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Kingsglaive: Final Fantasy XV
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Review: Kingsglaive: Final Fantasy XV

12:00 PM on 08.21.2016 // Josh Tolentino
  @unangbangkay

A Clash Royale

Let's be honest here: Few people were expecting very much from Kingsglaive: Final Fantasy XV. Not only is it a multimedia tie-in to a game, a JRPG no less, but the long shadow of Final Fantasy: The Spirits Within continues to hang over Square Enix, and likely will hang over any attempt it makes to create non-game media work, be it related to games or otherwise. 

As such, it feels downright unfair for me to review the movie on its own merits alone. Even its title gives it away as something that was never intended to stand apart from the game it's serving to promote. Lucky for it, then, that when it's thought of in that spirit, rather than as an attempt at decent filmmaking, Kingsglaive largely does the job.

Kingsglaive: Final Fantasy XV
Studio: Square Enix Visual Works
Director: Takeshi Nozue
Licensed by: Sony Pictures
Premiere: August 19, 2016 (US, Asia) , July 9, 2016 (Japan)

Have you ever seen a "game movie"? The term refers to a subgenre of game Youtube videos wherein players capture recordings of various video games' cutscenes or story sequences, to be viewed by audiences removed from the context of actually playing the game. Some more ambitious versions try to edit the clips together in a coherent fashion, potentially removing the need for players who can't finish or don't own the game in question to actually play it at all, leaving only the narrative to bring things home.

Kingsglaive: Final Fantasy XV feels like an extremely expensive, fabulously ambitious iteration of that particular trend.

It's not quite the same, of course. Players who pick up Final Fantasy XV in November won't see much of Kingsglaive's actual events onscreen, as the film is a two-hour-long setup and prequel to the events of the game. 

The Kingdom of Lucis is in danger. Ruled by the wise King Regis (played by Game of Thrones' Sean Bean), Lucis is the last place unconquered by the Empire of Niflheim. Its defenders are the titular Kingsglaive, a squad of soldiers that wield magic channeled to them by Regis, from a magic crystal that is the source of Lucis' power and the only thing standing between Niflheim's technological prowess and world domination. 

Unfortunately, the war is coming to a close, with Regis aging and the crystal's power flagging in the face of "The Nif's" magitek weapons and demonic thralls. It's in this spirit that Regis accepts a peace deal, to marry off his son (and the game's protatgonist) Noctis to Lunafreya (played by Game of Thrones' Lena Heady), princess of the Niflheim-ruled province of Tenebrae. When all is not at it seems on the eve of the treaty signing, it's up to Kingsglaive's star fighter Nyx Ulrich (played by Breaking Bad's Aaron Paul) to save the day and have a hand in kicking off whatever's set to happen in the game proper.

While the plot is barely coherent and its relevance to Final Fantasy XV is largely confined to explaining why Noctis and his buddies are on the other side of the world in the first place, Kingsglaive's most solid achievement is visual. Produced by Square Enix's legendary Visual Works studio, the film succeeds at visualizing the setting of the game, creating the kind of mental space in future players' minds that can reconcile the stylistic absurdities of typical Final Fantasy and the more grounded, modern aesthetic of the real world. The world of Kingsglaive (and by extension, the game) is the kind of place where it makes sense for contemporary office buildings, cellphones, TVs, and product placement stands comfortably alongside the overdesigned costumes, massive creatures, and elaborate magical spells and effects. To its credit, it's the most convincing iteration yet of the series' penchant for techno-fantasy flourish.

Beyond that, though, Kingsglaive is hardly essential. Despite initial misgivings, the core cast do credible work in their roles, elevating the otherwise cheesy and overly self-serious script. Supporting characters, however, come across as a bit too cartoonish, the delivery never quite overcoming the tension between the realistic facial designs and otherwise very "anime" words coming out of the characters' mouths.

The action itself, though, is well-rendered, if a bit difficult to follow. The Kingsglaive members all use some variation of the game's combat, wielding teleporting knives and plenty of flashy effects to burn, shock, and blast the HP off of an assortment of classic Final Fantasy beasts. Unfortunately, some ill-conceived zooms and use of "shaky-cam" effects during some fight scenes make what should be the most pivotal moments of the film an exercise in trying to puzzle out just what's happening. Final Fantasy fans can also expect some clever fan service, sighting cool callbacks to timeless franchise easter eggs, some subtle, and some overt.

In the end, whether Kingsglaive: Final Fantasy XV will be worthwhile largely depends on one's anticipation for Final Fantasy XV. By its very nature it's skippable, but fans who plan on immersing themselves in the game come November will likely find something to appreciate.



THE VERDICT

5.5
Kingsglaive: Final Fantasy XV
reviewed by: Josh Tolentino

Average - Like a meal of lukewarm water with white bread. It filled my time and my belly, but lacks any discernible flavor or nutritional value. It left me no different than it found me. Just passing through.

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Josh Tolentino, Managing Editor
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Josh is Japanator's Managing Editor, and contributes to Destructoid as well, as the network's premier apologist for both Harem Anime and Star Trek: Voyager For high school reasons, he's called "u... more   |   staff directory





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