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Makoto Shinkai

Introducing Hei Stories: Inspired by Anime & Manga, Welcome to the Universe of Kaleidoscope

Aug 18 // Yussif Osman
Anyong and Salam! So this piece is important to me, so if I guess if I want it to mean something to you too, I should start by introducing myself.  I’m Yussif and more than anything else, I’m passionate about stories and it’s really Japanese culture which got me into storytelling.  Growing up, I wanted to tell my own stories, so I did plenty of writing, but it’s only recently that I decided to take the plunge and start an enterprise focused on storytelling and the worlds I created.  I’m writing to you, to introduce the startup I founded, Hei Stories, a platform, the tales of which are heavily inspired and influenced by Japanese animation and manga.  I hope you’ll stay a while and hear me out, because I think Hei Stories is full of the things which we love above fiction; complex characters and developed world, human themes and stakes we can invest in.  And maybe, something new too.  I would like to introduce you to Kaleidoscope, to a wholly new and unique universe, which although it is populated by living stars and ghosts made of songs, ruled over by an Eclipse King, protected by superheroines and challenged by explorer revolutionaries scouring the frontiers of starlight, it is a world based on our own, where hope, dreams and compassion are our armour, sword and shield.  Welcome to Kaleidoscope, I hope you find something of yours in here too. Bear with me, but the first things I’d like to talk about are ‘magic’ and ‘love’.  Perhaps this will make more sense if I use Miyazaki’s work as the foundation for this discussion.  By ‘magic’, I refer to the sense of wonder that is conjured by weaving secrets and fantastical settings that tease and play with our inbuilt desire for adventure and the mysterious.  I found a combination of the two when I came across Spirited Away; but in addition to ‘magic’, films like Chihiro’s say something unique about what it means to be human and to live and love and in doing so, are doing something quite intimate.  By exploring childhood and life, from films like Only Yesterday to Howl’s Moving Castle, Miyazaki involves us in the story and in doing so, makes the fantastical elements believable, making the entire experience truly magical.   Work in Hei Stories tries to do the same, through a blend of magical realism and Romance.  I use my work, Zoe Taylor as an example; a young woman who travels from one world she creates to another, in search of a love she has long forgotten, each world she hopes bringing her closer to home than the last.  Or Monsoon, in which Abhu dreams of her big sister; her thoughts and feelings entering the sky, becoming ghosts, gods and asura, connecting her with the person she is looking for.  In these stories, it is my hope that I have not only drawn inspiration from the likes of Miyazaki, or Makoto Shinkai, but that the tales set in Kaleidoscope explore themes such as love, hope and pain in unique ways - whether that’s Asem’s ability to draw power from the human heart or the Lovecraft militia, who through pure fury, manifest their pain in terrifying power.  It’s my aim to explore what we mean by such ideas as ‘love’, how it is an idea which empowers us, the way Petra sees beyond Asem’s trauma, or how Abhu’s longing for her sister connects them through the sky. My view of the world has been heavily shaped by the stories I watched and read growing up.  Among them, was Dragonball Z.  What did I love most about Dragonball Z? Vegeta, plain and simple.  Why? Well, he used to be a bad guy- now, that doesn’t just make him a badass, it makes him fascinating. This may have become a common Shonen trope, but think about it.  As a kid, I was suddenly introduced to the notion that the world is complicated and that maybe, just maybe, there is goodness in everyone (except maybe Frieza).  Sometime later, it happened, Naruto confronted Pain and what did he do? He talked to him. This blew my mind, even if Pain could never justify the things he did, he had reasons, and was himself suffering from sorrow which made him what he was.  By talking to him, Naruto liberated them both from the circle of hate and made it possible for their world to move forward.  This, which to me, was an impossibly amazing moment, would inspire me to go and study Peace as a discipline at university.   But above all, it made me want to tell this story to others, it made me want to tell people that there was another way, that people are complex and can be reached.  I began creating villains I wanted readers to empathise with, villains the heroes could empathise with.  Villains who were more than just antagonists.  I created Rakshasah, who gives up his freedom to the insurgent leader Asura to save his village, in exchange for being raised on a philosophy of hate; ultimately giving up on himself, seeking to force Neha, whom he loves to see the world the way he does, so he doesn’t have to suffer alone.  