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Is K-ON! Empty?


8:00 PM on 04.02.2010
Is K-ON! Empty? photo



Manga pioneer Hideo Azuma had some harsh criticism for K-ON!, proclaiming memorably "It was empty. It was nothing."

While I hadn't seen K-ON! at the time of Azuma's statement; I was perplexed; what does that mean, anyway? Does he mean the show is empty because it lacks an interesting narrative, or sympathetic characters? Even though I'd already heard tons of complaints about K-ON! (and what the moe phenomenon is allegedly doing to anime as an art form), that particular criticism seemed somehow unfair to me. In part because of Azuma's mystifying comment, and partly because the second season premiere is around the corner- on April 7th, my birthday no less- I figured it was time for me to finally watch this sucker.

So, now I've watched K-ON!. Silly? Yes. Frivolous? Maybe. Empty? Does not compute. Hit the jump for why.

I like Ritsu

Ritsu is the president- YOU WILL RESPECT HER AUTHORITY

In fairness, Hideo Azuma is entitled to his opinion, and as an accomplished manga artist, his opinion deserves some credence. However, even if no one else has put it quite as succinctly, the idea that K-ON! is devoid of value (aside from the sale of PVC figures) is a popular one in the otakusphere, and I would probably have wanted to address it even if Azuma had never mentioned it. While I'm still a tad puzzled by some of his comments (how do the jokes in K-ON! "make no sense"? They're simple, clean jokes.), Azuma's use of the word "empty" was just a convenient place to start, not an attempt to make this about him.

Girls in a band, and me

The gang

Can Mugi really fit a keyboard in that bag? I thought she just kind of, you know...left the thing there.

It's one of the major regrets of my life thus far that I never got into music. As a kid, I didn't have the patience to learn anything that didn't come easily to me, so all of my attempts to learn to play an instrument ended in failure. I can sing, and I still love listening to music, but I feel like I missed out on something really special. Yeah, there's nothing stopping me from walking into a music store right now and buying a guitar, but it still seems like a huge missed opportunity. I sustain myself by thinking that- if the theory of infinite alternate universes is true- somewhere out there, there's a version of me who's cool enough to play guitar and sing at the same time. People who can do that are so cool.

Needless to say, the idea of a kind of aimless, underachieving girl getting hooked up with the right people and learning to be a musician holds a lot of appeal for me. I wish there were a bunch of people at my high school who would have force-fed me delicious sweets until I agreed to join their band (and honestly, that's probably what it would have taken to get me to move my lazy behind.) Like all fiction, sometimes anime is about wish fulfillment, and K-ON! gives me a taste of an experience I wish I'd gotten to have.

It's not empty when you bring yourself

Mio by the shore

Episode 13 was one of the better attempts I've seen to show all of the characters basically doing nothing, in part because of imagery like this.

After what I've disclosed, it would be easy to make the argument that I come into all of these sorts of shows with a positive bias; if it's about the trials and tribulations of school-aged girls, I can probably relate on some level. I relate to shows like Chu-Bra!! because they remind me of what my school experience was like, and shows like K-ON!! and Azumanga Daioh because they represent what I wish my school experience had been like. My objectivity concerning a show like this is questionable; I don't deny it. However, is there any real alternative?

What should I do- try to obliterate my sense of self while I watch K-ON!, in the attempt to view it truly objectively, as though such a thing were even possible? I don't totally subscribe to the idea that everything is subjective, or that you can't make any definitive statements about quality, but we don't experience these things in a vacuum. Everyone comes into a story with their own set of experiences that make certain themes and characters more interesting, and that's as it should be.

However, it's not as though K-ON! got lucky because I happen to like the subject matter- shows generally are more relevant to people who can more easily relate to the characters and situations. You could say that I like K-ON! just because of the subject matter: "It's not like it's good or anything, she just likes it because she wishes she was in a band." There's no "just" about it; that connection is part of what makes the show good. If you don't feel that connection, how do you know whether or not I'm seeing things in it that aren't there- making the show better in my mind- or really seeing things that you could not or did not see? If you don't know what I'm seeing, are we really even talking about the same show anymore? Sometimes I wonder.

