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Strong Style: New Japan Pro Wrestling on AXS S2 episode 9

Jul 28 // Soul Tsukino
  BUT FIRST: Let's take a look where we are in the tournament point standings: Block A:  Shinsuke Nakamura (10), Shelton X Benjamin (8 points), Hiroshi Tanahashi (8), Katsuyori Shibata (8),  Bad Luck Fale (8), Tomohiro Ishii (6), Satoshi Kojima (6), Davey Boy Smith Jr (6) Yuji Nagata (6) Doc Gallows (4), Tomoaki Honma (0). Block B:  Kazuchika Okada (8 points), Tetsuya Naito (8), AJ Styles (8), Hirooki Goto (6), Toru Yano (6), Minoru Suzuki (6), Togi Makabe (6), Hiroyoshi Tenzan (6),  Lance Archer (6), Karl Anderson (6),  Yujiro Takahashi (4). Block A is being led by Nakamura with a lot of guys nipping at his heels while Block B is once again a crap shoot. Things are getting down to the wire and both blocks are wide open. So with that in mind let's get to the fighting! Tanahashi gives us a greeting before we head to the arena. Block A: Katsuyori Shibata vs. Tomoaki Honma:  Oh dear. New Japan's loveable loser taking on the man who beat both of NJPW's top guys. Honma will give you a fight but well... I don't like his chances here. This feel like Honma's being sent to the gallows. Mauro runs down the records in the tournament for both guys. Bell rings and they jump right into bashing each other with forearms. This is intense!  The crowd responds to the fast action and are cheering for Honma!  We skip ahead a bit Shibata lands his running kick but is met with a running elbow. Honma goes for the running headbutt but misses. before he goes for it again and hits it this time. Honma is fired up as he whips Shibata in but gets met with a foot to the face, only to hit a clothesline anyway. Shibata regains the advantage and hits the hanging dropkick. Back from commercial with Shibata looming over a fallen Honma. Shibata gets a suplex, and Honma fights back. Shibata whips his opponent in but met with a headbutt!  Honma tries for a pin and doesn't get it. Honma goes for a Bernard driver as Shibata counters and gets a sleeper out of it.  Honma forces the break and Shibata goes for the penalty kick, which Honma catches. Shibata gives a bunch of rapid-fire slaps, Honma drops him with one mighty bitchslap to the face. Honma gets the Bernard driver and goes for the top rope diving headbutt, and misses. Both men are slow getting up. Shibata goes for the pin a few times before Honma hits a clothesline but doesn't get the pin either. Shibata gets a spinning chop that drops Honma. Shibata hits the GTS and the penalty kick before landing the pin and 2 more points. Shibata leaves as once again the crowd gives Honma an applause as he leaves. Some words from Honma post match where he admits he's not going to be the champion, but he will make sure people know he competed in the G1 Climax. Clipped, of course, but a fight none the less. Sure the outcome probably wasn't in doubt, but Honma manned up and took the fight to Shibata. Fun match! Block B: Yujiro Takahashi vs. Kazuchika Okada:   Mr. R rating vs. The Rainmaker. Takahashi is the NEVER Openweight champion here, but the belt is not on the line. A grudge match here as it was Yujiro who turned on Okada and CHAOS, costing Okada the IWGP Title. Yujiro attacks before Okada even gets to the ring. We get a couple of cuts as Okada gets the advantage with dropkicking Yujiro off the top turnbuckle. We cut again as Okada tries to suplex Yujiro, but he grabs the ref. With the ref distracted Yujiro hits the low blow. Takahashi hits a slam off the shoulder but doesn't get the pin. Yujiro goes for the buckle bomb, but Okada reverses into a 'rana and then dropkicks Takahashi in the back. Forearms are traded in the center of the ring. Good ol rake to the eyes to Okada but gets met with another Okada dropkick. Okada finally kills Takahashi with the Rainmaker clothesline and gets the pin. Post match words from Gedo and Okada. A reporter asks Okada if he feels better for beating Takahashi, and he simply answers "nope" before walking away. This match had some brutal clipping, but honestly seemed kind of tame with the build up. I expected a little more Crush, Kill, Destroy, Swag but then again, flatly crushing Takahashi had Okada making a statement as well. We get some words from Hiroshi Tanahashi about lingering injuries in his neck from the match with Bad Luck Fale before this match and that the matches with Shibata, him, and Nakamura were always exciting and tying with Nakamura in the match from last year weighed on him. Block A: Hiroshi Tanahashi vs. Shinsuke Nakamura:  This is New Japan's version of Cena vs. Orton. These guys have met a bunch of times before and always put on a show. Mauro runs down the accomplishments of both men, even the fact that these two won a tag title together. The King of Strong Style vs. The King of the Air Guitar. The bell rings and things start slowly with some posturing. Arm works by both men and some basic headlocks and takeovers. Tanahashi goes for the arm, but Nakamura gets the leg scissors counter twice. Tanahashi  breaks up the basics with a kick to the gut,  Nakamura counters. This is pretty even. Tanahashi lands a dropkick to get the lead but Nakamura counters with a kick into a judo kick. Things go to the outside where Frank and Mauro talk more about Hiroshi's neck. Nakamura gets in some knees and goes to work on his rival. Nakamura focusing on the neck with kicks and knee strikes, but Tanahashi goes for the rebound. Nakamura goes for his favorite corner kick but Tanahashi counters. Hiroshi gets the advantage with some elbows before landing a senton for the top turnbuckle, only gets a two count. Tanahashi actually does the good vibration kick, but Shinsuke grabs a the foot and counters, before getting the good vibration kick into Tanahashi and landing some knees, getting a two count. Tanahashi gets a dragon screw leg whip on Nakamura. Back up both men trade elbows before Tanahashi kicks him in the knee. Nakamura gets a triangle choke that Tanahashi fights up from but goes back down.  Tanahashi stands up and kicks Shinsuke in the head before countering into a sweet cloverleaf leglock! Shinsuke gets to the ropes, but he is hurt. Tanahashi hits another leg whip as the crowd is getting into it. Nakamura hits a backstabber. He gets in a suplex and sets up for the Booma ya, but Tanahashi hits the sling blade clothesline. Hiroshi goes to the top but misses before Shinsuke hits TWO Booma ya knees Back from break with both men out. Both men drenched with sweat, forearm each other back and forth. This degenerates to just plain old slaps. Tanahashi hits the sling blade to the back of Nakamura's head before he hits the splash, he goes for another one, but Nakamura gets the knees up. Nakamura hits a top rope Booma Ya kick to the back of Hiroshi's head but doesn't get the pin. Ouch! Nakamura hits another Booma ya but again only gets two. The crowd is just waiting for the finish now. Nakamura goes for another kick, but Tanahashi gets a trip and goes for a surprise rolling bridge cradle (A move I seldom have seen since the 80s) and gets the win! Backstage words from Nakamura saying that while he lost, he is still in the hunt. We get some in-ring words from Tanahashi as he fires up the crowd and plays guitar. Backstage Tanahashi says he can't lost at this point in the tournament. In the studio, Tanahashi talks about using the rolling cradle on the anniversary of Karl Gotch's death. He mentions how much the crowds have been watchiing the G1 matches and wanting to win the tournament. We close with some words from Frank Shamrock before Josh Barnett comes back next week. This show was a big improvement in the way Mauro and Frank brought the importance of winning matches means now and puts more perspective on the whole thing. Shamrock's commentary was very good and brought a lot to the table, especially in talking about what it felt like to get hit with some of these moves. The second match suffered from some clipping but the matches were strong. Once again this episode shows me why this is the strongest hour of wrestling on American TV. To finish things off here are the matches not shown from day 8, and the update of points Block A:   Ishii beat Smith, Nagata beat Benjamin, Kojima beat Gallows Hiroshi Tanahashi (10), Shinsuke Nakamura (10), Shelton X Benjamin (8 points), Katsuyori Shibata (10),  Bad Luck Fale (8), Tomohiro Ishii (8), Yuji Nagata (8), Satoshi Kojima (8), Davey Boy Smith Jr (6), Doc Gallows (4), Tomoaki Honma (0). Block B:  Tenzan beat Yano, Goto beat Naito, Styles beat Archer, Suzuki beat Makabe Kazuchika Okada (10 points), AJ Styles (10), Tetsuya Naito (8),  Hirooki Goto (8), Minoru Suzuki (8), Hiroyoshi Tenzan (8),  Toru Yano (6), Togi Makabe (6), Lance Archer (6), Karl Anderson (6),  Yujiro Takahashi (4). See you next week! Block A: Kojima beat Benjamin, Smith beat Gallows, Fale beat Honma, Nagata beat Shibata. Shinsuke Nakamura (10), Shelton X Benjamin (8 points), Hiroshi Tanahashi (8), Katsuyori Shibata (8),  Bad Luck Fale (8), Tomohiro Ishii (6), Satoshi Kojima (6), Davey Boy Smith Jr (6) Yuji Nagata (6) Doc Gallows (4), Tomoaki Honma (0). Block B: Archer beat Yano, Anderson beat Takahashi, Makabe beat Naito Kazuchika Okada (8 points), Tetsuya Naito (8), AJ Styles (8), Hirooki Goto (6), Toru Yano (6), Minoru Suzuki (6), Togi Makabe (6), Hiroyoshi Tenzan (6),  Lance Archer (6), Karl Anderson (6),  Yujiro Takahashi (4).
New Japan Pro Wrestling photo
Clash of the Titans
Strong Style is here again with your coverage of New Japan Pro Wrestling on AXS TV. Looks like my Friday nights are going to be busy for a while as yesterday it was announced that more episodes of New Japan wrestling have bee...

First Impressions: Ultraman X episodes 1-2

Jul 27 // Salvador GRodiles
In a clash between a red and purple entity, the two figures collide with Earth’s Sun. This ends up causing the phenomenon that people refer to as the Ultra Flare, which awakens the monsters that were sealed under the planet as Spark Dolls (a.k.a. actual creature SofuBi/soft vinyl figurines). Luckily, a group called XiO was formed to protect the people of our world and our main hero Daichi Oozora ends up become the candidate who unites with the show’s Ultra Warrior. Ultraman X’s plot may sound like your usual setup in a giant monster show, but episode 1’s main charm lies in the battles between the large hero and the huge creatures. To an extent, the battles play out like your action scenes from the Godzilla movies, except that you have a guy who uses martial arts and wrestling moves against his foes. Other than that, the shown didn’t have much going for it since the first episode was focusing on the disaster caused by the Godzilla-like monster known as Demaaga. Sure, we got a glimpse of Daichi’s backstory about his parent’s death, but it wasn’t anything grand to pull most people in. At least his fear of height gave him some flaws that could shape his character later on. Thankfully, the second episode helped raise the program’s quality. If there’s one thing that makes series about an organization trying to save the world, it’s the supporting staff themselves. This was an element that made titles like King of Braves GaoGaiGar and Tokumei Sentai Go-Busters’ first half fun to keep up with. Even though Daichi didn’t stand out much in the beginning, his comrades showed great potential. I mean, this series has a freaking scientist that’s a creepy goofy-looking alien. Honestly, Dr. Gourman’s presence in the show alone was enough to bring in some good laughs while we wait for the huge battle between Ultraman X and the Monster-of-the-Week. Of course, the silly alien isn’t the only character that’s fun since the rest of XiO’s members contribute to the show's segments. Rui’s enthusiasm for research and victory is cute and her interactions with Gourman were priceless. Even though the rest of the team mostly played the role of keeping the dangerous areas under control, the later episodes might flesh them out more. Hell, anyone who fights a giant monster with an advanced bazooka and/or gun deserves some mad props. One of the things that might push Ultraman X is that the hero can summon special armors through the use of the Cyber Monsters, digital creatures that are created from the data of the ones who’re sealed in the Spark Dolls. In a way, it’s almost like they were inspired by the Heisei Kamen Rider shows’ Form-changing gimmick. Sure, this means that the Giant of Light will likely have a bunch of different transformations, but it also lets the team experiment with the show's action scenes, such as the hero gaining the ability to fight with huge claws. Since I’ve heard that Tsuburaya toys mostly focus on the kaiju, this element might help them make the program's hero a more marketable character. Come to think of it, this new path might’ve inspired them to depart from the alien using the main hero as a host (or the Ultra Warrior using a human disguise) since the two Ginga shows and X involve a guy uniting with the Giant of Light through a special device. While XiO’s support vehicles that can dock into other machines are only used to stall the viewers until the big fight, their purpose could help with the merchandising side of things. Who knows, they might pull a Gridman/Superhuman Samurai Syber-Squad and have them combine with the hero. For now, they serve as another feature that can help Tsuburaya expand on the show's toys. In regards to the two monsters shown so far, the creatures’ cartoony and pudgy designs give off a nice old-school feeling. While it seems lazy for Tsuburaya to reuse Birdon from Ultraman Taro, the franchise has been known for reusing older beasts, which is usually used to pull older fans in. That and to sell toys of the previous enemies to the new generation of children. Also, the staff's decision to feature a creature that looks like Rodan crossed with a chicken is a nice way to add goofy elements to any action scene. Compare to other children toku franchises like Super Sentai and Kamen Rider, I was surprised to see that Ultraman X uses more practical effects than CG. Based on the program's first two episodes, the 3D models might be limited to the XiO defense vehicles. From Birdon’s flying scene to the show’s main fight sequences, the segments ranged from being hilariously cheesy to dynamically entertaining. For example, Birdon's flying segment would've benefited from using a CG creation or having the suit actor flap its wings like an actual bird. Nonetheless, it served as a silly moment before Daichi unites with X. Seeing that this is my first Ultra TV show, I’m not sure if this rule applies to the brand’s previous modern installments. One thing for sure, it shows that relying on mostly practical effects can look great or limit the type of sequences that appear on screen. For the most part, the first two major fights played out nicely and X's new Monster Armors might liven things up even more. With Ultraman X being my second entry into the Ultra franchise, the show has gotten better with each passing episode. Daichi may be a decent character at the moment, but his backstory and his connection to his parents’ Spark Doll might lead to him developing into a better protagonist. For now, the series' neat aspect is that its supporting cast gives off a nice dash of comedy to keep us satisfied until the main battle. Combined with the hero’s ability to equip monster-themed armors, I believe that Tsuburaya’s franchise has reached a new height. I guess you could say that we're in for an Xciting ride. [You can unite with Ultraman X at Crunchyroll and Tsuburaya’s YouTube channel] In a clash between a red and purple entity, the two figures collide with Earth’s Sun. This ends up causing the phenomenon that people refer to as the Ultra Flare, which awakens the monsters that were sealed under the planet as Spark Dolls (a.k.a. actual creature SofuBi toys). Luckily, a group called XiO was formed to protect the people of our world and our main hero Daichi Oozora/group member ends up become the candidate who unites with the show’s Ultra Warrior. Ultraman X’s plot may sound like your usual setup in a giant monster show, but episode 1’s main charm lies in the battles between the large hero and the huge creatures. To an extent, the battles play out like your action scenes from the Godzilla movies, except that you have a guy who uses martial arts and wrestling moves against his foes. Other than that, the shown didn’t have much going for it since the first episode was focusing on the disaster caused by the Godzilla-esque monster known as Demaaga. Sure, we got a glimpse of Daichi’s backstory about his parent’s death, but it wasn’t anything grand to pull most people in. At least his fear of height gave him some flaws that could shape his character later on. Thankfully, the second episode helped raise the program’s quality. If there’s one thing that makes series about an organization trying to save the world, it’s the supporting staff themselves. This was an element that made titles like King of Braves GaoGaiGar and Tokumei Sentai Go-Busters’ first half fun to keep up with. Even though Daichi didn’t stand out much in the beginning, his comrades showed great potential. I mean, this series has a freaking scientist that’s a creepy goofy-looking alien. Honestly, Dr. Gourman’s presence in the show alone is enough to bring in some good laughs while we wait for the huge battle between Ultraman X and the Monster-of-the-Week. Of course, the goofy alien isn’t the only character that’s fun since the rest of XiO’s members contribute to the segments on screen. Rui’s enthusiasm for research and victory is cute and her interactions with Gourman were priceless. Even though the rest of the team mostly played the role of keeping the dangerous areas under control, the later episodes might flesh them out more. Hell, anyone who fights a giant monster with an advanced bazooka and/or gun deserves some mad props. One of the things that might push Ultraman X is that the hero can change his fighting style through the use of the Cyber Monsters, which have the data of the creatures who’re sealed in the Spark Dolls. In a way, it’s almost like they were inspired by the Heisei Kamen Rider shows’ Form-changing gimmick. Sure, this means that the Giant of Light will likely have a ton of different transformations, but it also opens the doorways to more unique fight scenes. Since I’ve heard that Tsuburaya has been struggling with having variety in their toys for their titles, this element might push the franchise in a great new direction. Hell, this new path might’ve inspired them to depart from the alien using the main hero as a host since the two Ginga shows and this one have the guy unite with the Ultra Warrior through a special device. While XiO’s support vehicles that can dock into other machines are only used to stall the viewers until the big fight, their purpose could help with the merchandising side of things. Who knows, they might pull a Gridman/Super Human Samurai Cyber Squad and have them combine with the hero. For now, they serve as another example of this show focusing on selling more toys. In regards to the two monsters shown so far, the creatures’ cartoony and pudgy designs give off a nice old-school feeling. While it seems lazy for Tsuburaya to reuse Birdon from Ultraman Taro, the franchise has been known for reusing older beasts, which is a decent way to pull older fans in. At least it was neat to see the classic beast in action since it looked like a goofy Rodan crossed with a chicken. Compare to other children toku franchises like Super Sentai and Kamen Rider, I was surprised to see that Ultraman X uses more practical effects than CG. From Birdon’s flying scene to the show’s main fight sequences, it’s impressive to see that the company didn’t resort to using 3D models during the crazy scenes. Seeing that this is my first Ultra TV show, I’m not sure if this rule applies to the brand’s previous modern installments. One thing for sure, it’s a welcoming aspect that shows that traditional practices can still impress folks— even if they’re cheesy and campy. With Ultraman X being my second entry into the Ultra franchise, the show’s first two episodes hold up to where we can end up with a fun title. Daichi may be a decent character at the moment, but his backstory and his connection to his parents’ Spark Doll might lead to him developing into a better protagonist. For now, the series neat aspect is that its supporting cast gives off a nice dash of comedy to keep us satisfied until the main battle, which balances out nicely. Combined with the hero’s ability to equip special armors, I believe that Tsuburaya’s franchise has reached a new height. I guess you could say that we’re in for a show that’s both exciting and excellent. [You can unite with Ultraman X at Crunchyroll and Tsuburaya’s YouTube channel]
Ultraman X photo
Xanidium Beam!
For a good while, my only experience with the Ultra franchise was Mega Monster Battle: Ultra Galaxy Legends, which was directed by Koichi Sakamoto (Zyuden Sentai Kyoryuger and Ultraman Ginga S’ Director). Honestly, I&rs...

Week Ender - Virtual Reality Edition

Jul 25 // Red Veron
[embed]34080:4952:0[/embed]"Yasashii Yoake"Anime: .hack//SIGNMuch like the opening for this show, this ending is just sets itself apart with some abstract and minimal visuals featuring the characters.[embed]34080:4955:0[/embed]"Sora no Kakera"Anime: Dennou CoilI implore you to find Dennou Coil on the internet if you consider yourself an anime fan. This show summed up is a show that is a part Ghibli, part Ghost in the Shell with a splash of Satoshi Kon other-worldliness. So good.This is one of those gentle endings where we get to see a character just going through a changing landscape with plenty of varying sights and events unfolding in the background. I love the song with a soothing vocals and nice guitar playing. That doggy looks so derpy.[embed]34080:4954:0[/embed]"L.L.L."Anime: OverlordPardon me while I haven't had the chance to check out this show yet but I have heard of cool things about this show. I am totally digging this ending with that rockin' song and those pretty character art with that digital painting that looks really good.[embed]34080:4951:0[/embed]"Your Song"Anime: Log HorizonOne of my fave ending songs, this one just fills you up with the warm fuzzies and makes you feel all happy even though the episode ends in something that is nothing like the feeling that the ending evokes in the viewer.Is there an ending from a VR themed anime that I didn't include? SHARE IN THE COMMENTS BELOW! I wanna know! 
Week Ender photo
COUNTERACTION RISING
This week's Week Ender is all about the Virtual Reality and the great worlds beyond that VR brings us that are great settings for fantasy action anime. There's always something interesting with characters from a world similar...