But even though Neha is accompanied by a rain demon, she would stop Rakshasah not by fighting him, but fighting what had been done to him.  Then there is Iconoclast, someone so utterly rejected by the world that she felt the need to conquer it in order to change it.  Is she good? Evil? More appropriately, a revolutionary, in the tradition of Lelouch.     One of the aims of Hei Stories became to contribute to social and global commentary, by spreading positive and progressive messages and engaging in a discussion to humanise and spread tolerance, understanding, positive change and empathy. I believe stories have the power to create significant change in the way we view the world and it is our aim to contribute to the discourse of making the world a better place. From LGBT rights to the need for the world to welcome refugees, from peace to overcoming depression and heartbreak, I hope these stories can be there for people around the world overcoming adversity, dreaming and hoping towards better futures.  The way Luffy and Naruto were there for me. And for anyone who is like me, searching for their place in the world, I am writing Centillion Lights episodically on Patreon, a saga about a race across multiple plains of existence, from Flower Kingdoms to Art Empires, to find Earth, a very different place in the heart of each racer, seeking to make the world something of their own. A coming of age story which takes the 'spring of youth' concept found in so much anime and really pushes it with what it means to be young and trying to work out who you are in an unknowable world. So Hei Stories is seeking to branch into different mediums including spoken word, literature, audio and ultimately animation. It is our aim to begin production on an animated feature/series set in the world of 'Kaleidoscope' in 2017. To this end, I’ve begun crowdfunding on Patreon, initially contributions will fund things like a concept artist (I’ve done the art to date, but I’m not a professional) and comiccon space to spread the word, but combined with funds gathered from public readings we’re doing in London and prospective grants from established institutions, it’s my hope that we’ll be able to fund the animated series. If you like what you’ve heard, you can support us on patreon.com/heistories, or you can explore more of the world I’ve created on heistories.wordpress.com/blog or on Youtube @ Hei Stories.  In addition, it is our aim to create opportunity for young and emerging artists.  The actors who will be performing in 'Asem', the major public reading we’re doing soon, are in the early stages of both their lives and careers and it is our hope to give them exposure and help them grow as well as give them support.  Poets and musicians are also involved in this project and it is our sincere wish to help nurture and support the young artistic community and see it thrive, because quite simply, art makes life better. I think that’s one of the reasons that we love anime, because it combines music and visual art, drama and writing in a spectacular collaboration to produce something like Sword of the Stranger or Princess Mononoke. And exploring genres, produces a literal kaleidoscope of artistic collaboration. In the tradition of Ghost in the Shell, or Darker Than Black, I explore neo-noir and urban horror in Lights and Letters From the Sleepless Wars, trying to push the boundaries of what we understand to be real.  Or in the tradition of epic Romance like One Piece, I created the Sunflower Diaries which explores a universe which challenges what we understand the world to be, all from the foundations of a young girl’s dreams.  We weave stories around unique countries like the Moon Kingdom, actually inspired by the aesthetics of Klonoa with its solar temples and moonlit palaces.  Then there is the whimsy of the bizarre and fun, such as Space Dandy, in stories like our Mighty Mighty Mighty Thunderclap Coalition who aim to spread Earth culture in a post-Earth solar system. And with these stories come a variety of aesthetic, inspired by animators like Yutaka Nakamura as I imagine Bonfire Engines assemble themselves from a will to be, or worlds racing past as a ‘Runner’ sprints through the universe- or a girl turning a flower into a small bird as subtly as when Chihiro tapped her feet to make sure her shoes were on. I have spent a-lot of time talking about what has inspired Kaleidoscope, but I want take a risk here and dare say that Hei Stories does some things that are new.  Sometimes we seem inundated with ‘harems’ and battle adventures and MMO reality swapping stories.  But look at the uniqueness of the premise of Erased, D.Gray-Man’s Noah Family, all of Makoto Shinkai’s and Ghibli’s work; the biggest way in which anime and manga has inspired me, is by encouraging me to create something new.  