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Shaft

Let's break down the Kizumonogatari movie trailers

Jan 04 // Anthony Redgrave
Before we start, Kizumonogatari is actually the first part of a trilogy of movies. The first one coming out is called Tekketsu-hen, second is Nekketsu-hen, and finally Reiketsu-hen. Or to put it in English terms; Iron-Blooded, Hot-Blooded, and Cold-Blooded referencing Kiss-shots full name and title Kiss-Shot Acerola-Orion Heart-Under-Blade the iron-blooded, hot-blooded, cold-blooded vampire.  If you thought the trend of splitting the last book of a series into two movies is bad, they're doing a Hobbit here by splitting a 344-page book into three movies.  [embed]34670:5332:0[/embed] Kizumonogatari I- Tekketsu Trailer (10.10.15)  One of the first shots is of a tree with narration in the background. The tree isn't actually referenced in the book at all, or at least in any significant detail. However, we do know that there is a massive tree that grows out of the Cram School which is featured heavily throughout the series and that includes Kizumonogatari. The tree grows out of a hole in the roof of the cram school that was created by Kiss-Shot once she regains her true form.  Oshino and Araragi are sitting down in a sparse room that looks like a station. While the two of them are seen conversing with one another alone it is often done in the Cram school rather than any other location so that leads me to believe that this is still the cram school. However, the cram school has always been described as abandoned and unused. This being Shaft I can always suppose it holds a cinematographic purpose more than an accurate one.  Kiss-shot is shown bloody and limbless on the floor of a train platform. While this is the basis of Kizumonogatari the location differs from the book. In the book Araragi finds her on the street illuminated by a sole street light and is able to identify her as a Vampire due to her lack of shadow. 'You aren't going to save me' is a reference to Araragi's initial hesitation to help Kiss-shot. Ah yes, the panty scene. During Araragi's initial encounter with Tsubasa, a gust of wind blows up her skirt while she is adjusting her braid causing her panties to be revealed to Araragi. The book takes a long time describing the situation in great detail for something that takes a few seconds in the trailer. Earlier in the trailer, you see Tsubasa catch up to Araragi. This takes place after Araragi sees Tsubasa pants. I know this compared to any other times Araragi meets Tsubasa throughout the book because of the line 'You walk fast, Araragi' as Araragi was trying to get away without embarrassment from seeing her pants.  Araragi inspecting a young blonde girl on the ground surrounded by chairs is just after he awakes after saving Kiss-shot. The location is supposed to be the cram school which I can see through the use of the plastic school chairs. Araragi running crazily to the right in a sort of frenzy is when he attempts to save Kiss-shot. In the book Araragi internally debates whether or not he should save her and ultimately abandons his humanity to do so hence the crazy running. Some of the last shots in the trailer have people engulfed in fire. This is because vampires are weak to certain things and sunlight is one of them. The first figure is Araragi having just discovered this weakness and the second is Kiss-shot in her now 10-year-old form saving Araragi from burning to death. [embed]34670:5331:0[/embed] Kizumonogatari I- Tekketsu Trailer 2 (12.24.15)  The second trailer doesn't have a lot more to add that hasn't already been seen in the first. But we do get a glimpse of the three vampire hunters that are after Araragi and Kiss-shot throughout Kizumongatari.  Araragi's first bites of dialogue follow the novel as he pleas with the Vampire Hunters not to kill him because he is human. Despite at this point having just turned into a Vampire by Kiss-shot. The first Vampire Hunter shown is Dramaturgy, as described in the books to be a seven feet tall man with unkempt hair held back with a hairband.  Next is Episode. Now he has already made a reappearance in the latest Owarimonogatari as part of Shinobu Mail and also earlier in Tsubasa Tiger as part of Monogatari Second Season. For the most part, he looks the same as his TV anime counterpart including the giant cross he slings over his shoulder.  