First Impressions: GATE episodes 1-3

Jul 23 // Josh Tolentino
Of course, future episodes of GATE could prove me entirely wrong. The game of subtext is a perilous thing, and if you can find strange ultranationalist right-wing readings in everything from Mahouka to Knights of Sidonia to Attack on Titan, a show that openly stars members of the actual Japanese military (or "Self-Defense Force" if you want to get technical) is even more vulnerable to that kind of examination. Still, based on the evidence at hand, GATE is a perfectly serviceable fantasy with an interesting nerd-catnip hook. It's the hook that does more work than any one aspect of the show thus far. After all, for about as long as fantasy fiction has existed as a genre, people have been wondering how the medieval, swords-and-sorcery mores of your average Tolkienesque would match up against the grim products of the military-industrial complex. Put plain, we've always wanted to see how Gandalf, Frodo, or Sauron might fare against a machine gun, tank cannon, or jet fighter. If you think that sounds likes a simplistic sort of thrill to base an anime on, you're right. "Guns vs. Dragons" is only a few steps removed from "Boobs" on the scale of primal urges driving creativity, but that doesn't mean thought can't be put into its execution, and on that front, GATE does deliver. A portal opens up in the middle of a Ginza thoroughfare, belching out tens of thousands of orcs, ogres, pig-men, quasi-Roman soldiers, and assorted fantasy staples to wreak havoc on Tokyo's innocents. The man in just the right time and place is 33-year-old Youji Itami, an off-duty soldier and doujinshi-loving otaku, whose training helps save lives just in time for the army to repel the invasion. Fast forward three months and a new Prime Minister (I like this particular off-hand joke about how long it takes to get things done) wants to flex Glorious Nippon's muscle by sending a couple of divisions of Self-Defense Force troops through the titular "Gate", to secure a place on the other side and force the dastardly invaders into negotiations.  One incursion and a second slaughter of fantasy troops later, and Youji is placed in charge of a recon team assigned to probe the countryside on "hearts and minds" duty, which is where the story begins proper, complete with a dragon fight, elf-lady rescue, and the requisite encounter with a gothic lolita (named "Rory", no less) demigoddess. This is the point where GATE reveals itself less to be some strange creature born of secret militaristic urges than a spinoff of the now monolithic "trapped in another world" subgenre of light novel adventures. It is kissing cousins less with preachy alt-history explorations like Zipang or The Final Countdown than with genre, er..."classics" like Familiar of Zero, Sword Art Online, and even Log Horizon.  Its closest relative would be Outbreak Company, though the otaku pandering in GATE is so far limited to portraying Youji and his pal as unashamed geeks and pushing the story into familiar harem-assembly patterns. Already you can see the shape of the show's romantic polygon as the taciturn wizard, bouncy elf, saucy goddess, and normal fellow-human girls take their places in the roster. Honestly the main thing that distinguishes GATE's storytelling has been in the soldiers themselves. Given that creator Takumi Yanai was formerly in the JSDF, it's hardly surprising that the story would be friendly to "the troops", but in light of that history, it's also telling about just which parts of the service GATE is happiest to play up. While the blowout victories against the natives is predictable, the shows spends most of its time showing off Youji and his comrades less as warriors than public servants. Most of the soldier glory shots in the opening sequence are of folks in uniform generally being helpful, pulling carts out of ditches and giving rides to refugees fleeing a dragon attack. Youji himself displays an unusual (for typical portrayals of soldiers, at least) wariness of force and its use, refusing to call for backup to avoid risking innocents or provoking the enemy, and generally being a laid-back, intuitive leader. The shades of Irresponsible Captain Tylor And Yang Wen-li are welcome, and help defuse the potential for jingoistic chest-beating in the early goings. Even the enemy gets comparatively sensitive treatment, with the rank and file types portrayed more as victims in a power play wrought by craven leadership (on both sides of the Gate) than bloodthirsty savages. If there's one thing that doesn't quite square with this even-handed treatment, it's in the abject slaughter and seemingly effortless victory of the modern forces. I mean, sure they've got machine guns and artillery support, but it just doesn't feel right that they're effortlessly gunning down a hundred thousand troops in a single night's battle. By all logic the mere first round of shelling and gunfire should've balked the enemy into routing or stalemate rather than to just dumbly march into the bullets, no matter how foolhardy the generals. I'm not any kind of realism purist here, but the body count just seems unnecessarily inflated to make the disparity in force more dramatic. Besides that, GATE shows a lot of potential to be a fun and eminently watchable bit of summer anime. With a bit of luck, it won't get too bogged down in the less compelling harem wish-fulfillment aspects, further capitalizing on its hook and sensitive characterization.
GATE photo
Hellish Dragon v. Hellfire Missiles
Confession time: When I first set out to write about GATE, I was actually prepared to defend it. That's a weird stance to take with regards to a program I had yet to even watch, I'll admit, but I really was about to get all p...

Check out this year's top-tier Sumo fashion crazes

Jul 23 // Soul Tsukino
The Kesho Mawashi is a special ornate sumo belt worn by the wrestlers at the start of the day's matches. These belts can be a design sent in by fan clubs, the wrestler's sponsors, or just something the wrestler came up with himself. I've got to say that Takayasu wins with the Charlie Chaplin reference. I have no idea why he uses that image and looking around I can't seem to find an answer. But go him for being different. So let's see what the trendy Sumo wrestler is wearing for the summer shall we?     I've got to say that Takayasu wins with the Charlie Chaplin reference
Sumo Wrestling photo
The latest in Ceremonial Sumo belts
Thanks to a YouTuber Kintamayama and his wonderful sumo coverage, we got a rare look at the ceremonial Kesho-Mawashi, or entrance ceremony belts that the sumo wrestlers are wearing in the current sumo wrestling tournament held in Nagoya. Japan.

OP Up! Virtual Reality Edition

Jul 22 // Red Veron
[embed]34079:4947:0[/embed]"database"Anime: Log Horizon 2A really great show about what would happen if people were trapped in a VR MMO game. No, this isn't about the main character being super strong and crushing everyone that faces him (Log Horizon features real character development). This one is more than that, it features politics and some social consequences of what might happen in such a setting.[embed]34079:4948:0[/embed]"Prism"Anime: Dennou CoilA definite must watch for anyone who likes anything Ghibli and the works of Satoshi Kon with a light dash of Ghost in the Shell. This one is about a near future where kids have augmented reality glasses and it has been long enough where urban legends have sprung up about AR technology. Combining the imagination of children with the world that this new advanced technology offers creates an amazing setting that is almost magical but still heavily grounded with reality.A cannot recommend this one enough. Try to find this show.[embed]34079:4949:0[/embed]"Obsession" Anime: .Hack//SignOne of the first and most popular anime dealing with virtual reality and being trapped in such a world (Or "The World" is the .Hack series. Part of what we would call a "multimedia experience" nowadays, the franchise spanned more than just anime with video games, manga, novels, card games, etc.[embed]34079:4946:0[/embed]"Ignite"Anime: Sword Art Online 2The main character is strong. There are boobs. There is a guy called Death Gun and has a gun that causes death. A lot of people like this show. I like the opening songs.Did I miss any anime about Virtual Reality? TELL ME IN THE COMMENTS! I wanna know!  
OP Up! photo
Living in the Database
They weren't kidding when they said that the 90's is back, one promise of that decade was this exciting new technology called "Virtual Reality". This technology promised to take humans into new worlds beyond our imaginations ...

Strong Style: New Japan Pro Wrestling on AXS S2 episode 8

Jul 18 // Soul Tsukino
BUT FIRST:  Since we are skipping day 6, here is a points update. Remember that a win is 2 points, a draw is 1 point, and a loss gets you nothing.   BLOCK A:   Shelton X Benjamin (8 points), Hiroshi Tanahashi (8), Katsuyori Shibata (8), Shinsuke Nakamura (8), Bad Luck Fale (6), Tomohiro Ishii (6), Satoshi Kojima (4), Davey Boy Smith Jr (4) Yuji Nagata (4) Doc Gallows (4), Tomoaki Honma (0). BLOCK B: Kazuchika Okada (8 points), Tetsuya Naito (8), Hirooki Goto (6), Toru Yano (6), Minoru Suzuki (6), AJ Styles (6), Togi Makabe (4), Hiroyoshi Tenzan (4),  Lance Archer (4), Karl Anderson (4),  Yujiro Takahashi (4). As you can see we have a bit of a log jam in Block A. Should be interesting getting into the second half of this thing. In Block B Okada and Naito are on top, but both Minoru Suzuki and A.J. Styles have caught up and are now sitting with Yano and Goto just off the lead. We get a greeting from Shinsuke Nakamura as we head into this week's action. Block B: Minoru Suzuki vs. A.J. Styles: OH HOLY PURO GOD THANK YOU! *ahem* sorry. Like I said above, both guys had bad starts to this tournament but have picked up some wins to be back in the hunt to win this block. Suzuki has the rep of just being a mean son of a bitch while IWGP Champion Styles can go in epic ways. To say this was a match I am looking forward to seeing is an understatement. We are joined by Mauro and Frank Shamrock this week. Shamrock talks about meeting Suzuki when he was younger and how Suzuki used to just beat the crap out of him. Epic staredown to start. Suzuki with a hard chop as they aren't screwing around. Styles hits a dropkick and they are on the outside. We jump ahead with Styles kicking Suzuki in the corner. Styles goes for a flying hit, but Suzuki pulls the ref in. Suzuki Army member Taka Michinoku jumps in to start on Styles which brings out the Bullet Club and the Elite Squad out for a brawl that clears out of the ring quickly. Good.  Both guys wail on each other with strikes and knock each other down. We comeback from a break as both guys struggle to get up. Suzuki gets the lead here, but Styles kicks his way out of that. Styles holds the gun sign to Suzuki, but Suzuki grabs his hands and damn near breaks Styles's fingers. Styles goes for a spring board strike, but Suzuki gets a Fujiwara armbar while pulling back on his pointer finger! Told you Suzuki was mean. Suzuki gets him in a sleeper hold and goes for a Gotch piledriver. Styles fights out of it. Styles gets Suzuki into the Styles clash position, but Suzuki counters with an ankle lock! Styles reverses with an ankle lock of his own! Suzuki reveres into an armbar while pulling back the fingers. Damn dude, have a heart. Styles gets Suzuki up and hits the Styles clash! Styles is hurting as both men are up and exchanging strikes. These smacks sound like a rifle range. Styles hits the Pele kick before landing the Styles clash again and gets the win! Holy crap was that good! Considering this was called the 2014 match of the year I wasn't the only one to think so. I think I need a break. We get some words from both men after the match basically saying that their groups aren't finished yet. Block B: Hiroyoshi Tenzan vs. Hirooki Goto: We haven't seen much of either of these guys on AXS's coverage of this tournament. While Goto started strong, both he and Tenzan have lost their last 3 matches so this battle is a must win for both guys.  Mauro points out that Tenzan is in his 19th tournament. He's been around a while but still keeps kicking butt. Strong lock up to start as Tenzan gets a headlock. These two are just bulling each other around. Tenzan levels Goto with Mongolian chops Tenzan goes for a suplex, but Goto blocks it. Tenzan gets hit with a knee to the head, but Goto can't get the pin. Goto forearms the crap out of Tenzan before they both start wailing with elbows to each other. Goto hits a headbutt to slow Tenzan down. Tenzan has the crowd behind him and he levels Goto with a few more headbutts. Tenzan hits the Tenzan driver but only gets two. Tenzan gets the Anaconda lock on Goto and hits the slam before Goto taps out! Wow. What a fight! That many headbutts in a wrestling match would have any American promotion wetting themselves in fear, but this is Puroresu. A fairly quick one, but full of action. We get some words from Nakamura. The story here is that these guys are both members of CHAOS. Shinsuke bings up the point Ishii is a tough person who faces guys bigger than him, but they have different styles so he will win. Block A: Shinsuke Nakamura vs. Tomohiro Ishii: Okay, call me surprised that this match is the featured main event. Nakamura, I get, but Ishii doesn't exactly light the world on fire. This is a battle of Strong Style as I expect these guys to swing for the fences in their moves. Lock up to start. Ishii doesn't seem phased by Nakamura's antics at all. Waist lock on Ishii but is reversed. They trade armlocks and after giving Ishii his trademark belly blow (not kidding here) Nakamura extends a hand but Ishii SLAPS Nakamura in response. Out of a break,  we have a stand off.  Ishii hits a stiff elbow, but Shinsuke responds. He gets Ishii in the corner for his kicks and Ishii grabs the leg. The story is here that both guys know each other well and counter each other before Nakamura hits a hanging DDT and gets in his Good Vibrations kick. Nakamura smacks Ishii around. The big guy ain't going for that and smacks Shinsuke right back. Nakamura gets a pin attempt but doesn't get the win. Shinsuke goes for kicks but misses all of them. Ishii counters and gets a SWEET superplex. Pin attempt only gets two. Ishii lands a powerbomb but still only gets two. Nakamura gets a sleeperhold, but Ishii gets right out of it. Shinsuke gets Ishii with a  falling powerslam! Didn't think he had that in him. Nakamura gets in the corner as Ishii hits a low dropkick!  Back to slugging it out until Nakamura hits a dropkick from the top rope, but the advantage vanishes with a MASSIVE clothesline from Ishii. Ishii hits a clothesline to the back of the head and gets a powerslam of his own. Ishii goes for a clothesline that Nakamura rolls through it into an armbar! After a valiant effort, Ishii gets to the ropes but his arm is gone. Nakamura hits a number of kicks, but Ishii runs him over with a clothesline! Ishii goes for a cover and only gets two! Back from a break as Ishii tries for a suplex,  Shinsuke counters. Shinsuke goes for the Booma ya but Ishii counters with a headbutt knocking Shinsuke stupid. Ishii goes for a corner charge, just to have Nakamura hit a kick to the head and hits the booma ya to the back of the head. Both guys are down now. Nakamura is first with a mafia kick to Ishii's face Exchange of elbows as Ishii tells him to bring it on and Nakamura does. Nakamura hits another Booma ya and a flying kick but Ishii kicks out! Ishii grabs a kick and counters with a headbutt, but Nakamura hits another boomya ya and wins the match! Damn! That was a good one. Ishii's shining fight, even if he lost. They shake hands and Nakamura raises Ishii's hand in a sign of respect. Crowd is chanting Ishii as he is on his hands and knees crawling back to the locker room. We get some in ring words from Nakamura and gives his trademark YEAOH! to the crowd. We get some backstage words from Ishii talking how special the match as. Nakamura gives his praise saying he was  a tough opponent. Back in the studio, Nakamura talks about it being strange fighting his teammate in the beginning but that it was a good match. He talks abnout saying he understands Ishii better now. This was a damn fine show. I have to wonder about the match order as I found it strange. All three matches were tough hard-fought battles and made for a real entertaining night. Now that Mauro brings up records of these guys and point totals, it makes each man's fight mean even more. Great Stuff! Before we head out for another week. Here is the action not shown from day 7 and the point totals  Block A: Kojima beat Benjamin, Smith beat Gallows, Fale beat Honma, Nagata beat Shibata. Shinsuke Nakamura (10), Shelton X Benjamin (8 points), Hiroshi Tanahashi (8), Katsuyori Shibata (8),  Bad Luck Fale (8), Tomohiro Ishii (6), Satoshi Kojima (6), Davey Boy Smith Jr (6) Yuji Nagata (6) Doc Gallows (4), Tomoaki Honma (0). Block B: Archer beat Yano, Anderson beat Takahashi, Makabe beat Naito Kazuchika Okada (8 points), Tetsuya Naito (8), AJ Styles (8), Hirooki Goto (6), Toru Yano (6), Minoru Suzuki (6), Togi Makabe (6), Hiroyoshi Tenzan (6),  Lance Archer (6), Karl Anderson (6),  Yujiro Takahashi (4). Nakamura takes the lead in A Block while we have a 3 way tie at the top of Block B. This is making these matches really important now and anyone can win this. See you next week! BUT FIRST:  Since we are skipping day 6, here is a points update. Remember that a win  is 2 points, a draw is 1 point, and a lose gets you nothing.   BLOCK A:     Shelton X Benjamin (8 points), Hiroshi Tanahashi (8), Katsuyori Shibata (8), Shinsuke Nakamura (8), Bad Luck Fale (6), Tomohiro Ishii (6), Satoshi Kojima (4), Davey Boy Smith Jr (4) Yuji Nagata (4) Doc Gallows (4), Tomoaki Honma (0). BLOCK B:   Kazuchika Okada (8 points), Tetsuya Naito (8), Hirooki Goto (6), Toru Yano (6), Minoru Suzuki (6), AJ Styles (6), Togi Makabe (4), Hiroyoshi Tenzan (4),  Lance Archer (4), Karl Anderson (4),  Yujiro Takahashi (4).   As you can see we have a bit of a log jam in Block A. Should be interesting getting into the second half of this thing. In Block B Okada and Naito are on top, but both Minoru Suzuki and A.J. Styles have caught up and are now sitting with Yano and Goto just off the lead.
New Japan Pro Wrestling photo
Day 7 and things are close!
This week Strong Style and AXS TV take us to the famed Korakuen Hall in for day 7 of the G1 24 tournament. Tonight's matches were held on August 1, 2014, and I'm looking forward to it! Before any of that though I'm riding hig...

Week Ender - Fast Edition

Jul 18 // Red Veron
[embed]34073:4940:0[/embed]"Mi-Ra-I"Anime: Sonic XFor a show about going fast, this ending features Sonic just chillin' and watching TV before being reminded to watch TV in a well lit room far from the TV.[embed]34073:4941:0[/embed]"Saihate no Parade"Anime: Over DriveFrom an anime about bicycle racing, this ending pretty rockin' with its song. Of course it features skinny dudes in tight bicycle shorts for those who love that sort of thing. For those who aren't into that stuff, there's a cute girl in a school uniform with some nicely animate skirt gently flapping in the wind.[embed]34073:4942:0[/embed]"Believe Yourself"Anime: IGPX This an anime about giant robots racing in a 60 mile track while trying to shoot each other to disable the opposing team's mech.[embed]34073:4943:0[/embed]"I'm Ready"Anime: Yowamushi Pedal A more recent anime about bicycle racing, this one is quite popular with the a female audience. Is it because of the tight shorts and pretty boys? Maybe. All I know is that the song is pretty good for pumping yourself up and  I will use this for working out.Did I forget any anime about going fast on here? SHARE IN THE COMMENTS BELOW! I wanna know about it.  
Week Ender photo
Pedal to the Metal
We're going fast this weekend for Week Ender! No, I am totally not making up an excuse to write the least amount as possible on here with the excuse that we are going fast and I have no time to write. No time to talk, LET'S GO FAST!Did I forget any anime about going fast on here? SHARE IN THE COMMENTS BELOW! I wanna know about it. 

Annotated Tokusatsu: Garo: Gold Storm Soar episodes 8-12

Jul 18 // Salvador GRodiles
For a second, Gold Storm seem like it was going to lower its intensity levels for a while, but the show somehow managed to follow up nicely on Ryuga and Rian’s first major fight against Zinga and Amily. While there weren’t any big action scenes involved, it was great to see that the show was finally putting the spotlight on the mysterious Makai Priest known as Gald. In a way, his hatred for Makai Knights helped spice up the relationship between him and Ryuga. Sure, it wasn’t on the same level as Rei’s rivalry with Kouga in the original Garo series, but it served as a way to deviate from the typical scenario where a major ally joins the hero’s group right away. Perhaps the most interesting reveal is Ladan’s role in the story. In every Garo series, the final adversary always ends up being a super powerful Horror that’s basically on the same level of a demon overlord. Even though the idea behind the Golden Knight tackling a ridiculous adversary is always a sight to behold, it’s a nice sense of fresh air to see the main threat as a demonic tool this time around. At the same time, this information explained the reasoning behind Zinga being a cannibalistic Horror, which makes us question his true appetite. Because of this new angle, Gold Storm continues to be a great improvement over Garo: The One Who Shines in the Darkness. Of course, you can’t have a good arc without some good old-fashioned character development. Surprisingly, one of the best one came from an episode that focused on Daigo. Part of it had to do with the staff deceiving the viewers into thinking that the Axe-wielding Makai Knight’s master was the child-eating Horror. All in all, the segment worked out nicely as there were many scenes where it seemed that Daigo was in peril. Best of all, the episode still manages to be relevant to the show’s main plot, another feat that the staff deserves props for. In regards to the show’s most recent costume designs, the Monster-of-the-Week that was sent to assassinate Gald’s younger sister sported a nice undead tree-like design. Because of the costumes’ branches and wooden features, the Horror looked like an evil Groot. On top of that, we had a creepy water Horror right in episode 12. From the looks of it, this might be a record for Gold Storm since we saw two suits in a row. While part of the creature’s suit felt like they glued some altered faces of the default Horrors, its design still had that scary feeling that many of the franchise’s non-human adversaries have. Accompanying Gold Storm’s recent development, the program’s choreography mixes it up in some interesting ways. Both Ryuga’s fight against the lighting and water Horror were two great examples of how to handle a scene where the opponent is hard to hit. Hell, the former makes me believe that Makai Knights are trained to endure electricity since a normal person would’ve been dead in less than a second. Then again, the main heroes from the previous Garo shows have been hit with deadly attacks when they were untransformed so we can assume that this element has been set in stone for a good while. On a more positive note, the sword sheathing moment between Ryuga and Zinga was handled well, Even though it only happened for a brief moment, I have to give the two actors and the action team some huge props for pulling a stunt like that— especially the part where they catch their sheaths while in the air. Based on their recurring showdowns, this might be a sign that the show’s final battle won’t disappoint us. Now that we’ve reached Gold Storm’s halfway point, I think it’s safe to say that nothing will prevent the series from losing its glow. Gald’s younger sister Haruna helped move the plot forward and the two characters’ backstory hints at Zinga being the one behind the destruction of their village. Combined with the segments about Daigo, things have been getting juicy lately. Since we’re getting a JAM Project opening theme soon, don’t be surprised if your body experiences a huge surge of golden energy. If anything, summer is looking better than ever now.
Garo: Gold Storm Soar photo
Lightning never hits in the same place
It looks like Garo Gold Storm Soar is picking up from where it left off and things continue to get more real. Along the way, we get a tasty serving of story and character development that sheds more light on the show’s ...