Themes, Meaning, and other Serious Business

Having fun

Gotta love Mio for writing a song called "My Love is like staples."

K-ON! doesn't have to answer any deep questions about life; it's a pleasant little slice-of-life show, and that's all it needs to be. Everything about the show, from the lack of any big stakes (the biggest problem is Yui forgetting to bring her guitar), to the earth-toned color palette makes it seem light and relaxing- in fact, it's similar to Kimi ni Todoke in that respect. They could have given the characters pink hair and brightly colored uniforms to make them more bright and cutesy, but no: everything is brown and dark blue. The fact that the name of the band is "Afternoon Tea Time" says a lot.

However, I was surprised to find that K-ON! isn't completely devoid of musings about life, the universe, and everything. One moment that stopped me in my tracks occurred in Episode 2, when everyone had decided to work part-time jobs in order to get Yui the guitar she really wants. Everything was business as usual, until Yui decides that the plan is a waste, and decides to buy a cheap guitar she can afford instead. Rather than fixate on the dream of the perfect guitar she could have in the future, the immediate here-and-now was more important to Yui- every minute they were out earning money was another minute they could be spending practicing. Yui may not be the sharpest knife in the drawer- to put it mildly- but the decision she made was actually a mature one. Yui ended up with the nice guitar anyway (hey, it is still about wish fulfillment), but I was pleasantly surprised that they made the point that your big, romantic dream can sometimes be counter-productive- something most anime, and too much of fiction in general, ignores.

And it wasn't a one-time thing; when Yui says "This is our Budokan" in Episode 12, the show is making a point about valuing what's right in front of you, as opposed to something further down the line. Playing a show at the school festival may be nothing compared to the Big Dream of playing at Budokan, but it's not nothing; who's to say this won't be the last time they play together? Who's to say that out of all their performances, this one won't end up being the most fun, the most memorable? The reason why Azusa stops nagging everyone to practice more is an extension of the same theme- to become better musicians, they really should be practicing instead of drinking lots of tea and eating cakes. However, is becoming better musicians really that important? They want to play at Budokan, but it doesn't have to consume their entire lives.

So often, the emphasis is on being the best at something- K-ON's not about that. It's about the fact that sometimes, you may not be the best- in fact, you may be a little bit crap- but it doesn't matter. It's about the fact that people who struggle to be the best might just be missing the very best that life has to offer. Yui may be a bit, er, special, but she knows certain things intuitively that I only wish I had realized at that age. I wonder if the show's massive popularity doesn't have as much to do with the themes of acceptance and moderation as it does the cute character designs. Isn't it nice to think that the standards of achievement that other people hold you to might not matter that much, because the real achievement is to enjoy life?

The Most Important Point of All

Ritsu on drums

Thank you Ritsu for having the only Love-Letter plotline in recent memory that didn't annoy the hell out of me. And your hair looks fine that way.

For those of you that were too lazy to read the whole thing (although why you'd get this far in the post in that case, I couldn't say), let me just put this out there: If I were a guy, Ritsu would totally be my waifu. She's crazy in almost the same way that Sailor Venus is crazy, which means AWESOME-CRAZY. In fact, I'm sure there's an alternate universe out there somewhere where I'm a guy (probably named Karl GARllender), and Ritsu is my waifu and does awesome drum solos for me all the time. Perhaps all this K-ON! hate is just poorly disguised jealousy that I get Ritsu in that universe and you don't?

At least that makes sense.

Is K-ON! Empty? photo
Is K-ON! Empty? photo
Is K-ON! Empty? photo
Is K-ON! Empty? photo
Is K-ON! Empty? photo





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Legacy Comments (will be imported soon)


Wow good post I think you really hit the nail on the head and defined what makes K-on! so charming. Oh and your alternative universe name is awesome.
This is the perfect explanation of K-ON! that I've read. And I've never seen the anime. :D
I have yet to watch K-ON!, though I plan to sometime this month so I can participate in this topic.