Last is Guillotine Cutter. The trailer has a glare behind him so it shadows most of his clothing. In the book, he is described to be wearing priestly robes, docile face, and hedgehog-like hair. The light shining from behind him may be a reference to his holy background. Another interesting point is Araragi's duds. Araragi is never described in the books and it was character designer Akio Watanabe who had made him the way he looks now. What's interesting is that Araragi has the same sense of style as he does in the anime; hoodie, vest, and jeans but he is also rocking a peace medallion. Could this be referencing the lie he tells his sisters that over the holidays he is on a journey of self-discovery? One of the last shots is Araragi holding Kiss-shot in his arms with blood spray across the ground. From the pose and Kiss-shot's lack of limbs, I think this is just as Kiss-shot feeds on Araragi to save herself.  [embed]34670:5333:0[/embed] Kizumonogatari Movie Trailer (2012)- VERY MUCH SPOILERs This is a little bonus. Before Kizumonogatari exists as we know it now, there was a lot of talk about releasing it as a stand-alone movie in 2012. There were a lot of delays and radio silence about the project before 2015 finally revealed the trilogy. They were able to bring out a trailer for Kizumonogatari before all this uncertainty and it shows a lot more of the story than the previous two.  This section will include massive spoilers for the whole book since there are scenes from the finale featured in the trailer.  First it is more accurate than the more recent trailers having Kiss-shot actually being found on the street illuminated by a sole street lamp just as it's described in the book.  Next is Araragi's first confrontation with the Vampire Hunters. Dramaturgy is seen in the left lane, Episode can be identified in the right fork with his massive silver cross. And Guillotine Cutter appears from behind Araragi just as it's described in the book. The character designs for the three Vampire Hunters look a little rougher than their other anime counterparts. Episode looks a tad older and without his white school uniform and is instead in a generic white shirt.  Dramaturgy doesn't even look human here although his hair and physique still match his description. It could be a reference to his true form as a Vampire. We get a better shot of Guillotine Cutter here as it's obvious that he is in a priestly garb, still with a calm demeanor. No better shot of his hedgehog-like hair, though. Next we see Meme Oshino intervening against the three vampire hunters taking down Araragi. This is very faithful to the book as he adopts the same weird pose to block all three simultaneous attacks.  Episode's cross is seen connecting with Araragi with a splash of blood emitting from his shoulder. This is from Araragi's battle with Episode where Araragi discovers another one of his vampire weaknesses.  Tsubasa watches the fight from the background. This is either from the first or the second fight as she is witness to both. However judging from the previous shot referencing Episode's fight with Araragi I'm thinking it's from that fight also. Tsubasa faces away from a pair of hands inching creepily towards her. From the background, I know that it's the scene where Araragi asks to touch Tsubasa's breasts. Next is Oshino Meme holding up Kiss-shot's stolen heart moments before he returns it to Araragi. The corpse is Guillotine Cutter after he is eaten by Kiss-shot in her newly regained perfect form. The next few scenes are fairly chronological. Kiss-shot arrives on the school sports field to do battle against Araragi. Her landing destroys the ground due to her leaping from the Cram school to Araragi's school grounds. Then Araragi and Kiss-shot fight each other, completely decimating each other with each hit. Again very similar to the novel as their vampire strength is able to destroy the bodies but their healing factor can regenerate the lost flesh. Overall this trailer is very faithful to the novel it is based on. It also retains the anime style that Shaft had been using for the past few seasons compared to the style being incorporated into the films now.  Kizumonogatari I- Tekketsu Trailer (10.10.15)
Kizumonogatari photo
Did something good happen just now?
It's a very interesting time for English literate Monogatari fans. With the first officially translated Monogatari light novel coinciding with the often delayed and heavily anticipated Kizumonogatari movie set to re...