Final Impressions: Unlimited Blade Works

Jul 16 // Josh Tolentino
Except here, by virtue of Unlimited Blade Works' big reveal, we know that the journey of Shirou Emiya has only just begun. Here, after the world has been saved from a big hole spewing red jelly, and a jerk with blond hair's been taken down a few notches, only here is where Shirou Emiya continues down the path to becoming his ideal self.  It's worth pointing out that that self, not even a day before, had been hell-bent on killing him, but Shirou doesn't care. He doesn't care that Archer, the man he would become, wanted nothing more in the world than to un-become, to kill his younger self before he could suffer the pain of learning the true cost of sticking so doggedly to his ideals. That's a price that, here in episode 24, Shirou Emiya is willing to pay. But we knew that already. Shirou's heroic resolve here isn't in question, and it's been the true ending of this scenario since its time as a visual novel. The boldest thing about 2015's take on Unlimited Blade Works is the very last episode, which is an epilogue, and as far as I can remember, is almost entirely new material.  Set months after the final battle, the last episode explores the rest of the "True End" scenario, where Rin and Shirou have graduated from high school and are studying at the Clock Tower in London, headquarters of the Mage's Association. There we catch up with Shirou's not-so-great fashion sense (ew, green cardigan?!), Rin's new hair, and Luvia Edelfelt, a side character from the not-quite-canon spinoff/expansion, Fate/hollow Ataraxia. Brief words are exchanged with Fate/Zero survivor Waver Velvet, and a visit is paid to the alleged grave of King Arthur himself at Glastonbury Abbey. That's all well and good, and frankly not enough anime series actually have a decent denoument, preferring to end things right after the climax and saving the cooldown for the credits. But the most important thing here is hearing Shirou opt out of enrolling at the school, instead opting to do...whatever it is he planned to do next in his quest to become a Hero of Justice. Rin not only expects, but supports the decision, allowing him to drag her around for a change. It's a Big Development because at the traditional end of Unlimited Blade Works, we're filled with hope that the future can be changed, that Shirou would grow up differently, and become someone other than the Archer that would die for his beliefs and spend a purgatory enslaved to an unfeeling cosmic force, every moment confronted with the impossibility of his dreams.  And yet here, we see him consciously, deliberately, rejecting that potential outcome. Here, he's choosing to take another step down the road to becoming the white-haired, dark-skinned, red-clad cynic that seemed to hate everything that he became. At the same time, though, that's where all the difference lies. Shirou himself, through the crucible of confronting his own future, has chosen to accept it, judging the consequence to be worthwhile. He knows how impossible his dream is: A world where no one will ever have to suffer. But he's judged the struggle to put it into being to be worth the pain it will cause him, and possibly the compromises he'll be forced to make. That might sound fatalistic, but contrast his self-awareness here to the essential tragedy of his father, Kiritsugu. All his life, Kiritsugu made those compromises while searching for a miracle with the power to undo the need for sacrifice. Finding out that that miracle didn't exist was what broke him. Shirou faced the same challenge, but thanks in part to seeing - and fighting - his own future, as well as knowing how it turned out for dear old dad, chose to accept that cost. It's an interesting contrast to other, similar stories, especially once you try reading it - as so many other anime can be read - as a parable on growing up and learning to live with the hypocrisies and compromises of adult life. So many heroic stories reward protagonists for never compromising on their ideals. The takeaway for the teenaged Japanese audiences is to highlight the virtue in sticking to one's own guns, and never to accept the old men who undermine one's resolve with platitudes about "how the world works".  Here, though, Unlimited Blade Works, and more specifically this particular adaptation of it, shows another side of that resolve, acknowledging the truth about ideals: That they come at at price, and are often impossible to achieve, and that the true heroism lies not in simply holding those ideals, but to seek them all the same in the face of that impossibility, and to judge the price worth paying. 
Unlimited Blade Works photo
The Life After
And so the hero's journey begins. That's actually the weird thing here, as in these kinds of stories, most heroes are "born" at the beginning of the tale. A Link To The Past's hero is born when a green-clad youth leaves ...

JapanaTen: The Golden Rules of Durarara!!

Jul 16 // Anthony Redgrave
10. Nothing will top the first opening of Durarara!!   Baccano had one of the greatest openings in modern anime. The theme of changing points of views and how it all their stories intertwined was prominent in the opening and it did it to one of the jazziest beats this side of Cowboy Bebop's "Tank!". Then Durarara!!'s opening happened and it got you psyched for the show ahead. Maybe not the most fitting of songs since a lot of Durarara!! is walking around and talking especially during Mikado's parts but damn is this song good. The latest openings have a more muted style to match the darker stories going on at the time so it never got me excited to see the show as Theatre Brook's opening. I loved the bright colors, the frenzied rapid cuts between each character, and that incredibly strong drum beat that crescendoed with the guitars and vocals. All of these make for a fantastic opening that still hasn't been topped.  9. There will be an explanation episode Like Baccano before it, Durarara!! likes telling its story in media res. Mikado might be a proxy for the viewer since he's experiencing all this for the first time too, but Ikebukuro is a city with an expansive history that's itching to let out its secrets. You may be confused about why a character is acting oddly or who the hell this new character is but it won't be for long as an exposition episode is right around the corner. It can feel like an exposition dump at times so it would be nice to see more hint dropping in the main story rather than just in Izaya's story. 8. You will always be confused with who's who in the Dollars chat room A lot of Durarara!! is based in the Dollars forum with the main characters talking amongst themselves but using alias's. It gets very Death Note-y when you have to decipher not only who's who but who knows who's who and what they think of them. My personal confusion stems from Izaya having a girl icon and his icon color his not matching his outfits color scheme despite all the other's displaying this trait*, and the dubbing. The dubbing opts for vocalizing the wrong voice actor to read the on-screen text of another person. x2 Sho does it better by finally having the right voice actor chime in at the appropriate time but to add dramatic effect, the point of view character will sometimes read the chat logs out loud making you extremely confused on who's saying what. Fortunately, some nice Redditors directed me to this diagram explaining the whole thing but without it I'll still be lost on who the fuck Kanra is. (*Apart from Anri also who wears blue like Mikado due to their school uniform but we do find out explicitly that she is the red icon so it's fairly easy to remember that) 7. The Japanese text and Russian script won't be translated I'm thinking this is a dubbing problem more than a subbed one. Most of the on-screen text is never translated, not even the Japanese subtitles for when Simon is conversing in his native tongue. This is extremely frustrating during the finale of Durarara!! when Simon and Izaya talk entirely in Russian and the dub audience has no idea what they are saying. Celty also gets a shaft in this regard considering that some of her phone texts aren't spoken prompting the viewer to read it to add drama or it's arbitrarily not translated. Again x2 Sho improves on this by translating a lot more kanji including the title screens but mid-way through they decided to stop only to pick it up again for the final few episodes. Is this Funimation's subtle hint for the audience to learn Japanese? 6. Seiji and Mika will do something totally irrelevant So far there have been three arcs in Durarara!! and only once have they had an active role. And yet they still get top billing along with the rest of the cast in the Durarara!! openings. They should've been replaced by Horada at least in the second opening considering he was quite obviously the villain of that arc. You could argue that Mika teaching Anri and Erika to cook in x2 Sho is important as it leads to one of Izaya's more human and childish moments, but ultimately this couple serves no purpose at all outside the first arc. 5. An enemy will become an ally Or in the case of Masaomi, friend becomes enemy becomes friend again through redemption. Durarara!! has some of the most charming characters in anime thanks to their voice actors, writing, and character design so it's really hard to dislike anyone in the series. This makes their change of heart even sweeter as we can root for them despite their misdemeanors in the past. Anri takes responsibility of her Slasher powers, Rokujo mellows out after his brawl with Kyohei, all we need now is for Izaya to stop being a dick and the circle will be complete.  4. Retconning the first episode The first episode was a brilliant introduction to the crazy world of Durarara!!. But Masaomi's relationship and knowledge seem to precede himself, most glaringly his interaction with Kyohei's gang. In the first episode, they are relatively friendly to one another except we know now that they once rival gang members that had shakily reconciled over the kidnapping Masaomi's ex-girlfriend. Something like that would not manifest itself as a friendly wave upon meeting on the street. Another would be the dissolution of many color gangs when they clashed at Saitama. We only know of two color gangs; Yellow Scarves and Blue Squares and they dissolved after Masaomi quit due to said kidnapping. Either we still haven't seen this clash in a flashback or Masaomi needs to keep his mouth shut before he retcons anything else in Durarara!!. 3. Simon's sushi will flip-flop between really good to horrendously bad I'm willing to put a lot of stock in Simon. He's a really friendly guy, strong, dependable, and is very passionate about his sushi. Even Mikado, Anri, and Masaomi look genuinely excited to go in every time the first opening ends. Except we learn that their cuisine is very hit and miss. In the OVA Kasuka passionately compliments the dishes but when Kyohei and Masaomi congregate there to air out some dirty laundry they're practically sick after the first bite. Russia Sushi, you will be one of Ikebukuro's many, many mysteries. 2. There Will Be Blood Baccano References Isaac and Miria appear as part of the Dollars in the first arc so does that mean the billboards showing clips of Baccano actually just showing a documentary of the past? Another one of Ikebukuro's many mysteries. 1. Shizuo Heiwajima will always save the day If anime has taught me anything it's that 90% of life's problems can be solved by simply beating the hell out of it. That's Shizuo's bread and butter and he's damn good at it. Durarara!!'s modern world setting makes you think that; silent takedowns, bureaucratic paper cuts, and blackmail would be the biggest dangers in Ikebukuro, but apparently it's running into Shizuo on a bad day that tops the shit list. So it's a good thing that Shizuo is always on the right/ good side of the story. He was introduced as a person not to fraternize with but if you stick with this guy there's a good chance you won't be slashed, beaten up, or kidnaped. No Durarara!! arc is complete without Shizuo kicking ass and destroying public property.   And that's my ten. What other golden rules do you have for Ikebukuro's Strongest Anime?
The Rules of DRRR!! photo
Living For The City (of Ikebukuro)
I picked Durarara!! back up last month and it became a fast favourite amongst my weekly lineup. The colors, the violence, the fantastic English voice direction, and the air of supernatural elements mixed in with the heavy urb...

OP Up! Fast Edition

Jul 15 // Red Veron
[embed]34065:4931:0[/embed]"Reclimb"Anime: Yowamushi PedalNow that I think about it, cycling isn't about going fast. It's also about endurance but hey you still need to get there first at the end. So enjoy this opening about bicycles and dudes in tight shorts.[embed]34065:4932:0[/embed]"Sonic Drive"Anime: Sonic X Sonic was created in the early 1990's to appeal to kids who had outgrown Mario using Sonic's 'attitude' and this opening embodies all that spirit. Surprisingly it has more 'tude than the US adaptation's opening. I'll have that at the bottom of this post.[embed]34065:4933:0[/embed]"Around the World"Anime: Initial DThis anime has become synonymous with eurobeat music, which suits the high-octane and blood pumping race drifting. [embed]34065:4934:0[/embed]"Mach GO GO GO"Anime: Mach GO GO GO (Speed Racer) Nothing beats the grand daddy of all anime about going fast. The opening music sounds familiar since it was adapted into the Speed Racer recognizable theme song.BONUS VIDEO[embed]34065:4935:0[/embed]Sonic X Are there openings that are about going fast that I didn't include? SHOW ME IN THE COMMENTS! I wanna know!
OP Up! photo
GOTTA GO FAST
This week's OP Up! is all about going fast! So less time reading nonsense preamble to all these openings and let's get to it! LET'S GO!Are there openings that are about going fast that I didn't include? SHOW ME IN THE COMMENTS! I wanna know!

Annotated Anime: One Piece episode 701

Jul 12 // Anthony Redgrave
Law's backstory is one of the most horrific in the series. His story is told to Baby 5 while she and the other executives are on a raid. They talk so casually about the whole thing while being attacked, shot, and fired upon by cannons you would think they were paying more attention to the story than the actual mission. It's a tale of a wealthy town that becomes poisoned over time from the mineral that had made them rich. It's non-contagious, but that doesn't stop the Government from imposing a quarantine on the town. Eventually, the neighboring nations retaliate under the guise of self-defense and kill everyone in town apart from Law who escapes under some dead bodies.  The Mother Sea leitmotif doesn't play in this episode and I suspect it's because we don't spend enough time in Law's rosy family life. It cuts between the executives verbally telling the story to scenes from Flevance and it's surprisingly easy to follow despite these changes. Baby 5's reaction reflects our own as she is told this story becoming more depressed and understanding of Law's personality.  However, I cannot feel the same way when Law pulls this face. It's the same face as Luffy when he lost Ace back in Marineford. I always relate it to an "oh I'm comically scared face" rather than I'm completely and emotionally broken. The rest of the Straw Hats have relatively conserved shocked and sorrowful expressions when compared to this white-eyed huge mouth facial feature.  In the next episode, we go even further back in time to Doflamingo's and Corazon's childhoods. I'm really looking forward to this episode as we'll finally see why this Celestial Dragon was banned from Marijois.  [One Piece streams weekly on FUNimation] Law's backstory is one of the most horrific in the series. His story is told to Baby 5 while she and the other executives are on a raid. They talk so casually about the whole thing while being attacked, shot, and fired upon by cannons you would think they were paying more attention to the story than the actual mission. It's a tale of a wealthy town that becomes poisoned over time from the mineral that had made them rich. It's non-contagious, but that doesn't stop the Government from imposing a quarantine on the town. Eventually, the neighboring nations retaliate under the guise of self-defense and kill everyone in town apart from Law who escapes under some dead bodies.  The Mother Sea leitmotif doesn't play in this episode and I suspect it's because we don't spend enough time in Law's rosy family life. It cuts between the executives verbally telling the story and scenes from Flevance. The pacing is steady and easy to follow despite the changes to scenery and Baby 5's reaction reflects our own as she is told this story. She becomes more and more depressed and understanding of Law's personality.  However, I cannot feel for the losses Law is experiencing when he pulls this face. It's the same with when Luffy lost Ace back in Marineford, I always relate it to an "oh I'm comically scared face" rather than I'm completely and emotionally broken. The rest of the Straw Hats have relatively conserved shocked and sorrowful expressions when compared to this white-eyed huge mouth facial feature.  In the next episode, we go even further back in time to Doflamingo's and Corazon's childhoods. Doflamingo isn't such a bad guy towards his family and that's something I can respect. He berates Jora for scaring Buffalo and threatens anyone that would harm his biological brother. I'm really looking forward to this episode as it has been hinted at throughout this arc. We'll finally see why this Celestial Dragon was banned from Marijois.  [One Piece streams weekly on FUNimation] Law's backstory is one of the most horrific in the series. I think it's an amplification of Robin's background but to a greater degree. His story is told to Baby 5 while she and the other executives are raiding pirates. They talk so casually about the whole thing while being attacked, shot, and fired upon by cannons you would think they were paying more attention to the story than the actual mission. It's a tale of a wealthy town that becomes poisoned gradually over time by the mineral that had made them rich. It's non-contagious, but that doesn't stop the Government from imposing a quarantine on the town. Eventually, the neighbouring nations retaliate under the guise of self-defense and kill everyone in town apart from Law who escapes under some dead bodies.  The Mother Sea leitmotif doesn't play in this episode and I suspect it's because we don't spend enough time in Law's rosy family life. It cuts between the executives verbally telling the story and scenes from Flevance. The pacing is steady and easy to follow despite the changes to scenery and Baby 5's reaction reflects our own as she is told this story. She becomes more and more depressed and understanding of Law's personality.  In the next episode we go even further back in time to Doflamingo's and Corazon's childhoods. Doflamingo isn't such a bad guy towards his family and that's something I can respect. He berates Jora for scaring Buffalo and threatens anyone that would harm his biological brother. I'm really looking forward to this episode as it has been hinted at through out this arc. We'll finally see why this Celestial Dragon was banned from Marijois. 
One Piece photo
Law has seen some S***
We've now entered the back story portion of the arc where tragedy is the dish of the day. No matter how pleasant and beautiful the setting may seem, the shit will hit the fan and the tear ducts will open once Mother Sea begins to play. I've never cried while watching One Piece, it so happens something gets in my eye when that song plays. 

First Impressions: GANGSTA

Jul 12 // Anthony Redgrave
GANGSTA has more in line with Panty and Stocking than 50 cent's thug life despite the title's connotation. The similarities with the rude, crude angels begin with partner mercenaries specialising in different weapons and having hearts of gold and end as it's an action anime rather than cartoony comedy. Nicolas and Worick are in the business of dealing death to enemies too risky for the police and being shouted at by the captain for their methods. A classic set up that would be tired if not for the interesting leads. Nicolas is the muscle and Worick is the silver-tongued negotiator making for an endearing duo that work well together. The show is not for the faint hearted as it's a mature show with a capital M. Drugs, murder, abuse to women, and bloodshed is present in each episode. The dialogue doesn't pull punches as it dishes out racial slurs, explicative insults degrading women and crude language making the show feel and sound like a violent dystopia. Fortunately, the show isn't all doom and gloom as the characters are very charming and colourful as mentioned before. The art style is warm to contrast with the majority of the characters decked in dark threads. Black shadow accent the unsavoury and rough nature of the show. The show's character design is attractive despite its thematically ugly world and I have not seen any major animation hiccups in the first two episodes. GANGSTA will be something I continue with during this season. I'm a fan of the action and the unpleasantness world is something I adore in fiction especially when they have likeable heroes that I can root for. The aesthetics are a beautiful topping on this delicious piece of anime.   [GANGSTA streams  on FUNimation] GANGSTA is more in line with Panty and Stocking than 50 cent's thug life despite the title's connotation. The similarities with the rude, crude, angels begin with partner mercenaries dubbed Handymen specialising in different weapon and having hearts of gold and end as this is more action orientated than cartoony comedy. Nicolas and Worick are in the business of dealing death to enemies too risque for the police and subsequently being shouted down by the commissioner. A classic set up in many works of fiction that would be overplayed if not for the interesting leads. Nicolas is the muscle and Worick is the silver-tongued negotiator making for an endearing duo that work well together. The show is not for the faint hearted it's a mature show with a capital M. Drugs, murder, verbal and physical abuse to women, and blood flows rampant in each episode. The dialogue doesn't pull punches when it comes to racial slurs, explicative insults, and degrading women making the show feel and sound like a violent dystopia. Fortunately, the show isn't all doom and gloom as the characters are very charming and colourful as mentioned before. The art style is bright and warm to contrast with the majority of the characters that choose dark themed threads. The show's character design is attractive despite the thematically ugly world and I have not seen any major animation hiccups in the first two episodes. GANGSTA will be something I continue with during this season. Although the story is still ramping up, I like the world and it's inhabitants. I'm a fan of dystopian worlds like Fallout and the main leads are likeable enough to keep me engaged with their exploits.
GANGSTA photo
Violence! Racism! Misogyny!
Truncated versions of words bug the hell out of me. I always hear it in my mind's ear being spoken by an loud spoken and arrogant individual; 'GANGSTA!' emphasis on the -STA part with a line a spit flickering from their ...

Review: The IDOLM@STER Cindrella Girls Season 1

Jul 12 // Jeff Chuang
The Idolm@ster Cinderella Girls Season 1 Studio: A-1 Pictures Format: Streaming via Daisuki/YouTube Release Date: January 10, 2015 The idea behind Cinderella Girls as the next iteration of the franchise is that by opening the gates with a large swath and wide variety of characters, each player (or viewer in the anime's case) will invariably find somebody they like. It works for AKB48, so why wouldn't it work for anything else? I guess the question sits at the center of the Cinderella Girls experience. But that's in reference to the whole of Cinderella Girls, which, beyond the anime, holds itself as one of the pioneering and successful mobile games in Japan. It's not too different than, say, how thanks to the Rage of Bahamut mobile games, we got an sword-buckling adventure anime to go with. Where these two franchises diverge is the way how Cinderella Girls is just one head of a multi-headed hydra that makes up the IDOLM@STER franchise. Beyond the anime and the mobile game, we're talking about a mix of media, besides obviously the anime on home video. It includes also live events, radio shows, and the sub-unit CDs that the anime sells in an almost-direct way. When you watch each episode of the anime as an invested fan, there's a lot more to it than sitting back and enjoying the story. Of course, like any other type of fans, everyone gets on social media and chat about the latest episode as soon as possible (and thanks to Daisuki's prompt simulcast even I can do that to a degree). Easter eggs and other nods to the rest of the IM@S franchise often are the biggest cues for discussion among fans. What's more, new announcements and reveals relevant to the entire franchises sometimes happens within the latest episode of the anime. To take the last episode in the first half as an example, do you know Triad Primus? Just that scene between Nao and Karen sent some into frenzy, only because it's one of the more popular sub-groups within the game that was quietly done away with after New Generations was initially announced from the first Cinderella Girls anime promo. That's not even include more obvious ties like the weekly bonus audio drama in-game, or the freebie SR cards and other loot that go live in the proper Cinderella Girls game right after you finish watching the week's episode. The Japanese broadcast even reinforces its full-force consumer message through its self-sponsored commercials in the CM breaks of its own anime. That's a view from deep inside the rabbit hole. I think most of us out west don't care for it, at least at first. A lot of us out likely found out about the IDOLM@STER franchise first via the 2011 TV series, curio news reported from oversea fan being silly, or various MAD videos featuring IM@S. The line of games had been in the purview of hardcore importers, or people willing to think differently about iOS apps by paying the asking price on Shiny Festa. There may be an underground group of English-speaking, mobile game types that cling to the three major IM@S social games, but nowhere is that visible above the surface of the world wide web, so to speak. You had to dig down to find these Producers. When Bandai-Namco focused its mainline 765Pro IM@S products and events to point to and collaborate with the two social game platforms, some fans worried--the original characters (and their voice actresses) are not getting any younger--will this bring about a drastic change to the franchise? At the same time many Producers are simply getting familiar and are welcoming the Cinderella Girls. Under that context, our 346 Production idols are in a battle of their lives to find longer-term acceptance within this multi-head hydra of a family that is the IDOLM@STER. That road is not particularly complicated, thankfully. In the context of the Cinderella Girls anime, well, it's idol anime, where the audience come to enjoy cute girls singing catchy songs while doing cool dances. We also see at times how these girls fail and then overcome various obstacles, personal or otherwise. I think that really sums up the core idol anime experience. Of course, your mileage may vary, but everyone seems to have the best time together when the experience come together, each part of the idol concept firing on all cylinders. In the shadow of these daunting questions, I can safely say that is exactly the IDOLM@STER Cinderella Girls that we got. But for those of us who are watching the show for what it is--A-1's animation featuring a new brand of animated idol--does it deliver? Will the extra baggage get in the way? It's the most important question, and one that I am now ill-suited to answer. One of IDOLM@STER's trademark themes has to do with people struggling emotionally that come together to face their mutual challenges. The performers and their producer have to come to term with their differences and opposing views to achieve their shared goals. Several times in the story so far, the problem in a particular plot arc may lie in the way how the Producer character fails to communicate with his charges, and vice versa. A lot of the times conflict arise because people have mistaken expectations or out of inexperience, and we see it across the board. In that sense, Cinderella Girls is an admirable vehicle to express these struggles. It's about overcoming them with uplifted feelings, and not so much ticket or CD sales. At the same time, given its progress at the half-way point, it is pretty difficult for Cinderella Girls to achieve even just a fraction of these objectives.  There are just too many characters, too many in-jokes, and too many thematic and story checkpoints that the narrative has to play things very directly. Mio's breakdown in mid-season, for example, became somewhat of a point of confusion because the story didn't take time to explain her mentality clearly. The way Dekorations got separated or how the producer was unable to explain himself to the cops is yet another. I guess these contrivances are not deal breakers, but discerning viewers might argue it adds to the pile of small problems that degrades the experience. The animation too, had its up and downs. At times Cinderella Girls anime looks sublime, such as the pilot episode. Sometimes, however, it looks rushed. The mid-point recap, as adorable as it was, is not exactly the best thing. (Producer's CV, Takeuchi, is only 17 years old! His natural voice is deeper than the Producer's voice.) I think to be fair, Cinderella Girls is a competently put-together production, but there were some seams showing throughout the series that might rub against the more picky viewers. When it comes to where rubber meets the road, so to speak, the dance and new musical numbers from Cinderella Girls are pleasing, perhaps even very exciting. Moreover, the series avoids a monster-of-the-week issue with enough unpredictability thrown in there. The girls are cute, and if one of them appeals to you, congratulations. What does it leave those of us who aren't warming up to any of them? I'm guessing the second half of the Cinderella Girls anime experience will continue to focus on some of these characters while introducing more. One of my pre-anime favorite, Anzu, played the role of a wise-cracker. Rin, Cinderella Girls's iconic cool beauty, didn't get very far besides the initial induction into the 346 fold. But at the same time, I'm not sure if that's enough of a carrot on the stick to keep those of us who are not into idols for idols's sake going forward. Maybe that's okay. For those of us ever become curious as to what IDOLM@STER Cinderella Girls has to offer, the anime is a splendid gateway to become a patron of IM@S's multi-faceted castle of a franchise. Just be aware that not only there's a deep rabbit hole beyond it, there are also a bunch of pitiful creatures living off of said animation like yours truly, clinging on to every word and visual symbol. [This review is based on a streaming copy viewed by the reviewer.]
Idolm@ter CG Review photo
And it didn't even cover half the idols
What happens when you take one of the longest running media-mixed franchise about idols and give it new life? What happens when you take a mobile game money mill and try to develop its CCG-style characters? What is an idol? T...

