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Annotated Anime: One Punch Man episodes 6 and 7

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That Feel When No One Knows You

The last couple of weeks of One Punch Man have delivered a couple of big hits, and neither courtesy of the titular "man" himself, Saitama.

One hit is more psychological/philosophical than anything else, and the second is literal in a way that befits a show as straightforward as to have a title like One Punch Man.

But first, an aside: Perhaps the most interesting news to come out of One Punch Man in the last couple of weeks has come from its production team. Chief Animation Director Chikashi Kubota recently revealed that, contrary to lay expectations (mine included), One Punch Man is animated using an "average-sized" budget, and is not the moneyed behemoth many thought it was judging by the high quality of its action scenes and prominence as a Shonen JUMP headliner.

It just goes to show how "anime" One Punch Man is, and not merely in adhering to cultural quirks most folks associate with "anime-like" things, but also in a more classical sense. Japanese TV anime developed many of its stylistic and storytelling conventions from the need to make the most of very limited resources. Compared to the Hollywood-led productions of the time, the style of animation pioneered by Tezuka Productions and other postwar studios is filled with cost-saving techniques that directly influenced the way stories are told in the medium today.

It's one of the reasons Studio Ghibli and Hayao Miyazaki famously disliked having their works lumped in with "anime", as to them, the term represented something defined by having been made on the cheap. Whatever the case, Kubota's tweet is a resounding affirmation on the talent at work with One Punch Man, that they can "hide the seams" so effectively that people think the show is much more expensive than it actually is.

Moving on, the first "hit" of episode six is the one most everyone will be familiar with, regardless of punching strength. After all, few things have more of an impact on a person than a good ol' reality check. In this case, Saitama learns of the world of work, as he realizes that C-ranked heroes like himself need to stop crime on a regular basis to keep from being dropped from the roster. Given that he's always been far too powerful to consider stopping muggers and helping old ladies worth his while, this leads to a mad scramble across town in search of bad guy to take down. 

The bad guy in question is Speed o' Sound Sonic, who opens his second appearance in the One Punch Man canon spoiling for a rematch. Needless to say, Saitama provides, absentmindedly filling his quota and inadvertently proving his superiority in one fell chop to the back of the head. 

The real meat of the episode, though, is in seeing the Hero Association conduct more investigations into the origins of monster activity in Saitama's hometown, City Z. Besides a cool boardroom sequence featuring reports from various high-class heroes, the task falls to two A-rank ringers, the slingshot-toting Golden Ball and the mustachioed Spring Mustachio. Facial hair is his superpower, alongside a wicked sword thrust that recalls the likes of Bleach's Gin, but somehow cooler.

After a cool action scene, the two heroes get plastered by a weird seaweed creature and learn little about the apparent mystery behind City Z (Hint: It's Saitama!), but we do get a further look into the inner workings of the Hero Association, including an early cameo by Tornado of Terror, a petulant, childlike telekinetic diva. 

After the period of relative downtime in episode six, things pick up steam in episode seven. Then again, how could they not? A meteor's about to hit the city, after all. In case folks were wondering about our lead characters' lack of screentime, episode seven is mostly about Genos, who has many steps yet to go in his heroic journey.

I've remarked before about how Genos could probably anchor a stereotypical action show all on his own. He's young, has a tragic backstory, and if not for his master, would probably be the star. That feeling's reinforced here, as he tries his damnedest to stop the meteor, despite a lack of aid from the apathetic Metal Knight and Bang, an aged martial-arts guru who's seen a lot of crap. Naturally, Saitama ends up stepping in to save the day, but there's never a doubt who the most heroic person was in this particular incident.

 

That doesn't mean our One-Punch wonder is completely without virtue, though. He may be oblivious, and kind of a dick, but he's the hero we deserve, especially compared to some of his peers. An incident with a pair of tank top-wearing jerks seems to impress that, with few exceptions, most of the heroes in the Hero Association are hardly heroic at all. Instead, the ranks are filled with preening, status-obsessed d-bags who care more for their place in the rankings than doing the right thing. By comparison, the only decent people are relative outsiders, like Saitama, Genos, and Bang, or the downtrodden, like the powerless Mumen Rider. One can't help but wonder if that's some kind of meta-commentary on how turning passion into work can lead ideals astray, but suffice it to say that being bad isn't exclusive to villains. 

[Watch more of One Punch Man on Daisuki and Crunchyroll!]

 

 

chief animation director Chikashi Kubota

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Josh Tolentino
Josh TolentinoManaging Editor   gamer profile

Josh is Japanator's Managing Editor, and contributes to Destructoid as well, as the network's premier apologist for both Harem Anime and Star Trek: Voyager For high school reasons, he's called "u... more + disclosures


 


 


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    Filed under... #anime #annotated anime #Daisuki.net #feature #Madhouse #recap

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