Kizumonogatari photo
Kizumonogatari

The new Kizumonogatari trailer goes back to where it all started


Won't you help a fallen vamp?
Dec 08
// Josh Tolentino
It's finally happening. The now venerable and celebrated Monogatari Series may be coming to a conclusion with Owarimonogatari, but it won't really be over until we return to the beginning with the movie adaptations of K...
Shaft photo
I'm sooo happy right now
Shaft has to be one of my favourite anime studios just because they made the Monogatari Series. I love that anime to pieces; from the extremely witty dialogue to the contrasting colour art style. The studio is coming up to it...

Annotated Anime: Mekakucity Actors episode 7

May 27 // Dae Lee
Once again skipping the typical opening credits, we jump right back into the action. This is a very dialogue driven episode, casting a new light on the members that make up the Mekakushi-dan, of the past and the present. Ene's past self, Enomoto, comes to terms with her feelings about Haruka after a pep talk with Ayano, only to be rewarded with a sudden fainting spell that initiates Enomoto's mysterious conversion to her digital self.  There really isn't much in the way of action or even scene progression, as the majority of the episode takes place in the graveyard the Mekakushi-dan walk into at the end of episode 5. Even though this is the juncture where I desperately want to see the fall out from various currently running plot points, I appreciated the change of pace because it allowed for more lengthy and interesting conversations. Kano, who played a comedic role in the show as a sub-leader of sorts, is given a more interesting role here. He teases Ene about a similar case where someone was transformed after a black out, a plot point that is conveniently put on hold when they are notified that Shintaro is in trouble. When the group leaves to meet up with Seto and Shintaro, Kano stays behind with Ene to exchange a few more words in secret. He shows a much more sympathetic and thoughtful side, but when Ene further questions Kano about what he said earlier, he slyly reminds her that Haruka died the same day Ayano did, breaking Ene's pretense and making her face the truth she tried to bury. There is definitely more to Kano than meets the eye, and with the power of illusion and deception, he uses it well here to a chilling effect. We're finally left with a final scene involving Haruka, who seems to be the "other person" who went through what Enomoto did. His mortality is pushed into a corner, confined to a hospital bed and waiting for inevitable death. A mysterious female voice offers him a chance to be reborn into a new, stronger body at the expense of losing his memories, a cruel offer that he can't refuse. It's also worth noting the presence of professor Tateyama before Enomoto and Haruka collapse, and the strange figure of a girl with long black hair that we recognize as the heroine of the post-credits storybook sequences makes a clear appearance in the show proper as well. It's easy to think she is some sort of a mastermind behind everyone's unique abilities, but the fun part comes from trying to figure out how and why. While we can start to see through the once solid wall that separated us from understanding the weave of stories and characters, much of it are still undefinable blurs of moving objects; beautiful but ominous gestures behind frosted glass. The intrigue builds and builds, and the more I watch, the more I wish shows would embrace a storytelling format that invites speculation in a playful and creative way that doesn't feel like a frustrating plot hole that the writers forgot to fill in, but instead feels like a playful invitation to try to build bridges on your own.  I'm sure there will be more than enough information revealed between now and the end of the show, but a part of me wishes that they will leave some things unknown for the fan base to theorize and contemplate long after the show is over. [Follow this show on Crunchyroll!]
AA: Mekakucity Actors photo
The red-eyed man is king.
In typical Mekakucity Actors fashion, they once again subvert my expectations by actually picking up where the last episode left off. The story seems to be taking a more recognizable form now; having thoroughly explored the tip of the iceberg, this episode suits up for the deep plunge below the surface to give us a glimpse of what this show is really about.