Week Ender - One Piece Edition

Jul 11 // Red Veron
[embed]34051:4922:0[/embed]"Run Run Run"I like that this one shows off the cast as kids just running around like kids do,  then showing them sharing a meal and fighting over the last piece you think they would do before getting all their attention to their next big adventure.[embed]34051:4923:0[/embed]"Eternal Pose"This is the only ending I really really like. Set to a cool chilled rap with a slide show of the Straw Hat pirates and what they wore during the major arcs. It's a blast from the past seeing Zoro bandaged in a Hawaiian Shirt or Nami's dancing girl outfit. My favourite moments from each arc flashback into my mind when I see them again and it's incredibly nostalgic to see how far the Straw Hats have come on their journey.[embed]34051:4925:0[/embed]"Shining Ray"A simpler ending that doesn't feature much movement until the end, this one is more about a calm feel with characters waiting out a rain. Taking a moment to ponder about other things while out on an adventure. I like endings that show you characters from a show with constant action just take a moment to wait out a rain just like you and me.[embed]34051:4926:0[/embed]"Before the dawn"This ending is pretty fun, I've got a soft spot for endings or openings that just feature the characters of a show just chill' or having fun. It makes me feel better for characters in shows that feel like they're locked in an endless cycle of fights and never ending plots. Pirates need a break too, you know.Got a favorite ending that didn't make it on here? SHOW ME IN THE COMMENTS! I wanna see!!!
One Piece photo
700 episodes is a lot of Endings!
One Piece just reached its 700th episode and on this week's Week Ender, we're celebrating by giving you some One Piece endings for your viewing pleasure! When the first episode of One Piece aired, Clinton was still in the Whi...

Strong Style: New Japan Pro Wrestling on AXS S2 episode 7

Jul 11 // Soul Tsukino
BUT FIRST:  Let's do an update on the points. Tournament wins are worth 2 points, a draw is 1 point, and losses are worth nothing. Luckily since AXS covered day four last week, you haven't missed anything. Here is how the points stand. BLOCK A:   Shelton X Benjamin (8 points), Hiroshi Tanahashi (6), Bad Luck Fale (4), Satoshi Kojima (4), Katsuyori Shibata (4), Shinsuke Nakamura (4), Tomohiro Ishii (4), Davey Boy Smith Jr (2), Yuji Nagata (2), Doc Gallows (2), Tomoaki Honma (0). BLOCK B: Kazuchika Okada (6 points), Hirooki Goto (6), Tetsuya Naito (6), Hiroyoshi Tenzan (4), Togi Makabe (4),  Toru Yano (4),  Lance Archer (2), AJ Styles (2), Karl Anderson (2),  Minoru Suzuki (2), Yujiro Takahashi (2). We start with a greeting from Tetsuya Naito before we get to the action. In a surprise, we get Frank Shamrock on commentary this week with Mauro. Block A: Hiroshi Tanahashi vs. Bad Luck Fale: Would have probably said this was going to be a one-sided match, but with Fale doing well in past tournaments, and his win of the Intercontinental title over Nakamura, This is more evenly matched than would meet the eye. A bit of a slow start as Fale just bulls around Tanahashi. Tanahashi counters a test of strength with an armbar and a headlock.  Fale yanks Tanahashi out of the ring and just tosses him around. We skip ahead as Fale goes for the Granade finisher, but Tanahashi counters. Both men end up outside the ring and Hiroshi hits a top rope dive outside the ring to the big guy, but Fale quickly recovers and smacks Hiroshi. Back in the ring Tanahashi gets the sling blade clothesline and then the frog splash, but Fale grabs him by the neck and gets off the Grenade finisher (Chokeslam/Asian spike combo), but Tanahashi kicks out. Fale goes for the Bad Luck Fall drop but is countered before he goes for the move and nails it and pins Tanahashi! Clipped, but what was shown it seemed like a typical WWE match more than anything. Fale isn't the greatest of technical wrestlers, but Tanahashi worked well with what he had.     Block A: Tomoaki Honma vs. Shinsuke Nakamura:  Oh boy. Do not like Honma's chances here. Japan 's favorite underdog has no wins going for him so far in the tournament and  he's up against one of New Japan's top guys. Mauro points out that Honma is winless. Mauro actually for the first time mentions Nakamura's part in the tournament, including matches we didn't see. Shinsuke goes for his usual antics, but Honma isn't going for it. He gets Nakamura down and goes for the headbutt but misses. Nakamura gets a couple of harsh knees on Honma hanging off the ring apron. We jump ahead with Nakamura kneeing the hell out of Honma. Shinsuke goes for his favorite corner knee strike, but Honma jumps up and lands a clothesline. Honma gains the advantages and Honma lands his headbutt! Nakamura lands a kick to the side of Honma's head to regain the advantage and lands more knee strikes on Honma. We come back from a break where Nakamura has a face lock over Honma but Honma counters with a DDT. He hits Nakamura with a piledriver and juuust comes up short on the three counts. Nakamura regains the lead but runs right into a Honma headbutt and Mauro is going crazy for this one. Honma goes for the diving headbutt and misses (as usual), but gets back up for an exchange with Shinsuke but gets a knee to the jaw. Nakamura looks to finish things off, but Honma gets a roll up and nearly gets it! Nakamura lands 2 Booma ya knees to finally finish Honma off. However, the crowd starts a massive chant for Honma as he is carried from the ring! We get some words from both men as Nakamura tells everyone he is on a roll while Honma asks why he can't win a match. He makes some comments about winning the Intercontinental title and changing it to yellow. Well, the crowd loves him anyway so he has that going for him! Coming back from a break we get a few more words from Naito. He talks about not having pressure on him after winning the 23rd G1 Climax and that Okada and Styles were the ones he was looking for. He mentions that is the place he badly injured his knee so it has memories for him, but they are bitter.       Block B: Tetsuya Naito vs. Kazuchika Okada: Now this should be good. You have the 2013 and 2012 G1 Climax champions facing off. Okada is the leader of the B block, but after pinning the IWGP Champion last week, I'm convinced Naito can beat anyone in the block. We get both men's entrances as we are in main event territory now.  Naito is still sporting the bandage on his head. Shamrock gives some insight on what it's like to suffer an injury like Naito's knee injury and how it stays in your mind, especially going to back to the place where it happened. We come back from a break as the match begins. The crowd is loud for this one. Mauro tells that these men only have met six times, but they have split their matches. Naito starts in with an armlock, but Okada reverses it. They get to the ropes where Okada teases smacking Naito, but doesn't. Quick exchange ends up with Naito landing a dropkick to Okada's  face. Naito lands a bunch of elbows on Okada and then ASKS OKADA TO HIT HIM. Okada obliges. Naito Bushido to the max. Naito ends up outside the ring and Okada chokes him on the barricade before rolling Naito into the ring. Okada keeps the edge over his opponent with a kick to the face!    Ouch! Okada hits the DDT but only gets 2 on the pin attempt. Okada's approach seems to be methodical, even cocky. The crowd is just waiting for Naito to counter and he does with a dodge of a corner elbow and a hanging neck breaker on Okada. Naito gets BIG air with a missile dropkick. Okada counters Naito's corner attack and hits a knee to Naito's neck. Okada gets the flying elbow and goes for the Rainmaker pose and the finishing clothesline, but Naito counters with a spinning DDT. Naito hits the corner hanging dropkick and then a top rope frankensteiener on Okada. Naito nearly gets it with a nice german suplex. Okada tries to counter but is met with a Naito SLAP. Okada, however, grabs Naito for a tombstone and gets it, but when he goes for the Rainmaker clothesline, Naito counters, and counters again before landing a kick to Okada's head. Back from the break with both men down on the mat. they stumble up as these two just exchange smacks and elbows. Okada whips Naito into the ropes, but Naito hits a shoulder block and goes for the top rope, but Okada hits a sweet dropkick. Okada goes for the rainmaker again, but Naito hits another counter before hitting the stardust press and the win! Wow! We get some post-match words from Okada who is disappointed he won't win EVERY match in the tournament before being helped away by Gedo. In the ring Naito thanks the crowd for cheering for him. Mauro tells a quick funny story on how Naito is still an active member of the NJPW fan club since he was a kid Quick backstage words from Naito promising to win the tournament again this year We get some studio words from him about the match saying this match was to remind people that he too was capable of winning the tournament, not just Okada or A.J. Styles. The shows closes out with a nice tribute to The God of Japanese Wrestling, Karl Gotch, saying he would have enjoyed the match we just saw.     This was a decent showing in this episode. Frank took a little time it seemed to get warmed up but his commentary was good, sharing what he could in a field he probably doesn't have a lot of knowledge in (Ken Shamrock on the other hand...). Mauro finally making mention of other matches is a start, but think about this, Shelton Benjamin is the leader of the Block A group and hasn't even been mentioned yet on the show. The first two match were clipped but not nearly as bad as the Anderson match from last week. The main event was amazing and showed just how good NJPW can be.   Before we go, here is the action from each block you didn't see and the points at the end of the night. BLOCK A: Gallows beat Ishii, Smith beat Kojima, Shibata beat Benjamin Shelton X Benjamin (8 points), Hiroshi Tanahashi (6), Bad Luck Fale (6), Satoshi Kojima (4), Katsuyori Shibata (6), Shinsuke Nakamura (6), Tomohiro Ishii (4), Davey Boy Smith Jr (4), Yuji Nagata (2), Doc Gallows (2), Tomoaki Honma (0). BLOCK B: Archer beat Tenzan, Suzuki beat Takahashi, Yano beat Anderson, Styles beat goto Tetsuya Naito (8), Kazuchika Okada (6 points), Hirooki Goto (6), Hiroyoshi Tenzan (4), Togi Makabe (4),  Toru Yano (4),  Lance Archer (4), AJ Styles (4),  Minoru Suzuki (4), Karl Anderson (2), Yujiro Takahashi (2).   See you all next week! BUT FIRST:  Let's do a little catching up heading into day 4. Once again I will point out in this tournament wins are worth 2 points, a draw is 1 point, and losses are worth nothing. I won't bother with the specific results of days 2 and 3 but here are the point totals heading into this episode. BLOCK A:   Hiroshi Tanahashi (6 points), Shelton X Benjamin (6), Bad Luck Fale (4), Satoshi Kojima (2), Yuji Nagata (2), Katsuyori Shibata (2), Shinsuke Nakamura (2), Tomohiro Ishii (2), Davey Boy Smith Jr (2), Doc Gallows (2), Tomoaki Honma (0). BLOCK B: Kazuchika Okada (6 points), Hirooki Goto (6), Hiroyoshi Tenzan (4), Tetsuya Naito (4), Yujiro Takahashi (2), Togi Makabe (2),  Toru Yano (2),  Lance Archer (2), AJ Styles (2), Karl Anderson (0),  Minoru Suzuki (0). Seriously, The reigning IWGP Champion has only one win, and Suzuki doesn't have any? Still early, but that is really surprising. Now with that settled we will get to the action! We are welcomed by Shibata for the second week in a row as we kick things off   Block A: Shinsuke Nakamura V/S Yuji Nagata: "King of Strong Style" vs. "Blue Justice". Nagata comes out wearing an "Anti-Aging Hero" shirt. Love it.  As both men are trained in amateur wrestling as well as MMA, it leads to Mauro talking about a conversation he had with Samoa Joe about the influence of MMA in pro wrestling. The start off is slow, but we skip ahead where things are heating up. This match is not fast but hold and counter hold. Lots of kicks and strikes and blocks and dodges. Josh Barnett adds something here because he not only wrestled Nagata before, he had his debut against Nagata. The match ends with Nakamura hitting 2 Booma yae knees to the head and scoring the pin. We get some post-match words from Nakamura before going to break. Probably had a lot clipped, but you still got the general feel of how the match played out. Block B: Tetsuya Naito vs. A.J. Styles: Naito may be smaller than most in this tournament, but he has shown on this program before that he can hang with the big guys. Doesn't get any bigger than the IWGP Champion. The story here is that Naito won last year's G1 and looking to repeat, while Styles wants to become the first gaijin winner of the G1. The match starts off with trading arm locks and headlocks to gain an advantage. Mauro mentions that Naito already has a bandaged cut on his head from Tora Yano. Naito gains an advantage and then messes with Styles by doing A.J.'s pose. Sure enough Naito's cut starts trickling blood. Both men get furies of offense, but Styles shuts Naito down with a poke in the eye. We skip ahead as now Naito is gushing blood, but still holding the advantage. Mauro gets bonus points from me for making a point to reference someone I admire, Gordon Solie. Styles nearly gets the Styles Clash on Naito, but Naito counters. Naito hits his Gloria suplex and then hits the top rope corkscrew for the WIN! Post-match comments from Naito saying that he respects Styles, but just beating him wasn't enough. He wants a title shot. Again, edited a lot but this match was still very entertaining to watch and a big surprise for Naito to pick up the win. Block B: Kazuchika Okada vs. Karl Anderson:  To say that "The Machine Gun" from the Bullet Club has an uphill climb here is an understatement. Block B top point holder taking on the bottom of Block B. Anderson attacks before Okada even finishes his entrance. We skip ahead as both men are outside the ring. We skip ahead again as Anderson is just mauling Okada. A lot of clipping here. Okada gets in a DDT to stop Anderson's offense.  We clip again as Okada lands the top rope elbow and goes into his Rainmaker Pose. He goes for the Rainmaker clothesline but gets caught in a Liger bomb. Anderson gets a top rope neck breaker (A cool move I've not seen before) and a Bernard Driver but can't put Okada away. Clipped again as Anderson goes for his finisher, the gun stun (Stone Cold Stunner) but is countered, countered again, and countered AGAIN before Anderson actually hits the move and gets the win! Wow, that easily is the most clipped match I've seen on this show ever. Anderson talks some smack in the post match. Okada and Gedo have nothing to say as they go straight past the press for the locker room. We get some in studio comments from Shibata before our main event. He talks about how this is an important match and we get some clips of Shibata and Tanahashi feuding when Shibata returned to New Japan in 2012. Block A: Hiroshi Tanahashi vs. Katsuyori Shibata: Main event time! We got a good look at Shibata last week with the oddly emotionless way he destroys people with his MMA influenced style. Here he's taking on NJPW's golden boy. These two were once part of New Japan's "Three Musketeers" in 1999 along with Nakamura. We've got about 25 minutes left in the show, so hopefully this match wouldn't be the hatchet job the last one was. Tentative start once again and oddly Shibata is already sweating. Shibata SLAPS Tanahashi, like totally bitch slaps him. Tanahashi returns the favor. Yup, these guys do not like each other. The action picks up quick with each man dodging big strikes and kicks before Tanahashi leaves the ring. Shibata hurts his knee from a dive and now Tanahashi has something to target. Despite the injury, Shibata takes Tanahashi outside the ring and beats on Tanahashi including a running kick to the face. We come back from a commercial break with Shibata standing over Tanahashi. Tanahashi makes his comeback with an elbow before hitting a senton on Shibata. Shibata gets a knee to Tanahashi to regain the lead here. Shibata shrugs off a drop kick while in the corner before beating Tanahashi's head in with several elbows before hitting his sweet hanging drop kick. Tanahashi gets a forearm and then a german suplex, but Shibata pops right up and grabs a suplex of his own. Shibata goes for a kick, but Tanahashi catches it and goes for a few leg whips before putting on a cloverleaf leg lock. Josh mentions the lock is actually putting pressure on Shibata's good leg, not the injured one. Nice touch there from Josh Barnett. Small comments like that make this commentary more legit than anything else out there. After releasing the hold, Tanahashi just kind of stands there awkwardly, looking for a crowd reaction that isn't there and gets booed heavily for it. He lands the sling blade clothesline on Shibata before Tanahashi lands a frog splash. He goes for a second but Shibata gets his knees up. The crowd is chanting for Shibata loudly now. Both men trade forearms as it's a standoff.  Shibata lands a NASTY spinning backhand that literally smacks the sweat off Tanahashi's face. Shibata goes for the Go-To-sleep knee to the head, but it's countered, only for him to hit it again. he nails Tanahashi with a running penalty kick and scores the pin. The two men begrudgingly shake hands before Shibata calmly leaves the ring and walks to the back in his typical style. Post match Tanahashi is on the floor in pain as he questions the last 10 years of his career. Shibata pretty much agrees. In the studio, Shibata talks about how much the match was important to him before we close out the show for the week. That main event was incredible, no denying that. Even more than last week though, the weakness of having a one-hour show covering this big of a tournament shown through. The Anderson/Okada match was clipped to death. Also, I get the idea is to focus more on the action, but they make little if any mention of the points each man holds going into these matches which may not be a huge deal, but kind of leaves out part of the story. Saying that,Mauro and Josh were spot on tonight and made the show that much more enjoyable to watch. In keeping track of things,  here is the action from each block you didn't see and the points at the end of the night. BLOCK A: Kojima beat Fale, Benjamin beat Smith Jr., Ishii beat Honma. Shelton X Benjamin (8 points), Hiroshi Tanahashi (6), Bad Luck Fale (4), Satoshi Kojima (4), Katsuyori Shibata (4), Shinsuke Nakamura (4), Tomohiro Ishii (4), Davey Boy Smith Jr (2), Yuji Nagata (2), Doc Gallows (2), Tomoaki Honma (0). BLOCK B: Suzuki beat Tenzan, Yano beat Goto, Makabe beat Archer. Kazuchika Okada (6 points), Hirooki Goto (6), Tetsuya Naito (6), Hiroyoshi Tenzan (4), Togi Makabe (4),  Toru Yano (4),  Lance Archer (2), AJ Styles (2), Karl Anderson (2),  Minoru Suzuki (2), Yujiro Takahashi (2). And with that, I hope all of you American readers have a great July 4th weekend. And those of you looking to just have fun, take a lesson from the Florida Brothers. You don't have to be born American to enjoy the holiday, just American at heart.
New Japan Pro Wrestling photo
Day 5 from G1 Climax 24
Back again this week as Strong Style takes a look at New Japan Pro Wrestling on AXS TV's coverage of the G1 Climax 24 tournament. So far we've seen some great matches selected from the tournament's action. Tonight we look at ...

Final Impressions: Plastic Memories

Jul 09 // Josh Tolentino
Unfortunately, I've got my critic hat on here, and Plastic Memories ending well (more on that in a bit) doesn't exactly excuse an almost infuriatingly bland middle. Indeed, the would've been a much tighter, more riveting experience as a six- or eight-episode miniseries, but the need to push things out to twice that length has left the show stretched thin, both emotionally and narratively.  Therein lies the good news, though: Plastic Memories' ending almost wipes out the bad feelings of before because it's honestly a lovely piece of bittersweet (emphasis on the sweet) closure. It helps because the show, early on, put the kibosh on any idea that Isla's fate could be avoided somehow. There's no bargaining with death in this story, which makes what little time she has with Tsukasa all that much more precious, even when it feels like it's being squandered on teenage blush-antics (see episode 7). That aside, though, it pays off, as the last several episodes see Isla's true importance being revealed. No, she's not some kind of ultimate weapon, nor is she special or destined in the way someone like Chobits' Chii was. She's just a Giftia with a gift for empathy and a way of bringing people over to her way of thinking. As it turns out, it was Isla's compassion and love both for the Giftias she retrieved and the people who owned them that changed this branch of the Terminal Service. It's established that they're the only ones who go full-in on the therapy and touchy-feely side of separating a Giftia from its owner, and that's because Isla convinced Kazuki and the others to that philosophy. That's why it works in Plastic Memories' larger context. Isla may have only had 9-ish years in the world, but her legacy lives on in the compassion and empathy of the Terminal Service branch she worked with. She's made her mark on the world and the people around her. That goes for Tsukasa, especially. It's not often that a show that opens with something as cliche as "love at first sight" pays off, but it does here. Well, sort of. It works here thanks again to the inevitability of Isla's passing. Seeing Tsukasa force a smile and watch his resolve start to crack, as he spends their final date trying to bargain with fate, makes up for the fact that this love story started with her seeing her moping in an elevator.   Lastly, it works because it knows when, or rather, how, to quit. Let's take another series about letting go: Anohana. That show's characters spent almost the whole story in varying states of denial, none of them able to get over the loss of their friend, and finally saying goodbye by screaming it out to the heavens. It's over-the-top, and while it did work for some folks, it left others cold for the intensity of that melodrama. There's no screaming at the end for Plastic Memories. Only a girl who gets to spend her last moments with the boy she loves, knowing that everything's alright in the world, and perhaps hoping that someday they might be reunited.  That's all well and good, but as I mentioned earlier, it doesn't quite wipe out Plastic Memories' other structural problems. Narratively, the show was about as clumsy as Isla was in her android dotage. In fact, the last two or three episodes were accompanied by no less than four different montage sequences. And let's not even get into the fact that the show would've been much more interesting earlier on if it had explored things from a less tiresomely teenage point of view. But, perhaps that's not the point anymore. Plastic Memories is about going out with the good bits in mind, and the ending certainly makes a much better impression. And if that's to be Isla's legacy, it'll be all good.
Plastic Memories photo
Remember She
Plastic Memories ended well. For a show that's all about what people leave behind, about legacy, about leaving the world with a lot of good memories, and about literally ending on an up note, that's the best outcome one could ask for. 