The way I see it, if something was created, it's not empty by definition. It might be vapid and inane (not that K-ON! is, I was just looking for negative adjectives), but it wouldn't be empty.
It has to be something. Why else would so many people get worked up about it?
K-On! is like a Mondriaan. It's empty, it's nothing, and yet here we are, wasting a thousand words discussing it.

It's also a crown jewel of the I want to take it easy trend, which is something I imagine a lot of animefans - with more stressful lives than mine - welcome with open arms. It can't be just the moe. From what I gather the fans enjoy K-On! for the very same qualities that lead me to label it as "boring", and Azuma as "empty". To each his own. As far as artistic merit goes though, I don't see a lot of it in K-On!.

By the way, April 7th is my birthday. What are the odds.
"K-ON! doesn't have to answer any deep questions about life; it's a pleasant little slice-of-life show, and that's all it needs to be."

Thank you! I know most people like fight filled animes, or something morbidly psychological, but I love slice of life because of that laid back atmosphere. (also, agreed about enjoying life without letting your dreams consume you, very nice thoughts there)

I guess I can understand people though; it's like me being sick of harem animes.
Thank you so much, Karen, for your argument on behalf of K-On!

But more importantly, thank you for backing me up that Ritsu is superior.
@PBz0r: It's not as improbable as you think. http://en.wikipedia.org/wiki/Birthday_paradox
I say to each his own. K-ON! didn't reach me in particularly because it just felt too.. "haha, life is great".. type. Call me a pessimist. I felt that the 'problems' in the story weren't really that big of a problem to begin with, and the girls were.. I dunno, kinda spoiled? They remind me of the people I avoided in highschool...

All of my animes don't have to be deep or violent.. 'The Girl Who Leaped Through Time' was neither. I enjoy scenes when the characters sit around and relax, (ROD The TV) but it can't be almost the whole show, because then, I feel like I'm watching some reality TV bs.
Hmm, I play drums and keyboards. Mostly piano these days. Mugi or Ritsu, which one is for me? I should watch and find out someday.
And yet, there are those out there who think anime MUST be violent. I seem to recall people bemoaning the fact that nobody died in the last episode of So Ra No Wo To.
I really should give up on a K-ON! dub shouldn't I?

I need to watch this show soon.
I need to watch K-ON. Not because it seems especially attractive to me, but so that I can be "in" on this debate. I like other light comedy type slice of life shows, Sketchbook is one of my favourites, along with Azumanga Daioh and Honey and Clover. Is K-ON anything like those? I feel like I should hate K-ON because everyone seems to speak of it as a meaningless piece of moe, but for me I guess it just depends on whether it's pulled off properly. Is it slice-of-life because it has well written characters and comedy that render a explicit narrative unnecessary, or is it slice-of-life because it was too lazy to think of a plot? Gotta watchit gottawatchit.
@Jon: I see and agree with your point. But to be perfectly fair, there was (allegedly) a war on at the time.
K-On is the not Haruhi S2/FMP S3 and as such, yes it's horribly empty.
@ConanThe3rd: It's also not Little Busters! TV OR a Tomoyo After OVA/Miniseries or ANYTHING KEY RELATED AT ALL.

KyoAni, it's been almost a year and I'm beginning to suffer from withdrawal. Give me a new god damned adaptation already.

I'd even be happy with just a freaking Planetarian OVA.
This is pretty much exactly what's been tumbling around in my head ever since I was first exposed to K-ON hate, but I lacked the motivation to articulate it anywhere.

And yes, Ritsu makes foreheads sexy.
I've only gotten through 3 episodes so far and it is not as bad as some people would like to think. I mean Ritsu is awesome in her giant forehead ways but Mugi is boring, Mio...I just want to hold her :blush and I want to set Yui on fire. That is all.
Wrong wrong wrong wrong WRONG Karen. Ritsu looks way better with her hair down. >:(

But you know what, I never considered those themes of acceptance and the value of what you have in front of you. You raise a good point there.