Annotated Anime: Mekakucity Actors episode 6

May 20 // Dae Lee
Here we get another self-contained story with some very clear ties to characters in the current storyline; this time focusing on Ene and Haruka, two characters who seemed completely unrelated. The past exposes that at one point they were functioning, normal (to an extent) students, albeit placed in a special class taught by none other than Tateyama, Momo's current tutor. 'Ene', as we know her as, is a internet handle she uses in video games; a name that is now infamous for reaching second place in the nation at a competitive game tournament. Unable to cope with the attention that brings, Ene surprisingly seems to lead a very closed lifestyle, not unlike Shintaro -- who, speaking of which, shows up later in this episode, implying that this was before his shut-in days. More surprising perhaps, is that he is accompanying Ayano: the girl who the Mekakushi-dan revere as their founder. We have surprise appearances by Tsubomi and Shuya as well, for some fun cameo antics. The episode focuses on the high school cultural festival, where Ene and Haruka's classroom plays host to a competitive shooting game that Tateyama whips up practically overnight. Ene's idea for this backfires when people catch wind of her as a championship finalist, a fact that she desperately tries to hide from Haruka in fear of being judged. Haruka bears resemblance to his more eccentrically designed counterpart, exhibiting a bottomless stomach, ultra-pale complexion, and his signature air-headed voice. But here he's also shown to be more lively and personable, compared to his white-haired self later on who seems much more lackadaisical and naive. When the cat's out of the bag and Haruka discovers Ene's infamous gaming career, he praises Ene for her great talent, to her surprise. The regular credits sequence is taken out and we're treated to an extended ending and extra song which purposefully ends with a cliffhanger tease that seems rather ominous. We get a nice little story here with its own arc and a narrative that's easy to follow. With continuous layering of stand-alone narratives, the overlaps are becoming much clearer. We still have massive gaps to fill, but maybe this anthology-styled show doesn't need to tell us everything we want to know. As I look forward to more connections and revelations, it's been just as fun speculating on how these stories and characters connect. [Catch this show on Crunchyroll!]
Mekakucity Actors photo
Before the apocalypse
This week's entry starts with a bang, passing on the usual OP and going straight into a action setpiece, where a black-haired Ene races down the metropolitan city blocks that seem to be collapsing all around her. The high tension beginning is followed by a trip to the past which lays down yet even more enticing circuits in this labyrinth of a chipboard that is Mekakucity Actors.

AA: Mekakucity Actors episode 5

May 12 // Dae Lee
After the flurry of introductions, Shintaro gets inducted into the Mekakushi-dan and the group promptly plans a trip to the amusement park, at Ene's delight. Unfortunately, the vacation is cancelled when Shintaro's paranoid-ridden self breaks off unannounced, walking around the city aimlessly by himself. There he crosses paths with Konoha, our white-haired mystery man from the previous episode. As expected, Konoha's been wandering about the city, looking for the two lost kids Hibiya and Asahina, and solicits Shintaro's help. When Shintaro reluctantly agrees, they witness two children being kidnapped that look exactly like our two lost leads from episode 4. Here we get our first look at Konoha's power, which seems to be superhuman strength, prying open the locked van and saving the children in the nick of time. But before we can even get a handle on what's going on, we're jerked around for another disorienting loop. Bizarre imagery and an abrupt cut end that thread suddenly, snapping us back to the Mekakushi-dan; making their way to visit the grave site of their beloved former leader who committed suicide years ago. An extra wrinkle of intrigue closes out this episode when Ene of all people recognizes the deceased commander as Ayano. It seems like the pieces placed on the board are beginning to shift around, giving us more connections and theories to play around with. The playfulness of the early episodes is back in full force here, only more enjoyable now that everyone is more familiar with each other. Ene was a sight for sore eyes as the cheeky digital mascot, brought to life by fantastic voice acting by Asumi Kana (also voicing the eccentric Tensai from this season's Nanana's Buried Treasure). Ene's presence alone encourages humorous situations, with ludicrous imagery and unpredictable gags catching me completely off guard. While a purely transitional episode, it was an entertaining jaunt, taking us deeper into the Mekakucity world. We get a good bit of back-story and exposition through casual dialogue, shaping the universe further and getting us more acquainted with the sizable cast of characters. With large ensembles it's inevitable that not everyone will be fully fleshed out, but they should take care to establish enough for us to care about them, which I think this show is well on its way of accomplishing. On the narrative front, invisible threads are starting to take color, already revealing a few unexpected connections and having us try to guess how all the pieces laid out so far will intersect. As we see our multiple stories take shape, I'm sure there will be more than enough questions and mysteries to obscure the full picture -- whether they plan to reveal it all by the show's end or not.
AA: Mekakucity Actors photo
Mom, I've made friends!
The events from last episode, I'm afraid, will have to be resolved at another time. We're transported back to follow the events from episode 3, after the gang return to hiding, dragging the unconscious Shintaro behind them. Waking up in a unfamiliar room, he gets introduced to the Mekakushi-dan in the most awkward and chaotic way possible, as is the norm with our fellow band of misfits.

