusaders, a group name, which, come to think of it, doesn't make all that much sense in the grand scheme of things. I mean, sure there's a "Star" in "Star Platinum", and Egypt has a lot of dust, as well as a few Crusades, but...well, I guess it does make sense, after all. So let's carry on, then!    

Crunchyroll manga photo
Crunchyroll manga

Crunchyroll adds PARK Harajuku: Crisis Team! original comic


Original manga to debut in end of May
May 21
// Soul Tsukino
Crunchyroll has announced the latest offering from their “Crunchyroll Originals” manga/comic line with PARK Harajuku: Crisis Team!, an all-new, full color digital webco...
Monty Oum photo
Monty Oum

RIP: RWBY, Dead Fantasy creator Monty Oum dies


He will be missed
Feb 03
// Josh Tolentino
Whatever you might think of a creator's work, it's never easy to hear news about their passing, especially at a young age. That's the case with Monty Oum, an animator at Rooster Teeth studio and creator of the 3D animated act...
Crunchyroll photo
Crunchyroll

Level Up: Crunchyroll's Premium Members now have unlimited manga access


Magma for Everyone!
Jan 18
// Salvador G Rodiles
I may be late to the party again, but I thought that it was worth noting that Crunchyroll has granted their Premium Members the ability to access their magma... um, I mean manga library. In other words, the anime subscribers ...
Golden Boy photo
Golden Boy

Streaming GET: Golden Boy heads to Crunchyroll


Life is Study!
Jan 13
// Salvador G Rodiles
There's something wonderful about having a Website stream an older title that's dear to one's heart. In this case, one of my favorite perverted comedy anime shows of all time, Golden Boy, has found a home in Crunchyroll ...
Ultraman 80 photo
Ultraman 80

Streaming GET: Crunchyroll nabs Ultraman 80


Crunchyroll has mastered the Ultra Combo
Dec 10
// Salvador G Rodiles
It looks like Hell is still frozen, as Crunchyroll has added Ultraman 80 to their collection of Ultra shows. Thanks to the site's recent actions, there's a good chance that we're in for a glorious Toku Christmas this yea...
Ultraman Leo photo
Ultraman Leo

Streaming GET: Crunchyroll grabs Ultraman Leo


Leo Flash!
Nov 12
// Salvador G Rodiles
Ladies and Gentlemen. Once again, I'd like to remind everyone that Hell has officially frozen over. With Ultraman Leo now streaming on Crunchyroll, I think it's safe to say that the underworld has become a winter wonderland. ...
Terra Formars photo
Terra Formars

Uncensored Terra Formars to air on Crunchyroll


Maybe we can see what's happening on screen?
Oct 20
// Hiroko Yamamura
I'm sure I'm not the only one who was totally shocked by the hardcore, over the top censorship of this season's Terra Formars. I mean come on! I've seen 10 second commercials on TV this week that showed way more than what was...
JoJo photo
JoJo

Surprise: JoJo: Stardust Crusaders' English Dub to stream on Crunchyroll


In which Crunchyroll catches us off guard
Jun 24
// Salvador G Rodiles
I don't know if this announcement is a figment of my imagination or not, but Crunchyroll's planning to stream three episodes of Stardust Crusaders' English dub on July 5th. If you're going to Anime Expo 2014, there's going to...
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SakuraCon

Sakura-Con '14: Crunchyroll announces two more simulcasts


Don't get quite so excited yet
Apr 20
// LB Bryant
So SakuraCon has come and gone but we still have more news to share with you that came out of our weekend in Seattle. Yesterday, Crunchyroll held an industry panel at the con and despite getting through the bulk of their pane...
Crunchyroll x FUJI TV photo
Crunchyroll x FUJI TV

Crunchyroll partners with FUJI TV to stream 21 dramas


Some of them are required viewing
Apr 07
// Chris Walden
Remember when Crunchyroll used to show Japanese drama? I kid, but let's be honest, it's been pretty slim pickings on the drama front as so much time and effort was instead poured into acquiring anime simulcasts. However, this...
Streaming news photo
Streaming news

Rowdy Sumo Wrestler Matsutaro!! headed to Crunchyroll


A shonen-sports anime about Sumo wrestling? Sweet
Apr 05
// Tim Sheehy
The shonen-sports genre is one of a niche I usually avoid, and not because every show is terrible, they're not -- it's just that many of them seem so interchangeable. A group of down-trodden students join a club and bound tog...

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