From watching the breathtaking, experimental animation of Mob Psycho 100 or experiencing how 5cm Per Second blends the cosmic with the Earthly.  These stories have pushed our imaginations, visually and in how we think about storytelling and the world.  In particular, I would like to site Bounen no Xam’d and Eureka 7, both works from Bones which are significantly original stories which push how we understand genre and bring human drama to the fantastical with original ideas, whether that’s the sentient ‘Coral’ at the centre of the Earth, which we have to come to terms with co-existing with in Eureka, or the way an Emperor declares war on the world because he has lost his name in Xam’d, set in a world where emotions create immensely beautiful beasts whilst a love story is told, based on a relationship that is never traditionally defined.  Or we can look at Sore Demo Sekai wa Utsukushi which pushes the boundaries of how love evolves and what motivates people.   It would feel arrogant to inundate you all the ways I think Hei Stories is original, but here is a short list of examples of how the world we’ve created pushes the boundaries of fiction as inspired by anime, from setting, to story structure: Kaleidoscope is a universe not based on material space, but rather ‘place’ is painted across a landscape of thoughts, emotions and concepts, materialised in starpaint and hyperdimensional oceans.  It is my aim  to make accessible sensitive issues like extremism and tolerance and trauma through fantastical settings, whilst exploring new character archetypes, with ‘hyperambition’ which blurs good and evil or a revolutionary that is in love with the world.  We explore time and story beyond the three act structure, exploring legacies, world histories and ideals, all interconnected by characters and ideas.   Watching Gainax push the scale of how we understood stakes, inspired me to push it as well, in both a cosmic and Earthly sense, in terms of relationships, concepts and action. So what does Hei Stories and the universe of Kaleidoscope come down to? It comes back to where I started, ‘magic’ and ‘love’.  To enchant and inspire.  It is my hope, to truly bring something positive into the world.  Kaleidoscope is a universe crafted on the principle of hope, where the fantastic serves the real and so, to illustrate that, I would like to end with this excerpt, where Hubble, the literal spirit of the Hubble Telescope who watched us for centuries, speaks: First, there were Chart Makers, they are the stars and ideas which make life possible. Independently, Stargazers were born, life in the material world, humans, animals, the Brave, species from across Kaleidoscope, across the universe. Stargazers and Chart Makers fell in love with one another, the living fell in love with life and life fell in love with the living. And in the space between that love, we, Constellations were born, an expression of every thought and hope and sadness. And for a time, love was law. Until he found you, Naenamh, you know him as the Eclipse King. Even we, Constellations, aren't sure what the Eclipse King is exactly, but he existed before the advent of life, he was alone in the dark. So when light and life began, he saw your joy and was enraged at the reality of his sadness. He came to hate everything. In his grief, he declared war on love and sought to spread his sorrow to the living. He murdered Aset, partner of the Chart Maker, Sirius. Sirius, not knowing how to deal with grief or loss, attacked the world on the Eclipse King's behalf. And so began the wars between Finality and Infinity, grief and love, spanning long into the millennia and deep into the human history. Yet every time, you win. I've watched you conquer over despair, time and time again. When the Eclipse King finally decided to simply destroy you, the only reason the Forge you call Amazing was able to find you and stop him, was because he could hear you through bottomless space. He followed your music and laughter, shouts and speech across an ocean of stars. And from him, Fragments were born, another miracle born of the underbase of love and life, a substance created by human interaction and will. And then Asem. You all created her, your world raised her and taught her to love. Thanks for reading, I really appreciate it, feel free to get in touch to talk about anything, whether that’s here, one of the links or on [email protected] . Speak soon - live, love, hope and eat oreos. In Kaleidoscope, every child has a memory of the day the sun stood up, it’s my hope to remind us. “I would like to make a film to tell children it’s good to be alive.” - Miyazaki.
Hei Stories photo
Introducing a storytelling start-up
[Editor's Note: Here at Japanator we work on stuff that's not directly related to the site. this thing here is Yussif's new jam.] – the sun itself, uncurled and stood. Mountain shadows scattered as she rose. She stood a...