Annotated Anime: Mekakucity Actors 4

May 05 // Dae Lee
The episode seems to start out normal enough, as it picks up the dropped string from episode two, when Momo and her young bratty acquaintance, Hibiya, get separated in the mob chase. Never catching up to Momo, he ends up getting what he came to the city for: a keyring with a cartoon mascot figure, a present he hopes will please his schoolmate crush, Hiyori Asahina. Immediately following shows Asahina coldly rejecting his present at her uncle's house, a place both of them lied to stay at for a small vacation. We see the disparity and how one-sided the attraction is in the way she treats Hibiya like a lackey, sending him on errands and insulting him whenever she finds the opportunity. One has to wonder why Asahina invited Hibiya if she didn't enjoy his company, but it can easily be answered by her archetype as a tsundere. She brings Hibiya to stay at her uncle's place in the city, a house he barely lives in, making it practically an empty house for the two to crash in. They do however find one occupant living there: her uncle's supposed foster son. A soft-spoken, tall young man with white hair named Konoha, who has a bottomless stomach, and quickly becomes the subject of Asahina's affections, to Hibiya's continual dismay. Feeling the mounting pressure to confess his feelings to Asahina, Hibiya falls asleep, hoping for his luck to change around. Things couldn't be more wrong. The episode takes an abrupt left turn from the moment Hibiya wakes up the next day, taking the audience through a austere sequence of what can only be described as a mix of David Lynch, End of Evangelion, and Bill Murray's Groundhog Day. After failing to save Asahina from a terrible automobile death, he wakes up, reliving the same day over and over again. Each time he tries to save her using different methods, but it seems that death is inescapable, resulting in Asahina's death every time. Discordant guitar notes with the morse code rapping of electronic noise makes up the sparse sountrack, while the visuals also take a turn for the surreal, creating a properly hellish dream-scape made up of flat concrete, twisted wires, and harsh color. After realizing what he must do, he and Asahina trade places, throwing himself in front of the oncoming truck, and appearing to thwart fate's plan. I did a bit of homework with this episode, watching the original music video that this story was drawing from called 'Heat Haze Daze', of which the episode is also named. Watching it through this medium, I could start to understand where some of the very vocal complaints were coming from. The story is delivered well in the music video, completely told through the lyrics, describing the events in a very straight-forward manner with a very frenetic pace, making it a thrilling and emotional experience packed into four minutes. When having to create context for the story and delivering on the main narrative in a full length episode, it loses that kind of frantic energy, which can disappoint fans of the original work, especially when they're subjected to Shaft's abstract visual storytelling, the very opposite of the music videos. While I believe it could have been presented better in the anime, I still found myself entranced with the episode, watching it multiple times to make sense of deliberate visuals that were shown during the latter half. This could very well be the most contentiously debated episode as 'Heat Haze Daze' is among the most beloved works from the Kagerou Project, making this episode the hotbed of criticisms and praise from both sides. I find myself in the middle, as I still think there is plenty to like here for those who are only watching the anime. I enjoyed this hypnotic trip, and understand why they had to make the certain story changes they did -- though there is such a thing as being too subtle and obscure. It seems like there's still quite a bit more to be explained as far as what happened and why, and I hope the extremely abrupt cliffhanger ending is followed quickly by a satisfactory resolution. [Watch Mekakucity Actors on Crunchyroll, and read the previous episodes' impressions here!]
AA: Mekakucity Actors photo
"Screw you, cat."
Words like "fate" or "destiny" are often associated with victory and love, but it can also be a horrific concept. It's not only the most confusingly presented episode of Mekakucity Actors, it seems to be going straight for Shaft's "Most Abstract Presentation" award.

