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Why Gunslinger Girl moves me as it does


3:00 PM on 09.17.2009
Why Gunslinger Girl moves me as it does photo



Gunslinger Girl, I consistently maintain, is my favorite series within the world of anime and manga. Ever since I idly picked up the first volume of the manga in Barnes and Noble about five or six years ago, and eternally pulling out my hair as ADV released the titles more and more slowly.

I was saved by FUNimation releasing Madhouse's first season of the show, to which I was, and still am, in awe every time I watch an episode of the show. So, I finally sat down to watch Gunslinger Girl -Il Teatrino-, a series that I quickly dropped when it came out online because of the change in art studios, cast, and just about everything.

I needed to watch through it, if nothing other than to see things through and see where it took things. I may have scoffed at the series in the beginning, but by the end of it, I had to do some soul searching. Let's get into things after the jump.

[Header via Pixiv user Sato]

Gunslinger Girl is a series about these girls, usually in the age range of 10-14, who have been taken in by the Italian government's Social Welfare Agency to be turned into killer assassins with cybernetic parts. What grounds the series and keeps things serious is that all these girls are "broken," all having suffered horrendous fates before getting picked up by the Social Welfare Agency. For example, Henrietta, generally considered the main character of the series, was forced to watch a gang of thieves murder her family, and then suffered through being raped and beaten all throughout the night. Angelica, meanwhile, was run over by her father who was trying to collect the insurance money he had placed on her.

The question that hangs over your head as you read or watch the series is that these girls have been given a new life because of these advancements in cybernetics, but is it worth it? The girls have largely accepted their role, thanks to "conditioning" -- brainwashing, really -- that makes them doggedly loyal to their handlers, and has made them forget, for the most part, their horrid past.

I tag Henrietta and her handler, Jose, as the main characters because Jose's conflict is the most fleshed out and the most relatable: he doesn't want to use excessive conditioning on Henrietta, because of what it can do to her personality, and ultimately makes her less human. So he works to treat her well so that she will listen to him, while we see a range of other relationships between other handlers and their girls.

The emotional heartwrenching comes from not only seeing these girls fight and the moral questions surrounding what they're doing, but hearing the girls' backstories that are scattered throughout the series. Henrietta and Angelica's stories are tragic, but when you see Rico and Triella remember flashes of their past? It will make you break down.

So, I was a bit disappointed with Il Teatrino's handling of many of the stories. It has all the emotional capacity of a steamroller at times, and the shift from Madhouse to Artland killed the visual style. Oftentimes, the girls come off as really flat, devoid of detail, and plastered with cultist smiles on their face.

Despite having Yu Aida actively on staff, many of the stories -- The Prince of Pasta, the ending of the Pinocchio story -- just miss the mark on the emotional impact. Thanks in part to the art style, but also the story direction misses all the little things that pull at your heart here and there -- the things that make the final revelation so much more powerful -- creating a scene that works, but it just doesn't have anywhere near the same impact as in the manga. For those of you who have watched Il Teatrino, go back and read volume 5 of the manga -- or even just flip to the last chapter -- and see how Triella talks to Hillshire. The two are leagues apart, even though only minor changes exist.

I've been plagued recently with a certain level of emotional distress. In talking with Colette about trying to write this article, I finally figured out why I was such an emotional wreck after watching Il Teatrino and reading Damaged Goods: I am inherently attracted to broken girls. It's an instinct to protect and provide for these girls, to take them away from their pain, and do all that I can to set them on the right path to do something greater for themselves.

I suppose it fits into the moe discussion we've had earlier, but this is far from the sexual line that Jason Thompson talks about: it's a clear paternal instinct at work here. To me, it's so incredibly rewarding to see these girls move beyond the life they had where they were beaten and abused, even if they have been turned into killers. There is a level of kindness even within those actions. And Damaged Goods touched me so much because it shows that this sort of care really does happen within the real world.

Right now, the Gunslinger Girl license is languishing in ADV's hands. No overt moves have been made to acquire it, although we could hear word at New York Anime Fest over it. While we're waiting, though, I highly suggest picking up both the manga and the anime when you can so that you too can experience this story.

Why Gunslinger Girl moves me as it does photo
Why Gunslinger Girl moves me as it does photo
Why Gunslinger Girl moves me as it does photo





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Legacy Comments (will be imported soon)


I saw the first episode I think, but I never continued on from that, but I think I might give it another try.
waiting for hte march bluray boxset....one of my favorite series , and i felt in every way that the 2nd series matched the manga perfectly...line for line almost. I guess the voices might've not matched how you read it for the same emotional level or something, idk..matched up fine for me. I don't moved very easily though. Season 1 was better in almost every way but season 2 was still, story wise..one of my favorite anime. would've had amazing fights if madhouse did it
Hmm. I'll have to give the manga a try. I watched the first season of Gunslinger Girl on DVD, and I really liked it. Sounds like I'll like the manga even more.
Good Job Brad! You did what Destructoid and Tomopop couldnt achieve yet! Turning me from the eternal lurker into a User.
Always thought that its a pain to regsiter since the blogs I normally frequent dont require such stuff..

Anyways back to topic:
I actually never gave the Anime a Chance since those feelings you described could have never been transcended into the animated form to me.Is there a proof?Nope.Is this biased? Yes!

I guess its the fear that something I really cherish gets turned into just lolicon feast.I know this isnt the case with this work but yet I struggle against watching the Anime.
The Reason you are watching/reading Gunslinger Girl is interesting but quite contrary to the reason I am following it.
I do care less about the girls fate and more about the moral dilemma the "big brothers" are in and how they are emotionally getting done with it.Are the Girls just tools or something worth protecting yad yada you get the idea.
Thats probably one of the reasons why the Pasta King Arc is among my favorites since its portraying the inner conflict of Marco so wonderful.