Annotated Anime: The Disappearance of Nagato Yuki-Chan episode 6

Jul 09 // Anthony Redgrave
Kyon may be quick with the comebacks, but he's lacking in the conventional intelligence department. With exams on the horizon, he seeks assistance from Asakura which causes a misunderstanding from Nagato because of their increased contact. Fortunately, the misunderstanding trope does not smother the whole episode as the show outright says that it's a misunderstanding straight after the suggested relationship. This is something some anime shows need to catch onto *cough* NISEKOI *cough*, instead of overexaggerating the reactions and wasting whole episodes of building up misunderstanding.  Haruhi and her lapdog Koizumi make an appearance having been granted official access to the North High school grounds under Nagato's absent minded request. Being from a prep school Haruhi states she is leagues ahead of Kyon and Asakura which brings forth a Mathematics challenge between the two rival schools. Yep the main conflict is down to an algebra 'solve for x question'. I've been out of high school for half a decade, and I swear it was never this difficult. The saviour surprisingly (or unsurprisingly if you consider she is still the same person) is Nagato Yuki as she answers the question without writing anything down. Her method is something to be desired as she will not be scoring marks for jotting down the random garbage that starts spewing out of her mouth. Honestly, I was not expecting that from a love stricken PSVita addict.  [Watch The Disappearance of Nagato Yuki-chan on FUNimation!] Kyon may be quick with the comebacks and wise enough to ask the right questions, but he is sadly lacking in the intelligence department. With exams on the horizon, he seeks assistance from Asakura since she is a paragon of studentship. Cue misunderstanding from Nagato Yuki because of their increased contact and everything is resolved. Fortunately, the misunderstanding trope does not smother the whole episode as even this series has caught on and outright says that it's a misunderstanding. This is something some anime shows need to catch onto *cough* NISEKOI *cough*.  Haruhi and her lapdog Koizumi make an appearance having been granted official access to the North High school grounds under Nagato's request. Being from a prep school Haruhi states she is leagues ahead of Kyon and Asakura which brings forth a Mathematics challenge between the two rival schools. Yep the main conflict is down to algebra solve for x question. I've been out of high school for half a decade, and I swear it was never this difficult. The saviour surprisingly (or unsurprisingly if you consider she is still the same person) is Nagato Yuki as she answers the question sans working out. Her working is something to be desired as she will not be scoring marks for jotting down the random garbage she starts spewing out. Honestly, I was not expecting that from a love stricken PSVita addict. 
Nagato Yuki photo
Hot for Teacher Asakura
We are nearing the half-way point of Nagato Yuki-chan and so far it's been very good. I really like the familiar elements and emphasised comedic moments when comparing it to Haruhi. A lack of Asahina dials down the uncom...

Annotated Anime: One Piece episode 700

Jul 08 // Anthony Redgrave
It seems that this episode is self-aware of the significance of 7 as the title shows up in the 7th minute. That means more than a quarter of this episode can be skipped. No, wait that's a lie. After the 10th minute, we return to the main action with Luffy, Law, and Doflamingo. The first 10 minutes were retreads old Fujitora dialogue from three episodes ago. Man, they were really padding for time with this one. Do yourselves a favour and skip to the 10-minute mark because I'm sure they'll repeat the marine talk in a later episode if you still don't understand their motivation. Finally, we begin the backstory between Law and Doflamingo which may be very significant as one of them may join the Straw Hat's if deemed tragic enough. Turns out Law's devil fruit has the death-defying ability to grant immortality at the cost of the devil fruit eater's life. But Law doesn't have any interest in this ultimate power thus putting him in dire straits with Doflamingo. We get a flashback to 10-year-old Law seeking acceptance into the Doflamingo family. He gets beaten on mercilessly by a younger Diamante and Trebol while kid version's of Baby 5 and Buffalo laugh at his misfortune. The family accepts children and have no qualms in kicking the shit out of them either. This shockingly equal treatment speaks volumes of Doflamingo's philosophy.  In the last few moments of the show, we get glimpses of Doflamingo's brother Corazon. He looks like One Piece's version of the Joker even more than the pirate with the epithet 'The Clown". It fits with his rather unpredictable personality of being extremely clumsy yet intimidating from his fits of violence towards children and absolute muteness. Psychotic tendencies must be a genetic trait.  [One Piece streams weekly on FUNimation] It seems that this episode is self-aware of the significance of 7 as the main title shows up in the 7th minute. That means more than a quarter of this episode can be skipped. No, wait that's a lie, after the 10th minute we return to the main action with Luffy, Law, and Doflamingo. The first 10 minutes were retreads of what Fujitora had said three episodes ago. Man, they were really padding for time with this one. So do yourselves a favour and skip to the 10-minute mark because I'm sure they'll repeat the marine talk in a later episode for those that don't understand their motivation. Finally, we begin the backstory between Law and Doflamingo which may be very significant as one of them may join the Straw Hat's if deemed tragic enough. Turns out Law's devil fruit has the death-defying ability to grant immortality at the cost of the devil fruit eater's life. But Law doesn't have any interest in this ultimate power thus putting him in dire straits with Doflamingo. We get a flashback to 10-year-old Law seeking acceptance into the Doflamingo family. He gets beaten on mercilessly by a younger Diamante and Trebol while kid version's of Baby 5 and Buffalo laugh at his misfortune. The family accepts children and have no qualms in kicking the shit out of them either. This shocking yet equal treatment speaks volumes of Doflamingo's philosophy.  In the last few moments of the show, we get glimpses of Doflamingo's brother Corazon. He looks like One Piece's version of the Joker even more than the actual clown of the show Buggy. It fits with his rather unpredictable personality of being extremely clumsy yet intimidating from his fits of violence towards children and absolute muteness. Psychotic tendencies must be a genetic trait.
One Piece photo
Tragic Backstory Time
Whew! 700 episodes. I can still remember starting One Piece nearly a decade ago. Back then there were no official streaming sites so I had to go by Youtube episodes that were chopped up into 3 bits. I was inspired to watch it...

OP Up! One Piece Edition

Jul 08 // Red Veron
[embed]34044:4913:0[/embed]"Bon Voyage"Although it may not be the most flashy openings One Piece has had, I think it nicely encompasses the themes explored throughout the show. This opening touches upon each Straw Hat's backstory, the camaraderie they find as part of the Straw Hats, and the freedom they have as pirates. The downside is that we don't get to see any butt-kicking action.[embed]34044:4914:0[/embed]"Kokoro no Chizu"My mind jumps straight to this opening when thinking One Piece apart from the Engrish We Are! There is so much here that I love. The colours, the action, the upbeat song that is synched to the visuals, and being paired to one of the strongest arcs in the series.[embed]34044:4915:0[/embed]"Jungle P"From this intro onwards, One Piece started to extend their intros to two verses instead of the one+ chorus. I assume it was to pad out each episode so they didn't have to show as much per episode. Anyways this is another strong intro even if it's let down by the appearance of Brook and Luffy destroying a civil service boat. [embed]34044:4916:0[/embed]"We Are Special"Yep, we had to have We Are somewhere on this post. I went for the latest as the visuals are easier on the eyes. It's a funky rendition with the visuals being updated to feature more of the Straw Hat's Rogue Gallery. [embed]34044:4917:0[/embed]"Fight Together"After the darker turn of events that were occurring in the show and the previous sombre opening One Day, Fight Together was what we needed as fans. It contrasted the gloominess and depressive feeling of being separated from loved ones with the passion and determination to grow stronger to protect them. This intro is also better than the entire Post-War Arc episodes dedicated to each individual Straw Hat.So which one is your favorite One Piece opening? SHARE IN THE COMMENTS BELOW! Let us celebrate some One Piece love together!BONUS VIDEO[embed]34044:4918:0[/embed]
OP Up! photo
700 episodes is a lot of Openings
Having 700 episodes in 16 years, the One Piece anime has amassed quite a collection of openings and endings throughout its run. So this week's OP Up! and Week Ender selections are special, as we celebrate 700 episodes of One ...

Japana-Seven: The 7 best One Piece anime filler arcs

Jul 07 // Anthony Redgrave
7. Boss Luffy Historical SpecialsOut of the whole list, this is probably the furthest connected to the One Piece canon. It's based in the Edo era and all the Straw Hats are re-imagined as period characters. I like the whole concept of a new setting with familiar faces and this filler is just that. They're super light-hearted and it's nice to see villains and heroes play off one another in this fresh new setting. They're an hour a piece and I wouldn't recommend watching them all, but they were one of the fillers I always enjoyed whenever they aired. 6. Inherited Recipe! Sanji the cooking expert (Post-Alabasta Arc)Sanji has always been my favorite Straw Hat. He is one of the few characters in the show that can be badass, funny, and smart. The last trait is often missing in many of the Straw Hat's hard hitters, but Sanji has it all. This episode sees the Straw Hats come across a Navy boat with a young cook struggling to make the famous naval curry. Not much happens in terms of action, plot, or even humor, but it's how Sanji mentors the young chef into how to cook. By the mid-point, it's almost like a cooking show, taking the viewer step by step from raw materials preparation to serving suggestions. 5. Ice Hunter Arc/ Lovely Land ArcI would rank this higher on this list because this filler was really good apart from the ending. The set up was great; bounty hunters steal the Straw Hat's flag and they have to get it back while battling them. I love how the show always kept the bosses' appearance hidden until the reveal making him ten times more intimidating than he really was. Also, the fights were pretty good. Luffy had a hard time with the magnetic duo and the team up between Sanji and Usopp against the ice skating couple was great. There seriously needs to be more team up fights in One Piece. 4. Baron Omatsuri and the Secret IslandJust like direct to video movies based on a TV series, One Piece movies are like hour long episodes. In most cases, the main drama stems from the Straw Hats having a falling out before regrouping to fight in the finale. Baron Omatsuri and the Secret Island also follows this formula but differs in two key areas that makes it an interesting One Piece movie. The art style and tone. The art style is drastically different making the animation look fluid and at times gloopy and the tone gets really dark in the second half. I say give it a watch if you want to see One Piece being taken somewhere different.  3. Omake: Report Time and Monster TimeThese Omake shorts were aired alongside the Enies Lobby arc. Again most of them are re-imaginings of the Straw Hats in different settings but these are the two I think are worth a watch. Report Time has an interviewer talking to the Straw Hats about the cuisine they lived by before Sanji joins and Monster Time is what it says on the tin, it's Straw Hats as mythical monsters. Both are intended for comedic purposes and are great side distractions without spending a huge time investment. 2. Ocean's NavelThis is the first special episode shown on One Piece and in my young mind it didn't feel like a filler. It's a side story of the Straw Hats exploring an undersea island for treasure. Treasure hunting is an activity pirates should be doing instead of liberating islands from tyrannical rulers. This episode is great, newly joined Sanji cements himself as a new powerhouse by drop kicking a massive octopus, Nami and Usopp playing off each other as the two weakest members of the crew in hilarious ways, and there's a talking skeleton that looks like LeChuck from Monkey Island. It's a fun little episode that sparks the feeling of adventure rather than the mission/objective lead arcs like Alabasta and Impel Down.  1. Davy Back FightThis is technically cheating because it is a canonical arc but really, apart from meeting Aokiji at the end everything else can be skipped. Unless the last chapter has the Straw Hats facing off against Blackbeard in a Davy Back Fight for One Piece you can safely skip the entire game section. Except you shouldn't because it is really fun. The anime version adds more events; roller race, dodgeball, and red light/green light but they don't contract from the spirit of the arc. It's great to see the Straw Hats use their unique abilities in unorthodox ways to win each game. The filler does go against the established canon specifically Chopper overdosing on Rumble Balls without turning into his monster form. But that shouldn't stop you from watching this arc. One Piece is about having fun on the high seas and the Davy Back Fights has that in spades. The whole arc has a nice green grass, blue sky pleasant fun vibe that makes it perfect to turn your brain off and see your favourite characters play, fight, and enjoy themselves before things get serious in the next arc.  7. Boss Luffy Historical Specials Out of the whole list, this is probably the furthest connected to the One Piece canon. It's based in the Edo era and all the Straw Hats re-imagined as period characters. I like the whole concept of a new setting with familiar faces and this filler is just that. They're super light-hearted and it's nice to see villains and heroes play off one another in a fresh new setting. They're an hour a piece and I wouldn't recommend watching them all but they were one of the fillers I did enjoy whenever they aired. 6. Inherited Recipe! Sanji the cooking expert (Post-Alabasta Arc) Sanji has always been my favorite Straw Hat. He is one of the few characters that can be badass, friendly, funny, and smart. The last trait is often missing in many of the Straw Hat's hard hitters, but Sanji has it all. This episode sees the Straw Hats come across a Navy boat with a young cook struggling to cook the famous naval curry. Not much happens in terms of action, plot, or even humor, but it's how Sanji mentors the young chef into how to cook. By the mid-point, it's almost like a cooking how taking the viewer through step by step from raw materials like grinding together spices to serving suggestions. 5. Ice Hunter Arc/ Lovely Land I would rank this higher on this list because this filler was really good apart from the ending. The set up was great; bounty hunters steal the Straw Hat's flag and they have to get it back while battling them. I love how the show always kept the bosses appearance hidden until he was revealed making him ten times more intimidating than he really was. Also, the fights were pretty good. Luffy had a hard time with the magnetic duo and the team up between Sanji and Usopp against the ice skating couple was great. There seriously needs to be more team up fights in One Piece. 4. Baron Omatsuri and the Secret Island Just as many direct to video movies based on a TV series, One Piece movies can be considered longer episodes. In all cases there is one point the Straw Hats have to have a falling out before regrouping to fight once more. Baron Omatsuri and the Secret Island also follows this formula but differs in two key areas. The art style and tone. The art style is drastically different making the animation look fluid and at times gloopy and the tone gets really dark in the second half. I say give it a watch if you want to see One Piece being taken somewhere different as it's my favorite of all the filler movies so far. A close second would be Clockwork Island Adventure because of wedding dress Nami. 3. Omake: Report Time and Monster Time These shorts were aired alongside the Enies Lobby arc. Again most of them are re-imaginings of the Straw Hats in different settings but these are the two I think are worth a watch. Report Time has an interviewer talking to the Straw Hats explores the cuisine they lived by before Sanji joins. Monster Time is what it says on the tin, it's Straw Hats as mythical monsters. Both are intended for comedic purposes and are great side distractions without spending a huge time investment. 2. Ocean's Navel This is the first special episode shown on One Piece and in my young mind it didn't feel like a filler. It's a side story of the Straw Hats exploring an undersea island for treasure. Treasure hunting is something pirates should be doing instead of liberating islands from tyrannical rulers. This episode is great, it has Sanji showing off his stuff against big ass monsters cementing himself as a new powerhouse, Nami and Usopp playing off each other as the two weakest members of the crew and a talking skeleton that looks like LeChuck from Monkey Island. 1. Davy Back Fight This is technically cheating because it is a canonical arc but really, apart from meeting Aokiji at the end everything else can be skipped. Unless the last chapter has the Straw Hats facing off against Blackbeard in a Davy Back Fight for One Piece you can safely skip it. Except you shouldn't because it is really fun. The anime adds more events; roller race, dodgeball, and red light/green light and they don't contract from the spirit of the arc. The filler does go against some of the established canon specifically Chopper overdosing on Rumble Balls but if you can get passed that then the Davy Back Fights is one filler you don't want to skip.
One Piece photo
700 episodes makes for a lot of filler
Today I'm here to count down the top 7 animated fillers in One Piece as part of the 700th episode celebration. To make this list, it can be anything animated with One Piece slapped on it, from movies to omake. However, if Oda...

Japana-Seven: The 7 best One Piece storylines

Jul 07 // Anthony Redgrave
7. Little Garden ArcAfter Vivi was discovered to be the princess of Alabasta and not a ranking member of the criminal organisation Baroque Works, the mission was now to escort her back to her war-torn kingdom. This arc makes the list because of the main antagonists; Mr. 3 and Miss Golden Week, the artistic duo. From this arc, you see the creativity or required suspension of disbelief needed when viewing Devil Fruit Powers. Mr. 3's power, for example, is the wax wax fruit and yet he can turn typical candle wax into something as strong as steel! This arc has a lasting effect on Zoro as his amputation escape plan can still be seen on his shins. This was played off as a gag but added a sense of futility and desperation Vivi, Zoro, and Nami were going towards to escape.  6. Thriller Bark ArcI think One Piece's biggest strength is the widely different scenery each arc takes place in and the different tropes explored. Thriller Bark explores many horror tropes including; the ghost ship, zombie, and skeletons. Very fitting considering One Piece has a maritime setting, well except the zombie part. Like Little Garden, I love the main villain Gecko Moriah. One Piece fans first heard his name earlier in the series as part of the Seven Warlords of the Sea and speculation ran rampant on what he was like, powers, appearance etc. This air of mystery is what drove me to love him as a character and he did not disappoint when we met him on Thriller Bark. He also utters one of the most chilling lines to Luffy in the whole series just before his defeat. 5. Davy Back Fight ArcI am cheating by placing this on the list as it was in the top 7 filler arcs, but I really like it just because it's silly fun. Pirates are all about having a good time compared to the super serious ninja rivals so it makes sense that there is a universal gambling game in the One Piece world. This arc has team up fights with superb action, great jokes, and it's awesome to see each character use their special abilities to win each event. There are too many shonen shows that lose their charm by taking themselves too seriously and dramatically increasing the stakes as their series continues. One Piece never loses sight of it's childish roots and celebrates it with this arc.   4. Arlong Park ArcI felt that this was the last arc before the Straw Hats headed onto the Grand Line as the Loguetown was more like filler. Arlong Park explores Nami's past and showed the evil effects pirates had on many islands and towns. The crews before would destroy, bully, and abuse townsfolk but not to the extent Arlong did to Cocoyashi. The whole arc felt depressing, dark, and unpleasant and made even worse by Nami's betrayal and her tragic backstory. However, it also makes her redemption and Luffy's involvement even more satisfying as it plays out. The walk to Arlong Park with Overtaken in the background is probably the most badass moment in the whole show. There's no action, no fancy animation. Just walking with determination for justice and sake of their nakama. 3. Impel Down ArcI'm going to say it; I wasn't affected by Ace's death. He was a cool character with a cool power, but his action in Alabasta wasn't enough for him to be endearing. His death didn't come as a tearful gut punch but more of an interesting "huh...". Impel Down, however, was a great arc except the part where there is a transgendered paradise hidden in the maximum security prison. Lots of old faces were re-introduced, impossibly difficult enemies were faced, and best of all, villains became unlikely allies. I love it when that happens! Many of the Straw Hat's Rogues gallery had grown stale and weak so it was fun to see once legitimate threats Buggy and Mr. 3 struggling to keep up with Luffy. 2. Enies Lobby ArcThis whole saga was perfect. Water 7 was hot off the heels of the fun carefree Davy Back Fight despite the scuffle with an admiral and the Straw Hats were enjoying spending their new found wealth from Skypiea. But underlying cracks begin to grow bigger and bigger in the form of a hidden history between Nico Robin and the world government, Franky's backstory and the elephant in the room, Going Merry's condition. What I like about Enies Lobby is that it wrapped all of this up but didn't bog us down with tiresome explanations. The action was fantastic as an added level of drama was layered on with Robin slowly edging towards the Towers of Justice. CP9 (One Piece's equivalent of MI5) were brilliant as the main foes due to their colorful contrasting personalities that foiled the Straw Hat's own personas.  1. Skypiea ArcWhenever I think of long arcs I always think of this one even though it was nowhere the episode count of later arcs. Skypiea was a whole new world outside of sea that inspired exploration and adventure. It felt like an alien land, rich in history and lore. This was emphasised with the different races of Skypieans and Shandia and their different customs too. Montblanc Noland's backstory framed the arc and was  so powerfully tragic that when Mother Sea started playing I started bawling like a baby. It was a story of friendship, loss, misunderstanding, and broken promises, concepts that really hit home for me. The visual themes in this arc were gods, angels, and manifest destiny. All interesting concepts that I liked seeing in One Piece fashion and helped ground me so the whole setting wasn't too alien. The Straw Hats bring their comedy A game too in this arc; Usopp and Luffy breaking the fourth wall by singing Sanji's image song, Robin's dark humor and Zoro's Tarzan yell. Skypiea is an arc I will look back on fondly as it was a enclosed story within the saga. All the loose ends were wrapped up concerning Skypiea and you could follow it through from Noland's first landing to Luffy's liberation by ringing that golden bell.  7) Little Garden Arc After Vivi was discovered to be the princess of a Alabasta and not a ranking member of the criminal organisation Baroque Works, the mission was now to escort her back to her war-torn kingdom. This arc makes this list because of the main antagonists; Mr. 3 and Miss Golden Week, the artistic duo. You can see the creativity or required suspension of disbelief needed when viewing Devil Fruit Powers. Mr. 3's power is the wax wax fruit and yet he can turn typical candle wax into something as strong as steel! I also love Zoro's determination to get out of a trap by attempting to amputate his own legs, scars of this incident can still be seen. 6) Thriller Bark Arc I think One Piece's biggest strength is the widely different scenery each arc takes place in and the different tropes explored. Thriller Bark explores the ghost ship, zombie, and talking skeleton tropes. I love seeing what other tropes One Piece does and Thriller Bark combines all the creepy supernatural stuff into one. Like Little Garden, I love the big bad Gecko Moria. One Piece fans heard his name earlier in the series as part of the Seven Warlords of the Sea and speculation ran rampant on what he was like, powers etc. This air of mystery is what drove me to love him as a character and he did not disappoint when we met him on Thriller Bark. He also utters one of the most chilling lines to Luffy about the new world before his defeat. 5) Davy Back Fight Arc I am cheating by placing this on the list as it was in the top 7 filler arcs but I really like it just because it's just silly. Pirates are all about having a good time compared to the super serious ninja enemies so it makes sense that there is a big gambling event that pirate crews partake. One Piece does a phenomenal job in mixing the serious life or death battles and events with humorous interludes so we can catch our breath. Too many shonen shows lose this charm and become take themselves too seriously but One Piece knows when to ease up on the drama and hit the cheese button. 4) Arlong Park Arc I feel that this was the final arc before the Straw Hats went onto the Grand Line as the Loguetown arc felt more like filler, no major set piece battles just a quick stop with Buggy, Smoker, and cameo by Dragon. But Arlong Park was when the Straw Hats became whole with Nami finally joining the crew officially. Nami always felt sketchy, always leaving the crew to find treasure and using them to get her own way. This arc shows why she was doing this and why I thought Fishmen were all evil until the Fishman Island arc. Arlong is one hell of a bastard and his crew were one of the most intimidating the Straw Hats had faced. Not only was Zoro injured but Fishmen had the advantage as they were powerful on land but even more in the water. Nami's backstory is also one of the most saddest in the whole series which makes the conclusion of the arc all the more satisfying. 3) Impel Down Arc I'm going to say it; I didn't mind Ace's death. He was a cool character but wasn't endearing to me so it didn't come as a tearful gut punch and more of an interesting "huh...". Impel Down however was a great arc except the part where there is a transgendered paradise hidden in the maximum security prison. Lots of old faces re-emerged, impossibly difficult enemies had to be faced, and best of all villains became unlikely allies. I love it when that happens! Many of the Straw Hat's Rogues gallery had grown stale and weak and it was fun to see once legitimate threats Buggy and Mr. 3 struggle to keep up with Luffy as he traversed the increasingly difficult Impel Down. 2) Enies Lobby Arc I think people were expecting this to be no. 1 and will be angry to see that's it at no.2. I do love Enies Lobby and still remains one of the best arcs. Water 7 was the perfect set up by adding the mystery between Nico Robin and her history with the world government, drama between Usopp and Luffy over the Going Merry, and the Franky's own tragic past. It all came together to a grandiose showdown between the Straw Hats and CP9 (One Piece's equivalent of MI5). Each Straw Hat squared off against one agent in the hopes of freeing Robin and tension rose 10 ten fold as Robin was slowly transported towards the Gates of Justice and an impending Buster Call was issued. It all cumulated into non-stop action extravaganza that is only topped by: 1) Skypia Arc Whenever I think of long arcs I always think of this one even though it was no where near the lengths of later arcs. Skypeia was a whole new world outside of sea that inspired exploration and adventure. It felt like an alien place rich in history and lore so we were experiencing at the same time as Straw Hats so everything felt fresh and exciting. There are a lot of little parts of Skypia that makes it my favourite arc. Montblanc Noland's backstory is the best tragic backstory because we were introduced to him as a fairy tale liar but gradually discover that was a fabrication making it even more unfortunate that no one will know the truth. I also really like the themes explored in this arc that of gods, angels, and manifest destiny. A highlight was when Usopp and Nami come face to face with Enel and they have to use their wits to escape. It perfectly mixes the tense moment of them dying at any moment with their laughable foolish attempts at escape.
One Piece photo
Sixteen years of the pirate's life
The Straw Hats have been through a lot in their 16 years on TV. Through smiles, tears, Gomu Gomu no's, and devil fruits I've sat through it all just to see a glimmer of that almighty One Piece. So to celebrate 700 episodes/ 3...