Annotated Anime: Mekakucity Actors Episode 2 & 3

Apr 29 // Dae Lee
Where do I start? Studio Shaft's visual sensibilities run rampant throughout Mekakucity Actors: head tilts, abstract representations, lavish patterns, inhumanly pristine environments, extreme angles and superb animation. Specifically, it shares much of its stylistic makeup with Shaft's Monogatari series. There's a deep current of unbridled visual creativity at work that runs beneath the clinically immaculate presentation. The way that only essential players are given the full animation treatment (background characters often represented by stand-in objects), mixing flat and static backgrounds with colorful and lively characters give it a distinct atmosphere captured in Monogatari, capturing the feeling of complete isolation from the rest of the bustling world. It's a theme that runs in both Mekakucity Actors and the Monogatari series: the feeling that you are different from the rest of the world, as if what is happening is only doing so in a bubble that no one else sees or understands. Episode two takes an abrupt narrative switch from the first episode, throwing you into hectic life of Momo: a beloved idol whose popularity is alienating her further from society and sees her gift as a curse. Cutting between her current dilemmas and events from her past, episode two provides a comprehensive character study. Momo is shown to have a very optimistic personality, but her armor seems to be chipping away as she finds herself at a breaking point, yearning for a normal life. Ironically, it's revealed that she is the younger sister of Shintaro, the complete shut-in from the first episode, and it seems that they share a few things in common, despite their opposing personal motives -- Momo has no friends, trapped in her own figurative room with no way out. She also seems to consume quite a bit of otaku material and risks her own well-being for nonsensical, limited edition trinkets (paralleled by her brother risking his mental well-being for a keyboard, prior). Episode three is where all the pieces are put in place. A distraught Momo finds herself sought after by a group of misfits calling themselves the Mekakushi-Dan (translating to "Blindfold Gang/Organization"), an eclectic group who each have very specific powers, ranging from invisibility to mind-reading. Momo finds out that her ability to draw attention is a result of her being a "mutant" like them. The eyes seem to be tell-tale signs, as they begin glowing red whenever their power is being used. With the promise to teach Momo how to control her power and buy her a new phone (which was accidentally dropped into a pitcher of tea), Momo sticks with the gang and heads to a popular department store -- the same department store that Shintaro walks into in search of a keyboard (which was also destroyed by a drink... coincidence?). So here we see the events from the first episode come around full circle. We are given context and an alternate view of the same terrorist event that occurred in the beginning, now with the knowledge we just learned about the characters and their abilities. It was a satisfying wrap-up to this introductory subplot, and I eagerly await what happens from this point on. Shaft's visuals are something I've taken a real liking to, employing their own unique arsenal of animation-saving techniques like nobody's business, utilizing quick cuts and interesting compositions to effectively mask animations while still giving you a stylish presentation with controlled explosions of great animation. It's obviously not going to stand toe-to-toe with Shaft's bread-and-butter series, but it shows how effective their methods are. Shaft seems to have taken the source material and run away with it, making something uniquely their own -- something I like seeing studios do, but I also understand that it's been a source of ire from fans of the music videos and manga it's adapting from. But as someone who isn't familiar with the source material, I found myself thoroughly engaged with what they've shown so far. The cast is lively and deliciously dysfunctional, creating a ragtag group of misfits you can't help but like. If the source is as superior as everyone says it is, I'm very excited to check it out -- but for where the series is right now, I would say this is still a impressive show by itself. Also, be sure to check out the post-credits scenes for each episode. Presented in a stop-motion storybook fashion, they seem to be weaving a back story for something significant coming up in the series. It's a whirlwind of a show so far, and I'm happy to discover that Shaft is bringing their distinct brand of quirk into this season (as well as creating a polarizing audience, as it seems to be Shaft's special superpower). [Get your dose of Mekaku extreme close-ups on Crunchyroll]
AA: Mekaku City Actors photo
Actors, assemble!
I volunteered to pick Mekakucity Actors up because Chris is currently handling many fulfilling challenges in the real world, and found it difficult to follow the show on a regular schedule. I will try to capture the madness in his stead, so jump in for the screenshot-laden Shaft-isms after the break!