Hold on. What's stopping the hot yuri action in this universe?
Thank you! I really like K-On but I didn't know why and now I see it. We, anime fans, sometimes feel the need to watch meaningfull shows with complex plots to prove all those people who says anime is "kid's thing and you're immature for watching it" and there comes K-On and is so simple but we all love it, so why? Loved your post and it planted in me a seed for a post of my own on the brazilian website I colaborate with. Sorry, for any grammatical mistakes, english is not my first language.
It IS empty, but enjoyable nonetheless. Entertainment doesn't require a plot. Nice characters and a certain mood are more than enough.
So some old guy that made a few mangas in the 70s and 80s that no one has heard of since the 80's complain about a hit anime and manga that make what he done look like trash. yeah he sound creatable.
@Doctor Tran: K-ON! actually has a lot in common with Azumanga Daioh- so much in fact, that I wonder why so many people who claim to love the latter can hate the former. That said, the comic sensibility is a bit more off-beat in AD, if that makes any sense.

Ironically, I think K-ON! actually has the most plot out of the three shows you mentioned. AD and SB are complete slice of life shows, in K-ON! the characters actually do advance towards a goal.
The fact that anyone is taking what a LOLI-CON pioneer said to heart is the oddest thing to me.
Karen, excellent write-up o K-ON! When I decided to give one eps a try..I was totally taken in by it. Comedy elements, character quirks, and they're all just so "good". Spoiled...ok yes..but it works for me.

Perhaps I'm the goofball here *rant* but I tend to think that many of the people who dislike K-ON! can't handle the "doing the right thing" to the extent that they do in the show. Its one thing to help out with your magical powers vs. working a job so your friend can buy the guitar of their dreams.

Anyway, I hope they can keep it going in the second season...go somewhere and not just spin in place like Haruhi.

All time fav line: "Baka Ritsu!"
@Rewarp:
Its timeslot.
As I have said before. I don't find K-ON! empty, but what you take from in or anything is all your own thing.
I really related to some parts of the actual story in terms when you first start playing music with other people..... And as you keep going down that road you end up running into the same crap, joys and types of people...

I found K-ON! very funny, fun, entertaining and sometimes depressing because I was reminded about things that are similar to people I know, have known and about my self. And not always good things...

This is all if you just ignore all the moe aspects which I tend to do anyway.
I liked K-ON! But maybe not as much as others. Yui became one of the reason I watched the show. She's just so goofy and funny that I kept going even when there isn't much content. They did create some narrative though. Though I'm not quite sure if it really needed to have all that attention. I liked it, but I'm not quite sure why everyone hyped it up. I just hope that after all that hype of the first season, the next one won't disappoint. It could set itself up to fall, and I would hate that. But hey, it's not empty, but I just wished it wasn't made into such a big deal.
Considering Azuma is the "father of lolicon," and he goes on in that quote to say: "It didn't even have any eroticism, any grotesquerie. Just the mildest, faintest hint of fetishism," I think what he wants out of the show (sexy 11 year olds?) is a lot different from what you clearly want out of the show (pretending you were in a band in high school).

The emptiness I see in K-ON comes from its lack of realism. Shows like Azumanga Daioh and Beck have moments where the characters felt very real to me. That never happened for me in K-ON. Most of the time they just hung around making cute noises. The best part of K-ON was the music, but it never really lived up to my hopes (Azumanga Daioh + Beck, or at least that scene in Haruhi where she's in a band).
I watched the first four episodes of K-ON a while back, but stopped following it. Why did this happen for me?

Just tired of so much moe stuff. While the premise of a female school band might sound good, IMO, its presented this way purely for fan service and merchandise reasons. Notice how there are no males in that band, which is cleverly conceived. If their band were mixed, it would have created some possible long triangle/square angst, and a vastly better show, presenting the jealousy, conflict and rivalry that raises its head in some real bands, a real missed chance. Wouldn't want any male characters to get in the way of that wish fulfillment.

I have no problem with slice of life shows, as I've enjoyed some in the past, so long as some form of substance rises through to the top. Here, I think the moe gets in the way of what could have been much better. What also is troubling is that K-ON gets plenty of attention, when something with more substance of story like Nodame Cantabile, gets largely overloooked by many.

K-ON is a nice change in its own right for music based anime/manga, but the moe will sell it short, just like So ra no whatever, but perhaps not as bad as that show. Stable mates, Beck and Detroit Metal City do a better job of it.