Anime photo
Anime

Don't forget about this year's Makoto Shinkai Day


Catch all of Shinkai's works on Crunchyroll while you can
Mar 15
// Karen Mead
Spring is almost here, and do you know what that means? You might say "the weather is warming up," but here in New York we still have snow on the forecast for Monday, so uh, NO. It is not necessarily warming up all that much....

Japanator Interviews: Makoto Shinkai

Sep 20 // Hiroko Yamamura
Japanator - I just finished watching your masterpiece Garden of Words. Looking back at the film, do you feel like you set out what you wanted to achieve? Shinkai - I feel as though we got what we wanted. Looking back, there's always going to be something you may have done differently, even something as small as color choices for scenes, however I'm very happy with the end result. I hope the viewers are happy. Japanator - Why do you feel the need to Direct, edit, and do cinematography for your works? Do you feel like total control is a key to your success? Shinkai - We are actually a very small company, so it is actually necessary for everyone to wear many hats. However, it does give me the ability to do exactly what I want. In Garden of Words, I am able to get the exact shot, color, and feeling necessary to convey the message. There are less people to appease and have opinions, so this set up works well for me. Japanator - You decided to keep Garden of Words to around 40 minutes. Do you feel like less is often more? Shinkai - I don't like having to think about those kinds of restrictions. Thinking about wether a movie should be 2 hours for the theatre, 30 minutes for TV is not something I want to think about. What it took to do the last movie was 2 hours, while this one was 40 minutes. Japanator - Did you have an idea prior to production on the length of the film? I think as soon as we started writing the story boards we had an idea of the length. Even from concept we had an idea on the compression of ideas. I don't like to think too much about the length of time. However, when the idea for this movie was conceived, I knew it would be best to do it in this length. Japanator - Your films capture environments and moments so beautifully. How important is it that every nuance and detail is captured in a scene. Is hyper realism important to you, or do you feel that that is just a necessary part of anime? Shinkai - I think that's the nature of anime. Part of art is what sets you apart from other anime directors Unlike many other directors, I don't come from an animation and drawing background. I previously worked for a video game company where I focused primarily on background and scenery. I feel that my focus on those aspects is different. I guess you can see my past work in my current work! Japanator - You are often compared to Hayao Miyazaki. Personally, I don’t see much similarity. If there is any Director/Producer you feel like you have similarities with? Shinkai - I appreciate any comparisons to other Directors, however I don't as though there are any that I would necessarily compare myself to. Japanator - What is the significance of Yukari’s inability to taste in the film? Shinkai - In the film, Yukari is going through a tough time where she is unable to return to work. As she goes into the garden within Shinjuku she begins the journey of finding herself. The stresses of her life cause an affliction of her to lose taste. As she she slowly regains her taste. It's is also her finding herself. Japanator - Why choose shoe making for Takao? Shinkai - In the film Yukari mentions how she can not walk many more. Meeting Takao and him being someone who can help her walk again helps illustrate the relationship they have, and the unmentioned need they have for each other. Japanator - Have you considering directing a non-animated film? Shinkai - I actually get this question a lot. This is what I do, and I'm currently not interested currently in other mediums. There is a beauty and focus on things that you can only create with animation. Japanator - Are details part of a film? Or is the film the details? Shinkai - That's the rule of art. When you choose to make art, you are in control of the details or beauty that you are able to express and highlight. The fact that my medium is animation should not change the fact that I want to share the emotion and details. Japanator - Favorite anime or video games? Shinkai - This is probably true for a lot of creators, but I often find that I need to stay away from other people's material to do original work. If I immerse myself in other people's work I find myself influenced by it. It's important that my work comes from within. Japanator - Have you listened to the English dub of Garden of Words? Do you feel it is appropriate for foreign audiences to watch a film with different voice actors? Shinkai - Obviously English is not my native language, so it is hard for me to tell. From what people have told me the voice acting is done well, and just listening I can feel the emotion of the actors come through, so in that respect I feel it's a success. That being said, it will always be different. Where or not it is successful or good is up to the American audience. Japanator - Any messages for your American fans? Shinkai - I don't like to think about where fans as from very much., but I do appreciate all of the support I've gotten from my fan base. In my work, especially Garden of Words, I want to share the beauty of my favorite places in Japan . The park in the film is a real place in Shinjuku that I like to visit. I would like to share the peace and harmony of unique places like this, and the love I have for my country. Maybe it will inspire people to visit.
Shinkai interview photo
A true artist
Wow, talk about an awesome day! Back at Anime Expo this year I had the amazing opportunity to sit down with one of my favorite masters of anime, the illustrious Makoto Shinkai. If you've been living under a rock for the last ...

Shinkai short photo
Shinkai short

How about some Makoto Shinkai for your lunch break?


Always stunning
Sep 10
// Hiroko Yamamura
I hope you've settled down with a lovely lunch this afternoon. If you have a few minutes to spare I suggest you throw some headphones on and nestle up to a fantastic new short film by the always amazing Makoto Shinkai. Even ...