First Impressions: Mekakucity Actors

Apr 14 // Chris Walden
The world that Mekakucity Actors paints is an interesting one. For the most part, it looks like present day Japan, with a little bit of Shaft's creative license to spruce some of the locales up a bit. A major difference between Mekakuland and the real world is the existence of Ene, a very Hatsune Miku-looking computer program who likes to joke around with her 'master', much to his annoyance. Her master is a NEET shut-in, who is devastated to discover that he has to leave the house in order to buy a new keyboard, after spilling a drink on his current one. Besides that mini-explosion, he seems like a pretty laid back kinda guy.  Unfortunately, as far as the first episode is concerned, that's about all there is to say about these two. You could say that this episode is setting the scene, but I'd counter by saying that I'm still none the wiser as to what this scene actually looks like. This is a Shaft show through and through. The art is as stunning as always, with plenty of their iconic architecture livening up what I presume to be Mekaku City. In fact, this episode seems awfully familiar, as it seems to follow the same basic structure as the first episode of Bakemonogatari. We've had strange, nonsensical scenes, dull dialogue and a very light introduction to a few of the characters. However, as much as I wasn't a fan of the first episode of Bakemonogatari, the show soon became one of my all-time favorites. Perhaps we'll have a better sense of how this is all going to play out by the end of the second episode.  To be clear, I didn't hate this episode. It's a visual treat at the very least, but it also showed that it plans to go somewhere. However, it ultimately fails as a first episode, as it doesn't make any attempt to rope viewers into the story. Ene's existence is a mystery, and while I'm sure that'll be explored later on in the show, we don't even know the name of her 'master' yet [Edit: As was pointed out in the comments, his name is mentioned by Ene at one point in the episode, albeit indirectly. It's Shintaro, in case you were wondering!]. This very same guy, who may or may not be the main character in this show, was kidnapped and perhaps shot at the end of the episode. It's incredibly strange to have to refer to him by description after Golden Time's Tourettes-like screaming of the name Tada Banri.  So why didn't Mekakucity Actors rope people in with its story? Well, perhaps because so far there's no story to speak of. I know the general gist of what's going to happen in this show, thanks in part to seeing the conversations of a few KagePro fans, but what does this episode offer for those that have no prior knowledge? It's all very disappointing, especially as I have to toss my love for Shaft to one side while I say all of this. Shaft is staffed by very competent animators and I'd put money on this show coming together by the end, so it's just puzzling why we were served so much fluff in the introduction. I just hope that Shaft's decision to favor uninspiring dialogue over any meaningful exploration of the plot doesn't drive away a good portion of its audience.  Ene seems like a fun character, and the dynamic between her and 'master' could become really interesting. The setting seems fun, and the two guys that 'master' meets at the end may also be pretty interesting. Unfortunately, this is a good example of why I found it so frustrating, as I have to use words like 'seems', 'could' and 'may' to describe what this show 'might' be like. The first episode of a show is meant to tease the world and give you an idea about what it's all about; Mekakucity Actors 1 is a conversation between a NEET and a computer, which isn't much to work with. But as I mentioned previously, this isn't the first time a Shaft show has had awkward pacing, so I'll be sticking around for a few more episodes. I don't doubt that it'll all kick off next Saturday.  [Act quickly and catch this show on Crunchyroll]
FI: Mekakucity Actors photo
Mekakumonogatari
"Oh hey, a Shaft show! I didn't end up watching Nisekoi, so I'll be sure to watch this." This was the only reason I decided to pick up Mekakucity Actors. I had no idea that I was diving into what seems like a reasonably well-...