Music can be a complex subject but with this, I still get the impression it plays second fiddle to the cast. However, Hideo Azuma has problems with K-ON for its lack of OTT fan service. While K-ON is a bit vapid, yes, I have to disagree with him on that one. As more anime is sold abroad, it doesn't hurt to tone things down in some shows from the get go.

Enjoy it if its your thing, but I'll pass.
@Andy:
It was unclear from his statement whether or not Azuma was referring to the lack of sex appeal in the show, or a lack of interest in the show altogether; considering how many people call K-ON! "empty" in a very general sense, what he meant specifically isn't that important to me personally.

K-ON! has some moments that felt realistic to me- for example, when they get their first backstage passes and are torn between being excited and wondering where the hell they're supposed to put them; that's totally what I would be like in that situation. Ditto for that moment of shared awe the first time they plug the guitar into the amp and hear the chord reverberate through the room.

I think there's a tendency to call K-ON! unrealistic just because it deals with the happier, lighter side of life, but I don't think that's really fair. IMO, people tend to call shows "realistic" when the characters are spewing angst all over the place, and I know my life certainly isn't like that most of the time.
I will say that I really loved the music video in episode 6. I feel sorry for anyone who quit after ep 4 and missed that.

And I do understand what you mean about identifying with the show.
I'm not really explaining what I meant about "realism." A big part of it is feeling like you really understand how the characters feel, in a complex way. You're reminded me that I did feel that on occasion with K-On. The problem was that I most identified with Mio, especially when she got frustrated with the other girls for screwing around instead of actually playing music.

...and I'll probably watch the next season.
Excellent piece. Read it three times and kept liking it more each time.

I may not always want to watch a "K-On" type of show, but it's not the worst show to come out in awhile. Sure, it ain't a Satoshi Kon film or animated by Leiji Matsumoto but it's not dreck either.
This is weird, where's the hate?
Maybe this blog has been put together so carefuly people don't dare spewing their bs on it? Good job Karen, this is exactly how I feel when I'm watching K-on.

Btw, Azuma, jealous perhaps?
I can see why the K-on show seems 'empty' to him though, but then try explaining why Azumanga Daioh is any more 'full'. As a yonkoma I really liked Azumanga Daioh more, the gags are clever instead of depending on personality quirks the whole time, but I couldn't relate to them at all, partly because of his way of drawing which strikes me as liveless sometimes, partly because it never grew beyond a gag comic in my head, sure the themes of growing up and becoming more independent were there, but never in favour of themselves, they were there to lay out jokes. I never finished the anime, because animated, with voices, I was confronted with how devoid of life -empty vessels telling me jokes- I saw his characters. The case was different from K-on, from the second I read the manga I knew the anime was going to be great, I could totally relate to these characters, because other than the characters from Azuma, these girls had feelings, sure Azumanga Daioh is funnier, but I bet he can never deliver characters the way Kakifly does.
It's not empty, it's ZEN ;-)
Wow. You're reading way too much into this show. Though I do admire how you used an example of an aimless part of K-ON (specifically, the part about the second episode) and twisted the meaning to make it sound deep. You've got a great shot at being a politician.

I think that last part you wrote about Ritsu really encapsulates why only creepy otaku like this show. They want to view the idelized version of an innocent girl without actually interacting with real three-dimentional girls because.... I dunno, they think real girls are scary or something?
Duckbaker - You're confusing Hideo Azuma with Kyohiko Azuma. Hideo Azuma has nothing to do with AD. I do agree that K-ON! is a wonderful successor to great slice of life shows like Azumanga Daiou and Ichigo Marshmallow.
I just want a dub
@Tuskus
I'll remember that the next time someone reads anything into Evangellion. Or for that matter most other Anime.

But not attacking the presented ideas and instead trying to argue with what amounts to "SORRY CAN'T HEAR YOU" makes you a perfect candidate to be a politician.

Although I bet you also think Chu-Bra!! and B Gata H Kei are both vapid empty things. I'd chalk that up to not understanding real life and being too much of an Otaku.

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