5 mins of Garden of Words photo
5 mins of Garden of Words

Watch 5 minutes of Makoto Shinkai's The Garden of Words


May 12
// Brad Rice
Get the tissues ready. Makoto Shinkai's latest work, The Garden of Words, is hitting wide release in Japan at the end of the month, and last night we saw the first five minutes of it air on TV Tokyo. In this snippet, we get ...
Garden of Words at GCFF  photo
Garden of Words at GCFF

Cheers, Australians: Garden of Words to be shown at GCFF


Australians are in for a great show.
Apr 02
// Salvador GRodiles
Congratulations, anime fans of Australia, the Gold Coast Film Festival in the Broadbeach area of Queensland, Australia is going to feature the world premiere of The Garden of Words as part of their 'Cool Japan'...
Global Shinkai Day photo
Global Shinkai Day

YES: Children Who Chase Lost Voices to join Shinkai Day


One Shinkai movie stream-athon coming right up!
Mar 14
// Salvador GRodiles
So I just realized that Global Shinkai Day is starting this Friday, and Crunchyoll is adding more content to its special Makoto Shinkai weekend event. To be more specific, Children Who Chase Lost Voices will be stre...
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The Garden of Words trailer looks like a garden of feet


Look at those lush colors
Feb 21
// Salvador GRodiles
Oh man, Makoto Shinkai really knows how to setup a beautiful scene in his stories. Even though I am not a big fan of his works, I cannot deny the sheer gorgeousness found in the colors and lighting of the first trailer for T...
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Makoto Shinkai's 'Someone's Gaze' teaser trailer


Heart crying entertainment
Jan 27
// Josh Totman
Just like with his previous works (Voices of a Distant Star, 5 Centimeters Per Second, Children Who Chase Lost Voices) Makoto Shinkai can create gorgeous anime. His new anime short Dareka no Manazashi (Someone's Gaz...

Review: Children Who Chase Lost Voices

Dec 29 // Brittany Vincent
Children Who Chase Lost Voices (DVD)Studio: Section 23 Director: Makoto Shinkai Licensed by: Sentai FilmworksRelease Date: November 13, 2012MSRP: $39.98 Watase Asuna is a sprightly young student who lives a solitary life. She passes the time ever since her father passed on listening to a special radio. It's actually powered by a special crystal, which allows her to pick up a bizarre song one specific night. Deep in the heart of her rural town she's confronted by a strange creature, but thankfully a handsome older boy swoops in to rescue her. Shun hails from another world known as Agartha, and has a secret agenda of his own. One thing leads to another, and soon Asuna finds herself on a journey to Agartha with Shun and her substitute teacher (of all people) to unlock the secrets of a world hidden away below the earth's surface.While the film's obvious strengths lie in its picturesque landscapes, lush greenery, and hypnotic visuals, fortunately it excels in assigning belivable motives and personalities to each character, each with their own agendas, both deeply personal and touching. Asuna is an accessible lead with bright-eyed enthusiasm and a loneliness that feels as though it could envelop one whole and Shun is a delightful puzzle that you'll want to work out before the film ends, which feels entirely too early once you've gotten engaged.Despite the spunky young leads and obvious overtones of young love, surprisingly Asuna's teacher's personal mission is the most touching of all: he's looking to harness the power of Agartha to potentially resurrect his deceased wife. He commands the same kind of longing and hollowness felt in Shinkai's previous outing like The Place Promised in Our Early Days exhibited so strongly, and that's an integral part of the thread that ties this decidedly more grandiose feature to the filmmaker's earlier work. But it's not all sadness and despair, of course -- the same sense of wonder and amazement is amplified throughout the feature, especially when Agartha's many impressive details come to life. The ruins of a civilization long gone, a tribe of bizarre humanoids, and the adorable mascot character Mimi work in tandem to ensure the mythical world is painted as brilliantly to the audience as it does to the three leads. And it's a joy to explore along with them.The English dub cast did a fantastic job bringing the script to life, but Hilary Haag as Asuna left a bit to be desired, as I preferred the Japanese cast for Asuna's energetic self, adding a bit more zest to the older, more mature version voiced by Haag. Otherwise, the dub is solid -- if you're looking to enjoy it without reading subtitles, instead drinking in the gorgeous animation and the new direction Shinkai seems to be moving in. While it feels like a departure in ways from more solitary works like 5 Centimeters Per Second, Children Who Chase Lost Voices is a slick and quite beautiful adventure that fans of Makoto Shinkai's work (and Miyazaki films in general) should seek to add to their collection -- especially if you've worn out that copy of Totoro and need something a little more adult to tide you over. 8 - Great. 8s are great examples of their genre that everyone should see, regardless of their interest.  
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A gorgeous journey through Agartha
Makoto Shinkai has grown and evolved with each subsequent project, and his latest feature Children Who Chase Lost Voices is one of his best works yet. He's come a long way since the glory days of the moving Voices of a Distan...