Aniplex photo
Aniplex

Aniplex announces Mahouka and Mekaku City Actors simulcast info


Put ya simulcast on!
Apr 05
// Brad Rice
Aniplex just dropped some news announcing the simulcast dates of its shows: Mahouka, also known as The Irregular at Magic High School, and Mekaku City Actors. Mahouka will air starting from today, while Mekaku City Actor...
Hanamonogatari photo
Hanamonogatari

Hanamonogatari gets its first teaser trailer


It's Kanbaru flavor.
Mar 25
// Chris Walden
Nothing is going to slow down Shaft's Monogatari train, especially when you consider how popular the franchise has become. Heads would roll if people couldn't get the next available dose of Mayoi getting beaten up by Araragi...

First Impressions: Nisekoi

Jan 14 // Elliot Gay
Raku Ichijou is the son of a Yakuza leader, but he has no intention of following in his father's footsteps. Instead, he's determined to live a normal, stable life in which he eventually works for an average company and has his own family, unconnected from his criminal roots. Ten years earlier, he made a promise to a young girl who gave him a locket: one day they would open it together and eventually get married. Years later, and Raku is mostly living out a normal life in high school-- that is, until Chitoge Kirisaki enters the picture. Two knees-to-the-head later, and Raku finds his life forever changed by a surreal series of events that shake up his everyday life. The first episode of Nisekoi doesn't tell a remarkable story; in fact, it's the same sort of stuff that romantic comedies have been throwing out there for years and years now. However, the big gimmick of the series, the yakuza angle, undoubtedly keep things feeling fresh and entertaining; the scenes of thugs going crazy in the background were good fun. It also helps that the three leads (?) Raku, Chitoge, and Onodera all have attractive designs and decent chemistry. Raku doesn't come off as a complete idiot, and actually seems like a relatively capable young man. Maybe it's just that I've been away from the genre for so long, but I quite enjoyed his perspective on things in this first episode. Likewise Chitoge seems like a solid female lead. Her athleticism caught me by surprise, as did her attempts at coming off as normally as possible to the people around here. Her back and forth with Raku was fun if only because of their Yakuza backgrounds. I'm looking forward to seeing how that relationship evolves (or doesn't) in the coming episodes. On the flip side, Onodera struck me as the more typical heroine; here's hoping she doesn't just run in place forever. While Nisekoi's first episode didn't really shock me in any way regarding its narrative, its visual style did throw me for a loop. I wasn't really sure what to expect when I heard that Shaft would be handling production on the series. Yes, Shinbo was confirmed to be "directing," but most people know what that amounts to: he's just a name attached to the project. As it turns out, the real mastermind behind the production is the same man who served as the assistant director on Sayonara Zetsubou Sensei, a show I have a great deal of love for. This becomes super obvious with one quick look at the visual flourishes in Nisekoi. Chitoge even does a quick "I'm in despair!" pose beat for beat in line with Itoshiki-sensei's signature pose. So what you end up with is a fairly by the books (but charming) romcom with a unique visual style and proper attention to detail. Characters are constantly moving around, and even dialogue is framed in unique ways that allow the show to feel like more than the sum of its parts. Things just feel more alive and colorful than you average romantic comedy, and that really does elevate Nisekoi in some interesting ways. Shaft seems committed to injecting it with their unique style, so I can only cross my fingers that things work out in the long run. It's been a long time since I sat down and enjoyed a romantic comedy, and while it's no Double Arts (sad face), Nisekoi got me to laugh more than a couple of times in its first episode. That has to count for something. I'll be sticking with this one.
FI: Nisekoi photo
Shaft gonna Shaft
Once upon a time there was an awesome Jump manga series called Double Arts by a man named Naoshi Komi. A wonderful little story about a pair of people who had to hold hands at all times, Double Arts would go on to be canceled...

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