Japanator's Summer 2015 Anime Preview Guide!

Jul 04 // Josh Tolentino
New Series: [embed]33867:4893:0[/embed] Gangsta. Studio: Manglobe (Deadman Wonderland, Ergo Proxy, The World God Only Knows) Director: Shukou Murase (Ergo Proxy, Genocidal Organ) Broadcasting: July 1, 2015 (Streaming via Funimation) One of my pet armchair-anime-historian theories is that the true successors to the hyper-masculine era of anime and manga in the '80s and early '90s, the heirs to the likes of Fist of the North Star and its ilk, aren't the "superhero" titles of the modern day, but gritty, crime-and-violence action franchises, of which Black Lagoon stands as current exemplar. That's just a fancy way of me saying that Gangsta., whose title and content seem to originate from two different facets of criminal pop culture, is after that crown, like Jormungand was not so long ago. While I have my doubts that it can make off with it, considering the high regard Black Lagoon still commands these days, the saga of two badasses who pull crazy jobs for both cop and crim alike, stands to be an enjoyable action romp. It's also out right now!   [embed]33867:4894:0[/embed] Chaos Dragon Studio: Silver Link (Fate Kaleid Liner Prisma Ilya, Watamote) Director: Masato Matsune  Broadcasting: July 2, 2015 (Streaming via Funimation) Hey, kids! You know what's cool? The works of Gen Urobuchi, Kinoko Nasu, Ryougo Narita, and Makoto Sanda, that's what! Their combined record of creativity boasts such titles Madoka Magica, Fate/stay night, Durarara!! and Record of Lodoss War. Therefore, Chaos Dragon, which brings all these creators under one project's roof, should be at least five times as awesome as any single one, right? Well, maybe. The "too many cooks in the kitchen" adage still holds true in most things, though there's no denying the appeal of wanting to see what results when you put a number of famous talents in a room, have them play Dungeons & Dragons, then adapt the transcripts into a real live anime series.    [embed]33867:4895:0[/embed] Rampo Kitan: Game of Laplace Studio: Lerche (Carnival Phantasm, Assassination Classroom) Director: Seiji Kishi (Angel Beats!, Persona 4 The Golden Animation) Broadcasting: July 2, 2015 (Streaming via Funimation) The honor of this summer's first official simulcast debut goes to Rampo Kitan, which also happens to be commemorating a whole host of other occasions, including the return of detective-themed anime after a brief surge in popularity a few years ago (when you couldn't swing a dead cat without hitting some kind of take on loli Sherlock Holmes), and the 50th anniversary of the death of Edogawa Rampo, a famous Japanese mystery novelist.  I've never been much of a fan of mystery fiction, so I honestly couldn't tell you if we're seeing much of Rampo's work or influences in Rampo Kitan, but he's an author of a similar era to Ango Sakaguchi, who wrote the book that another 2011's somewhat overlooked detective anime Un-Go is based on. Rampo Kitan appears to be angling to push similar buttons.   [embed]33867:4896:0[/embed] GATE Studio: A-1 Pictures (Sword Art Online, Anohana) Director: Takahiko Kyogoku (Love Live! School Idol Project) Broadcasting: July 2, 2015 (Streaming via Crunchyroll) One of the most enduring and - I'll freely admit - fun thought exercises in nerd culture is trying to find out how people from the real world would fare in the many fantastical settings preferred by genre fiction. This usually takes the form of "If you lived in [Insert Fantasy Setting Here], how would you do?"-types of questions, but one particularly popular mutation of that exercise is pitting fantasy against reality, usually a bunch of dudes with guns and tanks against things like dragons, elves, and other magical creatures. It's a staple of everything from Reign of Fire to Pax Romana, even to recent anime like Outbreak Company and arguably the now massive "stuck in a game" subgenre. GATE is a slightly different beast, though, in that it tosses the real-life Japan Self-Defense Force trough a magic portal full of monsters, elves, and lolita mages. In fact, the promo visuals for GATE looks like a Call of Duty or Battlefield soldier accidentally got copy-pasted onto the box art of a Compile Heart JRPG. This could be an interesting watch, provided one tries not to look too hard at the potential for right-wing-nutjob-levels of subtext.   [embed]33867:4897:0[/embed] SHIMONETA: A Boring World Where the Concept of Dirty Jokes Doesn't Exist Studio: J.C. Staff (Danmachi, Food Wars) Director: Youhei Suzuki (The Hentai Prince and the Stony Cat, Aki no Kanade) Broadcasting: July 4, 2015 (Streaming via Funimation) Right as America celebrates its freedom from the oppression of the British, another world celebrates the freedom for high schoolers to run around telling filthy jokes and yelling about copulation, intercourse, and all the less-polite terminology for sexual congress between consenting adults. Expect to hear a lot of screeching, see a lot of fan service, and detect comically obvious subtextual criticism of recent "youth development" legislation with the potential to affect pop culture content.   [embed]33867:4898:0[/embed] God Eater Studio: Ufotable (Fate/stay night: Unlimited Blade Works, Fate/Zero) Director: Takayuki Hirao (GYO: Tokyo Fish Attack, Magical Sisters Yoyo & Nene) Broadcasting: July 3, 2015 (Streaming on Daisuki) Considering how much I got hyped up for Unlimited Blade Works, being excited about Ufotable's latest project, now that they're nominally free of the Nasuverse's clutches (at least until they start crunching on the Heaven's Feel movie), should be a no-brainer. And it is! I am indeed hyped, for God Eater is my favorite Monster Hunter competitor, and it's got a style all its own. In fact, it's just stylish enough and takes itself seriously enough that the Ufotable of this era is the perfect studio to pick it up. I'm already mildly optimistic thanks to their choice of a new, original protagonist to replace the canonical putz that is the manga-based "Yuu Kannagi". This new guy seems to be constructed more in the Eren Jaeger mold of being really mad at monsters, but it should at least make for more engaging character dynamics than the boringly earnest audience stand-in. Not that it even matters, given that the game's protagonists are fully customizable by default, anyway. In any case, if God Eater ends up being a lavishly animated action romp and no more, it'll have done its job perfectly.   [embed]33867:4899:0[/embed] School-Live! (Gakkou Gurashi!) Studio: Lerche (Carnival Phantasm, Assassination Classroom) Director: Masaomi Ando (White Album 2, Muv-Luv Alternative: Total Eclipse) Broadcasting: July 9, 2015 (Licensed by Sentai Filmworks) Three schoolgirls have an impossibly idyllic high school life. Everything is perfect, except for the fact that they're hallucinating, and in fact they're the only survivors of a zombie apocalypse and are trying to survive.  It's a deliciously weird premise that sounds right up the alley of the staff, many of whom are veterans from Gen Urobuchi's Nitroplus, an outfit long known for disturbing and tragic stories. Some folks are describing the manga this is based on as a real emotional rollercoaster (one that mostly angles down), but I'm not fully convinced of that yet. If nothing else, it does promise to be something outside the norm for typical "everyday life" fare.   [embed]33867:4900:0[/embed] Prison School Studio: J.C. Staff (Danmachi, Food Wars) Director: Tsutomu Mizushima (Girls und Panzer, Shirobako) Broadcasting: July 10, 2015 (Streaming via Funimation) Five men. A thousand women. One high school. That's normally a setup I wouldn't pay a huge amount of attention to, and if I'm honest, I'm mainly interested in Prison School just by virtue of it's being attached to Director Tsutomu Mizushima. Pretty much every show of his that I've watched has ended up on my favorites list (though admittedly I haven't seen it all), and I see no reason to stop giving him opportunities to add to it.  Besides, the Prison School manga has apparently garnered a reputation as a hilarious (if divisive) satire of the whole "harem high school" concept. Here, the few men at a formerly all-girls school are treated less like kings (as is the common conceit) and more like prey, which, honestly, is the far more likely scenario.   [embed]33867:4901:0[/embed] Everyday Life with Monster Girls Studio: Lerche (Carnival Phantasm, Assassination Classroom) Director: Tatsuya Yoshihara (Arve Rezzle, Yatterman Night) Broadcasting: July 7, 2015 Well, it took 'em long enough. Ever since a little comic called "Life with Lamia" made its way off Pixiv some years ago, I had been expecting someone to go and make a proper anime out of the whole "Monster Girl" conceit. As a natural extension of the whole catgirl phenomenon, it was inevitable, but I am genuinely surprised it didn't happen sooner. Unfortunately, though, besides the many amazing athropomorphizations of various mythical beasts and creatures, the show itself appears to be a standard harem/fan service rom-com. Not that anyone would expect that much different from a show titled "everyday life". Plus, that's, like, the whole appeal of monster girls anyway.   [embed]33867:4902:0[/embed] Actually, I Am (My Monster Secret) Studio: TMS Entertainment (Yowapeda, Zetman) Director: Yasutaka Yamamoto (Hero Bank) Broadcasting: July 6, 2015 (Streaming via Crunchyroll) "Actually, I Am"...what? What is she? The answer to that question would depend on who you ask, and forms the central conceit of this season's other monster girl anime, as a milquetoast young man who can't keep a secret to save his life is charged with concealing the true, monstrous natures of his female friends from the general public. Fans of the less human aspects of the monster girl concept might be a bit disappointed initially, seeing as the monsters hinted so far trend towards humanoid types like vampires and aliens and things that aren't lamias or snake-women. That said, I'm getting a bit of a similar vibe here to Spring's Yamada-kun and Seven Witches, so that could end up a net gain.    [embed]33867:4903:0[/embed] Overlord Studio: MADHOUSE (My Love STORY!!, The Tatami Galaxy) Director: Naoyuki Itou (Digimon: Data Squad, Hunter x Hunter: Phantom Rouge) Broadcasting: July 7, 2015 (Streaming via Funimation) Oh look, another anime where a dude gets stuck in an online RPG game world made real. How novel!  It's easy to dismiss this rapidly growing subgenre with a yawn, but I'd be lying if I said that the gamer within me isn't at least mildly interested. Besides, there does seem to be a bit of a twist in MADHOUSE's latest, with our lead not merely trapped in his game, but reincarnated into the role of the title's final boss, the titular, skeleton-bodied Overlord. That's a trope in and of itself, but hey, at least it's not yet another story about an ace gamer dude meeting with unending success as usual.   [embed]33867:4904:0[/embed] Snow White with the Red Hair  Studio: BONES (Captain Earth, Heroman) Director: Masahiro Ando (Sword of the Stranger, Blast of Tempest) Broadcasting: July 6, 2015 (Streaming via Funimation) Fairy tale deconstruction, thy name is "Snow White". Good old "Shirayukihime" is anime's go-to character whenever Glorious Nippon wants to take on the roots of western fantasy fiction. That said, there's not a whole lot here to promote the thought that this might be the next Ookami-san, either, with the Snow White in question being a red-headed commoner who flees a forced marriage to the local prince with the help of a young noble named Zen. Romance and fantasy tourism ensue. That actually works for me. After all, not every fantastical setting has to be milked for epic adventure, and some of my favorite fantasy anime are low-key explorations of an exotic land with a side of feelings, rather than rollicking action. And it'll be interesting to see BONES get back on that particular genre horse after a long time.   [embed]33867:4905:0[/embed] Sky Wizards Academy Studio: Diomedea (Kantai Collection, Cute High Earth Defense Club LOVE!) Director: Takayuki Inagaki (Desert Punk) Broadcasting: July 8, 2015 (Streaming via Funimation) You know that feeling you get when you look at an anime poster or even just hear its title and feel like you can predict the plot, characterization, and setting details from all that? And you're not cheating because it's one of those deliberately obvious light novel titles? That's the vibe I'm getting off Sky Wizards Academy right about now, with its story about a magical academy of (wait for it) Sky Wizards and the one disgraced ace wizard who takes on a class of misfit young girl wizards.  This, of course, is not to say that it can't be good or enjoyable, or even that my predictions will be wrong. It's just fascinating to see how even in a nominally creative industry you can still produce artistic works that just outwardly *scream* "product", if you get my meaning.   [embed]33867:4906:0[/embed] Charlotte Studio: P.A. Works (Shirobako, Hanasaku Iroha) Director: Yoshiyuki Asai Broadcasting: July 4, 2015 (Broadcasting on Funimation, Crunchyroll, and Daisuki) Pay no attention to the Director credit on Charlotte (sorry, Asai-san), because the big name here is Jun Maeda, he of Key and Sad Girls in Snow. Maeda is like M. Night Shyamalan for anime feelings, in the sense that pretty much everyone who knows his name likes to think they know exactly what he's doing when he does things. Whether or not that notion is actually true doesn't even matter.  In any case, it's also big because Charlotte is Maeda's first anime original since Angel Beats!, with much of the same team at P.A. Works helping produce it. Personally I liked Angel Beats!. Cliche as it was I did derive properly satisfying feels from all the tragic backstory. Ironically, though, it was the romantic bits that I bounced off of. Perhaps it's a good sign for me, then, that the action-to-melodrama balance of the trailer leans more towards the former?   [embed]33867:4907:0[/embed] Classroom Crisis Studio: Lay-duce (Go! Go! 575, Magi: Adventure of Sinbad) Director: Kenji Nagasaki (Gundam Build Fighters, Gundam 00) Broadcasting: July 3, 2015 (Streaming on Daisuki and Crunchyroll) Despite the rather banal high-school-students-with-jobs conceit and its classification as a rom-com, Classroom Crisis might just be this season's show to get the sci-fi juices flowing. Sure, the kids are in high school and have jobs, but when the high school is on frickin' Mars, and the jobs are designing custom spaceships, then you've got my attention.   Sequels, Shorts and Other Notables I've never really believed in the concept of the "Summer Doldrums", but thankfully for anime preview writers who are running terribly late, this summer is strangely stuffed with sequels and short-form productions. Most prominent there would be the new Dragon Ball Super, the first actual sequel to the Dragon Ball Story in nearly two decades. I've never been much of a Dragon Ball person, but it is quite exciting to see that segment of the fandom get all excited again. Then there's the continuation of Durarara!! x2, with the Ten portion of that arc getting its due, ideally this time with the studio not forgetting to animate entire portions of the final episode. The divisive Gatchaman Crowds also gets a second dip, where people may once more fall in love (or hate) with the way Hajime talks. I think it's cute, for the record. Also of interest is Aquarion Logos, a quasi-sequel to Aquarion EVOL, which turned out to not be a sequel to Aquarion at all. Non Non Biyori, Wagnaria, To LOVE Ru, Junjou Romantica and Hetalia also get new seasons after a lengthy absence from the scene, as well as a third (!) season of Fate Prisma Illya, which I honestly didn't think possible. Then again, Symphogear is also getting a third season this summer, so I guess anything is possible if you IMASINE it. Idolmaster Cinderella Girls continues the saga of me almost regretting calling myself an Idolmaster fan when I just can't get into all these new cast members.  Short anime really have come into their own after treasures like Tonari no Seki-kun and, er, Sega Hard Girls, which means that there are even more of them around now across an ever-expanding line of premises. You've got the usual idol and everyday life fodder like Danchigai, Sore ga Seiyuu!, Million Doll, and Wakaba Girl, but also in the margins are weird things like Pillow Boys a show about body pillows turned into cute boys, and Wakako-zake, a show about Miyuki Sawashiro visiting pubs and getting plastered. Even cute-bait and boobs anime have made a jump to the short format, with My Wife Is The Student Council President! and Himouto! Umaru-chan and the so-obvious-I-barely-need-to-preview-it Bikini Warriors. Life is good if you've only got 5-10 minutes to spare in your life for anime-viewing. And that's most of what she wrote! What are you watching this season? [embed]33867:4893:0[/embed] School-Live! (Gakkou Gurashi!) Studio: Lerche (Carnival Phantasm, Assassination Classroom)
Summer Anime Preview! photo
The Heat Is On
The Summer is nigh and the sun is out, and you know what that means, folks: Huddle indoors and watch Japanese cartoons! Well, come to think of it, that's our solution to every season, but hey, we're probably biased. After all...

Week Ender - Love is Love Edition

Jul 04 // Red Veron
[embed]34027:4889:0[/embed]"Baby Romantica"Anime: Junjou RomanticaA fun and easy listening pop rock song to accompany some cute stuff with some men being all dramatic, all of which are targeted for the women (and men) who love the genre of boy's love.[embed]34027:4890:0[/embed]"Territory"Anime: Yuri Kuma ArashiA cute ending with a nice and cheerful song featuring a cute little bear dancing on the corner.[embed]34027:4891:0[/embed]"Click Your Heart"Anime: Love Stage!!Very adorbs ending with some pants confusing cuteness from the one of the MC and some boy's love teasing going on. Well done![embed]34027:4892:0[/embed]"Kiss (and) Love"Anime: Sakura Trick!!Pretty ample fanservice in this one with more sexy than the opening of this show.Is there a boy's love and/or girl's love anime endings that you love that I didn't put up on here? SHARE IN THE COMMENTS BELOW! I wants to know!
Week Ender photo
Love has a Delicious Smell
Love is love! If two people want to love each other, then they should. I'm not in that relationship so it is none of my business. This weekend's selection of anime endings are all about girl's love and boy's love, and there a...

Celebrate USA's birthday with anime videos of America

Jul 04 // Red Veron
[embed]34026:4885:0[/embed]LawsuitAh. Nothing like a good old fashioned lawsuit for maximum justice.[embed]34026:4886:0[/embed]Hotdogs (WARNING: LANGUAGE)Hawtdawg.[embed]34026:4887:0[/embed]Straight outta BrooklynFuggedaboutit.[embed]34026:4888:0[/embed]In AmericaThe Greatest American ever in Anime. Ever.
4th of July photo
Welcome to Earth
Happy Birthday, USA! This weekend is the celebration of the great nation of the United States of America. So using the rights I am granted by this great nation, I've thrown together a few videos from Japanese animes featuring some USA-related stuff to celebrate the founding of this great union.So slap some burgers and hotdogs on the grill, sit back and enjoy some videos from anime about the USA.