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Season's Greetings: Makoto Shinkai is making a new movie


Are you ready for some more breathtaking skies and scenery?
Dec 24
// Salvador GRodiles
I am going to be perfectly honest with everyone on here, I'm not the biggest Shinkai fan around here. Though I will admit that his movies do get better with each new film that pops out of his mind. Before you smite me with yo...
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Sentai licenses Shinkai's Children Who Chase Lost Voices


Jun 15
// Brad Rice
Sentai Filmworks is at it again -- licensing yet another Makoto Shinkai property. Back in the days of ADV Films, the company licensed 5 Centimeters Per Second and Voices of A Distant Star, so it's no huge surprise that t...
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Crunchyroll holds fourth annual Global Shinkai Day


Mar 02
// Bob Muir
For the fourth year in a row, Crunchyroll is streaming three films by Makoto Shinkai in what it's calling Global Shinkai Day. From March 9-11, you can see Shinkai's most well-known work: Voices of a Distant Star, The Place Pr...
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Otakon 11: Makoto Shinkai press panel interview


Aug 24
// Jeff Chuang
Long delayed, but nonetheless, here is the first part of a series of write-up promised about a man who waxed poetic about loving at a distance in anime film. You might know him as Makoto Shinkai, but I know him as a humble gu...
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Monday Madness: Our Innocence


Aug 01
// Itsa Timmy
So this weekend I finally got around to watching the highly acclaimed 5 Centimeters per Second and I was pretty much utterly destroyed. The story and writing in that show is fantastic, and it probably doesn't help t...
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Otakon 11: Otakon to host Shinkai premiere [Update]


Jul 22
// Brad Rice
[Update: The film will now have subtitles, says Otakon staffers. Hooray!] Have you been dying to see Makoto Shinkai's latest work, Children Who Chase Lost Voices from the Deep? Well, Otakon's got your back. Sort of. The film ...
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Makoto Shinkai's latest: Hoshi o Ou Kodomo trailer now up


Nov 09
// Ben Huber
Do you like gorgeous animation? Do like being able to pause a movie at any given time and have that frame always be a perfect computer wallpaper? Do you wonder what Makoto Shinkai has been working on all this time?You're in l...
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Makoto Shinkai's latest project: Hoshi o Ou Kodomo


Nov 08
// Brad Rice
Break out the tissues because Makoto Shinkai is back with a vengeance. His latest work, Hoshi o Ou Kodomo (Children Who Chase the Stars), is going at full force, and according to ANN, a teaser trailer for the work w...
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Crunchyroll licensing Shinkai's 5cm per second! Buy it!


Aug 14
// Josh Tolentino
Makoto Shinkai's an anime auteur easily on par with the likes of Miyazaki and Oshii. His works are a bright spot of complexity and depth in an industry that many perceive to be in creative downfall, soon to be drowned in a se...
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Global Shinkai Day START on Crunchyroll


Mar 05
// Karen Mead
THE TIME HAS COME. You have until 5PM(PST) on Sunday to watch Voices of a Distant Star, Five Centimeters Per Second, and Place Promised in Our Early Days, all of which are temporarily available streaming on Crunchyroll, and f...
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Surprise! Makoto Shinkai is working on another film


Dec 21
// Brad Rice
On Sunday, musical sensation Eminence Symphony Orchestra had a surprise guest: Makoto Shinkai made his way on stage (punching out several security guards and members of the band in the process) to talk with the audience. Afte...
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Thank you, Bandai: BE rescues Shinkai's 5 Centimeters Per Second [Update]


Jan 12
// Brad Rice
Wow, this is some great news to wake up to. Off of Neb's, Fanboy Review brings up that people at Bang Zoom have started listing voicing credits for 5 Centimeters Per Second, one of the long-lost ADV titles. Apparently, ADV h...
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ADV discontinues more titles -- they better still have Five Centimeters per Second at their Otakon booth


Jul 11
// Brad Rice
Great. More titles have been canceled. I was eyeing picking up Five Centimeters per Second at AnimeNEXT, but decided to pay an extra $10 and get Kino's Journey as a box set. So now, you better still have a decent stock when I...

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