I dont know how far you guys in the US are with the Manga but with the intrdocution of the new guy in Vol 8 they really got me in the guts since hes absuing his position in my eyes.Thats up to everyones interpretation though. Dont wanna spoil anything.

Ive got one last question though...
You mentioned Hillshire as Trielas Partner and Im kinda confused at the fact that hes called Hirscher over here and is of German Nationality.
I really love the series and it annoys me that alot of people don't give the 2nd season a chance because of the way it looks. It's different for alot of reasons. While the first season focused mainly on the past of the girls with bits of whats happening in the present here and there the 2nd focus's on a main story line and the only character that really gets expanded in any way is Triella.

How the overall story of the 2nd season is good and should be judge on it's own and not compared to the first season.

Also those who complain about the art style need to keep in mind that the first season had a MUCH bigger budget then the 2nd season and it would have probably been impossible to maintain the original style with the new budget which in addition to the change in studio may be the reason for the visual change.
So why is it just girls who are gunslingers?
Its because you like lolis.
I tried watching the first episode of the 2nd season (bought the first season) but the animation turned me off completely.
Maybe I should give it another try. This is the second review saying the story is good.
I don't know if you have any kids of your own, Brad, but believe me, When you have two daughters like I do, it really takes an already heartbreaking story and amplifies every nuance to waterfall-tear-gushing levels. You totally put yourself in the place of Jose, and your soul is crushed whenever one of the girls goes through their troubles. I have always hated it when anyone brushes this series off as lolicon... The relationships are paternal, not sexual or even pseudo-sexual. Anyone with kids sees this immediately. So, I guess, go have some kids, and your favorite series will become even favoriter! ^-^
@ChubbyHuggs

I think they say in the series that the reason all of them are young girls is because they take to the conditioning better then anyone else would and as such are more versatile.
@Blowfish Haven't started reading 8 yet, but I've got it sitting around. Official release is stuck at Vol. 6. Also, Hillshire is a cover name, I think. Either that, or that's just how the katakana got translated here in the U.S.

@Reibooi Second season just misses a lot of points by itself, so I think on its own grounds, it's not that great -- when compared with the first, it's just bad.

@Papasan I'm only 22 -- no daughters yet. Although I would very much like some in the future.
Do watch Requiem of Phantom, aka Phantom of Inferno. GSG is largely derived from that (plus the loli). It's a nice series and all but lacks overall structure and story that I would have wanted, unlike Phantom. I mean, I totally wanted the girls to go Battle Royale on each other but they just sing Beethoven songs in German!
@Peter Will check it out!
I couldn't get past the first episode of the second series, the animation quality was so poor. Also, for me, the first season was enough. There was nothing more they could do to emphasise the cruelty and pity of the girls' situation. Watching any more made me feel like a voyeur.
@Reibooi

Normally, I would give any show a shot despite the bad reviews, but all it took for me to avoid the 2nd season was to hear the voice acting while I was half asleep with my roommate watching it. Henrietta and Giuseppe's interaction made me cringe and wake up.

And guess what, my roommate dropped it after episode one as well.

I too absolutely adore Gunslinger Girl. It was the first anime I watched that truly disturbed and moved me at the same time. Hell, it is the ONLY manga I am buying right now on my student budget.

The first season was perfect, and if it isn't too much to ask, I would like the creepy opening song, quasi-classical themes, depressing atmosphere, and Italian arias back please.
@Rewarp

The voice cast for the 2nd season is the same as the first for English and it was a very very good dub. While the Japanese is different it doesn't really matter to me because I'm not a sub snob and if the voices in English are good I will watch in English and like I said the performances in English were great.
One of my very favorite shows! I have the manga vols. 1-5, wish I could afford more.....what?? there's EIGHT vols?!? Um, anyway....yeah, I can see that about the manga having more emotional impact than the 2nd season. I only saw 1 or 2 eps of Il Teatrino, still want to see it to the end despite everyone saying "bad production quality", etc etc. But there was a moment, um, *somewhere* in the comic (v.5??) where Rico is walking along the curb and gets reprimanded by Jean, and then, behind Jose's back Henrietta throws him a sidelong glance, hops on the curb and starts walking along it too.....and in the comic you can tell she's almost daring Jose, "Just try and say something about it". But in the anime, that subtle shade of meaning is totally missing. Henrietta just starts walking along the curb after Rico gets off like it's nothing. And as I watched that, I was like, "Hey...but...waitaminnit....what about...?" Unsatisfying. Anyway that's just my small and almost trivial contribution to the "emotional impact" issue. :)

But still! First season -- one of my very favorite shows!

And about having daughters of your own....I actually have one. She just turned 7. :) Does it break my heart to think about these horrendous things happening to little girls, who could be just like my own little girl? Mmm....kinda yes, because it's heartbreakingly sad. But on the other hand, no, because well.....it's just a story. ^^;;;; More like, as I was watching my daughter grow, I thought, "Cool! When she's old enough I'll try to see if I can get her to cosplay as Triela, and with me as Hillshire we'll go to a con!" *^^* And she's adventurous enough that she just might go along with it, heh.
It's just that the whole atmosphere the first season made was thrown out the window during Teatrino's pilot episode. The character designs screams "happy happy happy!" and it's like the plot has taken a whole 180 and that sucked. The first season plucked at the emotions delicately, while the second season is more like they're so happy to get one that they threw everything out and tried something else.
Gud serires i like it betta in Subs!, iz da second season out yet i can Remember....

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