Strong Style: New Japan Pro Wrestling on AXS S2 episode 6

Jul 04 // Soul Tsukino
BUT FIRST:  Let's do a little catching up heading into day 4. Once again I will point out in this tournament wins are worth 2 points, a draw is 1 point, and losses are worth nothing. I won't bother with the specific results of days 2 and 3 but here are the point totals heading into this episode. BLOCK A:   Hiroshi Tanahashi (6 points), Shelton X Benjamin (6), Bad Luck Fale (4), Satoshi Kojima (2), Yuji Nagata (2), Katsuyori Shibata (2), Shinsuke Nakamura (2), Tomohiro Ishii (2), Davey Boy Smith Jr (2), Doc Gallows (2), Tomoaki Honma (0). BLOCK B: Kazuchika Okada (6 points), Hirooki Goto (6), Hiroyoshi Tenzan (4), Tetsuya Naito (4), Yujiro Takahashi (2), Togi Makabe (2),  Toru Yano (2),  Lance Archer (2), AJ Styles (2), Karl Anderson (0),  Minoru Suzuki (0). Seriously, The reigning IWGP Champion has only one win, and Suzuki doesn't have any? Still early, but that is really surprising. Now with that settled we will get to the action! We are welcomed by Shibata for the second week in a row as we kick things off   Block A: Shinsuke Nakamura V/S Yuji Nagata: "King of Strong Style" vs. "Blue Justice". Nagata comes out wearing an "Anti-Aging Hero" shirt. Love it.  As both men are trained in amateur wrestling as well as MMA, it leads to Mauro talking about a conversation he had with Samoa Joe about the influence of MMA in pro wrestling. The start off is slow, but we skip ahead where things are heating up. This match is not fast but hold and counter hold. Lots of kicks and strikes and blocks and dodges. Josh Barnett adds something here because he not only wrestled Nagata before, he had his debut against Nagata. The match ends with Nakamura hitting 2 Booma yae knees to the head and scoring the pin. We get some post-match words from Nakamura before going to break. Probably had a lot clipped, but you still got the general feel of how the match played out. Block B: Tetsuya Naito vs. A.J. Styles: Naito may be smaller than most in this tournament, but he has shown on this program before that he can hang with the big guys. Doesn't get any bigger than the IWGP Champion. The story here is that Naito won last year's G1 and looking to repeat, while Styles wants to become the first gaijin winner of the G1. The match starts off with trading arm locks and headlocks to gain an advantage. Mauro mentions that Naito already has a bandaged cut on his head from Tora Yano. Naito gains an advantage and then messes with Styles by doing A.J.'s pose. Sure enough Naito's cut starts trickling blood. Both men get furies of offense, but Styles shuts Naito down with a poke in the eye. We skip ahead as now Naito is gushing blood, but still holding the advantage. Mauro gets bonus points from me for making a point to reference someone I admire, Gordon Solie. Styles nearly gets the Styles Clash on Naito, but Naito counters. Naito hits his Gloria suplex and then hits the top rope corkscrew for the WIN! Post-match comments from Naito saying that he respects Styles, but just beating him wasn't enough. He wants a title shot. Again, edited a lot but this match was still very entertaining to watch and a big surprise for Naito to pick up the win. Block B: Kazuchika Okada vs. Karl Anderson:  To say that "The Machine Gun" from the Bullet Club has an uphill climb here is an understatement. Block B top point holder taking on the bottom of Block B. Anderson attacks before Okada even finishes his entrance. We skip ahead as both men are outside the ring. We skip ahead again as Anderson is just mauling Okada. A lot of clipping here. Okada gets in a DDT to stop Anderson's offense.  We clip again as Okada lands the top rope elbow and goes into his Rainmaker Pose. He goes for the Rainmaker clothesline but gets caught in a Liger bomb. Anderson gets a top rope neck breaker (A cool move I've not seen before) and a Bernard Driver but can't put Okada away. Clipped again as Anderson goes for his finisher, the gun stun (Stone Cold Stunner) but is countered, countered again, and countered AGAIN before Anderson actually hits the move and gets the win! Wow, that easily is the most clipped match I've seen on this show ever. Anderson talks some smack in the post match. Okada and Gedo have nothing to say as they go straight past the press for the locker room. We get some in studio comments from Shibata before our main event. He talks about how this is an important match and we get some clips of Shibata and Tanahashi feuding when Shibata returned to New Japan in 2012. Block A: Hiroshi Tanahashi vs. Katsuyori Shibata: Main event time! We got a good look at Shibata last week with the oddly emotionless way he destroys people with his MMA influenced style. Here he's taking on NJPW's golden boy. These two were once part of New Japan's "Three Musketeers" in 1999 along with Nakamura. We've got about 25 minutes left in the show, so hopefully this match wouldn't be the hatchet job the last one was. Tentative start once again and oddly Shibata is already sweating. Shibata SLAPS Tanahashi, like totally bitch slaps him. Tanahashi returns the favor. Yup, these guys do not like each other. The action picks up quick with each man dodging big strikes and kicks before Tanahashi leaves the ring. Shibata hurts his knee from a dive and now Tanahashi has something to target. Despite the injury, Shibata takes Tanahashi outside the ring and beats on Tanahashi including a running kick to the face. We come back from a commercial break with Shibata standing over Tanahashi. Tanahashi makes his comeback with an elbow before hitting a senton on Shibata. Shibata gets a knee to Tanahashi to regain the lead here. Shibata shrugs off a drop kick while in the corner before beating Tanahashi's head in with several elbows before hitting his sweet hanging drop kick. Tanahashi gets a forearm and then a german suplex, but Shibata pops right up and grabs a suplex of his own. Shibata goes for a kick, but Tanahashi catches it and goes for a few leg whips before putting on a cloverleaf leg lock. Josh mentions the lock is actually putting pressure on Shibata's good leg, not the injured one. Nice touch there from Josh Barnett. Small comments like that make this commentary more legit than anything else out there. After releasing the hold, Tanahashi just kind of stands there awkwardly, looking for a crowd reaction that isn't there and gets booed heavily for it. He lands the sling blade clothesline on Shibata before Tanahashi lands a frog splash. He goes for a second but Shibata gets his knees up. The crowd is chanting for Shibata loudly now. Both men trade forearms as it's a standoff.  Shibata lands a NASTY spinning backhand that literally smacks the sweat off Tanahashi's face. Shibata goes for the Go-To-sleep knee to the head, but it's countered, only for him to hit it again. he nails Tanahashi with a running penalty kick and scores the pin. The two men begrudgingly shake hands before Shibata calmly leaves the ring and walks to the back in his typical style. Post match Tanahashi is on the floor in pain as he questions the last 10 years of his career. Shibata pretty much agrees. In the studio, Shibata talks about how much the match was important to him before we close out the show for the week. That main event was incredible, no denying that. Even more than last week though, the weakness of having a one-hour show covering this big of a tournament shown through. The Anderson/Okada match was clipped to death. Also, I get the idea is to focus more on the action, but they make little if any mention of the points each man holds going into these matches which may not be a huge deal, but kind of leaves out part of the story. Saying that, Mauro and Josh were spot on tonight and made the show that much more enjoyable to watch. In keeping track of things,  here is the action from each block you didn't see and the points at the end of the night. BLOCK A: Kojima beat Fale, Benjamin beat Smith Jr., Ishii beat Honma. Shelton X Benjamin (8 points), Hiroshi Tanahashi (6), Bad Luck Fale (4), Satoshi Kojima (4), Katsuyori Shibata (4), Shinsuke Nakamura (4), Tomohiro Ishii (4), Davey Boy Smith Jr (2), Yuji Nagata (2), Doc Gallows (2), Tomoaki Honma (0). BLOCK B: Suzuki beat Tenzan, Yano beat Goto, Makabe beat Archer. Kazuchika Okada (6 points), Hirooki Goto (6), Tetsuya Naito (6), Hiroyoshi Tenzan (4), Togi Makabe (4),  Toru Yano (4),  Lance Archer (2), AJ Styles (2), Karl Anderson (2),  Minoru Suzuki (2), Yujiro Takahashi (2). And with that, I hope all of you American readers have a great July 4th weekend. And those of you looking to just have fun, take a lesson from the Florida Brothers. You don't have to be born American to enjoy the holiday, just American at heart.   BUT FIRST:  Let's do a little catching up heading into day 4. Once again I will point out in this tournament wins are worth 2 points, a draw is 1 point, and losses are worth nothing. I won't bother with the specific results of days 2 and 3 but here are the point totals heading into this episode.   BLOCK A:  Hiroshi Tanahashi (6 points), Shelton X Benjamin (6), Bad Luck Fale (4), Satoshi Kojima (2), Yuji Nagata (2), Katsuyori Shibata (2), Shinsuke Nakamura (2), Tomohiro Ishii (2), Davey Boy Smith Jr (2), Doc Gallows (2), Tomoaki Honma (0).  BLOCK B: Kazuchika Okada (6 points), Hirooki Goto (6), Hiroyoshi Tenzan (4), Tetsuya Naito (4), Yujiro Takahashi (2), Togi Makabe (2),  Toru Yano (2),  Lance Archer (2), AJ Styles (2), Karl Anderson (0),  Minoru Suzuki (0). Seriously, The reigning IWGP Champion has only one win, and Suzuki doesn't have any? Still early, but that is really surprising.
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The G1 Climax heats up!
Hello, welcome back to Strong Style. Happy 4th of July to our American readers as we once again take a look at the G1 Climax 24 tournament. Last week we took a look at three matches from the opening day of the tour, and this ...

OP Up! Love is Love Edition

Jul 01 // Red Veron
[embed]34020:4880:0[/embed]"Kimi = Hana"Anime: Junjou RomanticaI know nothing about BL anime so I'll just comment on this opening. I like the song in this opening. Pretty minimal in the budget but you don't really need that much for an anime about pretty dudes holding hands and getting close.[embed]34020:4881:0[/embed]"Hanaji"Anime: Maria HolicA pretty crazy opening and it's from SHAFT, the studio that makes crazy looking stuff. Visually striking with all the colors blending in with the minimalist style that studio employs, along with using painting as a theme (like painting stuff, not art). A fun and weird one to watch.[embed]34020:4882:0[/embed]"LΦvest"Anime: Love Stage!!I must apologize that I am not familiar with BL and this show, so I will comment on the opening. I really like this opening; it's pretty, the character designs are great, and it shows off the show well. The show involves the main character, Isumi, who is a very androgynous guy who actually looks to cause some pants confusion, and Ryoma, a guy who fell for Izumi while Izumi was dressed up as  a girl ten years prior to them meeting again.[embed]34020:4883:0[/embed]"I've been waiting in that forest"Anime: Yuri Kuma ArashiA crazy show that a need to finish watching, this one is about a bears gaining intelligence equal to humans and rising up against humanity. Somewhere along the line, lesbian bears happen. It's a crazy premise but it is a visually beautiful show and is a never ending source of insanity.Did I not post your favorite opening from a boy's and/or girl's love anime? SHARE IN THE COMMENTS BELOW!!!
OP Up! photo
Never back down on LOVE
Being able to love the one you love is great and here at Japanator, we support that. I mean, if you want to spend the rest of your life with someone you love, you should have that choice to do it. So this week's OP Up! is all...

Annotated Anime: One Piece episode 699

Jun 30 // Anthony Redgrave
Naturally Luffy's animalistic fighting style eliminates their gambit as despite successfully connecting with Doflamingo, doesn't put him down for the count. This episode shows where the majority of the budget for the Dressrosa arc went as the fighting is crisp and lively. Even the characters outside of the fighting look good as they have gracefully avoided the derp hammer. Doflamingo's fighting style is different compared to when he faced Law on the bridge as he chooses to employ a puppet-pincer style against Luffy. It reminds me of Gecko Moria's fighting style except Doflamingo actually participates instead of lazing around.  The fight isn't even close. The Surgeon-Straw Hat duo may have been able to sucker punch Doflamingo, but they are not ready for a face to face confrontation. Doflamingo is head and toes better than the two combined, making Trebol look pretty much useless. In another part of the town, Sabo's fight with Fujitora has already ended. Koala finds him day dreaming and their interaction is very similar to Nami's and Luffy's relationship. The fact that Koala and Nami also have the same hair color doesn't help with the avoid this comparison. The abrupt end to Sabo's bout with Fujitora is quite confusing as I have no idea why they had stopped or at what point they were at. They just stopped.  As the episode concludes Doflamingo takes down Luffy and stops Law from dealing the final blow to Trebol. A noble act for someone that sell's slaves, blackmails royalty, and enslaves whole countries. He then goes on a rant about hating people thinking they are above him and we get glimpses at his twisted superiority complex. Also does anyone else think his younger self looks like Duke Nukem?  [One Piece streams weekly on FUNimation] Koala
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Doflamingo is a psycho!
Donquixote Doflamingo has been one of my favorite villains in One Piece ever since he was introduced as one of the seven warlords of the sea. You only really saw him in-between arcs, but you could tell that he wasn'...

Annotated Anime: The Disappearance of Nagato Yuki-Chan episode 5

Jun 28 // Anthony Redgrave
So we finally get a resolution behind the drama filled finale worthy of a soap opera; the meek girl finally plucks up the courage to give her crush chocolates only to find her crush receiving chocolates from another girl! Shock! Horror! Scandalous! It's like something right out of a tamer Dear Deidre (for the British Sun readers). The true meaning behind the chocolate giving mishap is, of course, a misunderstanding as Valentine's Day chocolates come in two varieties; courtesy chocolate for friends and the more recognisable love chocolates. I'm guessing the courtesy chocolates that are being given don't have to be homemade or nice or even special in any way as Haruhi was giving out the Japanese equivalent of $1.00 Hershey bars to Kyon and Koizumi. In true mother bird fashion, Asakura flies off in a rage at Haruhi for hurting Nagato but is wise enough to find her own faults in pushing her ideals onto Nagato. I've said this every week of recapping Nagato Yuki-chan but I really like Asakura as a character and this bit of character development is the cherry on top of a sundae. Catching up with Nagato it is revealed that is even more misunderstanding. Nagato wanted to leave Haruhi and Kyon alone so she can give him the chocolates in private and dropping the chocolate was a mistake. It still doesn't explain why she had to run out of the building and out of sight. Finally, Kyon and Nagato have their moment even though the former is still oblivious and the latter has her confession interrupted by secondary characters.  This episode had a lot of interaction between Haruhi and Asakura, two characters that didn't interact a whole bunch in the Haruhi series. While Asakura has to take a parental role when talking to Nagato, she sees Haruhi as an equal so can voice her concerns and thoughts for a second opinion. I really like this as it shows that Asakura is not this perfect protective person and still has insecurities when it comes to advising her friend.  There is a post credit scene in this episode so don't switch off when the ending credits appear.  [Watch the disappearance of Nagato Yuki-chan on FUNimation!] So we finally get a resolution behind the drama filled finale worthy of a soap opera; the meek girl finally plucks up the courage to give her crush chocolates only to find her crush receiving chocolates from another girl! Shock! Horror! Scandalous! It's like something right out of a tamer Dear Deidre (for the British Sun readers). The true meaning behind the chocolate giving mishap is of course a misunderstanding as Valentine's Day chocolates come in two varieties; courtesy chocolate for friends and the more recogniseable love chocolates. I'm guessing the courtesy chocolates that are being given don't have to be homemade or nice or even special in anyway as Haruhi was giving out the Japanese equivalent of $1.00 Hershey bars to Kyon and Koizumi. In true mother bird fashion Asakura flies off in a rage at Haruhi for hurting Nagato but is wise enough to find her own faults in pushing her ideals onto Nagato. I've said this every week of recapping Nagato Yuki-chan but I really like Asakura as a character and this bit of character development is the cherry on top of a sundae. Catching up with Nagato it is revealed that is even more misunderstanding. Nagato wanted to leave Haruhi and Kyon alone so she can give him the chocolates in private as that is what she wanted and dropping the chocolate was a mistake that made for a dramatical shot. It still doesn't explain why she had to run out of the building and out of sight. Finally Kyon and Nagato have their moment even though the former is still oblvious and the latter has her confession interuppted by secondary characters.  This episode had a lot of interaction between Haruhi and Asakura, two characters that didn't interact a whole bunch in the Haruhi series. While Asakura has to usually take the parent role when talking to Nagato, she sees Haruhi as an equal so can voice her concerns and thoughts for a second opinion. I really like this as it shows that Asakura is not this perfect parental person and still has insecurities when it comes to advising her friend.  There is a post credit scene in this episode so don't switch off when the ending credits appear.  [Watch the disappearance of Nagato Yuki-chan on FUNimation!]
Nagato Yuki photo
Boys are soooo oblivious!
It's par for the course that every love interest in anime that is out-numbered by the opposite gender by more than 1:2 will be completely ignorant of another's feeling. It's the harem curse that falls on all protagonists. The...

Week Ender - Military Edition

Jun 27 // Red Veron
[embed]34003:4865:0[/embed]"Never Dying Flower"Anime: Full Metal Panic!A nice ending featuring some photos of the cast strewn around a table until you realize that these are probably recon pics. Very creative ending and most of the art featured are made for the ending and not just lazily taken from the show.[embed]34003:4866:0[/embed]"In beyond dark"Anime: Gunparade MarchStarts out all solemn and sad but gradually changes to something better give you some hope in this rather dark show about humanity on the brink of extinction.[embed]34003:4867:0[/embed]"Faith"Anime: Silver Will ArgevollenThis ending has some of cool imagery of mecha on the battlefield blowing stuff up while not forgetting about the boots on the ground that keep the mission going on. Something we rarely seen in these shows about operations involving complex machinery are the people keeping things running. [embed]34003:4869:0[/embed]"Enter Enter MISSION"Anime: Girls Und PanzerDon't dismiss this one as just another 'moe' show or one about "cute girls doing cute things", this one is more about "cute girls doing cute things while awesome tank battles happen" kind of show. Conceived by an author who likes tanks more than cute girls, the cute girls in this show only serve as a medium to deliver cool tank stuff and tank battles. Try this show if you like tanks.[embed]34003:4868:0[/embed]"Laterality"Anime: Jormungand: Perfect OrderHer name is Coco and she is loco. She is also an arms dealer.Is there an ending to a military-related anime that I didn't put on here? SHARE IT ON THE COMMENTS BELOW! I wanna know.
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I don't know what you've been told
This weekend's Week Ender is all about military-related anime endings! Seems like I forgot a fan-favorite, Jormungand, which needs to be on here. So rejoice that your favorite loco arms dealer gets some loving this weekend.No...

Strong Style: New Japan Pro Wrestling on AXS S2 episode 5

Jun 27 // Soul Tsukino
With that, here are the participants: [embed]34001:4875:0[/embed] A Block: Hiroshi Tanahashi (2007 winner) Satoshi Kojima (2010 winner) Yuji Nagata (2001 winner) Tomoaki Honma (Replacing an injured Kota Ibushi) Katsuyori Shibata Shinsuke Nakamura (2011 winner) Tomohiro Ishii Shelton X Benjamin Davey Boy Smith Jr Doc Gallows Bad Luck Fale B Block: Togi Makabe (2009 winner) Hirooki Goto (2008 winner) Tetsuya Naito (2013 winner) Hiroyoshi Tenzan (2006 2004 2003 winner) Kazuchika Okada (2012 winner) Toru Yano Minoru Suzuki Lance Archer AJ Styles Yujiro Takahashi  Karl Anderson So we begin on the first night of the tour at the Hokkaido Prefectural Sports Center on July 21 2014. Block A: Hiroshi Tanahashi vs. Tomoaki Honma: Interesting match with NJPW's big star taking on the perennial underdog. The announcers point out that Honma is replacing Ibushi who is out of the competition with a concussion. Honma gets a great reaction from the crowd. The picture being painted is that Honma may be the underdog, but he is hanging every step with Tanahashi. Honma actually dominates and sets up for his falling headbutt finisher, but as usual, he misses. Tanahashi hits a dragon suplex, but Honma kicks out. Honma nearly gets a pin with a roll up. Honma hangs tough, but Tanahashi hits the sling blade clothesline and a diving splash to get the win and two points. Brief, especially with the edits, but it got the point across. Block B: A.J. Styles vs. Kazuchika Okada: Really surprised this wasn't the feature match. Both "The Rainmaker" and "The Phenomenal One" have been featured on this show before so there isn't much new that I'll explain. Styles is the reigning IWGP Champion in this match as well, having beaten Okada. The crowd is FIRMLY behind Okada in this one. Styles is out here by himself while Okada has Gedo in his corner. Okada starts thing off with an awesome dropkick with Styles sitting on the top turnbuckle. They do an amazing spot where Styles is whipped into the ringside barricade, but leaps right over it into ringside, only to have Okada leap over and hit Styles. Further along in the match the ref is down. Okada goes for the win when Takahashi comes in as expected but gets dropkicked in the mouth for his troubles. They exchange moves including Okada hitting a tombstone out of a styles clash position before Okada decrapitates Styles with the rainmaker clothesline for the win and 2 big points. We get some words from Okada in the ring where he promises to beat Styles of the IWGP title and he will win the whole tournament. Gedo says pretty much the same thing. We get a few words from Shibata about his mindset going into this match. He talks about how he wondered what the fans would think of their match, and also how much Nakamura had changed since they were together 10 years ago. Block A: Shinsuke Nakamura vs. Katsuyori Shibata: The announcers do a great job of explaining how Shibata had left NJPW for over 7 years to go to MMA and various paces while his dojo classmates Nakamura and Tanahashi stayed. The difference in these two is night and day. Shibata  comes out in black tights and no flash. Very much like Dan Severn while Nakamura comes out with his usual flash and posing. The match starts tentatively as both men go for a classic style lock up.  Nakamura does some clowning, but Shibata makes him pay for it with some kicks. Seeing Shibata going for sit outs and lock ups shows he's had amateur wrestling training up the wazoo. Shibata puts Nakamura in a sleeper and then powers him over the top rope. Shibata's emotionless approach to calmly throwing Nakamura into the barricade and the ring posts is scary. Things slow down as Shibata goes for an early figure four leg lock. They break the hold and we go into Shibata smacking Nakamura around before Shinsuke gets fired up and takes over. The match is showing that while Shibata is the emotionless badass, Nakamura is every bit his equal and can fight as well. Shibata hits a sweet kick that knocks Shinsuke flat before Shibata hits a hanging dropkick (!). Nakamura goes for his finisher, but his met with a dropkick laying out both men as we go to a break. We come back as both men exchange forearms again and neither is going down. Nakamura hits two Boom-mae-yae knees to the skull, but Shibata gets up from the pin and then counters Shinsuke's charge with another dropkick. Shibata NAILS Shinsuke with a hell of a kick and gets the pin! Wow, not the result I would have guessed. Okay, now I see why this was made the feature! Nakamura gives us some words that his loss was a result of bad luck while Shibata doesn't really say much of anything. Badass? Yup. Promo man? Not even close. We get some studio words from Shibata saying he feels the match got a mixed reaction from fans (Huh? really?) but he's ready for more. As good a show is this is, watching it you can see the flaw of covering such a big tournament with just a 1-hour show. Each night is going to have 10 or 11 matches (and was 4 1/2 hours long), but really they could only show one full match and only clips of just two others. You miss some of the context here, but since it was only the first day of the tournament, Mauro and Josh didn't have to tell you about how many points each person had or what they had to do to stay in the race. Next week we shall see just how much of the rest of the tournament the announcers explain. I, on the other hand, don't have to worry about such things. Here is the quick results of the rest of night 1 and the points update. Block A: Fale beat Ishii, Benjamin beat Gallows, Kojima beat Nagata,  (Tanahashi/Shibata/Fale/Benjamin/Kojima all get 2 points) Block B: Tenzan beat Anderson, Yano beat Suzuki, Takahashi beat Naito, Goto beat Makabe (Okada/Tenzan/Yano/Takahashi/Goto all get 2 points) And there you have it. See you next week with more from the G1 Climax 24! With that here are the participants https://www.youtube.com/watch?t=101&v=EGCsYr4a-3Y A Block: Hiroshi Tanahashi (2007 winner) Satoshi Kojima (2010 winner) Yuji Nagata (2001 winner) Tomoaki Honma (Replacing an injured Kota Ibushi) Katsuyori Shibata Shinsuke Nakamura (2011 winner) Tomohiro Ishii Shelton X Benjamin Davey Boy Smith Jr Doc Gallows Bad Luck Fale B Block: Togi Makabe (2009 winner) Hirooki Goto (2008 winner) Tetsuya Naito (2013 winner) Hiroyoshi Tenzan (2006 2004 2003 winner) Kazuchika Okada (2012 winner) Toru Yano Minoru Suzuki Lance Archer AJ Styles Yujiro Takahashi  Karl Anderson So we begin on the first night of the tour at the Hokkaido Prefectural Sports Center Hiroshi Tanahashi vs. Tomoaki Honma Interesting match with NJPW's big star taking on the perennial underdog. A.J. Styles vs. Kazuchika Okada Really surprised this wasn't the feature match. Both "The Rainmaker" and "The Phenomenal One" have been featured on this show before so there isn't much new that I'll explain. Styles is the reigning IWGP Champion in this match as well. Shinsuke Nakamura vs. Katsuyori Shibata /ul/34001-/match2-620x.jpg [embed]34001:4864:0[/embed]
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The G1 Climax Begins!
Welcome back to Strong Style! This week we begin something very cool as NJPW on AXS TV begins its coverage of the 24th annual G1 Climax Tournament! The coverage of the tournament will take us all the way into August with high...

OP Up! Military Edition

Jun 24 // Red Veron
[embed]33991:4853:0[/embed]"Tough Intention"Anime: Silver Will ArgevollenA more realistic military take on the mecha genre where the show follows a mechanized platoon that is right in the battlefield during a war between two fictional nations.[embed]33991:4854:0[/embed]"Atashi no Machi, Ashita no Machi"Anime: Library WarThis one is set in an alternate history where a government group is formed to censor books in libraries and a local militias are formed to protect libraries. A very interesting setting that more people need to check out.[embed]33991:4855:0[/embed]"The Door of Truth"Anime: Gunparade MarchOne of those "Humanity on the brink of extinction" stories, this one has militaries resorting to training small groups of young people to fight against an alien enemy. No overpowered robots or magical weapons in this one, prepare for the worst.[embed]33991:4856:0[/embed]"Tomorrow"Anime: Full Metal PanicSet in a world where the Cold War isn't over and technology is available to create giant piloted robots for warfare, this show follows a young man who grows up in the battlefield and is then placed in a Japanese High School setting. Equal parts of comedy and action make this show a fun time.Did I not include your favorite military themed anime opening in this week's selection? Right that wrong and SHARE IN THE COMMENTS BELOW! I want to know!
OP Up! photo
You are voluntold to enjoy this list
This week's selection of anime openings for OP Up! is all about military themed anime. The military has been a theme ripe for action and anime has always found it to be a good source of great entertainment. From the military ...

Annotated Anime: One Piece Episode 698

Jun 23 // Anthony Redgrave
Wow what an episode. When One Piece wants to turn on the action valve, it gushes not drips. I've been waiting a whole year for some more excellent One Piece fights and this episode was just the hor d'oeuvres. But first we had to sit through one of the most bizarre and badly done transition shots I've seen in recent years. After some badass close ups of Robin, Bartolomeo, and Cabbage Cavendish, it then jump cuts to a close up of Doflamingo's glasses, Law and ends with Trebol laughing. The whole thing lasts less than 3 seconds, but it's absolutely jarring to see. It's as if they accidently added in frames of Doflamingo and Law when they were finalising the scene transition. As I mentioned before this episode is about action, action, action! We are treated to literally all the fights occurring at this very moment; Franky vs. Senor Pink, the gladiators vs. Doflamingo family, and even Law and Luffy begin their final battle with the Heavenly Demon. Confusingly they completely forgot about Zoro's fight, unless he got lost on Pica. Since Sanji is AWOL, Zoro's fight is the one I'm looking forward to most so I was disappointed I didn't see him do some badass santoryu.  An alternative title for this episode should have been 'flashbacks, shadows of the past' as they recount many previous events leading up to now. It was especially offsetting seeing the old art style One Piece had back in the Jaya arc. Looking back on old One Piece episodes makes me question whether my rose tinted glasses are a bit too powerful as they look dated. The ending is one of the most satisfying I have seen in One Piece. All the frustrations I have had with the arc has all been soothed in the last 10 minutes of the episode. It also brings up a lot of mysteries that I want answering concerning the past relationship with Law and Doflamingo. My body is ready for the next week's One Piece episode #olde3joke.  hor d'oeuvres bartolomeo
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Action! Action! Action Jackson!
Readers that cross-pollinate to other anime sites like Anime News Network may know that they have started doing One Piece recaps as well. The writer of these, Sam Leach disagrees with me almost every week. When I li...

Review: Kantai Collection - Kancolle - Season 1

Jun 21 // Anthony Redgrave
Kantai Collection Studio: Diomedea/ Doga KoboRelease Date: January 7, 2015Format: Streamed via Crunchyroll Story-wise, Kantai Collection has had a lot of breathing room when drawing from its game counterpart. The game's main draw were the fleet girls, each one unique in their appearance, personality, and often drawing from anime stereotypes. The game had little to no story but had lots of different fleet girls that needed to be managed and micro-managed. So the anime focuses on the little destroyer that could, Fubuki. She is a new recruit to join the fight against the Abyssal fleet that had mysteriously surfaced. Even though it was advertised as a light-hearted slice of life moe school girl anime, Kancolle mixes in drama, suspense, and action moments that can satisfy the manlier viewer's palette. This title is also a period piece making many references to the Pacific Theatre; from Battle of W island (Battle of Wake Island) to all the fleet girls being based off real world battle ships e.g. Fubuki is based off a Japanese Destroyer Fubuki. However, history buffs may scoff at the inaccuracies depicted in Kancolle but for the average viewer it may provide a rabbit hole of interest into the naval campaigns of WWII. Attention to detail is one of Kancolle's greatest strength though they do blur the lines in this regard.  The mood is never confusing because of its superb pacing. Each episode allows viewers to revel in the banter and gags at the naval base, watch as the battle unfurls from plan to operation, and grow closer to each character as the episode concludes. It follows this formula so the mood flows cleanly between each scene. This cycle is toned down during the middle of the season to give way for a beach episode and a curry cook-off. The latter isn't necessary for viewing but provides the moe fan service that many viewers would be expecting. This formula wouldn't work as well if the fleet girls weren't all charming in their own way. Partly because of their visuals making them all look attractive but also their amplified personalities. Kongou is the loud big sister type with an obsession for the unseen admiral and verbal English tics. Her brash head-strong personality coupled with random linguistic interchanges would come off as annoying, but the latter is a delightful reference to her real world British roots. The fleet girls even wear their personalities in the heart of battle, I really liked how Naka (self-proclaimed idol of the fleet) would exclaim "Please no more autographs" when she was getting attacked. It's these little character points that make all the fleet girls endearing.  The visuals in Kantai Collection are excellent. Like with most school girl anime, all the characters look beautiful and cater to a variety of moe subgenres. Although they do go overboard when there are girls that are battleships and act like animals!? On the animation side, they do a wonderful job converting static 2D portraits from the game into moving anime characters, and then pulling those characters into CG for the battle scenes. I only realized they went CG once the stereoscopic shots of girls firing the cannons made it abundantly clear. The designs are kept wonderfully consistent so nothing looked out of place when they switch between animation styles.  The whole premise of Kantai Collection is interesting as it brings novel ideas to the table. Turning girls into battle ships or vice-versa seemed like a strange concept but they fleshed out the details to make it more than just a throwaway slice of life in disguise. It doesn't copy the game but draws elements from it. For example; in every school girl anime there has to be a bath scene because fan service. But Kancolle makes it a prerequisite as each girl has to take a bath to repair the damages they have sustained. Instant repairs (a rare item in the game) comes in the form of specialized water making the link to the game subtle and not shamelessly promotional. Even the "excessive eater" gag has its place as the larger ships require more energy to run so have to eat more than smaller ships. They never don't explain why they have to exercise though... I went into Kancolle because it looked like a fun dumb slice-of-life about girls that happened to be ships. When I finished the short 12 episode season I was surprised by how good it was for a school girl anime. It didn't overstay its welcome with excessive fan service so the 12 -episode length was just the right on the money. Viewers that have a tolerance or preference towards anime school girls should definitely give this one a run through on Crunchy Roll.  [This review is based on a streaming version of the series viewed by the reviewer at personal expense] Battle of W island
Kantai Collection Review photo
Anchors A-moe
Kantai Collection, often shortened down to Kancolle for the more efficient speaker, has a bizarre premise. It's strange that a veteran anime viewer like myself had to double-take on Kancolle's premise; battle ships that live ...

Week Ender - Foodie Edition

Jun 20 // Red Veron
[embed]33970:4833:0[/embed]"Become a smile"Anime: Gourmet Girl GraffitiBy far one of the best food oriented anime in recent years, this one combines food with the insanity and beautiful detail by anime studio SHAFT. Cute girls eating appetizing anime food never gets any better than this show and this ending is a great way to show those aspects of the show. Highly recommended if you like: SHAFT, food, and cute girls.[embed]33970:4834:0[/embed]"Sunday"Anime: Yakitate!! JapanA fun and educational ending with a live action cooking with making some delicious looking bread. I am starving as I write these little paragraphs.[embed]33970:4835:0[/embed]"Spice"Anime: Food WarsDesigned to whet your appetite for food and "other things", this is an upbeat ending with a catchy tune alongside colorful visuals.[embed]33970:4836:0[/embed]"Formula of Smiles"Anime: Ben-ToA more laid back and gentle ending to contrast the over-the-top action featured on the show. Nice way to wind down. I am hungry.Did I miss an anime ending about food that you like? SHARE IN THE COMMENTS BELOW! I must knowowowowow!
Week Ender photo
Delicious Smell
The weekend is here again and I'm sure y'all have been salivating since last wednesday's OP Up! Foodie openings. So here are some anime endings from anime about food and food products. So much like a hungry customer at a rest...

Strong Style: The Landscape of Japanese Pro Wrestling

Jun 19 // Soul Tsukino
  Japan Pro Wrestling Alliance (JWA):  Puroresu starts here. While many tours of pro wrestling were held in the post-war era, this is the first pro wrestling company to establish itself in Japan, starting in 1953. The JWA was the creation of a former sumo wrestler named Rikidozan (pictured above), who started wrestling a few years earlier.  The promotion was an instant hit as it became the first program shown live on Japanese TV with 3 days of wrestling shown on NHK and NTV. Later in the year Rikidozan became its first champion after shooting (going off the planned outcome) on judoka Masahiko Kimura and legitimately knocking him out. The JWA established many of the traditions of puro that are seen today such as multiple singles and tag team titles, holding annual tournaments, and bringing in foreign (Gaijin) talent to use on their shows. Sadly Rikidozan died in 1963 after being stabbed by a yakuza. After his death, the promotion had several internal struggles, mostly focused on who should replace Rikidozan as the company's top star. The JWA wanted to promote former baseball player, the 6'10" Shohei "Giant" Baba while some thought the top spot belonged to the faster and more technically sound Kanji "Antonio" Inoki. The two coexisted in the late 60s, but in 1972 the politics got so bad that both men left the JWA to start their own companies. The JWA struggled but ended up closing down in 1973 with all of its remaining talent going to either Baba's or Inoki's companies.   New Pro Wrestling (NJPW):  Started by Antonio Inoki in 1972, with him being the top star of the company. NJPW is the second biggest wrestling company in the world, behind WWE. Originally recognized the American NWF title as its top championship, they switched to the International Wrestling Gran Prix as its governing body in the 80's for all its titles. The company, along with Puroresu as a whole, hit a downturn in popularity in the late 1990s and early 2000's thanks to the rise of mixed martial arts, something Inoki was a trailblazer for with his shoot fights with Muhammad Ali, Willie Williams, and others in the 70's and 80's. Inoki didn't help puro's cause as he routinely sent wrestlers into one sided shoot fights against MMA stars and putting the IWGP title on people like Bob Sapp, Brock Lesnar, and Akebono. Inoki eventually stepped aside as head of the company to let his son-in-law Simon take over. Inoki sold the promotion to video game company Yukes before they sold it to current owner Bushiroad in 2012. Spearheaded by young new talent like Hiroshi Tanahashi, Okada, and Shinsuke Nakamura, NJPW was able to reverse its fortunes in the mid-2000's and grew to bigger heights. It has dominated the landscape in Japan ever since.   All Pro Wrestling (AJPW):  The company "Giant" Baba created in 1972. Was seen as more traditional of the post JWA companies and inherited all of the JWA's titles and a good number of its wrestlers, along with its membership in the American National Wrestling Alliance (NWA) when the JWA closed. With the NWA backing, AJPW held several world title matches with champions like Jack Brisco, Harley Race, and Ric Flair routinely stopping by, adding to the prestige of the company. Baba himself held the NWA World title 3 times, although his title reigns were usually very short, due to scheduling of the NWA title defenses. When the NWA dried up, Baba unified the companies singles titles (The PWF title, the NWA International Title, and the NWA United National title) to form the Triple Crown Championship in 1989. After Baba's death in 1999 from cancer, the company has had a major fall from prominence. Thanks to major talent defections in 2000 (led by top star and president Mitsuharu Misawa), and in 2012 (led by former president Kenji Mutoh), AJPW is a shell of its former self with only about 12 regularly contracted wrestlers. Though it still holds shows, the crowds are much smaller than NJPW's and rely heavily on freelance wrestlers.   Pro Wrestling NOAH:  The result of AJPW's second massive migration of talent in 2000 when president Mitsuharu Misawa quit, leading all but two native Japanese wrestlers away from All Japan to form a new company. The name is a reference to Noah's Ark. After taking big name wrestlers and securing All Japan's tv deal with Nippon TV, shot up to become a top player in overnight. It recognized the Global Honor Championship (GHC) as its main title. Sadly Misawa died in a tragic in-ring accident in 2009, and after some rough patches here and there, the company is still going strong. Although they could be considered the number 2 in right now, they don't mind lending out their talent either as NJPW's Minoru Suzuki and his group, Suzuki's Army, are actually based out of NOAH, including the Killer Elite Squad. Wrestle-1 (W1):  The result of top star and former company president Kenji Mutoh leading the third migration of talent from All Japan in 2012.  Although this promotion has done some promotional work with TNA/Impact Wrestling (resulting in the disastrous Bound For Glory show in 2014), it is still a smaller company that doesn't draw nearly the big crowds that New Japan does and is filled with wrestlers loyal to Mutoh, or students he is training.   Dramatic Dream Team (DDT):  Founded in 1997, DDT is an independent promotion that produces some wild antics that are a parody of WWE storylines. The most (in)famous aspect of this company is its Ironman Heavymetalweight Championship, a joke hardcore title that has been won by such title holders as two different dogs, a blow-up love doll, 3 different ladders and even the belt itself have been crowned champion. Outside the over the top stuff, it has produced some fine wrestlers including NJPW's Kota Ibushi.   Dragon Gate:  Originally this company started as Toryumon, based off Ultimo Dragon's training gym, but he left in 2003 for the WWE and took the name with him. Although they feature some heavyweights and some comedy characters, Dragon Gate's main bread and butter are smaller and faster style wrestlers, based off Ultimo Dragon's training in Mexico in the country's Lucha libre style. Several wrestlers from this group have wrestled in the United States for such companies as TNA, ROH, and Chikara and even has an American leg of the promotion, Dragon Gate, the uses top unsigned American talent. They also at one time had just about the coolest television opening in the world.   Freelance:  A concept that has grown in Japan, more so than in the Unites States, is freelance wrestlers. These are guys who are not signed to long-term deals with any one promotion in Japan and are able to go to any company they want. These folks are often used on big shows for companies, especially tournaments, or used to fill out shorthanded rosters. Even big promotions like New Japan use freelancers on their shows from time to time. There are other promotions in Japan, both past and present, but these are the major ones, especially in dealing with coverage of New Japan here on Japanator. The puroresu landscape is a large one with many different styles and approaches. There is something for every wrestling fan in Japan, so it's worth checking out. http://www.japanator.com/ul/33952-strong-style-the-landscape-of-japanese-pro-wrestling/NOAH-noscale.jpg
Strong Style photo
A broader look of Japanese Wrestling
Through the Strong Style coverage of New Japan Pro Wrestling on AXS TV, Japanator has given  a glimpse into the world of Japanese pro wrestling, or "puroresu", to its readers. Through the article, we've taken a look at s...

OP Up! Foodie Edition

Jun 17 // Red Veron
[embed]33964:4823:0[/embed]"LIVE for LIFE ~Ookamitachi no Yoru~"Anime: Ben-ToAn over-the-top show about fighting over discounted supermarket boxed lunches sounds as good as it's ridiculous premise. Think of a battle anime but people are fighting over cheap dinner but with martial arts moves and other techniques.[embed]33964:4824:0[/embed]"Comet Cloud"Anime: Yakitate!! JapanAn anime about a boy out to make a national bread for Japan who also happens to have "solar hands", where he has hands warmer than that of a normal human's hands. A fun and educational show that happens to also be a competitive shounen action show but fighting is done through cooking.[embed]33964:4825:0[/embed]"Dramatic"Anime: Honey and CloverNot exactly a show about food but this opening features some appetizing food as well as it is fun to watch.[embed]33964:4826:0[/embed]"The Song of Hope"Anime: Food WarsThe latest of this season about cooking and competing in making food in a cutthroat cooking academy where the main character is a genius teen cook. The food is drawn very deliciously well, as well as the pervy depiction of women (and men).Did I not feature your favorite anime about food? PLEASE SHARE IN THE COMMENTS BELOW! I want to know!
OP Up! photo
Ittadakimasu!
Who doesn't love food? Food is a universal thing that people love and anime has tackled the subject of food for a long time. From cooking food to appreciating food, anime has done it all, and even more when you check out this week's selection of openings. Enjoy!Did I not feature your favorite anime about food? PLEASE SHARE IN THE COMMENTS BELOW! I want to know!

Week Ender - Making Music Edition

Jun 13 // Red Veron
[embed]33944:4807:0[/embed]"Konna ni Chikaku de"Anime: Nodame CantabileA pretty great ending featuring a song by half-Korean/half-African American music artist Crystal Kay, whose pop RnB music gives you an enjoyable ending and something different for an anime featuring classical music.[embed]33944:4808:0[/embed]"NO, Thank You!"Anime: K-On!!The second ending to the one of the shows that popularized the "cute girls doing cute things" genre while delivering some great music on the side, the song featured in this ending has a more rock edge compared to the other songs in the show. Probably my favorite song from the show that isn't pop-centric.[embed]33944:4809:0[/embed]"Tutti!"Anime: Sound! EuphoniumKyoto Animation, the studio that animated this show, has begun the tradition of trying to make endings as a vehicle to popularize characters from their shows (as well as the voice actresses of those characters). This all started with K-On!! (featured above) and KyoAni seems to not be stopping anytime soon.[embed]33944:4810:0[/embed]"Don't say LAZY"Anime: K-On!!I take it back about the other K-On!! ending above, this song is also a favorite of mine. Okay, I like pretty much all the songs in from this show. They're pretty nice to listen to while working out.Do you have any anime endings that are from anime about making music with music instruments? SHARE IN THE COMMENTS BELOW!!!
Week Ender photo
Play that funky music, waifu-poi
This weekend's Week Ender features anime endings from anime about making that sweet music with all them musical instruments. Anime is a great medium to feature music with sound and visuals combining to make great viewing expe...

OP Up! Making Music Edition

Jun 10 // Red Veron
[embed]33936:4801:0[/embed]"Hit in the USA"Anime: BeckA pretty fun opening featuring some iconic Americana with a fun song entirely in english. Despite the grammatical errors, it's still pretty catchy and fun to sing.[embed]33936:4802:0[/embed]"Utauyo!! Miracle"Anime: K-On!My favorite opening from this show, it combines a frenetic pace with an equally energetic song while not forgetting to be cute. This opening also captures the feel of the spirit of high school girls with the silly things they do in the opening.[embed]33936:4803:0[/embed]"Allegro Cantabile"Anime: Nodame CantabileMy favorite opening out of this week's selection, this one is has it all: a lively and catchy song, attractive visuals all in a neat a simple opening. Great show that I urge you all out there to check out.[embed]33936:4804:0[/embed]"Dream Soldier"Anime: Sound! EuphoniumThis season's anime that's creating all that buzz (I'm behind a few episodes so I dunno what's going on. A feast for the eyes, from Kyoto Animation, the same studio that brought us K-On! (featured above), this opening just shows how refined they've become in making their openings.Did I not feature your favorite musical instrument-related opening? SHARE IN THE COMMENTS BELOW! I wanna HEAR from you. HAHAHAHAHAHA.BONUS VIDEO[embed]33936:4805:0[/embed]
OP Up! photo
Making sweet music together
This week's OP Up! is all about them bass. Well, not exactly but it features anime openings that have musical instruments and the people who make that music. Anime, being a visual and auditory medium, definitely adds to a sto...


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